The beautifully minimalist SILENT LIGHT returns to Lincoln Center as part of fiftieth anniversary of the New York Film Festival
SILENT LIGHT (STELLET LICHT) (Carlos Reygadas, 2007)
Film Society of Lincoln Center, Walter Reade Theater
165 West 65th St. at Amsterdam Ave.
Monday, September 3, 8:00
212-875-5601
www.filmlinc.com
Carlos Reygadas’s Silent Light is a gentle, deeply felt, gorgeously shot work of intense calm and beauty. The film opens with a stunning sunrise and ends with a glorious sunset; in between is scene after scene of sublime beauty and simplicity, as Reygadas uses natural sound and light, a cast of mostly nonprofessional actors, and no incidental music to tell his story, allowing it to proceed naturally. In a Mennonite farming community in northern Mexico where Plautdietsch is the primary language, Johan (Cornelio Wall Fehr) is torn between his wife, Esther (Miriam Toews), and his lover, Marianne (Maria Pankratz). While he loves Esther, he finds a physical and spiritual bond with Marianne that he does not feel with his wife and their large extended family. Although it pains Johan deeply to betray Esther, he is unable to decide between the two women, even after tragedy strikes. Every single shot of the spare, unusual film, which tied for the Jury Prize at the 2007 Cannes Film Festival (with Vincent Paronnaud and Marjane Satrapi’s Persepolis), is meticulously composed by Reygadas (Japon, Battle in Heaven) and cinematographer Alexis Zabe, as if a painting. Many of the scenes consist of long takes with little or no camera movement and sparse dialogue, evoking the work of Japanese minimalist master Yasujiro Ozu. The lack of music evokes the silence of the title, but the quiet, filled with space and meaning, is never empty. And the three leads — Fehr, who lives in Mexico; Toews, who is from Canada; and Pankratz, who was born in Kazakhstan and lives in Germany — are uniformly excellent in their very first film roles. Silent Light is a mesmerizing, memorable, and very different kind of cinematic experience. Silent Light, which was shown at the 2007 New York Film Festival, is screening at the Walter Reade Theater as part of the ongoing series “50 Years of the New York Film Festival,” which continues with such NYFF vets as Jafar Panahi’s Offside, Abdellatif Kechich’s Black Venus, and Nuri Bilge Ceylan’s Once Upon a Time in Anatolia. Individual tickets for the fiftieth anniversary of the New York Film Festival, which runs September 28 through October 14, go on sale to the general public on September 9.
Jia Zhangke’s fourth film (following Pickpocket, Platform, and Unknown Pleasures) is set in a Beijing theme park called the World, where people come to see miniature versions of major international cities and landmarks, including Paris, New York, London, and Tokyo, the Taj Mahal, the Pyramids, the World Trade Center, Big Ben, and the Eiffel Tower. The luminous Zhao Tao stars as Tao, a park dancer dating security guard Taisheng (Chen Taisheng). She becomes friendly with Anna, a Russian woman who has come to the park to make money so she can reunite with her daughter. However, dreams don’t always come true in this microcosm of urbanization. As Tao questions her relationship with Taisheng, he starts seeing Qun (Wang Yiqun), a fashion designer who makes knock-offs and is trying to return to her husband, who lives in Belleville. Meanwhile, Xiaowei (Jing Jue) is trapped in an abusive relationship with Niu (Jiang Zhongwei) that threatens to explode. The World is a charming little film, not looking to make any grand statements, just concentrating on the problems of ordinary people all over the globe who are struggling to survive financially, emotionally, and romantically. The World, which was shown at the 2004 New York Film Festival and was followed by such other fine Zhangke works as Still Life, Useless, and 24 City, is screening at the Walter Reade Theater as part of the ongoing series “50 Years of the New York Film Festival,” which continues with such NYFF vets as Cristi Puiu’s The Death of Mr. Lazarescu, Jafar Panahi’s Offside, Carlos Reygadas’s Silent Light, and Nuri Bilge Ceylan’s Once Upon a Time in Anatolia. Individual tickets for the fiftieth anniversary of the New York Film Festival, which runs September 28 through October 14, go on sale to the general public on September 9.
