this week in lectures, signings, panel discussions, workshops, and Q&As

HAPPINESS IS . . . STRANGERS ON A TRAIN

Opposites attract in strange ways in Hitchcock classic STRANGERS ON A TRAIN

CABARET CINEMA: STRANGERS ON A TRAIN (Alfred Hitchcock, 1951)
Rubin Museum of Art
150 West 17th St. at Seventh Ave.
Friday, September 28, free with $7 bar minimum, 9:30
212-620-5000
www.rmanyc.org

The Rubin Museum’s Cabaret Cinema series “Happiness Is . . .” continues with one of Alfred Hitchcock’s most multilayered, complex tales, the 1951 psychological double-murder thriller Strangers on a Train. Shortly after introducing himself to amateur tennis star Guy Haines (Farley Granger) on a train, mama’s boy Bruno Anthony (an appropriately creepy Robert Walker) concocts a supposedly foolproof plan in which Bruno will kill Guy’s unfaithful wife, Miriam (Laura Elliott), so Guy can marry his socialite girlfriend, Anne Morton (Ruth Roman), one of the daughters of a U.S. senator (Leo G. Carroll). In return, Guy will kill Bruno’s father (Jonathan Hale). Bruno believes he has devised the perfect crisscross murder, with neither man having a clear motive and nothing for the cops to find to link them together. While Bruno is serious, Guy thinks he’s just a loon (Walker had in fact been recently released from a psychiatric clinic after suffering a nervous breakdown and died at the age of thirty-two before the film even opened), but after the psychopathic Bruno actually does kill Miriam — photographed in an unforgettable way by cinematographer Robert Burks, shown in a pair of broken eyeglasses — he starts shadowing Guy, insisting he keep his part of the bargain and kill Mr. Anthony, something Guy never intended on doing. Soon the cops are involved, along with a broken alibi, a key, and a critical cigarette lighter, leading to a spectacular conclusion on a merry-go-round. Loosely based on Patricia Highsmith’s debut novel and featuring an early screenplay written by Raymond Chandler (whose name was kept in the credits for marquee value despite Hitchcock’s famous — and literal — trashing of his contribution), Strangers on a Train is a powerful, tense mystery built around the idea of the double; from the opening scene of two pairs of shoes — immediately equating, and differentiating between, the two protagonists, as if they were two parts of the same person — to Hitchcock’s appearance carrying a double bass, to Anne’s younger sister, Babs (Patricia Hitchcock, Alfred’s daughter), wearing the same glasses as Miriam, to Bruno’s declaration, upon ordering two double scotches and relating them to tennis, “The only kind of doubles I play,” the film is filled with mirroring or directly opposing elements. As with Hitchcock’s Rope, which also starred Granger, Strangers on a Train also has a clear homosexual subtext; in real life Walker was straight while Granger was bisexual. Shot in a dark black-and-white that adds to the chilling effects, Strangers on a Train is one of Hitchcock’s best, a fully realized, frightening film that ends in a big way. The Rubin Museum screening on September 29 will be introduced by chef and musician Molly Neuman. “All in all,” Granger wrote in his 2007 autobiography, Include Me Out: My Life from Goldwyn to Broadway, “working on Strangers on a Train was my happiest filmmaking experience,” giving it extra reason to be included in this series that looks at different kinds of happiness in the movies.

WORLD MAKER FAIRE NEW YORK

The eepybird.com guys will be back at the Maker Faire, re-creating the Bellagio fountain out of Coke and Mentos (photo by twi-ny/mdr)

New York Hall of Science
47-01 111th St., Flushing Meadows Corona Park
September 29-30, $12-$27.50 per day, weekend pass $20-$50
718-699-0005
www.makerfaire.com
2011 maker faire slideshow

Last year’s Maker Faire at the New York Hall of Science was an absolute blast, both literally and figuratively, capped by a massive Coke-and-Mentos fountain display orchestrated by the folks at eepybird.com. The fair, dedicated to all kinds of cutting-edge technology and DIY creativity, is back this weekend with another full slate of family-friendly programs on Saturday and Sunday. There will be more than five hundred maker exhibits at the third annual fair, scattered around the 3D Printer Village, the Arduino Tent, the BUST Craftacular Marketplace, and the Maker Shed Store, showing off miraculous movement machines, wearable art, steampunk fantasies, robots, electrical experiments, computer games, rockets, food, and so much more. Attendees can check out the ITP Nerdy Derby, the Life Size Mousetrap, the Circus Warehouse, the Power Racing Series, the Swap-o-Rama-Rama Fashion Show, and, yes, the return of the massive Coke-and-Mentos exploding fountain. Among those giving special presentations in the NYSCI Auditorium are John Dudas (FIRST Robotics), Seth Godin (Art and Science and Making Things), Carla Hall (The Chew), Alton and Carrie Barron (Making Things Makes Us Better), and Jenny Sabin (Between Architecture and Science: Material Analogs), while dozens more will be hosting lectures, demonstrations, and workshops at several outdoor stages, examining such topics as “Controllable Paper Airplanes,” “The Useless Machine,” “Imaging the Future and Building IT,” “Crowdfunding Success Patterns,” and “Creating an Urban Tiny House Community.” The Music Stage will be home to a wide range of offbeat concerts using unusual instruments and electronics, with performances by Kelvin Daly, C. Chris Peters, Parallax Moon, Kim Boekbinder — The Impossible Girl, Moldover, and others. It doesn’t matter whether you were a high school science geek (or an adult science geek) or think you learned nothing in chemistry, biology, and physics; the Maker Faire will make you feel like a kid again, even as it leads the way into the future. For a look at last year’s fest, go here.

NYFF50: THE 50th NEW YORK FILM FESTIVAL

Ang Lee’s LIFE OF PI will open the fiftieth annual New York Film Festival

Alice Tully Hall, 1941 Broadway at 65th St.
Walter Reade Theater, 165 West 65th St. at Amsterdam Ave.
Elinor Bunin Munroe Film Center: Francesca Beale Theater, Howard Gilman Theater, Amphitheater, 144 West 65th St. between Broadway & Amsterdam Ave.
Bruno Walter Auditorium, 111 Amsterdam Ave. between West 64th & 65th Sts.
September 28 – October 14
212-875-5601
www.filmlinc.com

The New York Film Festival is paying tribute to a pair of milestones this year, as 2012 marks the fiftieth anniversary of the festival, and longtime program director Richard Peña is stepping down after a quarter century of inspired service at the Film Society of Lincoln Center, leaving behind quite a legacy. This year’s festival begins on September 28 with the world premiere of Ang Lee’s Life of Pi, adapted from Yann Martel’s novel, and closes on October 14 with the world premiere of Robert Zemeckis’s Flight, starring Denzel Washington, Melissa Leo, and Don Cheadle. The centerpiece selection is the world premiere of David Chase’s hotly anticipated Not Fade Away, reuniting him with his Sopranos star, James Gandolfini. Other films, by some of the greatest directors from around the globe, include Michael Haneke’s Amour, Cristian Mungiu’s Beyond the Hills, the Taviani brothers’ Caesar Must Die, Noah Baumbach’s Frances Ha, Sally Potter’s Ginger and Rosa, Abbas Kiarostami’s Like Someone in Love, Raúl Ruiz’s Night Across the Street, Brian De Palma’s Passion, Olivier Assayas’s Something in the Air, Alain Resnais’s You Ain’t Seen Nothin’ Yet, and Lee Daniels’s The Paperboy, part of the Gala Tribute to Nicole Kidman.

Peter O’Toole’s eyes should shine even more in 4K restoration of David Lean’s LAWRENCE OF ARABIA at the New York Film Festival

The Masterworks section reexamines such films as Amos Gitai’s Field Diary, Bob Rafelson’s The King of Marvin Gardens, Laurence Olivier’s Richard III, Federico Fellini’s Fellini Satyricon, a 4K restoration of David Lean’s Lawrence of Arabia, and Michael Cimino’s Heaven’s Gate, with Cimino on hand to talk about one of Hollywood’s most famous financial disasters. (Was the film really that bad?) Among the special events are Oliver Stone’s Untold History of the United States, theater legend Richard Foreman’s Once Every Day, and a twenty-fifth-anniversary screening of the cult classic The Princess Bride, with a reunion bringing together director Rob Reiner and stars Billy Crystal, Cary Elwes, Carol Kane, Mandy Patinkin, Chris Sarandon, and Robin Wright. The Convergence section looks at cutting-edge technology in cinematic storytelling, with keynote conversations, works-in-progress, and the live multimedia presentation Whispers in the Dark. The annual Views from the Avant-Garde sidebar features works by Ruiz, Peter Kubelka, Chris Marker, Luke Fowler, Nathaniel Dorsky, and others. There will also be a daily talk show, NYFF Live, taking place at 7:00 in the evening in the Elinor Bunin Munroe Film Center Amphitheater with various actors, directors, critics, and other insiders discussing the state of modern cinema.

HOW TO SURVIVE A PLAGUE

HOW TO SURVIVE A PLAGUE provides a fascinating inside look at AIDS activists fighting the power

HOW TO SURVIVE A PLAGUE (David France, 2012)
IFC Center
323 Sixth Ave. at West Third St.
Opens Friday, September 21
212-924-7771
www.ifccenter.com
www.surviveaplague.com

Contemporary activists stand to learn a lot from the gripping documentary How to Survive a Plague. For his directorial debut, longtime journalist David France, one of the first reporters to cover the AIDS crisis that began in the early 1980s, scoured through more than seven hundred hours of mostly never-before-seen archival footage and home movies of protests, meetings, public actions, and other elements of the concerted effort to get politicians and the pharmaceutical industry to recognize the growing health epidemic and do something as the death toll quickly rose into the millions. Focusing on radical groups ACT UP and TAG (Treatment Action Group), France follows such activist leaders as Peter Staley, Mark Harrington, Larry Kramer, Bob Rafsky, and Dr. Iris Long as they attack the policies of President George H. W. Bush, famously heckle presidential candidate Bill Clinton, and battle to get drug companies to create affordable, effective AIDS medicine, all while continuing to bury loved ones in both public and private ceremonies. France includes new interviews with many key activists who reveal surprising details about the movement, providing a sort of fight-the-power primer about how to get things done. The film also shines a light on lesser-known heroes, several filled with anger and rage, others much calmer, who fought through tremendous adversity to make a difference and ultimately save millions of lives. France will be at the IFC Center to talk about How to Survive a Plague at numerous screenings on Friday, Saturday, and Sunday of opening weekend.

ATP: I’LL BE YOUR MIRROR

ALL TOMORROW’S PARTIES USA 2012
Pier 36
East River between Manhattan & Brooklyn Bridges
September 21-23, $60-$75 per day, three-day pass $199
www.atpfestival.com

At long last, after more than ten years, the ATP festival is finally coming to New York City. All Tomorrow’s Parties, the international music festival that has taken place in the UK, Australia, Asbury Park, and the Catskills, will be presenting I’ll Be Your Mirror this weekend at Pier 36 on the East River between the Brooklyn and Manhattan Bridges. Past ATP festivals have been curated by the likes of Sonic Youth, Pavement, Portishead, Mogwai, the Breeders, Matt Groening, Modest Mouse, the Flaming Lips, and Nick Cave and the Bad Seeds; taking the reins at IBYM 2012 is Greg Dulli, leader of the recently reunited Afghan Whigs, who has invited friends and colleagues to participate from all over the musical map. Things get going on Friday with Frank Ocean, Philip Glass and Tyondai Braxton, Janeane Garofalo, Lightning Bolt, Lee Ranaldo’s “Hanging Guitar,” Hannibal Buress, DJ Edan, and Kurt Braunohler. Saturday’s schedule includes the Afghan Whigs, the Roots, José González, the Mark Lanegan Band, Dirty Three, the Antlers, JEFF the Brotherhood, the Dirtbombs, Scrawl, Emeralds, Vetiver, Afterhours, Charles Bradley and the Extraordinaires, Joseph Arthur, and DJ Questlove, while Sunday’s roster consists of Godspeed You! Black Emperor, the Make-Up, Hot Snakes, the Magic Band, Autolux, Thee Oh Sees, Lee Ranaldo, the Album Leaf, BRAIDS, Quintron and Miss Pussycat, Tall Firs, Blanck Mass, the Psychic Paramount, Endless Boogie, Demdike Stare, and DJ Jonathan Toubin. In addition, Criterion and Dulli have come up with a great selection of films that will be shown during the weekend, with Quadrophenia on Friday, The Night of the Hunter, Something Wild, The King of Marvin Gardens, and Dazed & Confused on Saturday, and Big Star: Nothing Can Hurt Me, Paul Fejos’s Lonesome, The Royal Tenenbaums, Eating Raoul, and Harold & Maude on Sunday. Dulli has also recommended a handful of books, some of which will be highlighted on the Lapham’s Quarterly Literary Stage: James Ellroy’s The Black Dahlia, Steve Toltz’s A Fraction of the Whole, Denis Johnson’s Nobody Move, Katherine Dunn’s Geek Love, and Joan Didion’s Play It as It Lays, with Evan Michelson and Mike Zohn of Oddities talking about Geek Love on Saturday and Julie Klausner of How Was Your Week discussing Play It as It Lays on Sunday. To get in the mood, you can check out Dulli’s festival mixtape here.

HAPPY TALK

The Rubin Museum examines the pursuit of happiness with a series of cool programs through December

Rubin Museum of Art
150 West 17th St. at Seventh Ave.
September 23 – December 21, $20 – $35 (Love Songs $85, Cabaret Cinema free with $7 bar purchase)
212-620-5000
www.rmanyc.org

Rubin Museum genius programmer Tim McHenry is at it again, coming up with yet another unique and fascinating series at one of the city’s most exciting institutions. “Just how happy are you?” the man behind the perennially thrilling Brainwave festival asks. “The alleviation of suffering is central to Buddhist belief; the result is a form of happiness. The pursuit of happiness is cited as an inalienable right in the Declaration of Independence; the result is what, exactly? Are we talking about the same condition?” We all want to be happy, but happiness is different for every one of us. On September 23, Happy Talk kicks off with a series of inspired pairings, as artists from a variety of disciplines sit down with scientists, philosophers, and other big-time thinkers to discuss what inner and outer, personal and public joy is all about. That first session will feature entertainment legend Elaine Stritch with Duke Institute for Brain Sciences member P. Murali Doraiswamy and will be followed by such promising duos as performance artist Laurie Anderson and Harvard psychiatry professor Daniel Gilbert, meditation expert Sharon Salzberg and visual artist Josh Melnick, Dexter star Michael C. Hall and Cambridge research psychologist Kevin Dutton, playwright Neil Labute and singer-songwriter Aimee Mann, and award-winning actress Julianne Moore and Berkeley philosophy and psychology professor Alison Gopnik, among others. As a sidebar, the Rubin’s Friday-night Cabaret Cinema turns its attention to the theme of “Happiness is…,” with Dan Kleinman introducing Woody Allen’s Annie Hall on September 21, Molly Neuman discussing Alfred Hitchcock’s Strangers on a Train on September 28, and Lili Taylor talking about Frank Capra’s It’s a Wonderful Life on October 5; the series continues through December 21 with such other films that deal with various levels of unhappiness as Five Easy Pieces, 8½, The 400 Blows, Brief Encounter, South Pacific, and Grapes of Wrath. In addition, the Rubin will premiere Victress Hitchcock’s documentary When the Iron Bird Flies, which examines Tibetan Buddhism’s path around the world, October 19-24, with most screenings including special speakers. And finally, on December 7, Rosanne Cash will present “Love Songs,” an evening of music with a trio of happy musical couples: Cash and John Leventhal, Steve Earle and Allison Moorer, and Larry Campbell and Teresa Williams. Wanna know one of the things that makes us happy? Our regular visits to the Rubin Museum, which never fails to ignite our minds and put huge smiles on our faces.

NEW YORK ORIGINALS LAUNCH PARTY

Rizzoli Bookstore
31 West 57th St. between Fifth & Sixth Aves.
Thursday, September 20, free with RSVP, 5:30
www.rizzoliusa.com
www.newyorkoriginalsonline.com

It’s rather ironic that the first place profiled in Jamie McDonald’s New York Originals: A Guide to the City’s Classic Shops and Mom-and-Pops (Universe, September 2012, $24.95) is Domenick DeNigris Monuments in the Bronx, which has been selling headstones and mausoleums for more than a hundred years, since one of the things the book celebrates is longevity in addition to originality. “Decades ago, most small towns sold out their town squares in favor of cheaper and more convenient megastores on the outskirts of the city,” writes the man behind the Emmy-winning television series the book is named after. “People began to forget that the corner coffee shop or local shoe store provided not only goods and services, but also a small part of their community’s uniqueness and character. New York City is ironically one of the last vestiges of small-town America.” In words and pictures, McDonald, who was born in Indiana but now lives in Midtown Manhattan, visits seventy-five shops in all five boroughs, from Neir’s Tavern & Steakhouse, established in Woodhaven in 1829, to Brooklyn Copper Cookware, which opened its doors in Dumbo just two years ago. In the book, arranged alphabetically by borough, McDonald talks with the current managers and owners, many of whom are third and fourth generation, providing the history behind the shop as well as its current status. He makes stops at such honored eateries as Brennan and Carr, De Robertis Pasticceria and Caffe, Ear Inn, Eisenberg’s Sandwich Shop, Keens Steakhouse, Nom Wah Tea Parlor, Russ & Daughters, and the Lemon Ice King of Corona as well as the Umbee Sunshade Company, which has been making umbrellas in Williamsburg since 1933; the Jane Hotel, which has been taking in travelers in the West Village since 1908; Brownies Pro and Sport Hobbies, a hobby shop in Port Richmond that opened in 1971; the Cameo Pet Shop, which has been selling tropical fish, birds, and other animals in Richmond Hill since, 1947; and JJ Burck Marine Supplies, which has been specializing in boating equipment on City Island since 1928. To celebrate the release of the book, McDonald will be signing copies at the Rizzoli Bookstore on Thursday, September 20, from 5:30 to 7:00, with refreshments supplied by some of the shops included in the book. Each book purchased that night will come with engraved New York City Taxi Correspondence Cards inside a hand-lined envelope, courtesy of Dempsey & Carroll, which has been making engraved stationery since 1878 on the Upper East Side.