Tribeca Cinemas, 54 Varick St., Maysles Cinema, 343 Malcolm X Blvd., the Quad, 34 West 13th St., the SVA Theatre, 333 West 23rd St., the Center for Remembering and Sharing, 123 Fourth Ave., and the CUNY Graduate Center, 365 Fifth Ave.
March 16-22, free – $15 (all access pass $200)
www.ratedsrfilms.org
Started last year by Nora Armani as a response to the violence in mainstream movies, both in the narrative as well as the style of filmmaking, the Socially Relevant Film Festival consists of fiction and nonfiction films from more than thirty countries focusing on “human interest stories that raise awareness to social problems and might offer positive solutions through the powerful medium of cinema.” The festival, running at Tribeca Cinemas, Maysles Cinema, the CUNY Graduate Center, the SVA Theatre, the Center for Remembering and Sharing, and the Quad, opens March 16 with a free screening (advance RSVP recommended) of Hϋseyin Karabey’s Come to My Voice, in which a young Kurdish girl, with her grandmother, has to find a gun to free her imprisoned father. Other programs include Michael Buckley’s Plundering Tibet with Giordano Cossu’s Umudugudu! Rwanda 20 Years On; Justin Thomas’s Truth Through a Lens, about the evolution of onetime Brooklyn street kid Dennis Flores; Matthias Leupold’s Lighter than Orange, which looks at the human cost of the use of Agent Orange in Vietnam; and Kaouther Ben Hania’s mockumentary Challat of Tunis, about the vicious slashing of eleven women in 2003. Most screenings will be followed by a Q&A with the filmmakers and other guests. There will also be panel discussions on distribution, storytelling, casting, and, closing the festival, “Next: An Open Dialogue on the Potential of Art as a Revolutionary Tool,” with Jessica Vale and Cherrell Brown, moderated by Adam Kritzer.
No, with Seymour: An Introduction, Ethan Hawke hasn’t managed the nearly impossible, filming an adaptation of the J. D. Salinger story about a young man who commits suicide. Instead, Hawke uses the title for his beautifully touching, life-affirming portrait of octogenarian composer and musician Seymour Bernstein. An extraordinary pianist, the Newark-born Bernstein started playing when he was three, began giving lessons when he was fifteen, and, when he turned fifty, decided to stop performing recitals despite great critical success, in order to concentrate on teaching and composing and to avoid his stage fright and the negative aspects of commercial fame. After meeting at a dinner party, Hawke and Bernstein hit it off and agreed to collaborate on the project, which was filmed over the course of two years. Hawke, in his first documentary and third feature as director (following Chelsea Walls and The Hottest State), shows Bernstein holding master classes in auditoriums, teaching in his cramped New York City apartment, talking in a café with former student and current New York Times architecture critic Michael Kimmelman, and selecting just the right piano for a recital Hawke convinces him to give at the Steinway & Sons showroom on West Fifty-Seventh St.; in addition, Hawke speaks with such other Bernstein friends as writer and scholar Andrew Harvey, pianist and lecturer Joseph Smith, and musician and songwriter Kimball Gallagher. 
