David Thorpe examines how his voice affects his life in DO I SOUND GAY? (photo courtesy of ThinkThorpe)
DO I SOUND GAY? (David Thorpe, 2015)
IFC Center
323 Sixth Ave. at West Third St.
Opens Friday, July 10
212-924-7771
www.doisoundgay.com
www.ifccenter.com
About ten minutes into journalist David Thorpe’s absolutely charming yet emotionally bittersweet Do I Sound Gay?, he is at dinner with his best friends, Alberto and Sam, and the three are discussing the title question. It’s a fascinating conversation that is worth detailing extensively here. “I have the impression that you think it sounds bad,” Alberto says about David’s voice. “I interpret David’s feelings about this, and the feelings around this whole project, as bad. He has negative feelings about his voice, about the perception that it creates.” “And you don’t feel that at all yourself?” Sam asks. Alberto responds, “I have sort of a generic self-loathing that is created around my gayness. . . . . But I don’t think I can say it’s the only thing, or the main thing.” Finally, David chimes in, explaining, “I think I feel out of sync with my voice, and, at least it seems to me, that it’s anxiety about sounding too gay, so, okay, let’s see what it’s like to not sound gay, and maybe I’ll feel more in sync and maybe I’ll have some idea what my voice should sound like.” Alberto then gets to the heart of the matter, inquiring, “But you could also argue, why don’t you just accept how you sound?” And Alberto sums it all up: “We have never talked about this idea until you brought it up. I don’t know anybody else that I’ve talked to about it either. So I think there is this thing, obviously, that we all are aware of that hasn’t been spoken of. Maybe this is the elephant in the room.” David spends the rest of the film exploring the elephant in the room, meeting with speech therapists who examine his voice and teach him how to change it; talking to such out-of-the-closet gay icons as Dan Savage, Tim Gunn, Margaret Cho, David Sedaris, Don Lemon, and George Takei, who delve into their own gayness and how their voice is part of that; introducing us to a boy who was beaten up at school at a very young age because of his voice; and interviewing gay people on the street, who share their thoughts on whether they, or he, do or don’t sound gay, and whether that matters. Sedaris, whose short story “Go Carolina” served as inspiration for Thorpe, tells him, “I’m embarrassed to say this, but sometimes somebody will say, ‘I didn’t know you were gay.’ It’s like, Why does that make me feel good. I hate myself for thinking that. It’s very disturbing. I thought I was beyond that. What’s the problem if somebody assumes that I’m gay when I open my mouth? Why do I have a problem with that?”
David Thorpe meets with such gay icons as Dan Savage as he explores how one’s voice affects perception (photo courtesy of ThinkThorpe)
Indeed, why does anyone have a problem with that? Do I Sound Gay? raises a host of important issues, both directly and indirectly, that deal with how we all judge ourselves, and others. We’ve all heard someone’s voice and assumed him or her to be gay, but Thorpe interviews one friend who “sounds gay” but isn’t. We all want to believe we don’t see race or ethnicity or religion, or see or hear “gay,” but of course we do; what’s key is how we respond to that, or even whether we respond at all. After breaking up with his boyfriend, Thorpe decided that his voice was part of the reason why he was forty and single; watching him practice changing his voice makes one think of kids who are sent to special camps to get rid of the gay. There are things we all would like to change about ourselves, but do we actually want or need to change ourselves in this way? Thorpe has an appealing personality, so it hurts to watch him try to alter his voice, even if it’s also funny. Interestingly, he doesn’t get into nature vs. nurture and biological issues, but it’s engrossing to follow this parade of men who sound a certain way and to see that some of them are proud of it, some are not, and others just accept it for what it is. “Some of the gayest people I know are straight, and some of the butchest men I’ve ever met are gay,” Gunn says. “So in some ways, never assume.” In a country mired in a fierce debate over same-sex marriage, Do I Sound Gay? feels like it’s just what the doctor ordered, a playful, fun, yet riveting look into a rarely examined issue that is more ubiquitous than anyone has been willing to admit before, a serious topic with critical ramifications that is handled with grace and humor by Thorpe in his feature-length debut. Do I Sound Gay? opens July 10 at the IFC Center, with Thorpe in person for Q&As following the 7:55 shows on Friday (hosted by Mo Rocca) and Saturday (hosted by Catie Lazarus).
It’s rather hard to tell how much Japanese auteur Nagisa Ôshima is monkeying around with his very strange 1986 movie, Max, Mon Amour, a love story between an intelligent, beautiful woman and a chimpanzee. The director of such powerful films as Cruel Story of Youth; Merry Christmas, Mr. Lawrence; Taboo; and In the Realm of the Senses seems to have lost his own senses with this surprisingly straightforward, tame tale of bestiality, a collaboration with master cinematographer Raoul Coutard, who shot seminal works by Truffaut and Godard; screenwriter Jean-Claude Carrière, who has written or cowritten nearly ninety films by such directors as Pierre Étaix (who plays the detective in Max), Luis Buñuel, Volker Schlöndorff, Philippe Garrel, and Miloš Forman; and special effects and makeup artist extraordinaire Rick Baker, the mastermind behind the 1976 King Kong, the Michael Jackson video Thriller, Ratboy, Hellboy, and An American Werewolf in London, among many others. Evoking Bedtime for Bonzo and Ed more than Planet of the Apes and Gorillas in the Mist, Max, Mon Amour is about a well-to-do English family living in Paris whose lives undergo a rather radical change when husband Peter Jones (Anthony Higgins) catches his elegant wife, Margaret (Charlotte Rampling), in bed with a chimp. Margaret insists that she and the chimp, Max, are madly in love and somehow convinces Peter to let her bring the sensitive yet dangerous beast home, which confuses their son, Nelson (Christopher Hovik), and causes their maid, Maria (Victoria Abril), to break out in ugly rashes. Peter, a diplomat, works for the queen of England, so as he prepares for a royal visit to Paris, he also has to deal with this new addition to his ever-more-dysfunctional family.
