Paul Giamatti, David Strathairn, and Bryan Doerries team up for special event at the 92nd St. Y
Who: Paul Giamatti, David Strathairn, Bryan Doerries, Thane Rosenbaum
What: “The Redemptive Power of Ancient Stories”
Where: 92nd St. Y, Buttenwieser Hall, 1395 Lexington Ave. at 92nd St., 212-415-5500
When: Saturday, April 16, $32 ($15 for ages thirty-five & under), 7:30
Why: “What do Greek tragedies have to say to us now? What timeless things do they show us about what it means to be human? What were these ancient plays originally designed to do? And can they still work for audiences and readers today?” writer, director, and translator Bryan Doerries asks in the prologue to his book The Theater of War: What Ancient Greek Tragedies Can Teach Us Today (Knopf, September 2015, $26.95). Doerries is the artistic director of Outside the Wire, a self-described “social impact company” that presents such projects as End of Life, Prometheus in Prison, and Theater of War, which consists of dramatic readings of Sophocles’s Ajax and Philoctetes performed for military and civilian communities in America and Europe, with a particular focus on the psychological and physical impact of war. On April 16, Doerries will be joined by Emmy-winning, Oscar-nominated actors Paul Giamatti (Cinderella Man, John Adams) and David Strathairn (Good Night, and Good Luck.; Temple Grandin) at the 92nd St. Y, where they will perform dramatic readings and participate in a discussion moderated by writer and law professor Thane Rosenbaum. The evening will conclude with Doerries signing copies of The Theater of War as well as his brand-new graphic novel, The Odyssey of Sergeant Jack Brennan (Pantheon, April 5, 2016, $19.95), which links Homer’s Odyssey to American soldiers returning home from Afghanistan.
Sam Peckinpah cemented his reputation for graphic violence and eclectic storytelling with the genre-redefining 1969 Western The Wild Bunch. When a robbery goes seriously wrong, Pike Bishop (William Holden), Dutch Engstrom (Ernest Borgnine), Freddie Sykes (Edmond O’Brien), Angel (Jaime Sánchez), and brothers Lyle (Warren Oates) and Tector Gorth (Ben Johnson) set out to get even, planning an even bigger score by going after a U.S. Army weapons shipment on a railroad protected by detective Pat Harrigan (Albert Dekker) and his hired gun, Deke Thornton (Robert Ryan), who is given nothing but “egg-suckin’, chicken-stealing gutter trash” to work with, including the hapless Coffer (Strother Martin) and T.C. (L. Q. Jones). The aging Pike, who sees this as his last score, is worried about being in cahoots with the unpredictable General Mapache (Emilio Fernández), a local warlord battling Pancho Villa’s freedom forces. But at the center of the film is the cat-and-mouse game between Pike and Thornton, the latter determined to capture his former partner, who left him to rot in jail years earlier. It all comes to a head in Agua Verde, which might translate to “Green Water” but will soon be bathed in red blood in one of the most violent shoot-outs ever depicted on celluloid.
About halfway through Unzipped, Douglas Keeve’s thrilling 1995 documentary, which follows fashion designer extraordinaire Isaac Mizrahi as he puts together his fall 1994 collection following a critical disaster, Mizrahi says, “Everything’s frustrating; every single thing is frustrating. Except designing clothes. That’s not frustrating. That’s really liberating and beautiful. I don’t know, being overweight and not being able to lose weight, you know, that’s a problem. Anything you’re really working hard at and that’s not working, that’s a problem. But frankly, designing clothes is never a problem.” Of course, the statement doesn’t exactly ring true as Mizrahi, usually with his trademark bandanna wound around his wild, curly hair, encounters his fair share of difficulties as he meets with Candy Pratts and André Leon Talley from Vogue and Polly Mellen from Allure, expresses his hopes and fears with Mark Morris, Sandra Bernhard, Eartha Kitt, and his mother, and works with such supermodels as Kate Moss, Naomi Campbell, Cindy Crawford, Shalom Harlow, Linda Evangelista, Carla Bruni, Christy Turlington, and Amber Valletta. Along the way he makes endless pop-culture references, singing the theme song from The Mary Tyler Moore Show, citing scenes from The Red Shoes, Marnie, Valley of the Dolls, and Whatever Happened to Baby Jane? and using Nanook of the North and The Call of the Wild as creative inspiration.