this week in lectures, signings, panel discussions, workshops, and Q&As

TRIBECA FILM FESTIVAL 2016: FREE EVENTS

Adam Nimoys documentary about his father will have a special free screening at Tribeca

Adam Nimoy’s documentary about his father will have a special free screening at Tribeca

Tribeca Film Festival
Multiple venues
April 14-24
tribecafilm.com

The Tribeca Film Festival used to have more free events, including talks at B&N and the Apple Store, but this year, the fest’s fifteenth anniversary, there are not quite as many panels or screenings that don’t require dinero. (Speaking of dinero, the 2016 gala takes place at the Beacon on April 21, a fortieth anniversary screening of Martin Scorsese’s Taxi Driver, followed by a conversation with Scorsese, TFF cofounder Robert De Niro, Jodie Foster, Cybill Shepherd, and Paul Schrader, moderated by Kent Jones; tickets range from $70 to $355.) The majority of free events are scheduled for Friday, April 22, as part of the Film for All program, which consists of eight free screenings; advance registration is required. (Live links are included below with each listing.) There are also several master classes and special programs highlighting young filmmakers that are first come, first served. [ed. note: We spoke too soon. Shortly after this posted, Tribeca announced free panels at the new Samsung 837 location as well as a free Ghostbusters screening and fan fest. Keep checking here for more free events as they’re added.]

Thursday, April 14
Tribeca Talks: Unscripted & Immersive — Behind the Scenes: The New York Times’ Virtual Reality, with Jake Silverstein, Sam Dolnick, Steve Duenes, and Jenna Pirog, Samsung 837, 837 Washington St., 6:30

Friday, April 15
Tribeca Talks — Master Class: Dolby, with Glenn Kiser, SVA Theatre 2 Beatrice, 3:00

Tribeca Talks: Unscripted & Immersive — Behind the Scenes: LoveTrue Director Alma Har’el in Conversation with Michael Cera, Samsung 837, 837 Washington St., 6:30

Saturday, April 16
Tribeca Talks: Unscripted & Immersive — Behind the Scenes: Making of Invasion! Exploring Empathy and Agency in VR, with Eric Darnell, Maureen Fan, Maciej Gliwa, and Cody Gramstad, Samsung 837, 837 Washington St., 6:30

Sunday, April 17
Downtown Youth Behind the Camera, short films, Regal Cinemas Battery Park, 11:45 am

Tribeca Talks — Master Class: Prepping to Shoot with Catherine Hardwicke, SVA Theatre 2 Beatrice, 3:00

Monday, April 18
Tribeca Talks: Unscripted & Immersive — Behind the Scenes: The Artists of Vrse: A Conversation with Chris Milk, with Gabo Arora, Ari Palitz, Sandy Smolan, and James Nestor, Samsung 837, 837 Washington St., 5:00

Thursday, April 21
Our City My Story, works by young filmmakers in competition, Bow Tie Chelsea Cinemas, free with advance registration, 6:00

Friday, April 22
Film for All: For the Love of Spock (Adam Nimoy, 2016), Bow Tie Cinemas Chelsea 6, free with advance registration, 3:30

Film for All: Command and Control (Robert Kenner, 2016), Bow Tie Chelsea Cinemas, free with advance registration, 3:45

Film for All: The Phenom (Noah Buschel, 2016), Regal Cinemas Battery Park, free with advance registration, 3:45

Film for All: Solitary (Kristi Jacobson, 2016), Regal Cinemas Battery Park, free with advance registration, 4:15

Film for All: Actor Martinez (Mike Ott & Nathan Silver, 2016), Regal Cinemas Battery Park, free with advance registration, 5:00

Film for All: National Bird (Sonia Kennebeck, 2016), Bow Tie Chelsea Cinemas, free with advance registration, 5:30

Film for All: Vice World of Sports (Evan Rosenfeld, 2016), SVA Theatre 2 Beatrice, free with advance registration, 5:30

Film for All: Burden (Richard Dewey & Timothy Marrinan, 2016), Regal Cinemas Battery Park, free with advance registration, 8:45

Free Tribeca Film Festival Street Fair takes place April

Free Tribeca Film Festival Street Fair takes place April 23

Saturday, April 23
Tribeca on Location: Tribeca Film Festival Street Fair, Greenwich St. from Hubert to Chambers Sts., 10:00 am

Tribeca/ESPN Sports Day, Greenwich St. at North Moore St., 10:00 am

Tribeca Talks — Master Class: Inside Casting, with Ellen Lewis and Ellen Chenoweth, moderated by Bernard Telsey, SVA Theatre 2 Beatrice, 2:30

Ghostbusters Fan Fest, including screening of Ghostbusters (Ivan Reitman, 1984), video greeting by cast of 2016 remake, introduction and conversation with producers behind new Ghostheads documentary, games, guided tour of original Ghostbusters headquarters, and more, Regal Battery Park Stadium 5, 3:00 (followed by sneak preview work-in-progress screening of Ghostheads at 5:30, $23.50)

TRIBECA FILM FESTIVAL: FIFTEEN FOR FIFTEEN

Tom Hanks and John Oliver will get together for a at Tribeca Film Festival

Tom Hanks and John Oliver will get together for a Storytellers talk at Tribeca Film Festival

Tribeca Film Festival
Multiple venues
April 14-24, $14-$43.50
tribecafilm.com

In 2002, Jane Rosenthal, Robert De Niro, and Craig Hatkoff founded the Tribeca Film Festival, helping to rebuild Lower Manhattan socially, culturally, and economically following 9/11. The festival is celebrating its fifteenth anniversary this year with another packed slate of film screenings, talks, master classes, and a major symposium, running from April 14 to 24 at the SVA Theatre, Bow Tie Cinemas Chelsea, Regal Cinemas Battery Park, the Borough of Manhattan Community College, and the festival hub at 50 Varick St. Ticket prices continue to climb, so it’s not exactly cheap to attend, but that hasn’t stopped many events from nearly selling out already despite costing $23.50 for most regular screenings and between $33.20 and $43.50 for conversations and films with postscreening talks. In honor of Tribeca’s fifteenth birthday, below are fifteen highlights from this year’s fest, with one extra thrown in for good luck.

Thursday, April 14
Tribeca Talks — Storytellers: Patti Smith with Ethan Hawke, SVA Theatre 1 Silas, rush ticketing only, 3:00

Tribeca Tune In: Grace and Frankie, screening of two episodes from season two, followed by discussion with Jane Fonda and Lily Tomlin, moderated by Gayle King, SVA Theatre 1 Silas, $33.50, 5:00

Contemporary Color (Bill & Turner Ross, 2016), followed by a conversation between David Byrne and the directors, with appearances by color guarders, JZT@BMCC, $23.50, 9:00

Saturday, April 16
TFI Interactive, all-day immersive symposium, divided into the MakerSpace, the Conference, and the Interactive Playground exhibit, festival hub at 50 Varick St., $40, 11:00 am

Monday, April 18
Tribeca Talks — Directors Series: Andrea Arnold in conversation with Ira Sachs, SVA Theatre 2 Beatrice, $43.50, 2:00

Tribeca Tune In: For the Love of Spock (Adam Nimoy, 2016), followed by a conversation with Adam Nimoy, Zachary Quinto, David Zappone, and Scott Manzt, moderated by Gordon Cox, SVA Theatre 2 Beatrice, $33.20, 5:00

SIX FEET UNDER creator Alan Ball will offer live commentary during screening of final episode at Tribeca Film Festival

SIX FEET UNDER creator Alan Ball will offer live commentary during anniversary screening of final episode at Tribeca Film Festival

Tuesday, April 19
Tribeca Tune In: Fifteenth anniversary screening of Six Feet Under series finale, with live commentary by show creator Alan Ball, moderated by Matt Zoller Seitz, SVA Theatre 1 Silas, $33.50, 4:30

Tribeca Tune In: Full Frontal with Samantha Bee, conversation with Samantha Bee and head writer Jo Miller, moderated by Stacey Wilson Hunt, SVA Theatre 1 Silas, $33.50, 7:30

Wednesday, April 20
Tribeca Talks: Daring Women Summit, featuring keynote conversations, discussions, presentations, and more, with Samantha Bee, Allana Harkin, Rachel Sklar, Donna Karan, Rosie Perez, Kate Ward, Lea Goldman, Kathleen Grace, Sophia Rossi, Stephanie Laing, Amy Emmerich, LaLa Anthony, Julie Ann Crommett, Nahnatchka Khan, Liz Meriweather, Danielle Nussbaum, Mya Taylor, Catie Lazarus, Kristi Zea, Laura Walker, Anna Sale, Phoebe Robinson, Cindy Gallop, Kathryn Minshew, and others to be announced, festival hub at 50 Varick St., $150, 10:30 am

Tribeca Talks — Directors Series: Jodie Foster with Julie Taymor, festival hub at 50 Varick St., $43.50, 5:30

Tribeca Talks — Directors Series: Alfonso Cuarón with Emmanuel Lubezki, SVA Theatre 1 Silas, $43.50, 6:00

Thursday, April 21
Tribeca Talks After the Movie: Starring Austin Pendleton (David H. Holmes & Gene Gallerano, 2016), followed by discussion with Austin Pendleton, Olympia Dukakis, Peter Sarsgaard, Denis O’Hare, George Morfogen, and directors David H. Holmes and Gene Gallerano, moderated by Gordon Cox, SVA Theatre 2 Beatrice, $43.50, 2:30

Tribeca Talks After the Movie: I Voted? (Jason Grant Smith, 2016), followed by discussion with Jason Grant Smith, Katie Couric, Dan Abrams, and Dr. DeForest Soaries, SVA Theatre 2 Beatrice, $43.50, 5:30

Friday, April 22
Tribeca Talks — Storytellers: Tom Hanks with John Oliver, JZT@BMCC, rush ticketing only, 6:00

Saturday, April 23
Tribeca Talks: What We Talk About When We Talk About the Bomb, with Michael Douglas, Eric Schlosser, Emma Belcher, Joe Cirincione, Robert Kenner, and Smriti Keshari, SVA Theatre 2 Beatrice, $43.50, 5:00

Tribeca Talks — Directors Series: Baz Luhrmann with Nelson George, SVA Theatre 1 Silas, $43.50, 6:00

JAPAN SINGS! THE JAPANESE MUSICAL FILM: YOU CAN SUCCEED, TOO

YOU CAN SUCCEED, TOO

Musical comedy YOU CAN SUCCEED, TOO takes a playful look at U.S. and Japanese business practices

YOU CAN SUCCEED, TOO (KIMI MO SHUSSE GA DEKIRU) (君も出世ができる) (Eizo Sugawa, 1964)
Japan Society
333 East 47th St. at First Ave.
Friday, April 8, 7:00
Festival runs April 8-23
212-715-1258
www.japansociety.org

Japan Society’s 2016 Globus Film Series, “Japan Sings! The Japanese Musical Film,” opens April 8 with Eizo Sugawa’s riotous, robust 1964 delight, You Can Succeed, Too. With the Tokyo Summer Olympics approaching, Towa Tourism is locked in a heated battle with Kyokuto Tourism for big travel clients. While Yamakawa (Frankie Sakai) has developed a can’t-miss plan to succeed at Towa — either marry the president’s daughter, become a union leader, or find the president’s weakness and exploit it — his friend Nakai (Tadao Takashima) does not enjoy the urban rat race and would rather settle down in the countryside. When the president, Nobuo Kataoka (Yoshitomi Masuda), returns from a trip to the United States with his daughter, Yoko (Izumi Yukimura), he puts her in charge of the foreign office as she extolls the virtues of efficient American business practices over the old-fashioned Japanese ways. Yamakawa sets his sights on Yoko despite restaurant owner Ryoko’s (Mie Nakao) obvious desire to marry him and move to the country for a more simple life, but Yoko is more attracted to the oblivious Nakai, who soon finds himself in the middle of the president’s untoward relationship with the much younger, hot-to-trot cocktail hostess Beniko (Mie Hama). It all comes to a head as a pair of American tourists (Ernest and Marjorie Richter) and a prominent U.S. executive seek the right Japanese tourism company to do business with.

you can succeed 2

You Can Succeed, Too has a ball skewering the world of business, centered around the hysterical antics of comedian Sakai (Shogun, Mothra), who wears striped pajamas that resemble prison clothes (as if he is trapped by his need to succeed), putt-putts around in a tiny, checkered Mr. Bean–like car, and stretches his elastic face into hysterical expressions that recall early silent film comedy. Tatsuo Kita’s sets are spectacularly mod and endlessly imaginative — just wait till you see Beniko’s pink apartment — while Etsuko Yagyu’s costumes, particularly Yoko’s candy-colored, Audrey Hepburn–like outfits, are oh-so-fab, all wonderfully captured by Masaharu Utsumi’s splendid cinematography. The story takes some silly sitcomlike plot twists that become rather frustrating, but that can mostly be forgiven as Sugawa (The Beast Shall Die, River of Fireflies) includes numerous subtle and not-so-subtle digs at America and changing attitudes in postwar Japan; there are metaphors comparing business to battle, one of Yamakawa’s plans involves screaming out “Banzai!,” and a key scene takes place at the American-style nightclub Charade, as if this is all fake anyway. And the songs are a hoot, featuring a Hollywood-influenced score by Toshirô Mayuzumi (The Pornographers, The Insect Woman) and crazy choreography, all coming three years before How to Succeed in Business without Really Trying. You Can Succeed, Too is screening April 8 at 7:00 and will be introduced by series curator Michael Raine, followed by a karaoke party with singer and musician Yasuno Katsuki, emceed by Brian Walters. “Japan Sings! The Japanese Musical Film” continues through April 23 with such other rarities as Umetsugu Inoue’s The Stormy Man, Kengo Furusawa’s Irresponsible Era of Japan, Nagisa Oshima’s Sing a Song of Sex, and Takashi Miike’s The Happiness of the Katakuris.

THE ORCHID SHOW: ORCHIDELIRIUM

Orchidelirium focuses on the frenzy created by Victorian orchid hunters and collectors (photo by twi-ny/mdr)

“Orchidelirium” focuses on the frenzy created by Victorian orchid hunters and collectors (photo by twi-ny/mdr)

The New York Botanical Garden
Enid A. Haupt Conservatory
2900 Southern Blvd., Bronx
Tuesday – Sunday through April 17, $8-$10 children two to twelve, $20-$25 adults, 10:00 am – 6:00 pm
718-817-8700
www.nybg.org
orchidelirium slideshow

The Orchid Show at the New York Botanical Garden is always one of the highlights of spring, and the fourteenth annual presentation is one of the best yet. Part of the NYBG’s ongoing celebration of its 125th anniversary, “Orchidelirium” zeroes in on the history of orchid collecting, focusing on some of the Victorian botanists and explorers who risked their lives to find and collect the rare, beautiful plants during a particularly fruitful frenzy around the turn of the nineteenth century. The excellent signage explains that one of the elements that makes orchids so special, so unusual and compelling, is “the fusion of the male portion of the flower (stamen) and the female portion (pistil) into one structure called the column — often visible protruding from the center.” This makes it easy to project a rather erotic look on many of the thirty thousand species’ blooms — not that we’re claiming that the sensual, sexual nature of orchids is what has driven men to go to extreme lengths to capture the spectacular flowers. The show spotlights a few of the more fascinating field botanists: Czech farmer, inventor, and gardener Benedikt Roezl became known at the Prince of Orchid Hunters, discovering some eight hundred species in Central and South America. William George Spencer Cavendish, the sixth Duke of Devonshire, and his gardener, Joseph Paxton, amassed a huge private collection. Medical assistant and naturalist Sir Joseph Dalton Hooker traveled to India and the Himalayas with a large entourage to bring back orchids. Henry Frederick Conrad Sander, the self-described Orchid King, became royal orchid grower to Queen Victoria and would leave no orchids behind for others when his hunters came upon new species. (An orchid bought by the NYBG from Sander in 1904, still alive and growing, is on display in the show.) John Dominy, responsible for the first man-made hybrid in the 1850s, earned the following declaration from orchidologist John Lindley: “You will drive the botanists mad!” And William Arnold, Gustav Wallis, David Burke, and František Klaboch (Roezl’s nephew) all died while hunting orchids.

Fourteenth annual orchid show is a highlight of the NYBGs 125th anniversary celebration (photo by twi-ny/mdr)

Fourteenth annual orchid show is a highlight of the NYBG’s 125th anniversary celebration (photo by twi-ny/mdr)

As always, the show, arranged this year to evoke Victorian-era glasshouse designs, particularly those of collector and scholar James Bateman, features wonderful quotes and poems. “I never was more interested in any subject in my life than this of Orchids,” said Charles Darwin, for whom Darwin’s star orchid is named. “Wildly, that I be unfathomed / Of this strange miracle, / My own seeks the cloven foot-print / The orchid clutched like a shell,” Howard McKinley Corning wrote in his poem “I Seek the Orchid.” In “Short Talk on Orchids,” Anne Carson points out, “We live by tunneling for we are people buried alive. To me, the tunnels you make will seem strangely aimless, uprooted orchids.” And in “Orchids,” Theodore Roethke explains, “They lean over the path, / Adder-mouthed, / Swaying close to the face, / Coming out, soft and deceptive, / Limp and damp, delicate as a young bird’s tongue.” That description works for the show itself, which consists of hundreds of orchids, gorgeously arranged in pots, on trees, in a Wardian case, and in central displays bursting with unique shapes and color. Other plants and flowers have their beauty, but there’s something about orchids that sets them apart from the rest of the natural world, like they know something we don’t and we can only bow down to their grace and elegance. When we’re not taking photos, that is.

Gamelan Dharma Swara will perform on April 9-10 as part of NYBG orchid show (photo by twi-ny/mdr)

Gamelan Dharma Swara will perform on April 9-10 as part of NYBG orchid show (photo by twi-ny/mdr)

Numerous programs are being held at the NYBG in conjunction with “Orchidelirium.” On Saturdays and Sundays, “World Beat: Music & Dance Around the World of Orchids” includes performances by New York City-based Indonesian troupe Gamelan Dharma Swara on April 9-10 and Nego Gato Afro-Brazilian Music and Dance Ensemble on April 16-17. Also on April 9-10, Spike Jonze’s Adaptation., inspired by Susan Orlean’s book The Orchid Thief: A True Story of Beauty and Obsession, will be screened in Ross Hall. Experts lead orchid care demonstrations on Saturdays and Sundays at 2:00 and 3:00, while other experts will answer your questions in the shop on Saturdays and Sundays from 1:30 to 4:30. Tours are held Tuesdays through Fridays at 12:30 and 2:30. A special class on fragrant orchids will be held on April 9 at 10:00 ($59). And “Orchid Evenings” ($35, 6:30 – 9:30) are take place April 9, 15, and 16, when the show is open at night and you can sip ginger vanilla fusion and other cocktails while enjoying this stunning show in a different light.

MODERN MONDAYS: AN EVENING WITH CAO FEI

HAZE AND FOG

Cao Fei’s HAZE AND FOG is part of Modern Mondays presentation at MoMA on April 4

Who: Cao Fei, Klaus Biesenbach
What: Modern Mondays presentation of films and conversation
Where: MoMA Film, Museum of Modern Art, 11 West 53rd St. between Fifth & Sixth Aves., 212-708-9400
When: Monday, April 4, $8-$12, 7:00
Why: As an appetizer to her first U.S. solo museum show, opening April 20 at MoMA PS1, Beijing-based Chinese artist Cao Fei will be at MoMA in Midtown on April 4 for the Modern Mondays presentation “An Evening with Cao Fei.” The program features excerpts from several of her films, including 2004’s Cosplayers, 2006’s Whose Utopia?, 2007-11’s RMB City, 2013’s Haze and Fog, and 2014’s La Town. In addition, Fei will sit down with MoMA PS1 director Klaus Biesenbach, who organized the exhibition, for a conversation about her work, which is part of a young generation of Chinese artists concerned with contemporary sociocultural and economic challenges in a rapidly changing China. “I try to find different ways to connect and interact with society,” the thirty-seven-year-old multimedia artist has said. “At the same time, I am trying to construct a new model of society.” The Modern Mondays series continues April 11 with Rosa Barba, April 18 with Tony Conrad, and April 25 with Lynette Wallworth.

LIVE IDEAS: DESERT DANCER

Director Richard Raymond will be at NYLA on April 3 for screening of DESERT DANCER and a reception as part of Live Ideas festival

Director Richard Raymond will be at NYLA on April 3 for screening of DESERT DANCER and reception as part of Live Ideas festival

Who: Richard Raymond
What: Screening of Richard Raymond’s 2014 film, Desert Dancer, followed by a reception with the director
Where: New York Live Arts, 219 West 19th St. between Seventh & Eighth Aves., 212-924-0077
When: Sunday, April 3, $10, 3:00
Why: New York Live Arts’ 2016 Live Ideas multidisciplinary festival concludes this weekend with several unique programs, including a screening of Desert Dancer, a biopic about Iranian dancer Afshin Ghaffarian, portrayed by Reece Ritchie; the film also features Freida Pinto as Elaheh, Nazanin Boniadi as Parisa Ghaffarian, and Tom Cullen as Ardavan, with choreography by Akram Khan. The theme of this year’s Live Ideas is “MENA/Future — Cultural Transformations in the Middle East North Africa Region.” Also on tap this weekend at NYLA are Adham Hafez Company’s 2065 BC, Radouan Mriziga’s ~55, and the conversation “Dance & the New Politic” with Adham Hafez, Andre Lepecki, and guests.

MARINONI: THE FIRE IN THE FLAME

Marinoni

Cycling legend Giuseppi Marinoni handcrafts another of his thirty thousand bike frames in his Montreal workshop

MARINONI: THE FIRE IN THE FRAME (Tony Girardin, 2014)
Cinema Village
22 East 12th St. between University Pl. & Fifth Ave.
Opens Friday, April 1
212-924-3363
www.marinonimovie.com
www.cinemavillage.com

In Tony Girardin’s debut feature-length documentary, Marinoni: The Fire in the Frame, friends and colleagues of Giuseppi Marinoni’s describe the Italian Canadian cycling legend as “explosive,” “authentic,” “iconoclastic,” “hard-headed,” and “cantankerous,” and the film shows him to be all that and more. Born in Bergamo, Italy, in 1937, Marinoni became a champion cyclist in his home country, then moved to Montreal in the mid-1960s after participating in races there. After he retired from racing, he turned his attention to building bicycle frames, training in Italy with Mario Rossin before opening his own business in Montreal in 1974, where he gained renown as a master craftsman. But he doesn’t necessarily like to talk about his life and career; it took the Montreal-based Girardin three years to convince Marinoni to agree to be filmed, and it’s clear that the septuagenarian is never fully comfortable being onscreen, whether building one of his coveted frames — he’s made more than thirty thousand, all by hand — or training to break the hour record for his age group, seventy-five to seventy-nine, a solo competition in which a cyclist attempts to go the farthest distance in sixty minutes. “Marinoni embodies what I love most about cycling: passion,” Girardin says at the start of the film. “It’s a culmination of life, love, and many things, but ultimately the challenge is to ride as far as is humanly possible.” Marinoni might never warm up to the camera — “You watching me is stressful!” he says to Girardin in French (he also speaks Italian but not English) — but other cyclists, promoters, and bike shop owners can’t wait to gush over how much they admire the man and his frames. Among those singing his praises are Andy Lamarre, Colette Pépin, Ken MacDonald, Julie Marceau, Federico Corneli, Marian Jago, Charle Lamarre, Marissa Plamondon-Lu, and Rossin.

Marinoni

Seventy-five-year-old Giuseppi Marinoni prepares to take on the hour record for his age group in Montreal

Girardin also speaks extensively with Canadian champion Jocelyn Lovell, who was paralyzed after being hit by a truck while training in 1983. For his spring 2012 attempt to break the hour record, Marinoni decides to use a frame he built forty years before, the same one that Lovell won numerous medals on back in 1978. Girardin, who has made such documentary shorts as David Francey: Burning Bright and Hoppy the Deer, directed, produced, photographed, and edited Marinoni, which features a score by Canadian musician Alexander Hackett. “Tell me your life story,” Girardin says to Marinoni early on. “You’re wasting your time and money,” Marinoni declares. The film is a charming little tale about a rather ornery individual who has accomplished extraordinary things but doesn’t want to deal with the ensuing fuss and fame, slyly refusing to acknowledge what all the bother is about. Marinoni: The Fire in the Frame opens April 1 at Cinema Village, with Girardin in New York for screenings all week to talk about the film and his remarkable subject. “It was like luring a mythical creature from its den, and being lucky enough to have a camera on hand to capture it,” Girardin notes in his director’s statement.