
Adam Nimoy’s documentary about his father will have a special free screening at Tribeca
Tribeca Film Festival
Multiple venues
April 14-24
tribecafilm.com
The Tribeca Film Festival used to have more free events, including talks at B&N and the Apple Store, but this year, the fest’s fifteenth anniversary, there are not quite as many panels or screenings that don’t require dinero. (Speaking of dinero, the 2016 gala takes place at the Beacon on April 21, a fortieth anniversary screening of Martin Scorsese’s Taxi Driver, followed by a conversation with Scorsese, TFF cofounder Robert De Niro, Jodie Foster, Cybill Shepherd, and Paul Schrader, moderated by Kent Jones; tickets range from $70 to $355.) The majority of free events are scheduled for Friday, April 22, as part of the Film for All program, which consists of eight free screenings; advance registration is required. (Live links are included below with each listing.) There are also several master classes and special programs highlighting young filmmakers that are first come, first served. [ed. note: We spoke too soon. Shortly after this posted, Tribeca announced free panels at the new Samsung 837 location as well as a free Ghostbusters screening and fan fest. Keep checking here for more free events as they’re added.]
Thursday, April 14
Tribeca Talks: Unscripted & Immersive — Behind the Scenes: The New York Times’ Virtual Reality, with Jake Silverstein, Sam Dolnick, Steve Duenes, and Jenna Pirog, Samsung 837, 837 Washington St., 6:30
Friday, April 15
Tribeca Talks — Master Class: Dolby, with Glenn Kiser, SVA Theatre 2 Beatrice, 3:00
Tribeca Talks: Unscripted & Immersive — Behind the Scenes: LoveTrue Director Alma Har’el in Conversation with Michael Cera, Samsung 837, 837 Washington St., 6:30
Saturday, April 16
Tribeca Talks: Unscripted & Immersive — Behind the Scenes: Making of Invasion! Exploring Empathy and Agency in VR, with Eric Darnell, Maureen Fan, Maciej Gliwa, and Cody Gramstad, Samsung 837, 837 Washington St., 6:30
Sunday, April 17
Downtown Youth Behind the Camera, short films, Regal Cinemas Battery Park, 11:45 am
Tribeca Talks — Master Class: Prepping to Shoot with Catherine Hardwicke, SVA Theatre 2 Beatrice, 3:00
Monday, April 18
Tribeca Talks: Unscripted & Immersive — Behind the Scenes: The Artists of Vrse: A Conversation with Chris Milk, with Gabo Arora, Ari Palitz, Sandy Smolan, and James Nestor, Samsung 837, 837 Washington St., 5:00
Thursday, April 21
Our City My Story, works by young filmmakers in competition, Bow Tie Chelsea Cinemas, free with advance registration, 6:00
Friday, April 22
Film for All: For the Love of Spock (Adam Nimoy, 2016), Bow Tie Cinemas Chelsea 6, free with advance registration, 3:30
Film for All: Command and Control (Robert Kenner, 2016), Bow Tie Chelsea Cinemas, free with advance registration, 3:45
Film for All: The Phenom (Noah Buschel, 2016), Regal Cinemas Battery Park, free with advance registration, 3:45
Film for All: Solitary (Kristi Jacobson, 2016), Regal Cinemas Battery Park, free with advance registration, 4:15
Film for All: Actor Martinez (Mike Ott & Nathan Silver, 2016), Regal Cinemas Battery Park, free with advance registration, 5:00
Film for All: National Bird (Sonia Kennebeck, 2016), Bow Tie Chelsea Cinemas, free with advance registration, 5:30
Film for All: Vice World of Sports (Evan Rosenfeld, 2016), SVA Theatre 2 Beatrice, free with advance registration, 5:30
Film for All: Burden (Richard Dewey & Timothy Marrinan, 2016), Regal Cinemas Battery Park, free with advance registration, 8:45

Free Tribeca Film Festival Street Fair takes place April 23
Saturday, April 23
Tribeca on Location: Tribeca Film Festival Street Fair, Greenwich St. from Hubert to Chambers Sts., 10:00 am
Tribeca/ESPN Sports Day, Greenwich St. at North Moore St., 10:00 am
Tribeca Talks — Master Class: Inside Casting, with Ellen Lewis and Ellen Chenoweth, moderated by Bernard Telsey, SVA Theatre 2 Beatrice, 2:30
Ghostbusters Fan Fest, including screening of Ghostbusters (Ivan Reitman, 1984), video greeting by cast of 2016 remake, introduction and conversation with producers behind new Ghostheads documentary, games, guided tour of original Ghostbusters headquarters, and more, Regal Battery Park Stadium 5, 3:00 (followed by sneak preview work-in-progress screening of Ghostheads at 5:30, $23.50)



Japan Society’s 2016 Globus Film Series, “Japan Sings! The Japanese Musical Film,” opens April 8 with Eizo Sugawa’s riotous, robust 1964 delight, You Can Succeed, Too. With the Tokyo Summer Olympics approaching, Towa Tourism is locked in a heated battle with Kyokuto Tourism for big travel clients. While Yamakawa (Frankie Sakai) has developed a can’t-miss plan to succeed at Towa — either marry the president’s daughter, become a union leader, or find the president’s weakness and exploit it — his friend Nakai (Tadao Takashima) does not enjoy the urban rat race and would rather settle down in the countryside. When the president, Nobuo Kataoka (Yoshitomi Masuda), returns from a trip to the United States with his daughter, Yoko (Izumi Yukimura), he puts her in charge of the foreign office as she extolls the virtues of efficient American business practices over the old-fashioned Japanese ways. Yamakawa sets his sights on Yoko despite restaurant owner Ryoko’s (Mie Nakao) obvious desire to marry him and move to the country for a more simple life, but Yoko is more attracted to the oblivious Nakai, who soon finds himself in the middle of the president’s untoward relationship with the much younger, hot-to-trot cocktail hostess Beniko (Mie Hama). It all comes to a head as a pair of American tourists (Ernest and Marjorie Richter) and a prominent U.S. executive seek the right Japanese tourism company to do business with.






In Tony Girardin’s debut feature-length documentary, Marinoni: The Fire in the Frame, friends and colleagues of Giuseppi Marinoni’s describe the Italian Canadian cycling legend as “explosive,” “authentic,” “iconoclastic,” “hard-headed,” and “cantankerous,” and the film shows him to be all that and more. Born in Bergamo, Italy, in 1937, Marinoni became a champion cyclist in his home country, then moved to Montreal in the mid-1960s after participating in races there. After he retired from racing, he turned his attention to building bicycle frames, training in Italy with Mario Rossin before opening his own business in Montreal in 1974, where he gained renown as a master craftsman. But he doesn’t necessarily like to talk about his life and career; it took the Montreal-based Girardin three years to convince Marinoni to agree to be filmed, and it’s clear that the septuagenarian is never fully comfortable being onscreen, whether building one of his coveted frames — he’s made more than thirty thousand, all by hand — or training to break the hour record for his age group, seventy-five to seventy-nine, a solo competition in which a cyclist attempts to go the farthest distance in sixty minutes. “Marinoni embodies what I love most about cycling: passion,” Girardin says at the start of the film. “It’s a culmination of life, love, and many things, but ultimately the challenge is to ride as far as is humanly possible.” Marinoni might never warm up to the camera — “You watching me is stressful!” he says to Girardin in French (he also speaks Italian but not English) — but other cyclists, promoters, and bike shop owners can’t wait to gush over how much they admire the man and his frames. Among those singing his praises are Andy Lamarre, Colette Pépin, Ken MacDonald, Julie Marceau, Federico Corneli, Marian Jago, Charle Lamarre, Marissa Plamondon-Lu, and Rossin.