this week in music

NORTHSIDE 2014: DAY ONE

NORTHSIDE FESTIVAL
Multiple locations in Brooklyn
Thursday, June 12
Festival runs June 12-19
www.northsidefestival.com

Brooklyn’s Northside Festival is back for its fifth year of live music, film screenings, art, panel discussions, and a trade show and jobs fair at venues throughout the north side of the world’s coolest borough, at such venues as Brooklyn Bowl, Warsaw, the Trash Bar, the Gutter Spare Room, the Grand Victory, the Music Hall of Williamsburg, Europa, Spike Hill, and many others. Below are the highlights for opening night of this eight-day party.

Javotti Media Presents: Talib Kweli with nine-piece band, featuring sets by Res and NIKO IS, Brooklyn Bowl, $15-$20, 6:00

Scenic Presents: Titus Andronicus, Eagulls, D’NT, Low Fat Getting High, Warsaw, $20-$23, 7:00

Vans & FYF Present: Charles Bradley & His Extraordinaires, Mac DeMarco, Benjamin Booker, House of Vans, free with advance RSVP, 7:30

Sharon Van Etten, Shilpa Ray, Music Hall of Williamsburg, $20, 8:00

Lazerpop Party!: DJ sets by Neon Indian, Chrome Sparks, Lemonade, Glasslands, $15, 11:30 pm

MUSEUM MILE FESTIVAL 2014

Uptown institutions stay open late and open their doors for free for Museum Mile Festival

Multiple locations on Fifth Ave. between 82nd & 105th Sts.
Tuesday, June 10, 6:00 – 9:00 pm
Admission: free
www.museummilefestival.org

There’s really only one main problem with the annual Museum Mile Festival: It’s too short. On Tuesday, June 10, from 6:00 to 9:00, nine uptown art and cultural institutions will open their doors for free and fill Fifth Ave. between 82nd & 104th Sts. with family-friendly activities for the thirty-fifth year. There will be live outdoor performances by the Asphalt Orchestra, Sammie & Trudie’s Imagination Playhouse, Silly Billy the Very Funny Clown, Avenida B, Josh the Juggler, Bill Ferguson, and Magic Brian, in addition to face painting, art workshops, chalk drawing, the Museum of Motherhood, and more. The participating museums (with at least one of their current shows listed here) are El Museo del Barrio (“Presencia: Works from El Museo’s Permanent Collection”), the Museum of the City of New York (“Palaces for the People: Guastavino and the Art of Structural Tile,” “In a World of Their Own: Coney Island Photographs by Aaron Rose”), the Jewish Museum (“Other Primary Structures,” “Mel Bochner: Strong Language”), the National Academy (“The Annual 2014: Redefining Tradition”), the Guggenheim (“Italian Futurism, 1909-1944: Reconstructing the Universe”), the Neue Galerie (“Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937”), and the Metropolitan Museum of Art (“Charles James: Beyond Fashion,” “Out of Character: Decoding Chinese Calligraphy”), along with the Africa Center / Museum (which is building a new home) and the Cooper-Hewitt, National Design Museum (which is undergoing a major renovation). Don’t try to do too much, because it can get rather crowded; just pick one or two exhibitions in one or two museums and enjoy.

EGG ROLLS AND EGG CREAMS FESTIVAL 2014

Annual Egg Rolls & Egg Creams fest flies into the Lower East Side on June 8 (photo by Kate Milford)

Museum at Eldridge Street
12 Eldridge St. between Canal & Division Sts.
Sunday, June 8, free, 12 noon – 4:00 pm
212-219-0302
www.eldridgestreet.org

The fourteenth annual Egg Rolls & Egg Creams block party once again will bring together the Jewish and Chinese communities of the Lower East Side on June 8 for what is always a fun day of food and drink, live music and dance, history, culture, and lots more. Among the highlights of the festival are the kosher egg creams and egg rolls, yarmulke and challah workshops, tea ceremonies, a genealogy clinic, Yiddish and Chinese lessons, Hebrew and Chinese calligraphy classes, mah jongg, cantorial songs, Jewish paper cutting and Chinese paper folding, face painting, and free tours (in English and Chinese) of the wonderfully renovated Eldridge St. Synagogue, which boasts the East Window designed by Kiki Smith and Deborah Gans. In past years, the festival has included performances by the Chinatown Senior Center Folk Orchestra, Qi Shu Fang’s Peking Opera, the Shashmaqam Bukharan Jewish Cultural Group, Ray Muziker Klezmer Ensemble, and Cantor Eric Freeman, some of whom will be back again for this year’s multicultural celebration.

FIRST SATURDAYS: BROOKLYN LGBTQ PRIDE

Judy Chicago, “Birth Hood,” sprayed automotive lacquer on car hood, 1965/2011 (Courtesy of the artist. © Judy Chicago. Photo © Donald Woodman)

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, June 7, free, 5:00 – 11:00 ($10 discounted admission to “Ai Weiwei: According to What?”)
212-864-5400
www.brooklynmuseum.org

The Brooklyn Museum is currently home to four temporary exhibitions that deal with different types of activism, which together fit in extremely well with its June free First Saturdays program, a tribute to “Brooklyn LGBTQ Pride.” Now on view are “Ai Weiwei: According to What?,” a stirring retrospective that examines social, historical, and political elements of art and freedom in China ($10 discounted admission on Saturday after 5:00); the expansive “Swoon: Submerged Motherlands,” which incorporates feminist ideals into such environmental issues as climate change and waste; the gripping “Witness: Art and Civil Rights in the Sixties,” which looks at the depiction of the civil rights movement in painting, sculpture, and photography; and the colorful “Chicago in L.A.: Judy Chicago’s Early Works, 1963–74,” which follows Judy Chicago before she became a feminist icon. On June 7, there will be live performances by the Shondes, Rivers of Honey, and AVAN LAVA, a movement workshop led by Benny Ninja Training Academy in memory of voguing master Willi Ninja, an excerpt from The Firebird, a Ballez by Katy Pyle and the Ballez, the drag-oriented BUSHWIG festival hosted by Horrorchata and Macy Rodman, a talk by multidisciplinary artist and activist Alexander Kargaltsev on being a gay Russian artist, a hands-on art workshop in which participants will create a dancing figure in clay, a discussion with members of the Lesbian Herstory Archives, and pop-up gallery talks. (Some events require free tickets distributed in advance at the Visitor Center.)

SWOON: SUBMERGED MOTHERLANDS

Swoon’s “Submerged Motherlands” fills the Brooklyn Museum’s fifth-floor rotunda (photo by twi-ny/mdr)

Brooklyn Museum
Iris and B. Gerald Cantor Gallery, fifth floor
200 Eastern Parkway at Washington St.
Wednesday – Sunday through August 24, $12 ($15 including “Ai Weiwei: According to What?”)
Art Off the Wall: Swoon’s “Submerged Collaborations,” June 12, $15, 6:30
212-864-5400
www.brooklynmuseum.org
www.facebook.com/SwoonStudio

“Is this insane? Is this dangerous? Should I not do this?” Brooklyn-based artist Caledonia Dance Curry, aka Swoon, asked an engineer when she first began putting together “Submerged Motherlands,” her enormous, environmentally conscious installation at the Brooklyn Museum. Filling much of the institution’s fifth-floor rotunda, the site-specific exhibit features two rickety-looking handmade junk rafts, Alice and Maria, that Swoon constructed using found materials, then sailed in New York waters for “Miss Rockaway Armada” and along Venice’s Grand Canal as part of her “Swimming Cities of Serenissima” project. At the center is a tall tree, made of dense layers of dyed fabric and elaborately detailed white cut-paper leaves, that rises to the rotunda’s seventy-two-foot-high circular skylight. The walls of the room suggest water and submersion, splattered with swoops of blue and green paint applied using fire extinguishers, interacting with light and shadow. “Submerged Motherlands” references climate change, Hurricane Sandy, and Doggerland, the Ice Age-era landmass that connected Great Britain and Europe and was destroyed by a tsunami; it also has conceptual ties to the Konbit Shelter sustainable building project in Haiti begun by Swoon and other artists shortly after the 2010 earthquake, as well as Swoon and art collective Transformazium’s Braddock Tiles community-based microfactory being built in an abandoned church in Pennsylvania. “Submerged Motherlands” also includes a healing gazebo decorated with corrugated cardboard honeycombs and wasp nests, and large-scale prints and drawings that recall Swoon’s wheatpastes, which dotted the streets of the city in recent years; here she depicts mothers and children and taliswomen, from a homeless Buddha figure to a friend breast-feeding to depictions of Swoon’s mother’s life cycle; her drug- and alcohol-addicted mother passed away from lung cancer last year.

There’s a distinctly feminist quality to Swoon’s site-specific installation at the Brooklyn Museum (photo by twi-ny/mdr)

Is it insane and dangerous? Probably, but we’re all the better for Swoon’s having gone ahead with “Submerged Motherlands,” an intimate, compelling, and welcoming exploration of life, death, and rebirth. The exhibition continues through August 24; on June 12, Swoon will participate in “Art Off the Wall: Swoon’s ‘Submerged Collaborations,’” which will include a screening of Flood Tide, Todd Chandler’s fictional film about the “Swimming Cities” project; a talk with Swoon and some of her collaborators; and a silent procession from the auditorium to the installation for a live performance by the Submerged Motherlands Orchestra (consisting of Mirah, Marshall LaCount, Chandler, the band North America, and violinist Chloe Swantner).

JUST JIM DALE

Jim Dale waits for applause — of which there’s plenty — in new one-man show (photo by Joan Marcus)

Laura Pels Theatre
Harold and Miriam Steinberg Center for Theatre
111 West 46th St. between Sixth & Seventh Aves.
Tuesday – Sunday through August 10, $79
212-719-1300
www.roundabouttheatre.org

Jim Dale shares his love of the footlights in his charming new one-man show, Just Jim Dale. Over the course of one hundred minutes, the Tony- and Grammy-winning, Oscar-nominated British actor traces his life and career, from his birth in the small town of Rothwell, “the dead center of England — in every way,” to his more recent fame as the man who voices the Harry Potter audiobooks. Dale, who will turn seventy-nine in August, is a tall, lanky performer who took his father’s words to heart: “Learn how to move,” his dad told him when young Jim Smith, Dale’s real name, expressed interest in show business after they saw Me and My Girl. Dale recalls his early days as a dancer, a British music hall comedian, and a pop singer, including a very funny bit in which he re-creates a pas de deux he was supposed to do with his cousin Ruth in a ballet competition when he was about eleven, but she missed the bus and Jim did the duet himself. Accompanied by co-arranger Mark York on piano, Jim performs songs from Me and My Girl and Barnum, for which he won a Tony playing Phineas Taylor Barnum; sings the music hall standard “Turned Up” and songs that he wrote, including the pop hit “Dicka Dum Dum” and “Georgy Girl”; and tells lots of old, purposely groan-worthy jokes. (“I said, ‘Waiter, what’s this?’ He said, ‘It’s bean soup.’ I said, ‘I don’t care what it’s been. What is it now?’”)

Jim Dale looks back at his life and career in charming Roundabout production (photo by Joan Marcus)

Dale also recites the climactic scene from Noël Coward’s Fumed Oak; gives a tour-de-force lesson in quoting Shakespeare in contemporary language (“If you can’t understand an argument and you say, ‘It’s all Greek to me,’ you’re quoting Shakespeare.”); and performs the powerful opening moments from Peter Nichols’s Joe Egg, getting the audience involved. In fact, throughout the show, Dale interacts with the crowd, occasionally ad-libbing and making everyone feel comfortable and welcome. He’s an amiable fellow, so it’s easy to forgive some of the transitions that need tightening, the timeline that occasionally gets confusing, and a few of the bits that go on too long (the Fumed Oak scene, for example). Dale begins the show, which is directed by Richard Maltby Jr. (Ain’t Misbehavin’, Fosse), with “I Gotta Be Me,” in which he sings, “So I’ve got to be me / I’ve said it before / A juicieful actor / for folks to adore.” Just Jim Dale reveals the many surprising facets of this juicieful actor who is easy to adore.

RAISING THE ROOF

Topol will be among the participants in gala tribute to Sheldon Harnick FIDDLER ON THE ROOF, and the National Yiddish Theatre — Folksbiene

Topol will be among the participants in National Yiddish Theatre – Folksbiene gala tribute to Sheldon Harnick and FIDDLER ON THE ROOF

The Town Hall
123 West 43rd St. between Sixth & Seventh Aves.
Monday, June 9, $75-$500, 7:30
www.thetownhall.org
www.nationalyiddishtheatre.org

In the summer of 1964, a little show about a Jewish community struggling to survive in a Russian shtetl played in Detroit, of all places, and Washington, DC, before moving to Broadway in September, where it went on to make history, running for 3,242 performances, with numerous revivals in the decades since and another version expected next year. As part of the National Yiddish Theatre – Folksbiene’s centennial celebration, the longest continuously running Yiddish theater company in the world will pay tribute to the fiftieth anniversary of Fiddler on the Roof with a gala June 9 at the Town Hall. The evening will also honor the ninetieth birthday of lyricist Sheldon Harnick, who wrote the words to Jerry Bock’s music; the book was written by Joseph Stein, based on the writings of Sholom Aleichem, and the show was directed by Jerome Robbins. The gala will bring together the largest reunion ever of Fiddler on the Roof alumni, nearly four dozen men and women, including Topol, who played Tevye on Broadway and in Norman Jewison’s 1971 film and just performed the role at the Detroit Opera House, as well as Adrienne Barbeau, Fyvush Finkel, Liz Larsen, Rosalind Harris, Michèle Marsh, Neva Small, Andrea Martin, Austin Pendleton, Pia Zadora, Jerry Zaks, Karen Ziemba, and Louis Zorich. There will also be appearances by Ambassador Ido Aharoni, Bel Kaufman, Jewison, Jeffrey Lyons, Jackie Hoffman, Frank London’s Klezmer All Stars, Joshua Bell, Alisa Solomon, and a thirty-six-children choir. The event’s honorary cochairs are Frank Rich, Harold Prince, who produced the original Fiddler, and Harvey Fierstein, who played Tevye in the 2004 Broadway revival.