this week in film and television

TRIBECA FILM: ONDINE

Fisherman Colin Farrell shares his strange story with town priest Stephen Rea in ONDINE (photo courtesy of Magnolia Pictures)

ONDINE (Neil Jordan, 2010)
Thursday, April 29, Chelsea Clearview Cinemas, 260 West 23rd St. between Seventh & Eighth Aves., 3:00
Saturday, May 1, Chelsea Clearview Cinemas, 4:00
www.tribecafilm.com
www.magpictures.com

After hard-luck fisherman Syracuse (a decidedly unglamorous Colin Farrell) raises his net to find out he has caught a woman (Alicja Bachleda) from the bottom of the sea, his life takes a dramatic shift in Neil Jordan’s wonderful fairy tale, ONDINE. Syracuse, also known disaffectionately as Circus for his checkered past, resuscitates the beautiful woman, who appears to have lost her memory and later chooses the name Ondine, which means “little wave.” Syracuse brings Ondine fishing with him, and when she sings her strange, haunting song, he catches more lobster and salmon than he ever has before. But his wheelchair-bound daughter, Annie (Alison Barry), who needs a new kidney, thinks than Ondine might be more than just good luck; she believes that Ondine is a selkie, a supposedly mythological sea creature who can live on land for seven years before having to return to her watery home. But when a mysterious stranger suddenly shows up in town, everyone is forced to reevaluate their changing lives. Gorgeously shot by master cinematographer Christopher Doyle (IN THE MOOD FOR LOVE) in the coastal village of Castletownbere and along Poulin Harbor, ONDINE is a compelling story that easily could have turned into treacly melodrama but manages to keep surprising up to the very end. Farrell is excellent as the uneducated, simple, but lovable Syracuse who, when not fishing or taking his daughter to her weekly dialysis treatment, shares his tale with the town priest (Stephen Rea) in some very funny scenes. Jordan (MONA LISA, THE CRYING GAME), who has a house in Castletownbere, has made a fairy tale audiences can really believe in with ONDINE, which features a lush soundtrack by Sigur Rós’s Kjartan Sveinsson that accompanies the lush locations.

For a slideshow of the film’s U.S. premiere at the Tribeca Film Festival on April 28 with Colin Farrell, Alicja Bachleda, and Neil Jordan, please visit here.

TRIBECA FILM: THE LOTTERY

Christian Yoanson dreams of a better education in THE LOTTERY

THE LOTTERY (Madeleine Sackler, 2010)
Thursday, April 29, SVA Theater, 209 East 23rd St., 7:00
www.tribecafilm.com
www.thelotteryfilm.com

The debate over charter schools reaches a fever pitch in Madeleine Sackler’s heart-wrenching documentary, THE LOTTERY. Sackler follows the hopes and dreams of four families who have entered their children in the annual lottery for placement in Harlem Success Academy, a free public elementary school founded by former city councilmember Eva Moskowitz. Some three thousand kids are vying for 475 coveted spots at the institution, which has an outstanding track record while doing things its own way, including not playing by the complex rules of the powerful teachers union. Sackler speaks with Moskowitz, Newark mayor Cory Booker, Harlem Children’s Zone president and CEO Geoffrey Canada, New York City schools chancellor Joel Klein, and several Harlem Success Academy parents, principals, and teachers, who have only glowing things to say about the charter school, especially as it fights to open another location inside PS 194, leading to an angry battle with the community that is simply mind-blowing. Also mind-blowing are many of the statistics Sackler shares about the sorry state of public education in New York City and across the country, specifically in regard to blacks and Latinos. The final scene, in which the families sit inside the Fort Washington Armory, praying that their child’s name will be called as if their entire future is dependent upon it, is not only heartbreaking but also beyond frustrating, revealing how difficult it can be for parents to find quality schooling in certain parts of the city and offer their children opportunities that they never had.

JOURNEY INTO BUDDHISM: PRAJNA EARTH

PRAJNA EARTH takes viewers to spectacular temples in Cambodia, Bali, and Java (photo by John Bush / Direct Pictures)

THE YATRA TRILOGY: PRAJNA EARTH (John Bush, 2005)
Asia Society
725 Park Ave. at 70th St.
Friday, April 30, free, 6:45 (free tickets available beginning at 6:00)
212-517-asia
www.journeyintobuddhism.com
www.asiasociety.org

The Asia Society’s presentation of John Bush’s Yatra Trilogy continues on April 30 with PRAJNA EARTH: JOURNEY INTO SACRED NATURE, the best of the three films that travel to sacred Buddhist locations in Southeast Asia. Screened in conjunction with the exhibition “Pilgrimage and Buddhist Art,” PRAJNA EARTH takes viewers to Cambodia, Bali, and Java, where Bush focuses more on the people, including male and female monks on pilgrimage and Balinese dancers, than he does in the other two films (DHARMA RIVER and VAJRA SKY OVER TIBET), although he also investigates some of the most remarkable spiritual structures on the face of the planet. Prajna, narrator Sharon Stone says, means “radiant wisdom,” and the places Bush visits are radiant indeed, from the amazing Angkor Wat and Angkor Tom in Cambodia to the stunning Saraswati Temple in Ubud to the massive mandala-shaped Borobudur and the breathtaking Prambanan in Java. Stone discusses various interconnected aspects of Buddhism, Hinduism, and animism, including nature, the spirit, and light and darkness, as Bush’s excellent camerawork reveals rarely seen hidden treasures, especially gorgeous interstitials that link the three primary stops. David Hykes’s harmonic chant score is supplemented with songs by Krishna Das. Bush will be on hand to introduce the free screening and will be back May 7 when the trilogy concludes with VAJRA SKY OVER TIBET (2006).

TRIBECA FILM: LOOSE CANNONS

Family dinners don't always go so well in LOOSE CANNONS

LOOSE CANNONS (MINE VAGANTI) (Ferzan Ozpetek, 2010)
Wednesday, April 28, Village East, 181 Second Ave. at 12th St., 6:00
Saturday, May 1, Village East, 181 Second Ave. at 12th St., 8:30
www.tribecafilm.com

Turkish-born Italian director Ferzan Ozpetek’s latest foray into family drama might be somewhat slighter than such earlier triumphs as HAMAM and LE FATE IGNORANTI, but this examination of a dysfunctional group of relatives in Lecce is still plenty of fun. Riccardo Scamarcio, looking like a young, brooding Ray Liotta, stars as Tommaso, a gay man who is ready to come out during a big dinner celebrating the expansion of the family pasta-making business, but his older brother, Antonio (Alessandro Preziosi), steals his thunder by coming out first, shocking everyone and giving their father, Vincenzo (Ennio Fantastichini), a heart attack. Antonio is kicked out, leaving Tomasso to take over his role in the factory when what he really wants is to return to Rome to be a writer and live with his lover, Marco (Carmine Recano). But as he works with the gorgeous but dangerous Alba (Nicole Grimaudo), he learns about responsibility, among a few other surprising things. Meanwhile, his grandmother (Ilaria Occhini) agonizes over a long-lost love, his quirky aunt, Luciana (Elena Sofia Ricci), searches for a husband, and his mother, Stefania (Lunetta Savino), continues to boss around the very dour maid, Teresa (Paola Minaccioni). LOOSE CANNONS feels a little too old-fashioned, and the plot takes too many sitcom-like twists, but there is real heat between Scamarcio and Grimaudo, and the story is told with such charm and good humor that it overcomes some of the more confusing aspects of its meta-narrative.

BEHIND THE BURLY Q

BEHIND THE BURLY Q (Leslie Zemeckis, 2010)
Opens Friday, April 16
Quad Cinema
34 West 13th St.
212-255-8800
www.behindtheburlyq.com
www.quadcinema.com

Actress Leslie Zemeckis delves into the fascinating history of American burlesque in the playfully dirty little documentary BEHIND THE BURLY Q. Zemeckis, the wife of Oscar-winning filmmaker Robert Zemeckis (who served as an executive producer on the project), wrote, directed, and edited this oral and visual history of the burlesque movement, speaking with many of its stars and uncovering wonderful old photographs and film clips. She speaks with such burlesque beauties as Joan Arline, Lorraine Lee, Taffy O’Neill, Sunny Dare, White Fury, Dixie Evans, Tempest Starr, Kitty West, and Blaze Starr, cutting between them today and archival footage of them in their prime, taking it almost all off. Zemeckis also speaks with journalists, musicians, comedians, and relatives of deceased legends (Sally Rand, Lily St, Cyr, Lou Costello), including Alan Alda, who talks extensively about being raised on the burlesque circuit since his father, actor Robert Alda, was a popular straight man. The dancers discuss run-ins with the law, battles with local government, famous fans (Pretty Boy Floyd, Bonnie & Clyde, Elvis Presley, JFK, Walt Disney), drug and alcohol problems, and fighting and jealousy among some of their own, including stories both very funny and rather tragic. Zemeckis keeps it all proceeding smoothly as she documents a generation that is quickly disappearing, as evidenced by the long list of burlesque performers who have since passed away after being interviewed for the film. Zemeckis will be at the Quad to participate in Q&As following the 7:05 screenings on Friday and Saturday night.

BREATH MADE VISIBLE

Anna Halprin shares her inspiring approach to life and art in BREATH MADE VISIBLE

BREATH MADE VISIBLE (Ruedi Gerber, 2009)
Cinema Village
22 East 12th St. between Fifth Ave. & University Pl.
Opens Friday, April 23
212-924-3363
www.breathmadevisible.com
www.cinemavillage.com

Revolutionary dancer and choreographer Anna Halprin shares her inspirational life in the unforgettable new documentary BREATH MADE VISIBLE. Producer-director Ruedi Gerber (HEARTBREAK HOSPITAL) lets the innovative dance pioneer tell her own story, starting out as a child of the Great Depression, through her years dancing with and/or teaching Merce Cunningham, Trisha Brown, Yvonne Rainer, Eiko and Koma, and Meredith Monk. The film reveals her remarkable battle with cancer and her long, beautiful relationship with her husband, landscape architect Lawrence Halprin, as well her life today. As Halprin approaches ninety, she is still performing, teaching, and choreographing in her unique way. Gerber tracks down amazing archival footage of Halprin from throughout her career, including many gatherings on the deck she and her husband built at their home, a sort of hippie commune in Marin County. In her work, Halprin gets close to nature, allowing the body to express deeply felt emotions while exploring its spiritual presence and its relationship with the land. The documentary features clips from such pieces as “Planetary Dance: A Prayer for Peace,” “Circle the Earth,” “Parades and Changes,” “Intensive Care, Reflections on Death and Dying,” “Seniors Rocking,” and, most dramatically, her 2003 one-woman show at the Joyce in Chelsea and her epic outdoor elegy “Return to Home.”

Halprin is an engaging, generous figure who seems to have thoroughly processed her life experiences, intelligently assessing her vast history as she reunites with longtime partners John Graham and A. A. Leath, deals with her husband’s fading health, shares even the most personal stories without fear or regret, and exhibits an infectious joie de vivre that will have viewers reconnecting with themselves and reevaluating their own destinies. Halprin clearly cherishes every moment of her life, just as audiences will cherish every moment of BREATH MADE VISIBLE. As a special treat, Gerber and Halprin will be at Cinema Village on Friday and Saturday nights to talk about the film but even more exciting is that Halprin will be leading a rare all-day New York City workshop, addressing the question “How does dance inform our real life relationships with our own bodies in interaction with others and in community?” at Judson Memorial Church on Saturday that’s not limited to experienced dancers, so don’t miss what should be an incredible, very special event.

NATIONAL DANCE WEEK: CARMEN DE LAVALLADE

The magnificent partnership of Carmen & Geoffrey is on view in documentary

CARMEN & GEOFFREY (Linda Atkinson & Nick Doob, 2006)
Film: Friday, April 23, Maysles Cinema, 343 Malcolm X Blvd. / Lenox Ave between 127th & 128th Sts., 7:30
Performance & discussion: Sunday, April 25, the Philoctetes Center, 247 East 82nd St., free, 2:30
www.mayslesinstitute.org
www.philoctetes.org

CARMEN & GEOFFREY is an endearing look at Carmen de Lavallade and Geoffrey Holder’s lifelong love affair with dance—and each other. The New Orleans-born de Lavallade studied with Lester Horton and went to high school with Alvin Ailey, whom she brought to his first dance class. Trinidadian Holder is a larger-than-life gentle giant who is a dancer, choreographer, composer, costume designer, actor director, writer, photographer, painter, and just about anything else he wants to be. The two met when they both were cast in Truman Capote and Harold Arlen’s Broadway show HOUSE OF FLOWERS in 1954, with Holder instantly falling in love with de Lavallade; they’ve been together ever since. Directors Linda Atkinson and Nick Doob combine amazing archival footage—of Eartha Kitt, Josephine Baker, Ulysses Dove, de Lavallade dancing with Ailey, and other splendid moments—with contemporary rehearsal scenes, dance performances, and interviews with such stalwarts as dance critic Jennifer Dunning, Alvin Ailey artistic director Judith Jamison, and choreographer Joe Layton (watch out for his eyebrows), along with family members and Gus Solomons jr and Dudley Williams, who still work with de Lavallade. The film was made on an extremely low budget, and it shows, but it is filled with such glorious footage that you’ll get over that quickly. The film is being screened at the Maysles Cinema in Harlem on April 23 as part of National Dance Week, followed by an after-party at the Harlem Brewing Company.

In addition, de Lavallade will be participating in “Moving and Playing: Jazz Improvisation and Dance Conversation” on April 25 at the Philoctetes Center, a free program that also features Jane Ira Bloom, Rufus Reid, Aaron Shafer-Haiss, and Andrea Weber discussing collaboration and performing.