BUDRUS (Julia Bacha, 2009)
Sunday, April 25, SVA Theater, 3:00
Monday, April 26, Village East, 8:45
Tuesday, April 27, Village East, 3:30
Wednesday, April 28, SVA, 6:30
www.justvision.org/budrus
www.tribecafilm.com
Written, directed, and edited by Julia Bacha, who also served as one of the producers, BUDRUS has been having an impact at film festivals around the world, including Sydney, Dubai, San Francisco, London, Berlin, Jerusalem, and now Tribeca. The documentary follows a small group of protesters in the village of Budrus, population 1,500, as they battle the Israeli military, which has been charged with protecting construction workers who are bulldozing the people’s lifeblood, hundreds of acres of olive trees, in order to put up the wall known as the separation barrier, isolating the Palestinians in the West Bank; the “red line” also goes right through the village’s cemetery. But local leader Ayed Morrar decides to try something relatively different for the Middle East, emphasizing nonviolence and even permitting women, including his fifteen-year-old daughter, to participate in their dangerous movement. The Popular Committee Against the Wall’s mission appears destined to fail until they are joined by Jews who believe that the Israeli government needs to reconsider where they are putting up the fence and allow the Palestinians to keep their land and preserve their history. Bacha talks to people on both sides of the struggle, including the Morrars as well as Israeli soldiers Doron Spielman and Yasmine Levi, who all speak honestly about their complex situation. Made by a team of Jews and Palestinians who have formed Just Vision, an organization dedicated to bringing to light nonviolent peacebuilding efforts in the Middle East, BUDRUS could have easily turned into propaganda, but in the end its agenda is something difficult to argue with.
In conjunction with the exhibition “Pilgrimage and Buddhist Art,” the Asia Society is presenting John Bush’s Yatra Trilogy, three films that journey to sacred Buddhist locations, revealing little-known, seldom-seen sites to Western audiences. The free series begins April 23 with DHARMA RIVER, in which Bush, who will introduce the screening, travels to remarkable temples and shrines in Laos, Thailand, and Burma. He uncovers treasures in Wat Po in Bangkok, Wat Phra Singh in Chiang Mai, Swedagon Pagoda in Rangoon, and Pak Ou Cave and Wat Xieng Thong in Luang Prabang, among other stops. Bush’s narration places the fascinating iconography in proper Buddhist context, avoiding oversimplification while not getting too deep into the intricacies of the different philosophies in each country. His trip along the Mekong River is particularly memorable. From 1970 to 1972, Bush studied Buddhism in India, first spending several months learning vipassana meditation in a Burmese monastery, so DHARMA RIVER is, for him, “a flowing revelation linking a personal past with an intimate present.” The film is accompanied by a beautiful soundtrack by David Hykes with the Harmonic Chant Choir. The trilogy continues April 30 with PRAJNA EARTH (2005) and concludes May 7 with VAJRA SKY OVER TIBET (2006); the Asia Society is free on Friday nights from 6:00 to 9:00, so there should also be time to pay quick visits to the exhibitions “Pilgrimage and Buddhist Art” as well as “Arts of Ancient Viet Nam: From River Plain to Open Sea.”
When media magnate Amos Kynes (Robert Warwick) dies, his son Walter (Vincent Price) takes over despite Amos’s greatest fears. Walter decides that whoever gets a scoop on the Lipstick Killer will become his number two man, so the backstabbing race is on among sleazy wire service chief Mark Loving (George Sanders); managing editor Jon Day Griffith (Thomas Mitchell), who’ll do just about anything for a story; and Harry Kritzer (James Craig), who thinks the best way to get the job is from the bed of Walter’s wife (Rhonda Fleming). Throw in cynical television journalist Ed Mobley (Dana Andrews) and hot-to-trot columnist Mildred Donner (Ida Lupino) and you have another one of Hollywood’s terrific newspaper pics. Director Fritz Lang pulls no punches; the film is filled with plenty of sexual undertones (and overtones), and Kynes himself is a take-off of Charles Foster Kane, the glistening K atop his New York City skyscraper reminiscent of the K atop Xanadu’s front gate.
