this week in film and television

NATIONAL DANCE WEEK: CARMEN DE LAVALLADE

The magnificent partnership of Carmen & Geoffrey is on view in documentary

CARMEN & GEOFFREY (Linda Atkinson & Nick Doob, 2006)
Film: Friday, April 23, Maysles Cinema, 343 Malcolm X Blvd. / Lenox Ave between 127th & 128th Sts., 7:30
Performance & discussion: Sunday, April 25, the Philoctetes Center, 247 East 82nd St., free, 2:30
www.mayslesinstitute.org
www.philoctetes.org

CARMEN & GEOFFREY is an endearing look at Carmen de Lavallade and Geoffrey Holder’s lifelong love affair with dance—and each other. The New Orleans-born de Lavallade studied with Lester Horton and went to high school with Alvin Ailey, whom she brought to his first dance class. Trinidadian Holder is a larger-than-life gentle giant who is a dancer, choreographer, composer, costume designer, actor director, writer, photographer, painter, and just about anything else he wants to be. The two met when they both were cast in Truman Capote and Harold Arlen’s Broadway show HOUSE OF FLOWERS in 1954, with Holder instantly falling in love with de Lavallade; they’ve been together ever since. Directors Linda Atkinson and Nick Doob combine amazing archival footage—of Eartha Kitt, Josephine Baker, Ulysses Dove, de Lavallade dancing with Ailey, and other splendid moments—with contemporary rehearsal scenes, dance performances, and interviews with such stalwarts as dance critic Jennifer Dunning, Alvin Ailey artistic director Judith Jamison, and choreographer Joe Layton (watch out for his eyebrows), along with family members and Gus Solomons jr and Dudley Williams, who still work with de Lavallade. The film was made on an extremely low budget, and it shows, but it is filled with such glorious footage that you’ll get over that quickly. The film is being screened at the Maysles Cinema in Harlem on April 23 as part of National Dance Week, followed by an after-party at the Harlem Brewing Company.

In addition, de Lavallade will be participating in “Moving and Playing: Jazz Improvisation and Dance Conversation” on April 25 at the Philoctetes Center, a free program that also features Jane Ira Bloom, Rufus Reid, Aaron Shafer-Haiss, and Andrea Weber discussing collaboration and performing.

TRIBECA FILM: BUDRUS

BUDRUS (Julia Bacha, 2009)
Sunday, April 25, SVA Theater, 3:00
Monday, April 26, Village East, 8:45
Tuesday, April 27, Village East, 3:30
Wednesday, April 28, SVA, 6:30
www.justvision.org/budrus
www.tribecafilm.com

Written, directed, and edited by Julia Bacha, who also served as one of the producers, BUDRUS has been having an impact at film festivals around the world, including Sydney, Dubai, San Francisco, London, Berlin, Jerusalem, and now Tribeca. The documentary follows a small group of protesters in the village of Budrus, population 1,500, as they battle the Israeli military, which has been charged with protecting construction workers who are bulldozing the people’s lifeblood, hundreds of acres of olive trees, in order to put up the wall known as the separation barrier, isolating the Palestinians in the West Bank; the “red line” also goes right through the village’s cemetery. But local leader Ayed Morrar decides to try something relatively different for the Middle East, emphasizing nonviolence and even permitting women, including his fifteen-year-old daughter, to participate in their dangerous movement. The Popular Committee Against the Wall’s mission appears destined to fail until they are joined by Jews who believe that the Israeli government needs to reconsider where they are putting up the fence and allow the Palestinians to keep their land and preserve their history. Bacha talks to people on both sides of the struggle, including the Morrars as well as Israeli soldiers Doron Spielman and Yasmine Levi, who all speak honestly about their complex situation. Made by a team of Jews and Palestinians who have formed Just Vision, an organization dedicated to bringing to light nonviolent peacebuilding efforts in the Middle East, BUDRUS could have easily turned into propaganda, but in the end its agenda is something difficult to argue with.

TRIBECA FILM: sex & drugs & rock & roll

Andy Serkis gives many reasons to be cheerful channeling Ian Dury in biopic

sex & drugs & rock & roll (Mat Whitecross, 2010)
Saturday, April 24, Village East, 9:00
Monday, April 26, SVA Theater, 3:00
Wednesday, April 28, SVA Theater, 11:00 pm
Thursday, April 29, Village East, 11:30 pm
May 5-11, Tribeca Cinemas
www.tribecafilm.com

British actor Andy Serkis, who has appeared in such diverse roles as Gollum in the Lord of the Rings trilogy and Rigaud in the widely hailed 2008 LITTLE DORRIT miniseries, transforms himself into punk rocker Ian Dury in the biopic sex & drugs & rock & roll. Directed by documentarian Mat Whitecross (THE ROAD TO GUANTANAMO, THE SHOCK DOCTRINE), the film follows Dury as an adult desperate to make it in the music biz, putting his career ahead of his family. The first half is awkward to watch, as there is not much to like about the character, a nasty, self-centered brute with a huge chip on his shoulder who leaves his caring wife (Olivia Williams) for a young fan (Naomie Harris). But as Whitecross and actor-turned-writer Paul Viragh reveal more of Dury’s past, centering on his relationship with his father (Ray Winstone) and being confined to a poorly run hospital after he contracted polio, Dury becomes a more compelling figure, especially as success approaches. Serkis does all his own singing in the film, set to newly recorded versions of such Ian Dury and the Blockheads classics as “Hit Me with Your Rhythm Stick,” “What a Waste,” “Reasons to Be Cheerful, Part 3,” and the title song. The soundtrack was composed by Dury’s longtime collaborator, Blockhead Chaz Jankel (played by a bland Tom Hughes), who also served as a consultant on the film. It takes a while to get going, but once it does, sex & drugs & rock & roll grabs you, anchored by Serkis’s remarkable performance. Following the film’s four screenings at the Tribeca Film Festival, it will be shown May 5-11 at Tribeca Cinemas as part of the Tribeca Film in Theaters program.

JOURNEY INTO BUDDHISM: DHARMA RIVER

DHARMA RIVER begins John Bush’s Yatra Trilogy at the Asia Society on April 23 (photo by John Bush / Direct Pictures)

THE YATRA TRILOGY: DHARMA RIVER (John Bush, 2004)
Asia Society
725 Park Ave. at 70th St.
Friday, April 23, free, 6:45 (free tickets available beginning at 6:00)
212-517-asia
www.journeyintobuddhism.com
www.asiasociety.org

In conjunction with the exhibition “Pilgrimage and Buddhist Art,” the Asia Society is presenting John Bush’s Yatra Trilogy, three films that journey to sacred Buddhist locations, revealing little-known, seldom-seen sites to Western audiences. The free series begins April 23 with DHARMA RIVER, in which Bush, who will introduce the screening, travels to remarkable temples and shrines in Laos, Thailand, and Burma. He uncovers treasures in Wat Po in Bangkok, Wat Phra Singh in Chiang Mai, Swedagon Pagoda in Rangoon, and Pak Ou Cave and Wat Xieng Thong in Luang Prabang, among other stops. Bush’s narration places the fascinating iconography in proper Buddhist context, avoiding oversimplification while not getting too deep into the intricacies of the different philosophies in each country. His trip along the Mekong River is particularly memorable. From 1970 to 1972, Bush studied Buddhism in India, first spending several months learning vipassana meditation in a Burmese monastery, so DHARMA RIVER is, for him, “a flowing revelation linking a personal past with an intimate present.” The film is accompanied by a beautiful soundtrack by David Hykes with the Harmonic Chant Choir. The trilogy continues April 30 with PRAJNA EARTH (2005) and concludes May 7 with VAJRA SKY OVER TIBET (2006); the Asia Society is free on Friday nights from 6:00 to 9:00, so there should also be time to pay quick visits to the exhibitions “Pilgrimage and Buddhist Art” as well as “Arts of Ancient Viet Nam: From River Plain to Open Sea.”

THE NEWSPAPER PICTURE: WHILE THE CITY SLEEPS

Dana Andrews stars as a cynical reporter in Fritz Lang’s WHILE THE CITY SLEEPS (courtesy Photofest)

WHILE THE CITY SLEEPS (Fritz Lang, 1956)
Film Forum
209 West Houston St.
Friday, April 23
The Newspaper Picture series continues through May 6
212-727-8110
www.filmforum.org

When media magnate Amos Kynes (Robert Warwick) dies, his son Walter (Vincent Price) takes over despite Amos’s greatest fears. Walter decides that whoever gets a scoop on the Lipstick Killer will become his number two man, so the backstabbing race is on among sleazy wire service chief Mark Loving (George Sanders); managing editor Jon Day Griffith (Thomas Mitchell), who’ll do just about anything for a story; and Harry Kritzer (James Craig), who thinks the best way to get the job is from the bed of Walter’s wife (Rhonda Fleming). Throw in cynical television journalist Ed Mobley (Dana Andrews) and hot-to-trot columnist Mildred Donner (Ida Lupino) and you have another one of Hollywood’s terrific newspaper pics. Director Fritz Lang pulls no punches; the film is filled with plenty of sexual undertones (and overtones), and Kynes himself is a take-off of Charles Foster Kane, the glistening K atop his New York City skyscraper reminiscent of the K atop Xanadu’s front gate.

WHILE THE CITY SLEEPS is screening on April 23 in a double feature with Boris Ingster’s 1940 film noir STRANGER ON THE THIRD FLOOR, starring Elisha Cook Jr. and Peter Lorre, as part of Film Forum’s “The Newspaper Picture,” which continues through May 6 with such films as HIS GIRL FRIDAY (Howard Hawks, 1940) on April 24, MEET JOHN DOE (Frank Capra, 1941) on April 26, FOREIGN CORRESPONDENT (Alfred Hitchcock, 1941) on April 29, and ALL THE PRESIDENT’S MEN (Alan J. Pakula, 1976) on May 6.

WHAT MATTERS MOST?

Joe Berlinger’s CRUDE: THE REAL PRICE OF OIL is part of special ecoartspace Earth Day celebration on April 21

Joe Berlinger’s CRUDE: THE REAL PRICE OF OIL is part of special ecoartspace Earth Day celebration at Exit Art on April 21

Exit Underground
475 Tenth Ave. at 36th St.
Wednesday, April 21, 5:00-9:00
Gallery open Tuesday – Saturday through April 28
Suggested donation: $5
212-966-7745
www.ecoartspacewhatmattersmost2010.blogspot.com

Exit Art is currently hosting special ecoartspace programming through April 28 in its Underground gallery, focusing on the exhibit “What Matters Most?” which consists of earth-friendly art from more than 275 artists. On April 21, a trio of events will pay tribute to Earth Day, with eco-artist Jackie Brookner reading from URBAN RAIN at 7:00 and Elizabeth Thompson presenting information about the Buckminster Fuller Challenge Award finalists at 8:00, but things kick off at 5:00 with a screening of Joe Berlinger’s CRUDE: THE REAL PRICE OF OIL. The exhibit concludes on April 28 with a benefit auction and party ($35-$150).

CRUDE: THE REAL PRICE OF OIL (Joe Berlinger, 2009)
www.crudethemovie.com
Documentarian Joe Berlinger has a way of making a strong impact with his films — which include BROTHER’S KEEPER, PARADISE LOST, and METALLICA: SOME KIND OF MONSTER — and his latest is no exception. In CRUDE: THE REAL PRICE OF OIL, Berlinger heads to Ecuador to detail the “Amazon Chernobyl” case, centering on a 1993 class-action lawsuit brought by thirty thousand indigenous people who live in the rainforest and claim that their land and water are contaminated by years of illegal dumping by Texaco-Chevron, leading to severe illness and death for many in their community. Ecuadorian attorney Pablo Fajardo and American consulting attorney Steven Donziger go face-to-face with Chevron attorneys Diego Larrea and Adolfo Callejas, who argue that any wrongdoing was done by PetroEcuador’s takeover of the oil fields in 1992. As such high-profile people as Ecuadorian president Rafael Correa and Rainforest Foundation cofounder Trudie Styler get involved, the fight heats up, but there’s still no end in sight for the sixteen-year-old lawsuit. Berlinger does an excellent job of presenting both sides of the story, even though the bulk of the evidence continues to build for one side.

TRIBECA DRIVE-IN

Mat Hoffman will take to the air onscreen and in person at special Tribeca Drive-In presentation

TRIBECA FILM FESTIVAL
World Financial Center Plaza
April 22-24, free
Doors open at 6:00, activities at 6:30, films at approximately 8:15
www.tribecafilm.com

This year’s free Tribeca Drive-In features three films on successive nights outside at World Financial Center Plaza. On April 22, live performances by salsa bands, a dance contest, and salsa lessons will precede a screening of Francisco Bello and Tim Sternberg’s 2009 documentary, THE SPIRIT OF SALSA, about New Yorkers who take salsa classes at the Santo Rico Dance School. On April 23, a waterfront carnival accompanies Penny Marshall’s endearing comedy BIG, starring Robert Loggia, Elizabeth Perkins, and Tom Hanks about a boy inside a man’s body. And on April 24, Jeff Tremaine’s THE BIRTH OF BIG AIR, which looks at BMX competitor Mat Hoffman, will feature BMX demos before and after the movie, including a live stunt by Hoffman himself.