this week in film and television

THE NEWSPAPER PICTURE: ALL THE PRESIDENT’S MEN

Carl Bernstein (Dustin Hoffman) and Bob Woodward (Robert Redford) bring down a presidency in classic newspaper picture

ALL THE PRESIDENT’S MEN (Alan J. Pakula, 1976)
Film Forum
209 West Houston St.
Thursday, May 6, 1:30, 4:10, 6:50, 9:30
212-727-8110
www.filmforum.org

Film Forum concludes its four-week series “The Newspaper Picture” with one of the grandest of them all, Alan J. Pakula’s ALL THE PRESIDENT’S MEN. Even though the audience knows the outcome, following two young reporters, Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), as they try to get to the bottom of the Watergate scandal is an absolute joy, an edge-of-your-seat thriller written by master scribe William Goldman. Pakula goes inside the machinations of the Nixon administration and the Washington Post, setting up an epic battle with an all-star cast that also includes Jack Warden, Martin Balsam, Jason Robards, Jane Alexander, Ned Beatty, and Hal Holbrook as Deep Throat. Nominated for eight Oscars and winner of two (for sound and art direction), ALL THE PRESIDENT’S MEN is not just one of the great newspaper pictures of all time but one of the best films of an outstanding decade for movies.

JOURNEY INTO BUDDHISM: VAJRA SKY OVER TIBET

Thangka Festival in Drepung is one of the many highlights of VAJRA SKY OVER TIBET (photo by John Bush/Direct Pictures)

THE YATRA TRILOGY: VAJRA SKY OVER TIBET (John Bush, 2006)
Asia Society
725 Park Ave. at 70th St.
Friday, May 7, free, 6:45 (free tickets available beginning at 6:00)
212-517-asia
www.journeyintobuddhism.com
www.asiasociety.org
www.vajra-sky.com

The Asia Society’s presentation of John Bush’s Yatra Trilogy concludes on May 7 with VAJRA SKY OVER TIBET: JOURNEY INTO AN ENDANGERED WORLD, a reverential documentary that examines the history of the Tibetan people, focusing on the long-standing battle with China. In 1959, the fourteenth Dalai Lama was forced into exile, finding safe haven in India. Although many Tibetans escaped with him, many stayed behind, where they practice their faith under the sharp watch of the Chinese government, which would like to name their own Dalai Lama in time. VAJRA SKY OVER TIBET is the third part of the Yatra Trilogy by producer/director John Bush, following DHARMA RIVER and PRAJNA EARTH, as Bush completes his Buddhist pilgrimage that previously took him to Southeast Asia. Bush, a Western Buddhist himself, gained remarkable access to some of Vajrayana Buddhism’s holiest palaces and sites of worship, including Jokhang Temple in Llasa, the Potala, and the Norbulinka. Bush winds his way through the Drepung Festival, traveling with a Tibetan guide whose name he can’t share because of possible reprisals. Bush narrates much of the film, along with Tenzin L Choegyal, the nephew of the current Dalai Lama, and Dadon, a popular Tibetan singer. The meditative score is by David Hykes and the Harmonic Choir, supplemented with devotional music by Dadon and other Himalayan musicians. Although it often plays too much like a travel show on PBS or the Travel Channel, VAJRA SKY, which has been personally endorsed by the Dalai Lama, is an illuminating look into a fascinating culture that is in serious danger of disappearing. “Tibetan civilization,” writes the Dalai Lama as the film begins, “forms a distinct part of the world’s precious common heritage. Humanity would be the poorer if it were to be lost.” For nearly ninety minutes, with beautiful cinematography, captivating music, and gorgeous settings, Bush, who will introduce the Asia Society screening in conjunction with the exhibit “Pilgrimage and Buddhist Art,” takes you deep inside a mysterious, peaceful, and threatened world that you will not soon forget.

sex & drugs & rock & roll

Andy Serkis gives many reasons to be cheerful channeling Ian Dury in biopic

Andy Serkis gives many reasons to be cheerful channeling Ian Dury in biopic

sex & drugs & rock & roll (Mat Whitecross, 2010)
Tribeca Cinemas
54 Varick St. at Laight St.
May 5-11
212-941-2001
www.tribecafilm.com

British actor Andy Serkis, who has appeared in such diverse roles as Gollum in the Lord of the Rings trilogy and Rigaud in the widely hailed 2008 LITTLE DORRIT miniseries, transforms himself into punk rocker Ian Dury in the biopic sex & drugs & rock & roll. Directed by documentarian Mat Whitecross (THE ROAD TO GUANTANAMO, THE SHOCK DOCTRINE), the film follows Dury as an adult desperate to make it in the music biz, putting his career ahead of his family. The first half is awkward to watch, as there is not much to like about the character, a nasty, self-centered brute with a huge chip on his shoulder who leaves his caring wife (Olivia Williams) for a young fan (Naomie Harris). But as Whitecross and actor-turned-writer Paul Viragh reveal more of Dury’s past, centering on his relationship with his father (Ray Winstone) and being confined to a poorly run hospital after he contracted polio, Dury becomes a more compelling figure, especially as success approaches. Serkis does all his own singing in the film, set to newly recorded versions of such Ian Dury and the Blockheads classics as “Hit Me with Your Rhythm Stick,” “What a Waste,” “Reasons to Be Cheerful, Part 3,” and the title song. The soundtrack was composed by Dury’s longtime collaborator, Blockhead Chaz Jankel (played by a bland Tom Hughes), who also served as a consultant on the film. It takes a while to get going, but once it does, sex & drugs & rock & roll grabs you, anchored by Serkis’s remarkable performance.

COSMIC CABARETCINEMA: THE DAY THE EARTH STOOD STILL

Gort makes his way through the shadows in Robert Wise’s sci-fi gem

THE DAY THE EARTH STOOD STILL (Robert Wise, 1951)
Rubin Museum of Art
150 West 17th St. at Seventh Ave.
Friday, May 7, free with $7 bar minimum, 9:30
212-620-5000
www.rmanyc.org/cabaretcinema

This cold-war-era classic stars Michael Rennie as an alien who lands on earth with a very important message: No peace, no planet. He brings along with him one of the great robots in cinema history, Gort (Lock Martin), and later utters to Patricia Neal one of the ten best lines ever: “Klaatu borada nikto.” This science-fiction fave works on a number of different and fascinating levels; during a 1998 UC Berkeley interview, director Robert Wise even noted, “Some people read a religious connotation into the thing, the resurrection and all. If you want to put a beard on Rennie and all, he could be a Christ figure.” The film will be screening May 7 at the Rubin Museum as part of its Cosmic Cabaretcinema series, featuring “films that explore a new frontier in humankind’s understanding of the universe,” and will be introduced by writer Larry Doyle, a veteran of THE SIMPSONS and BEAVIS AND BUTT-HEAD.

soloNOVA ARTS FESTIVAL

Performance Space 122
150 First Ave. at Ninth St.
May 5-22, $20 per performance, $55 passport for any five shows
Festival Pass: $100
After-parties: $10
212-352-3101
www.ps122.org
www.terranovacollective.org

The seventh annual soloNOVA Arts Festival begins this week, featuring eight one-person shows and three late-night after-parties. This year’s lineup ranges from bilingual theatrical cabaret (Karina Casiano’s ROOTLESS: LA NO-NOSTALGIA) and musical comedy (Erin Markey’s PUPPY LOVE: A STRIPPER’S TAIL) to  storytelling and song (Shontina Vernon’s WANTED) and dance theater (Jesse Zaritt’s BINDING). Daniel Berkley gets personal delving into his schizophrenia and addictions in REMISSION, Avery Pearson takes on sixteen characters in the thriller MONSTER, Brian McManamon is an odd collector in the Frigid NY favorite IT OR HER, and comedian W. Kamau Bell attacks racism in THE W. KAMAU BELL CURVE: ENDING RACISM IN ABOUT AN HOUR. In addition, there will be three Ones at Eleven after-parties at P.S. 122, highlighting music on May 8, comedy on May 15, and storytelling and spoken word on May 22. And on May 21, terraNOVA Collective will honor Nilaja Sun as soloNOVA Artist of the Year at a benefit with clips, food, drink, and more ($30, 8:00).

BATTLEFIELDS: THE MOTHER AND THE WHORE

Jean-Pierre Léaud is a busy boy in THE MOTHER AND THE WHORE

THE MOTHER AND THE WHORE (Jean Eustache, 1973)
Neue Galerie, Café Fledermaus
1045 Fifth Ave. at 86th St.
Monday, May 3, free, 4:00
212-628-6200
www.neuegalerie.org/programs/film-series

Jean-Pierre Léaud gives a bravura performance in Jean Eustache’s New Wave classic about love and sex in Paris following the May 1968 cultural revolution. Léaud stars as Alexandre, a jobless, dour flaneur who rambles on endlessly about politics, cinema, music, literature, sex, women’s lib, and lemonade while living with current lover Marie (Bernadette Lafont), obsessing over former lover Gilberte (Isabelle Weingarten), and starting an affair with new lover Veronika (Françoise Lebrun), a quiet nurse with a rather open sexual nature. The film’s three-and-a-half-hour length will actually fly by as you become immersed in the complex characters, the fascinating dialogue, and the excellent acting. Much of the movie consists of long takes in which Alexandre shares his warped view of life and art in small, enclosed spaces, the static camera focusing either on him or his companion. The film is screening on May 3 as part of the Neue Galerie’s Battlefields film series, featuring works involving soldiers in WWI, in conjunction with the current exhibit focusing on World War I veteran Otto Dix. The series concludes May 10 with Albert and Allen Hughes’s FROM HELL, starring Johnny Depp.

WORLD NOMADS LEBANON

Bernard Khoury will give a free talk on Lebanese architecture and public space at FIAF on May 6

French Institute Alliance Française
Florence Gould Hall, 55 East 59th St.
Le Skyroom, 22 East 60th St.
Tinker Auditorium, 55 East 59th St.
May 1-29, free – $40
212-355-6100
www.fiaf.org

This year FIAF’s annual spring journey heads to Lebanon for a month of live performance, film screenings, art, talks, and more. The festival, which covered Africa in 2008 and Haiti in 2009, begins May 1 with the Bassam Saba Ensemble playing in Florence Gould Hall, followed on May 2 by three consecutive free talks at Le Skyroom, with writers Elias Khoury, Rawi Hage, and Alexander Najjar in conjunction with the PEN World Voices Festival of International Literature. On Tuesdays from May 4 through May 25, CinémaTuesdays will present such films as Maroun Bagdadi’s HORS LA VIE, Jocelyne Saab’s ONCE UPON A TIME: BEIRUT, and Simon El-Habre’s THE ONE MAN VILLAGE in Florence Gould Hall. Meanwhile, the Film Society of Lincoln center will be hosting “The Calm After the Storm: Making Sense of Lebanon’s Civil War,” more than thirty films that give a fascinating overview into the history of the embattled nation. On May 21, Wajdi Mouawad and Jane Birkin will team up for staged readings of his “Je t’embrasse pour finir” (in French) and “La sentinelle” (in English); admission is free but advance reservations are required; author, actor, and director Wajdi will also be giving a free talk May 19 in Le Skyroom. World Nomads will also feature a trio of architecture talks on successive Thursdays, with Bernard Khoury on May 6, “Public Space: Memory, Boundary, Catastrophe” on May 13, and “Modern Architecture in Beirut: Reconstruction & Cultural Identity” on May 20. During the festival, the FIAF Gallery will be displaying “Cedrus Libani: Roots & Memory,” an exhibition of new and old work by Lebanese-American artist Nabil Nahas, while “My Umi Said . . . New Work from Lebanon” features multimedia pieces by five progressive Lebanese artists, held off-site at Kleio Projects (May 7-28, 153½ Stanton St.).