this week in film and television

ONDINE

Fisherman Colin Farrell shares his strange story with town priest Stephen Rea in ONDINE (photo courtesy of Magnolia Pictures)

ONDINE (Neil Jordan, 2010)
Opens Friday, June 4
www.magpictures.com

After hard-luck fisherman Syracuse (a decidedly unglamorous Colin Farrell) raises his net to find out he has caught a woman (Alicja Bachleda) from the bottom of the sea, his life takes a dramatic shift in Neil Jordan’s wonderful fairy tale, ONDINE. Syracuse, also known disaffectionately as Circus for his checkered past, resuscitates the beautiful woman, who appears to have lost her memory and later chooses the name Ondine, which means “little wave.” Syracuse brings Ondine fishing with him, and when she sings her strange, haunting song, he catches more lobster and salmon than he ever has before. But his wheelchair-bound daughter, Annie (Alison Barry), who needs a new kidney, thinks than Ondine might be more than just good luck; she believes that Ondine is a selkie, a supposedly mythological sea creature who can live on land for seven years before having to return to her watery home. But when a mysterious stranger suddenly shows up in town, everyone is forced to reevaluate their changing lives. Gorgeously shot by master cinematographer Christopher Doyle (IN THE MOOD FOR LOVE) in the coastal village of Castletownbere and along Poulin Harbor, ONDINE is a compelling story that easily could have turned into treacly melodrama but manages to keep surprising up to the very end. Farrell is excellent as the uneducated, simple, but lovable Syracuse who, when not fishing or taking his daughter to her weekly dialysis treatment, shares his tale with the town priest (Stephen Rea) in some very funny scenes. Jordan (MONA LISA, THE CRYING GAME), who has a house in Castletownbere, has made a fairy tale audiences can really believe in with ONDINE, which features a lush soundtrack by Sigur Rós’s Kjartan Sveinsson that accompanies the lush locations.

For a slideshow of the film’s U.S. premiere at the Tribeca Film Festival on April 28 with Colin Farrell, Alicja Bachleda, and Neil Jordan, please visit here.

BROOKLYN INTERNATIONAL FILM FESTIVAL

COLIN HEARTS KAY is one of many BIFF selections set in Brooklyn

Brooklyn Heights Cinema, 70 Henry St.
IndieScreen, 285 Kent Ave.
Full Festival Pass: $100; Opening Night Pass: $25; Four Pack Pass: $25
June 4-13
www.brooklynfilmfestival.org

The thirteenth annual Brooklyn International Film Festival returns to the greatest borough in the world, with thirteen features, seventeen documentaries, thirty shorts, fifteen experimental works, and twenty-six animated films from all over the world. In addition to the screenings, which are being held at the Brooklyn Heights Cinema and IndieScreen, there will be several after-parties, a KidsFilmFest, a workshop, and free networking gatherings at such bars as the Henry Street Ale House, Dram, and Zebulon.

SOCCER FEVER!

Diego Maradona is one of the many soccer legends examined in BAM series

BAMcinématek
BAM Rose Cinemas
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
Wednesday, June 2, through Tuesday, June 8
718-636-4100
www.bam.org

Do you have it yet? ’Cause we do. It’s called World Cup Fever, as the international community prepares for this year’s competition, with thirty-two teams battling it out to be the best June 11 through July 11 in South Africa. From June 2 to June 8, BAMcinématek will be presenting nine soccer-based films, ranging from SOCCER AS NEVER BEFORE, Hellmuth Costard’s 1971 examination of Manchester United legend George Best in one game against Coventry, to ZIDANE: A 21st CENTURY PORTRAIT, Douglas Gordon and Philippe Parreno’s seventeen-camera look at Zinédine Zidane (of head-butt fame) in a match between Real Madrid and Villareal. Other films follow a 2002 match contest Bhutan and Montserrat (THE OTHER FINAL), the 1966 finals (GOAL! WORLD CUP 1966), Argentine star Diego Maradona (MARADONA, THE GOLDEN KID), and preparations for the 2010 tourney (FAHRENHEIT 2010). And for some reason, BAM decided to include the silly Rodney Dangerfield comedy LAYDBUGS; what, they couldn’t get Khyentse Norbu’s THE CUP or even John Huston’s VICTORY, with Sylvester Stallone playing the goalkeeper?

SOCIAL DECEPTIONS, WRY PERCEPTIONS: THE FILMS OF AGNÈS JAOUI

The career of LOOK AT ME writer, director, and star Agnès Jouai (right) will be celebrated at Lincoln Center this week

LOOK AT ME (COMME UN IMAGE) (Agnès Jaoui, 2004)
Film Society of Lincoln Center, Walter Reade Theater
70 Lincoln Center Plaza, 65th St. at Amsterdam Ave.
Tuesday, June 1, 2:00; Wednesday, June 2, 8:45; Thursday, June 3, 4:15
Series runs June 1-3
212-875-6500
www.filmlinc.com
www.sonyclassics.com/lookatme

Agnès Jaoui directed, cowrote, and stars in this fabulously French film about literature, music, love, and loyalty. Lolita (newcomer Marilou Berry) is an overweight young woman with dreams of becoming an opera singer. However, people seem to take an interest in her only when they learn that her father, mean-spirited Etienne (cowriter Jean-Pierre Bacri, Jaoui’s partner), is a famous novelist and publisher. Indeed, that is the case when her vocal coach, Sylvia (Jaoui), finally agrees to help Lolita’s singing group prepare for a special performance. Meanwhile, Etienne takes Sylvia’s husband, struggling novelist Pierre (Laurent Grevill), under his wing, even as he ignores his daughter’s calls for love. Berry is simply marvelous in her first major role, utterly charming and heartbreaking as she reaches out to her father, puts her faith in the wrong relationship, and battles to express herself in a smothering world of hangers-on, wanna-bes, and, if she looks hard enough, true love. There’s a reason this film was chosen to open the 2004 New York Film Festival. Don’t miss it.

LOOK AT ME is part of the Film Society of Lincoln Center’s series “Social Deceptions, Wry Perceptions: The Films of Agnès Jaoui,” which also includes a sneak preview of Jaoui’s latest work, LET IT RAIN, on June 1 at 6:15, with Jaoui present. The short series features three films by other directors in which Jaoui stars: François Favrat’s 2004 film THE ROLE OF HER LIFE (June 1, 4:10), Alain Resnais’s 1997 tribute to Dennis Potter, SAME OLD SONG, cowritten by Jaoui and Bacri (June 1, 9:00, and June 2, 2:00), and Cédric Klapisch’s 1996 drama, FAMILY RESEMBLANCES (June 2, 4:15), in addition to Jaoui’s 2000 directorial debut, THE TASTE OF OTHERS (June 2, 6:30, and June 3, 2:00). Jaoui is a tremendous talent who should be much more well known in America, not just the darling of cineastes and critics.

LOWER EAST SIDE FESTIVAL OF THE ARTS

The Teabaggers will present “The TNC Tea Party” at this year’s Lower East Side Festival of the Arts (photo by Alex Smith)

Theater for the New City
155 First Ave. between Ninth & Tenth Aves.
Saturday, May 29, and Sunday, May 30
Admission: free
www.theaterforthenewcity.net

The fifteenth annual Lower East Side Festival of the Arts continues on Saturday on Sunday with two days of free live performances both inside the Theater for the New City and outside, where a cultural fair will be held. On Saturday from 2:00 to 5:00, magicians, musicians, dancers, and more will entertain children in the Johnson Theater, anchored by Supercute playing at 4:30. Adult entertainment takes over after that, with the Alpha Omega Theatrical Dance Company, Bleecker Street Opera, David Amram, Joe Franklin, and others. Meanwhile, Yana Schnitzler’s Human Kinetics Movement Arts will perform a site-specific installation in the lobby beginning at 7:00. Films will run from noon to midnight in the Cabaret Theater, including Rome Neal’s BANANA PUDDIN JAZZ, Buck Heller’s THROUGH THEIR EYES, and Roger Corman’s BUCKET OF BLOOD. And the outdoor street festival will feature live music, poetry readings, performance art, dance, and comedy by Jessica Delfino, the Drama Bums, Domingo’s Dominion, the Vox Pop Players, Jessica Friedlander, and others. On Sunday night, KT Sullivan, Tammy Grimes, the Silvercloud Singers & Drummers, Phoebe Legere, Penny Arcade, and Tokyo Penguin are among those scheduled in the Johnson Theater, with theatrical performances taking place in the Cabaret Theater. In addition, the Community Space Theater will host a poetry program at 4:00 with special guest Joan Durant and nearly fifty participants. And all weekend long, the lobby will be home to visual art curated by Carolyn Ratcliffe. It’s a great festival that has something for everyone, and, yes, it’s all free.

BREATHLESS

Jean-Paul Belmondo and Jean Seberg star in Jean-Luc Godard’s anarchic, iconic BREATHLESS (courtesy Rialto Pictures/StudioCanal)

BREATHLESS (À BOUT DE SOUFFLE) (Jean-Luc Godard, 1960)
Film Forum
209 West Houston St.
May 28 – June 10
212-727-8110
www.filmforum.org

The fiftieth-anniversary restoration of Jean-Luc Godard’s Nouvelle Vague classic, BREATHLESS, will leave audiences, well, breathless. Godard’s first feature-length film, buoyed by an original treatment by François Truffaut and with Claude Chabrol serving as technical adviser, is as much about the cinema itself as it is about would-be small-time gangster Michel Poiccard (an iconic Jean-Paul Belmondo), an ultra-cool dude wandering from girl to girl in Paris, looking for extra helpings of sex and money and having trouble getting either. Along the way he steals a car and shoots a cop as if shooing away a fly before teaming up with Patricia Franchini (Jean Seberg) and heading out on the run. Godard references William Faulkner and Dashiell Hammett, Humphrey Bogart and Sam Fuller as Michel and Patricia make faces at each other, discuss death, and are chased by the police. Anarchy prevails, both in Belmondo’s character and the film as a whole, which can go off in any direction at any time. Godard himself shows up as the man who identifies Michel, and there are also cameos by New Wave directors Jean-Pierre Melville and Jacques Rivette. The beautiful restoration, supervised by the film’s director of photography, Raoul Coutard, also includes a brand-new translation and subtitles that breathe new life into one of cinema’s greatest treasures. Although many of the restored movies that play at Film Forum do so immediately prior to DVD release, no DVD is currently planned for this version of BREATHLESS, so you’ll have to catch it on West Houston St. during its limited two-week run.

THE FATHER OF MY CHILDREN

Grégoire Canvel makes a tragic decision in THE FATHER OF MY CHILDREN

THE FATHER OF MY CHILDREN (LE PÈRE DE MES ENFANTS) (Mia Hansen-Løve, 2009)
IFC Center, 323 Sixth Ave. at Third St., 212-924-7771
Lincoln Plaza Cinemas, 1886 Broadway at 63rd St., 212-757-2280
May 28 – June 10
www.ifccenter.com
www.lincolnplazacinema.com

Winner of the Un Certain Regard Special Jury Prize at the 2009 Cannes Film Festival, THE FATHER OF MY CHILDREN is a heart-wrenching drama from writer-director Mia Hansen-Løve (ALL IS FORGIVEN). Louis-Do de Lencquesaing stars as Grégoire Canvel, a movie producer and married father of three girls who is always on the go, trying anything he can to save his failing company, which prefers making art-house films that go over budget than popular garbage that might actually turn a profit. After Grégoire makes a tragic decision, his wife, Sylvia (Chiara Caselli), and three daughters, Clémence (Louis-Do’s real-life daughter, Alice de Lencquesaing), Valentine (Alice Gautier), and Billie (Manelle Driss), are left to pick up the pieces of what once was a very happy, thriving family. Partly inspired by the life of French film producer Humbert Balsan, THE FATHER OF MY CHILDREN is a powerful, emotional work centered on a close family searching for clarity through the despair. Hansen-Løve’s seamless direction allows the strong cast to avoid treacly melodrama as the characters try to put their life back together amid extremely difficult situations.