Ryan Trecartin’s “Any Ever” consists of unique viewing environments in which to watch his rather unique films (photo by twi-ny/mdr)
MoMA PS1
22-25 Jackson Ave. at 46th Ave.
Thursday – Monday through September 5, 12 noon – 6:00 pm
Suggested admission: $10 (free for MoMA ticket holders within thirty days of ticket)
718-784-2084
www.ps1.org
summer open house sneak peek
Texas native Ryan Trecartin has come along at just the right time, the go-to artist for the YouTube / reality TV generation. The thirty-year-old multimedia artist makes color-drenched, amateurish films featuring himself and his friends in wacky outfits, speaking in high-pitched voices as they comment on various sociopolitical themes in crazy ways. For “Any Ever,” his exhibition at PS1 that continues through September 3, Trecartin has created individual viewing environments for seven of his films created between 2007 and 2010 in Miami, made in collaboration with Lizzie Fitch. Divided into two sections, Trill-ogy Comp, consisting of K-CoreaINC.K (section a), Sibling Topics (section a), and P.opular S.ky (section ish), and Re’Search Wait’S, comprising Ready, The Re’Search, Roamie View: History Enhancement, and Temp Stop, the exuberant films are set amid a partying world that celebrates gender identity and individuality while attacking global corporate culture, transumerism, and market research. The works are projected in sculptural viewing areas that often incorporate elements of the films, including airline seats, a white conference table, bleachers, comfortable raised couches, and other playful milieus. With “Any Ever,” Trecartin has created a loud, frenetic, in-your-face world that is one heckuva fun party, even if it gets repetitive when taken in all at once.
Don’t let the calm, relaxing entrance area fool you; Ryan Trecartin’s “Any Ever” multimedia installation is about to get a lot crazier (photo by twi-ny/mdr)
On August 31, MoMA PS1 will host a PopRally closing party for the exhibit, with MC Akeem_Ouch, live performances by AraabMUZIK, Glass Popcorn, and #HDBOYZ, guided tours of the show led by Veronica Gelbaum (who plays “Ready” in Re’Search Wait’S), appearances by Spicee Cajun, Raul de Nieves as Lindsay Lohan, DJs Telfar, Physical Therapy, and Fatima Al Qadiri, and other very strange guests. You can also catch “Any Ever” — as well as “Francis Alÿs: A Story of Deception” (through September 12) and “Summer School presents Gus Van Sant and James Franco: My Own Private River” (through August 29) — at the final Warm Ups of the season, with Tanlines, NguzuNguzu, Teengirl Fantasy, Sun Araw, and Physical Therapy on August 27 (which has just been canceled, as PS1 will be closed on Saturday and Sunday because of Hurricane Irene) and Horse Meat Disco, Midnight Magic, Justin Miller, and BICEP on September 3, taking place in Interboro Partners’ “Holding Pattern” courtyard installation.
Based on the frightening novel by Ira Levin, Rosemary’s Baby is one of the greatest psychological horror films ever made. When Rosemary (Mia Farrow) and Guy Woodhouse (John Cassavetes) move into the fancy Upper West Side apartment complex the Bramford (the Dakota), ready to start a family, Rosemary slowly grows suspicious of Guy’s new friends, particularly the sweet old couple next door (Oscar winner Ruth Gordon and Sidney Blackmer), with good reason. Written and directed by Roman Polanski, Rosemary’s Baby works primarily because it is so believable, with recognizable characters and situations that never go over the top. The paranoid thriller, filled with truly scary scenes, has held up well over the years, so beware if you’re afraid of the dark. The film was scheduled to screen August 25 in Brooklyn Bridge Park as part of the “Movies with a View” series, preceded by Don Hertzfeldt’s short Wisdom Teeth and music from DJ Ming, but it has been canceled because of inclement weather. But people can begin voting now for the final presentation, a viewers’ choice that will close out the series on September 1 — and since you can vote for any New York film you want, Rosemary’s Baby is in the running.
Writer-director Brad Bird won Oscars for his animated features The Incredibles (2004) and Ratatatouille (2007), but the Simpsons veteran first made his mark with the charming 1999 sci-fi cartoon The Iron Giant. Based on the 1968 book The Iron Man by Ted Hughes, the animated film is set during the Cold War, with the general populace and the military fearful of a nuclear attack by the Soviet Union. So when rumors that a fifty-foot-tall iron giant (voiced by Vin Diesel) has fallen from the sky, the government wants to destroy it, but it is being hidden by young Hogarth Hughes (Eli Marienthal), who has saved its life. Hogarth keeps his new best friend a secret from his mother (Jennifer Aniston) and federal agent Kent Mansley (Christopher McDonald) with the help of the town beatnik, Dean McCoppin (Harry Connick Jr.), who takes a liking to Hogarth’s mom. The screenplay, written by Tim McCanlies (Secondhand Lions), plays with various genre clichés just enough to avoid being clichéd itself, instead making The Iron Giant a delightful, nearly flawless twist on the E.T. mythos, mixed in with a little Androcles & the Lion, The Day the Earth Stood Still, and even Frankenstein and King Kong. The film, which also features the voices of Cloris Leachman (Mrs. Tensedge), John Mahoney (General Rogard), and M. Emmet Walsh (Earl Stutz), is a treat for children and adults. Bird, meanwhile, has graduated to live action; his next movie will be Mission: Impossible — Ghost Protocol, starring Tom Cruise, Jeremy Renner, and Simon Pegg. The Iron Giant is screening for free on August 23 at dusk as part of the Red Hook Summer Movies series in Valentino Pier, which continues August 30 with Pump Up the Volume (Allan Moyle, 1990), September 6 with Highlander (Russell Mulcahy, 1986), and September 13 with the viewers choice selection, Pee-Wee’s Big Adventure (Tim Burton, 1985).
