this week in film and television

DOC NYC: THE INTERRUPTERS

Former gang members try to stop the violence on the streets of Chicago in THE INTERRUPTERS

THE INTERRUPTERS (Steve James, 2011)
IFC Center
323 Sixth Ave. at West Third St.
Wednesday, November 9, $16, 9:00
212-924-7771
www.ifccenter.com
www.interrupters.kartemquin.com
www.docnyc.net

For The Interrupters, director, producer, and editor Steve James (Hoop Dreams, At the Death House Door) teamed up with journalist Alex Kotlowitz (There Are No Children Here) to hit the dangerous inner-city streets of Chicago with the men and women of CeaseFire, a grass-roots organization of former gang members who are now trying to stop the violence. Inspired by Kotlowitz’s New York Times Magazine article, the two men concentrate on three primary stories. Ameena Matthews, the Muslim daughter of notorious gang leader Jeff Fort, is working with a deeply troubled young woman who’d rather fight than flee, even if it means being sent back to prison. Cobe Williams has his hands full with the angry, recently released Flamo, who thinks the whole world is against him. And Eddie Bocanegra is attempting to come to grips with a cold-blooded revenge murder he committed when he was a teenager by visiting schools and talking about turning his life around. One of the most poignant moments of the film occurs when Williams brings Lil Mikey back to the barbershop he and several of his cohorts robbed at gunpoint as he again faces some of his victims. Matthews, Williams, and Bocanegra are paid employees of CeaseFire, which was founded by Dr. Gary Slutkin, an epidemiologist who believes that violence is a disease that can be treated in similar ways, and is run by Tio Hardman, who handles his extremely tough task with intelligence and dignity as he deals with what he calls “the madness.” But in a society in which “words’ll get you killed,” as Matthews says early on, these tireless violence interrupters put their own lives on the line every day, battling a sickness that seems to have no end in sight. The award-winning film, a hit at numerous film festivals, felt a bit long at its original 144 minutes, but James edited it down to a more streamlined 124 minutes for its recent theatrical release. The Interrupters is screening November 9 at 9:00 as part of the Short List section of the Doc NYC festival, running at the IFC Center through November 10.

JCC BLACK AND WHITE: ALL ABOUT EVE

Anne Baxter and Bette Davis put on quite a show in ALL ABOUT EVE (yes, that’s Marilyn Monroe in the center)

ALL ABOUT EVE (Joseph L. Mankiewicz, 1950)
JCC in Manhattan
334 Amsterdam Ave. at West 76th St.
November 6-8, $10, 4:00
646-505-5708
www.jccmanhattan.org

Nominated for fourteen Academy Awards and winner of six, including Best Picture, Best Director, and Best Screenplay, All About Eve is one of Hollywood’s all-time greatest movies, a searing depiction of naked ambition set on the Great White Way. Based on Mary Orr’s 1946 short story “The Wisdom of Eve,” writer-director Joseph L. Mankiewicz’s flawless drama stars Anne Baxter as Eve Harrington, who is not exactly the mousey wallflower she at first appears to be. She quickly worms her way into an inner circle of Broadway vets populated by superstar Margo Channing (Bette Davis), her younger lover, Bill Sampson (Gary Merrill), playwright and director Lloyd Richards (Hugh Marlowe), and Richards’s wife, Karen (Celeste Holm), who takes Eve under her wing. Joining in on all the fun is powerful theater critic Addison DeWitt (Oscar winner George Sanders), who marvels at all the manipulation and backstage drama, much of which he wickedly orchestrates himself. “There never was, and there never will be, another like you,” DeWitt tells Eve in one of the film’s most poignant moments. All About Eve is filled with classic quotes, including the iconic “Fasten your seatbelts, it’s going to be a bumpy night,” boldly proclaimed by Davis. In a movie about acting and the theater, Mankiewicz never shows anyone onstage; instead, he focuses on the characters and the intrigue with a sly flair that is deliciously entertaining. All About Eve is screening November 6-8 at 4:00 as part of the JCC in Manhattan’s “Black and White” series, which will show classic b&w films on a monthly basis, with Stanley Kubrick’s Paths of Glory on tap for December,

DOC NYC: THE GREATER GOOD

Gabi Swank shares her sad story in THE GREATER GOOD, which looks at the growing controversy over childhood vaccination

THE GREATER GOOD (Kendall Nelson & Chris Pilaro, 2011)
Saturday, November 5, NYU Kimmel Center, Eisner Auditorium, 60 Washington Sq. South at La Guardia Pl., $16, 6:45
Monday, November 7, IFC Center, 323 Sixth Ave. at West Third St., $16, 1:30
www.docnyc.net
www.greatergoodmovie.org

In a Republican debate in September, presidential hopeful Michele Bachmann called Gardasil, Merck’s HPV vaccine to prevent cervical cancer, “dangerous,” setting off a firestorm across the country and in the scientific community over the safety of childhood vaccinations in general, with groups taking to the streets and the airwaves fighting against government-mandated vaccines. Thus, Kendall Nelson and Chris Pilaro’s The Greater Good comes along at just the right time. In the ninety-minute documentary, the directors speak with individuals on all sides of the now controversial issue. They speak with the Swank, King, and Christner families, who claim that vaccinations specifically led to their children either becoming autistic, suffering strokes, or, dying. While Dr. Paul Offit declares vaccinations safe and bemoans so many people deciding not to have their children vaccinated against anything, which led to a recent outbreak of measles at Children’s Hospital of Philadelphia, Drs. John Green and Lawrence B. Palevsky come out strongly against vaccinations. And experts such as Robert W. “Dr. Bob” Sears, author of The Vaccine Book: Making the Right Decision for Your Child, and Barbara Loe Fisher, cofounder and president of the National Vaccine Information Center, are firmly in the middle, demanding that more testing be done on vaccines before they hit the market and that parents should have the choice of what vaccinations their children receive. Nelson and Pilaro supplement the film with a not-overwhelming amount of relevant data and some playful yet serious animation as they examine corporate influence on public health, the science behind the controversy, government regulation, the growing anti-vaccination movement, and the sad stories of three families dealing with harrowing personal circumstances. The Greater Good is screening November 5 at 6:45 at NYU’s Kimmel Center and November 7 at 1:30 at the IFC Center as part of the “Viewfinders” section of the Doc NYC festival, which continues through November 10, with the codirectors expected to be in attendance to discuss the film.

THE MOVIE THAT GOES TO 11: SPINAL TAP

BAMcinématek turns it up to eleven with 11:11 screening of THIS IS SPINAL TAP on 11/11/11

THIS IS SPINAL TAP (Rob Reiner, 1984)
BAMcinématek
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
Friday, November 11, $12, 7:00 & 11:11 pm
212-415-5500
www.bam.org

Get ready to smell the glove, and beware the patron saint of quality footwear. BAMcinématek is celebrating November 11, 2011 — 11/11/11 — with a special 11:11 pm screening of the greatest mockumentaries of them all, the towering classic This Is Spinal Tap. Rob Reiner’s triumphant tale follows the intimate lives of three heavy metal heads — Nigel Tufnel (Christopher Guest), David St. Hubbins (Michael McKean), and Derek Smalls (Harry Shearer) — and a series of highly flammable drummers as the band attempts a comeback. The hysterical film, which does indeed go all the way up to eleven, includes cameos by Bruno Kirby, Ed Begley Jr., Dana Carvey, Fran Drescher, Billy Crystal, Howard Hesseman, Paul Benedict, Paul Shaffer, Anjelica Huston, Fred Willard, and, yes, the one and only Patrick MacNee, as well as such unforgettable hits as “Hell Hole,” “Big Bottom,” “Sex Farm,” “Lick My Love Pump,” and, of course, “Stonehenge.” The screening will be followed by a Skype Q&A with Guest and Shearer in character; here’s hoping there are no electronic screw-ups like when Smalls gets stuck in a pod during one of the film’s funniest moments.

DOC WATCHERS PRESENTS: SALESMAN

The Maysles Institute will celebrate Albert Maysles’s upcoming eighty-fifth birthday with a special screening of SALESMAN

SALESMAN (Albert Maysles, David Maysles, and Charlotte Zwerin, 1969)
Maysles Institute
343 Malcolm X Blvd. between 127th & 128th Sts.
Monday, November 7, 7:00
212-582-6050
www.mayslesinstitute.org

More than forty years ago, brothers Albert and David Maysles and Charlotte Zwerin made the highly influential documentary Salesman, an intimate portrait of four traveling door-to-door Bible salesmen: Jamie Baker, Raymond Martos, Charles McDevitt, and particularly Boston’s Paul Brennan. Shot in black and white, the outstanding documentary was deservedly added to the National Film Registry of the Library of Congress in 1992, as it is a fascinating piece of Americana. The shots of Brennan singing “If I Were a Rich Man” in the snow are priceless, but the end will haunt you. Without Salesman, there probably never would have been a Glengarry Glen Ross and so many other films. Salesman is having a special screening on November 7 at the Maysles Institute in honor of Albert’s upcoming eighty-fifth birthday (on November 26), and the master documentarian will be on hand for a postscreening Q&A.

HOLLYWOOD’S “JEW WAVE”: ANNIE HALL

Annie Hall (Diane Keaton) and Alvy Singer (Woody Allen) don’t always see eye-to-eye in classic romantic comedy

ANNIE HALL (Woody Allen, 1977)
Film Society of Lincoln Center, Walter Reade Theater
165 West 65th St. at Amsterdam Ave.
Sunday, November 6, 9:00, and Tuesday, November 8, 1:45
Series continues through November 10
212-875-5601
www.filmlinc.com

One of the funniest, most-quoted romantic comedies in film history, Woody Allen’s Annie Hall is a pure delight from start to finish. It’s ostensibly a luuuuuurve story about a nebbishy Jew (Allen as Alvy Singer) and the ultimate WASPy goy (Diane Keaton as the title character), but it’s really about so much more: large vibrating eggs, right turns on red lights, television, Existential Motifs in Russian Literature, California, slippery crustaceans, driving through Plutonium, dead sharks, Freud, Hitler, Leopold and Loeb, religion, cocaine, Shakespeare in the Park, Buick-size spiders, planet Earth, and, well, la-di-da, la-di-da, la la. Nominated for five Oscars and taking home four — for Best Original Screenplay (Allen and Marshall Brickman), Best Director (Allen), Best Actress (Keaton), and Best Film — Annie Hall is screening November 6 and 8 at the Film Society of Lincoln Center’s “Hollywood’s ‘Jew Wave’” series, where such scenes as Annie’s grandmother seeing Alvy as an Orthodox rabbi at the dinner table should take on added significance. The eleven-day festival features eighteen (chai!) movies by and/or about Jews made between 1968 and 1977, a period that saw the influx of such actors as Elliott Gold, George Segal, Dustin Hoffman, Barbra Streisand, Richard Dreyfuss, Zero Mostel, and other members of the tribe. Allen fans should also be interested in checking out Martin Ritt’s The Front, in which Woody plays a bookie who becomes a front for blacklisted writers (one of whom, screenwriter Walter Bernstein, will be on hand for a Q&A on November 7), and The Touch, an English-language film made by one of the Woodman’s biggest influences, Ingmar Bergman.

FRANK HENENLOTTER

Anthology Film Archives
32 Second Ave. at Second St.
November 4-6, $9
212-505-5181
www.anthologyfilmarchives.org
www.hotelbroslin.com

Cult filmmaker Frank Henenlotter will be at Anthology Film Archives tonight to present the theatrical premiere of the uncut version of one of his many cult classics, 1988’s Brain Damage, at 7:00, followed by the unforgettable Frankenhooker at 9:30, sticking around for Q&As after each screening. Tomorrow Henenlotter will be back for more, unveiling the creepy joy of Basket Case at 4:45, participating in a postscreening Q&A with star Kevin Van Hentenryck, and the two will then introduce the sequel, Basket Case 2, at 7:00. (We watched them both back-to-back one rainy Saturday afternoon a bunch of years ago and have never been the same.) Henenlotter will also introduce a 9:30 repeat screening of Frankenhooker. The horrific weekend tribute concludes on Sunday as Henenlotter and Van Hentenryck continue to haunt Second Ave. and Second St. with more Brain Damage (4:30), Basket Case, (6:30), and Basket Case 2 (8:30).