Neil Young and Jonathan Demme take viewers on quite a ride in latest collaboration
92nd St. Y
Kaufmann Concert Hall
Lexington Avenue at 92nd St.
Thursday, June 7, $29-$44, 7:30
www.92y.org
For thirty years, Canadian rocker Neil Young has been making movies tied to his music, often combining live concert footage with behind-the-scenes glimpses, fictional stories, and documentary interviews. He’s worked with such directors as Bernard Shakey, his cinematic alter ego, on such films as Journey Through the Past, Human Highway, Rust Never Sleeps, and Greendale as well as such well-known names as Michael Lindsay-Hogg (Neil Young in Berlin) and Jim Jarmusch (Year of the Horse). But it’s his continuing collaboration with Oscar-winning filmmaker Jonathan Demme that has proved most revelatory, in such fascinating and probing movies as 2006’s Neil Young: Heart of Gold, 2009’s Neil Young: Trunk Show, and the upcoming Neil Young Journeys, which follows Young on the final night of his recent solo tour and driving around his Ontario hometown in his 1956 Ford Crown Victoria. On June 7, Young and Demme will be at the 92nd St. Y to talk about what makes them work so well together.
Sex can be a very dangerous game, as clearly displayed in the epic Korean historical drama Forbidden Quest. After being labeled a coward for not filing an appeal after the brutal beating of his brother, investigations officer Kim (Han Suk-kyu) is summoned by the king to track down a forger who replaced an original painting by his favorite concubine, Jung-bin (Kim Min-jeong), with an exact copy. Kim seeks help from the Angel of Death, justice administrator Lee (Lee Beom-soo), the very man who was behind the near killing of Kim’s brother, to catch the forger, but in so doing he discovers the hidden world of erotic literature, where a mysterious figure named In Bong has become a hero to the women of the community as he churns out dirty book after dirty book that are sold in secret. A well-respected writer and scholar, Kim is at first taken aback by the existence of this illegal underground literary sensation, but soon he immerses himself in it, taking the pen name Chu Wol Sek and turning out hotly anticipated sordid tales involving a lady of the royal court, inspired by his continuing contact with Jung-bin. But when he takes things too far, a scandal breaks out that threatens violence and death. Written and directed by Kim Dae-woo (The Servant), Forbidden Quest is an engrossing, erotically charged drama of loyalty, fidelity, honor, betrayal, and responsibility, driven by a strong lead performance by Han (Green Fish, The President’s Last Bang), who is always cool, calm, and collected as things swirl around him, showing a Zen-like resolve even in the most extreme of circumstances. But even he can’t help but crack a few smiles when using his male copiers to act out potential sex scenes for his novels. Forbidden Quest is screening for free June 5 at Tribeca Cinemas as part of the Korean Cultural Service film series “Epic Romance,” which concludes June 19 with Kim Yong-gyun’s The Sword with No Name.
Korean filmmaker Im Kwon-taek’s exploration of the life and work of nineteenth-century painter Jang seung-up (Choi Min-shik) is beautiful to look at but overly long and drawn out. We get it: The iconoclastic artist struggles with his identity, drinks too much, battles with his mentor (Ahn Sung-ki) over selling out, gets caught amid a political revolution, and has a complicated love life. However, it is always a thrill to watch Choi; Chihwaseon is screening on June 3 as part of the Museum of the Moving Image series “The Many Faces of Choi Min-shik,” which began May 20 with Song Hae-sung’s Failan and concludes July 1 with the Park Chan-wook classic Oldboy. This summer’s 
Written and directed by Wes Craven, who went on to create the Nightmare on Elm Street films as well as The Hills Have Eyes and Swamp Thing, and produced by Sean S. Cunningham, who went on to create the Friday the 13th movie series, Last House on the Left is an insipid piece of vile trash, an embarrassingly exploitative hour and a half of sheer, repulsive filth. Mari Collingwood (Sandra Cassel) and Phyllis Stone (Lucy Grantham) are on their way to see the band Bloodlust for Mari’s seventeenth birthday when they stop to pick up some pot, but they really picked the wrong place to do that. They are abducted by Krug Stillo (David Hess), Krug’s son, Junior (Marc Sheffler), Fred “Weasel” Podowski (Fred J. Lincoln), and (Jeramie Rain), who do horrible things to them while Mari’s parents (Richard Towers and Cynthia Carr) worry about their daughter, getting no help from the ridiculous local cops (Marshall Anker and Martin Kove) who are supposed to serve as comic relief. Dennis Iliadis’s 2009 remake, starring Monica Potter, Sara Paxton, Tony Goldwyn, and Garret Dillahunt, produced by Craven and Cunningham along with Marianne Maddalena, is actually much better.