Jean-Pierre Jeunet’s AMELIE is one of the most charming films of the new century
SUMMER ON THE HUDSON: LA FABULEUX DESTIN d’AMELIE POULAIN (Jean-Pierre Jeunet, 2001)
Riverside Park, Pier 1 at 70th St.
Wednesday, August 1, free
www.riversideparkfund.org
In Jean-Pierre Jeunet’s wildly inventive romantic comedy, Audrey Tautou plays one of the most delightful, charming characters since, well, dare we say it? Audrey Hepburn, especially from Roman Holiday. Everybody in this film is nuts; Amélíe wanders — always with some strange, curious purpose — through offbeat and humorous situations filled with obsessive-compulsive oddballs doing bizarre things while sharing their crazy likes and dislikes with the audience. A difficult childhood left the grown-up Amélíe unable to interact “normally” with people, so when she discovers a boy’s treasure box hidden in her apartment, she decides to track down the owner, leading to a series of very complex and emotional good deeds she does for others while she cannot figure out her own life, which undergoes a major change when she meets Nino (Mathieu Kassovitz) — who collects ripped-up pictures people throw out after using public photo booths — and becomes friendly with the Glass Man (Serge Merlin), who cannot go outside because his bones are too brittle, so he remains in his apartment, copying the same Renoir painting year after year, unable to capture one girl’s face properly. Jeunet’s aural and visual style is reminiscent of such Coen brothers films as Raising Arizona, with fast-moving shots, sudden close-ups, and blasts of sound that enliven this masterful film. Amélíe is screening on August 1 at Pier 1 in Riverside Park as part of the Movies under the Stars series, which continues August 8 with Pee Wee’s Big Adventure and concludes August 15 with Triplets of Belleville.
On April 2, 2011, after ten years of building a devoted following that was still growing, electronic dance-punk faves LCD Soundsystem played its 
Is he or isn’t he? In Alfred Hitchcock’s glamorous thriller set on the French Riviera, Cary Grant stars as John Robie, a famous burglar known as the Cat who has supposedly retired but is suddenly believed to be responsible for a rash of new jewelry thefts. Determined to prove his innocence and catch the real thief, he enlists the help of Lloyd’s of London insurance agent H. H. Hughson (John Williams), who supplies him with a list of women on the Riviera who have expensive baubles ripe for the taking. At the top of the list are the Americans Jessie Stevens (Jessie Royce Landis) and her gorgeous daughter, Francie (a radiant Grace Kelly), who teases Robie, hinting that she might in fact be the Cat — if he isn’t. As Robie avoids the cops and looks to his old friends in the French Resistance for further help, the tension heats up, leading to a climax that takes place on the rooftops of the French Riviera. Grant’s third of four outings with Hitchcock and Kelly’s third and final turn with the suspense master is an exciting “who’s doing it” featuring the dream pairing of two of Hollywood’s most beautiful and talented superstars, filled with just the right amount of comedy and romance in a glorious setting. Look for Alfie to make his appearance early on, causing Grant to do a double take in the back of a bus. To Catch a Thief is screening July 28 & 29 in a new DCP restoration at the Museum of the Moving Image as part of the institution’s continuing See It Big! series.
