SAMSARA takes viewers on a fascinating journey around the world in 70mm
SAMSARA (Ron Fricke, 2011)
Landmark Sunshine Cinema
143 East Houston St. between First & Second Aves.
212-330-8182
www.landmarktheatres.com
www.barakasamsara.com
Referring to the endless cycle of birth, death, and rebirth, Samsara is a visually stunning journey around the world, but one that will leave viewers wanting more. Director Ron Fricke and producer Mark Magidson, who previously teamed up on 1985’s Chronos and 1992’s Baraka, traveled to twenty-five countries on five continents over the course of four years, photographing famous landmarks, ancient and modern landscapes, old and new architecture, mountains, parks, oceans, cities, and many of the myriad peoples who populate the planet. Featuring an at-times overbearing score by Michael Stearns, Lisa Gerrard, and Marcello de Francisci and no narration or titles whatsoever to show what’s on the screen, Samsara can be breathtaking as well as confusing as the images roll by, shot in 70mm and projected digitally at 4K. Threads of narrative weave their way into the film, including sections on religion, war, poverty, and food production, exploring the Buddhist ideas of interconnection and impermanence, although the unfolding “story” appears most often to be somewhat random. And oddly, individuals regularly stare directly into the camera for uncomfortable periods of time, as if accusing the viewer of something that is not necessarily clear. Fricke and Magidson, who both edited the film, take the audience to such locations as Epupa Falls in Angola, Paraisopolis Favela in São Paulo, Mariesminde Poultry Farm in Denmark, Château de Versailles in France, Kanikwei Coffin Shop in Ghana, Thiksey Monastery in India, Kawah Ijen Sulfur Mine in Indonesia, Teatro Alla Scala in Italy, the Tsuchiya Shokai Doll Factory in Japan, Petra in Jordan, cliff dwellings in Mali, Mingun Temple in Myanmar, Mecca in Saudi Arabia, Cebu Provincial Detention Center in the Philippines, the demilitarized zone in South Korea, Cascade Go-Go Bar in Thailand, Cappadocia in Turkey, Burj Khalifa Tower in Dubai, the Kilauea volcano in Hawaii, the Ninth Ward in New Orleans, and Aadlen Bros. Auto Wrecking in Sun Valley, among so many other fascinating sites that reveal a wide expanse of what is going on in the world. Prisoners dance, cars whirr down elevated highways, chickens get slaughtered, tribes from Ethiopia and Namibia live off the land, poor children pick through garbage, a man stands next to his robot double, and a group of Buddhist monks make an exquisite sand painting. Yet as fascinating as Samsara can be, it still feels somewhat lacking, as if it could have been better in IMAX 3D (even if that wasn’t a logistical possibility), and the scarcity of detail supplied about the places visited is frustrating in today’s info-rich society.
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