DESPERATE ACTS OF MAGIC (Joe Tyler Gould & Tammy Caplan, 2013)
Quad Cinema
34 West 13th St.
Opens Friday, May 3
212-255-2243
www.quadcinema.com
www.desperateactsofmagic.com
Tammy Caplan and Joe Tyler Gold’s Desperate Acts of Magic is an amateurish if well-meaning vanity project that is desperately in need of actors who can do magic and magicians who can act. Gold who wrote the film, inspired by his own experiences, and produced and edited it with Caplan, stars as Jason Kant, a magician trying to make it in the business, following in the footsteps of his childhood magic camp friend Steve Kramer (Jonathan Levit), who gets all the good gigs and hot women. After being swindled by the beautiful Stacy Dietz (Valerie Dillman), Jason discovers that she is a magician as well, and the two decide to start working on an act for an important magic contest. But Stacey turns out to be wild and unpredictable, so Jason teams up with groupie Ellen Taylor (Sascha Alexander) instead, which leads to a whole set of different problems as the contest approaches. Unfortunately, none of the magic in Desperate Acts of Magic, all of which was done for real, with no camera tricks, is very interesting. It might be cool to insiders, but it all seems like standard card, coin, and flower tricks to the less initiated; the movie mentions such superstars as David Copperfield, David Blaine, Criss Angel, and Penn & Teller, but all of the magic in the film is of supremely lower scale. Gold and Caplan, who plays Brenda, also have an agenda that gets tiresome, promoting the idea that women should be more than just assistants but equals to men in the business, especially when it comes to being the main magician. (The production notes stress that this is essentially the third movie in history to feature a female magician.) Gold gives his character the last name “Kant,” perhaps a reference to philosopher Immanuel Kant or even Kant Magic Shop, but it probably should have been spelled “Cant.” The lone saving grace is Dillman, who is excellent as the deeply troubled Stacey, but otherwise Desperate Acts of Magic pulls no rabbits out of any hats. The film opens at the Quad on May 3, with Gold, Caplan, and Dillman participating in Q&As following various screenings on Friday, Saturday, and Sunday.



If director Ryan Gielen’s Turtle Hill, Brooklyn feels real, that’s because it was written and produced by real-life partners Brian W. Seibert and Ricardo Valdez, who star as on-screen couple Will (Seibert) and Mateo (Valdez), and takes place in their Sunset Park apartment, in a neighborhood they have redubbed “Turtle Hill” for this gentle, understated slice-of-life drama. It’s Will’s thirtieth birthday, and Mateo is getting ready to throw a big party in their backyard patio. But when Will’s sister unexpectedly shows up early in the morning and suddenly discovers that her brother is gay — and is clearly not okay with that kind of lifestyle — Will and Mateo start examining themselves and their relationship as friends start arriving for the celebration, where there’s lots of food and drink as well as discussions about politics, same-sex marriage, immigration, drugs, discrimination, and America itself, none of which comes off as pedantic. Things, however, threaten to become volatile when a gym trainer stops by, exciting Will and unnerving Mateo. Shot with a handheld camera by Andrew Tank Rivara, the film invites the audience into the party, as if they are guests as well, surrounded by friends and family. (Indeed, many of the guests are friends of Seibert and Valdez’s.) It’s a welcoming atmosphere filled with believable situations and characters, even though Seibert and Valdez have explained that the plot is not autobiographical. And the film avoids the potential pitfalls of pushing a gay agenda by simply allowing the story to play out organically, resulting in an involving tale about two people in love, facing a pivotal moment in their lives together. A film festival hit across the country, Turtle Hill, Brooklyn, which won the Audience Award for Best Narrative Feature at 2011’s NewFest, opens May 3 at the Quad, with Gielen, Seibert, and Valdez participating in Q&As following the 7:00 and 9:00 screenings on Friday and Saturday.

Olivier Assayas’s autobiographical coming-of-age tale Something in the Air is a fresh, exhilarating look back at a critical period in twentieth-century French history. In this sort-of follow-up to his 1994 film about 1970s teenagers, Cold Water, which starred Virginie Ledoyen as Christine and Cyprien Fouquet as Gilles, Something in the Air features newcomer Clément Métayer as a boy named Gilles and Lola Créton (
