Peter Kastner is determined to make a new life for himself in the big city in early Coppola film
YOU’RE A BIG BOY NOW (Francis Ford Coppola, 1966)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Saturday, August 10, free with museum admission, 2:00
Series runs August 10 – September 1
718-777-6800
www.movingimage.us
Poor Bernard Chanticleer (Peter Kastner). His mother (Geraldine Page) sends him locks of her hair and pays a prudish landlord (Julie Harris), aided by a tough cop (Dolph Sweet), to make sure no girls visit him in his new apartment. Bernard’s father (Rip Torn) rules over him with an iron fist in the basement of the New York Public Library. A nice, innocent young woman (Karen Black in her first major role) is interested in him, but he wants a psycho go-go dancer/actress (Elizabeth Hartman). Meanwhile, he is getting all the wrong advice from his best friend (Tony Bill). Francis Ford Coppola’s little-known romantic comedy — his second feature, following Dementia 13 — earned Page an Academy Award nomination, Kastner a BAFTA nomination as Most Promising Newcomer, and a Palme d’Or nomination at Cannes. Coppola uses the New York City settings with a charming intelligence and wit, whether Bernard is chasing a kite across the Sheep Meadow, wandering through the Times Square peep shows, or being chased through the New York Public Library. The Lovin’ Spoonful supplies the fabulously sixties soundtrack. Based on David Benedictus’s novel, You’re a Big Boy Now kicks off the Museum of the Moving Image series “Fun City: New York in the Movies 1967-75,” with guest curator J. Hoberman on hand to introduce the film. The festival, which runs August 10 through September 1, includes a wide range of works made in and about the Big Apple, from such familiar favorites as Rosemary’s Baby, The French Connection, Superfly, Midnight Cowboy, and Dog Day Afternoon to such lesser-known treats as Bye Bye Braverman, The Angel Levine, Little Murders, The Landlord, and Dick Fontaine’s 1970 documentary, Norman Mailer vs. Fun City.
Based on Georges Simenon’s novel L’horloger de Saint-Paul, Bertrand Tavernier’s first feature-length film is a quiet, introspective triumph from start to finish. Philippe Noiret stars as the title character, Michel Descombes, a widowed clockmaker who is told by a police inspector (Jean Rochefort) that his son, Antoine (Jacques Denis), has killed a man and is on the run with a woman named Liliane (Christine Pascal). A despondent Michel struggles to understand what led his son to commit such a crime, examining deep inside himself in the process. The many scenes that center on the clockmaker and the inspector discussing life in general terms are simply wonderful, except when the cop talks about the movies, which takes the audience out of the film, especially when they mention La Grande Bouffe, Noiret’s previous work. Otherwise, The Clockmaker is an absolute gem, with Tavernier’s subtle narrative style guiding Noiret (Nuovo Cinema Paradiso, Le vieux fusil) to one of the greatest understated performances you’re ever likely to see. Winner of the Silver Bear at the 1974 Berlinale, The Clockmaker is screening August 8, 10, and 11 as part of the Anthology Film Archives series “Cine-Simenon: Georges Simenon on Film,” consisting of fourteen cinematic adaptations of books by the Belgian-born French-language creator of Inspector Maigret, including Marcel Carné’s La Marie du Port and Three Rooms in Manhattan, Patrice Leconte’s Monsieur Hire, Henry Hathaway’s The Bottom of the Bottle, Claude Chabrol’s Betty, and Burgess Meredith’s The Man on the Eiffel Tower.
After a spectacular energy device known as the Tesseract opens a wormhole that allows the evil Loki (Tom Hiddleston) to enter present-day Earth and ultimately steal the machine, turning Hawkeye (Jeremy Renner) and Dr. Erik Selvig (Stellan Skarsgård) into unwitting allies in the process, S.H.I.E.L.D. agent Phil Coulson (Clark Gregg) and director Nick Fury (Samuel L. Jackson) bring back the Avengers Initiative, reuniting Tony Stark / Iron Man (Robert Downey Jr.), Steve Rogers / Captain America (Chris Evans), Natasha Romanoff / Black Widow (Scarlett Johansson), and an extremely tentative Dr. Bruce Banner / Hulk (Mark Ruffalo), who are gathered together to regain the Tesseract and foil Loki’s evil plans to take over Earth. Also entering the fray is Thor (Chris Hemsworth), Loki’s brother, who needs to decide which side of the battle he is on. As egos get in the way and wisecracks fly by like so much machine-gun rattle, particularly from Stark, the Avengers realize they are facing a supremely powerful force, one that will require, well, superhuman effort to defeat. Writer-director Joss Whedon, the genius behind Buffy the Vampire Slayer, Angel, and Firefly, plays things a little loose in this comic-book blockbuster, not worrying too much about gaping plot holes that could have been created by the Tesseract itself and letting the superhero banter and tech-heavy set pieces take center stage. Downey goes over the top as the brash Stark, while Ruffalo, following in the failed footsteps of Edward Norton and Eric Bana (and, of course, the great Bill Bixby), is relegated to a whole lot of brooding. But there’s still lots of fun to be had as the characters team up to save the world. Be sure to stick around through the credits for a pair of bonus scenes. The Avengers is screening August 5 as part of the free summer series “Coney Island Flicks on the Beach,” which continues August 12 with Fame, August 19 with a film to be announced, and August 27 with the sixtieth-anniversary presentation of 
