this week in film and television

ZÜRICH MEETS NEW YORK: A FESTIVAL OF SWISS INGENUITY

Zürich Meets New York festival honors upcoming centennial of the Dada movement

Zürich Meets New York festival honors upcoming centennial of the Dada movement

Multiple locations
May 16-23, free – $20
www.zurichmeetsnewyork.org

In The Third Man, one of the greatest movies ever made, Harry Lime (Orson Welles) tells his childhood friend Holly Martins (Joseph Cotten), “You know what the fellow said — in Italy, for thirty years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace — and what did that produce? The cuckoo clock.” Of course, Switzerland has contributed a whole lot more to international culture and history than the cuckoo clock — and by the way, who doesn’t love the cuckoo clock? — as evidenced by this month’s Zürich Meets New York: A Festival of Swiss Ingenuity. From May 16 to 23, more than two dozen events will be taking place around the city, from concerts and dance to panel discussions and film screenings, from art exhibits and seminars to theater and scientific conversations, with a particular focus on the one hundredth anniversary of the Dada movement, which was born at the Cabaret Voltaire. Aside from “How Black Holes Shape Our Universe,” a multimedia presentation at the Explorers Club that requires a $20 ticket, everything else is absolutely free, although most events require advance RSVP. Below are only some of the highlights; other participants and programs include Dieter Meier of Yello, game developer Tim Schafer, Jungian analyst Christopher Hauke, complexity scientist Dirk Helbing, financial economist Didier Sornette, IBM director of research John E. Kelly, novelists Renata Adler and Ben Marcus discussing the work of Max Frisch, and a pair of documentaries about artist Urs Fischer.

Friday, May 16
“Collegium Novum Zurich: Live Music & Silent Films,” David Rubenstein Atrium at Lincoln Center, Broadway between 62nd & 63rd Sts., featuring screenings of shorts by Hans Richter, James Sibley Watson Jr. and Melville Webber, René Clair, and Joris Ivens with live musical accompaniment, free with advance RSVP, 7:00

Saturday, May 17
“Giants Are Small: Dada Bomb,” Dada performance art journey, free with advance RSVP, 7:00

Sunday, May 18
through
Thursday, May 22

“Dada on Tour,” art exhibition in a “nomadic” tent, Whitebox Art Center, 329 Broome St. between Chrystie St. & Bowery, free, 11:00 am – 6:00 pm

Monday, May 19
“What Can Robots and Economics Teach Us About Humanity?,” with Rolf Pfeifer and Ernst Fehr, moderated by Maria Konnikova, New York Academy of Sciences, 7 World Trade Center, 250 Greenwich St., 40th Floor, free with advance RSVP, 7:00

Monday, May 19
through
Thursday, May 22

“Dada Pop-Up: The Absurdities of Our Times,” opening will include spontaneous performances and exchanges, Whitebox Art Center, 329 Broome St. between Chrystie St. & Bowery, free, 11:00 am – 6:00 pm

Tuesday, May 20
and
Wednesday, May 21

“Simone Aughterlony/Antonija Livingstone/Hahn Rowe: In Disguise,” dance performance with choreographer Simone Aughterlony, performer Antonija Livingstone, and composer Hahn Rowe, the Kitchen, 512 West 19th St. between Tenth and Eleventh Aves., free with advance RSVP, 8:30

FREE SUMMER FILMS 2014

French classic PURPLE NOON will screen

French classic PURPLE NOON will screen in Central Park on May 30

There’s nothing quite like catching a free movie in the summer in New York City, lying on a blanket in a park, gathering on an aircraft carrier, or huddling in an air-conditioned theater. The season’s free festivals are slowly being announced, with more to come. Below are the day-by-day listings of favorites as well as lesser-known festivals, including Summer on the Hudson, Rooftop Films, the Bryant Park Summer Film Festival, the Intrepid Summer Movie Series, Syfy Movies with a View, SummerScreen, Films on the Green, Outdoor Cinema at Socrates Sculpture Park, Red Hook Flicks on Valentino Pier, the Central Park Conservancy Film Festival in Central Park, Front/Row Cinema at the South Street Seaport, SummerStage, RiverFlicks, Coney Island Flicks on the Beach, Passport Thursdays at the Queens Museum, and Celebrate Brooklyn! Keep watching this page as more festivals are announced. (Films without exact start times generally begin around sunset.)

Saturday, May 17
Feature Screenings: The Iron Giant (Brad Bird, 1999), Sony Wonder Technology Lab, 3:00 (RSVP two weeks in advance)

Wednesday, May 21
Rooftop Films: Cold in July (Jim Mickle, 2014), Solar One, free for Time Warner Cable customers with RSVP, live music at 8:30, screening at 9:00, followed by Q&A with director Jim Mickle and star Michael C. Hall

Friday, May 23
Intrepid Summer Movie Series: Top Gun (Tony Scott, 1986), Intrepid flight deck

Saturday, May 24
Feature Screenings: Short Circuit (John Badham, 1986), Sony Wonder Technology Lab, 3:00 (RSVP two weeks in advance)

Friday, May 30
Movies at Crocheron Park: Super Buddies (Robert Vince, 2013), Crocheron Park, 8:00

Films on the Green: Purple Noon (René Clément, 1960), Cedar Hill in Central Park, 8:30

Saturday, May 31
Feature Screenings: Godzilla vs. Mechagodzilla (Jun Fukuda, 1974), Sony Wonder Technology Lab, 3:00 (RSVP two weeks in advance)

Front/Row Cinema: Jaws (Steven Spielberg, 1975), South Street Seaport

Wednesday, June 4
Front/Row Cinema: WALL-E (Andrew Stanton, 2008), South Street Seaport

Friday, June 6
Movies at Crocheron Park: Brave (Mark Andrews & Brenda Chapman, 2012), Crocheron Park, 8:00

Rooftop Films: Sundance Film Festival Shorts, preceded by live music by Salt Cathedral, Metro-Tech Commons, music at 8:30, screening at 9:00

Films on the Green: Les Tontons Flinguers (Georges Lautner, 1963), Washington Square Park, 8:30

Saturday, June 7
Feature Screenings: The Monuments Men (George Clooney, 2014), Sony Wonder Technology Lab, 12:15 (RSVP two weeks in advance)

Feature Screenings: After Earth (M. Night Shyamalan, 2014), Sony Wonder Technology Lab, 3:00 (RSVP two weeks in advance)

Front/Row Cinema: Rise of the Planet of the Apes (Rupert Wyatt, 2011), South Street Seaport

Wednesday, June 11
Front/Row Cinema: The Muppets Take Manhattan (Frank Oz, 1984), South Street Seaport

Friday, June 13
Movies at Crocheron Park: Tangled (Nathan Greno & Byron Howard, 2010), Crocheron Park, 8:00

Films on the Green: Buffet Froid (Bertrand Blier, 1979), Washington Square Park, 8:30

Saturday, June 14
Feature Screenings: The Past (Asghar Farhadi, 2013), Sony Wonder Technology Lab, 12:15 (RSVP two weeks in advance)

Feature Screenings: Think Like a Man (Tim Story, 2012), Sony Wonder Technology Lab, 3:00 (RSVP two weeks in advance)

Front/Row Cinema: The Breakfast Club (John Hughes, 1985), South Street Seaport

Monday, June 16
Bryant Park Summer Film Festival: Saturday Night Fever (John Badham, 1977), Bryant Park Lawn

Wednesday, June 18
Front/Row Cinema: Rango (Gore Verbinski, 2011), South Street Seaport

Thursday, June 19
BAMcinemafest Outdoor Screening, with live music and food, Pier 1, Brooklyn Bridge Park

Friday, June 20
Films on the Green: The Women on the Sixth Floor (Philippe Le Guay, 2010), Tompkins Square Park, 8:30

Saturday, June 21
Feature Screenings: The Social Network (David Fincher, 2010), Sony Wonder Technology Lab, 12:15 (RSVP two weeks in advance)

Feature Screenings: Searching for Sugar Man (Malik Bendjelloul, 2012) Sony Wonder Technology Lab, 3:00 (RSVP two weeks in advance)

Front/Row Cinema: The Perks of Being a Wallflower (Stephen Chbosky, 2012), South Street Seaport

Sunday, June 22
SummerStage: Whistle! A Tribute to Frankie Knuckles, with the Soul Summit DJs, DJ Kervyn Mark, DJ Stormin’ Norman, vocalists Kenny Bobien and Lynn Lockamy, and others, followed by a screening of the director’s cut of Hands to the Sky (Angelo Boyke & Jean-Paul Noel, 2012), Herbert von King Park, 7:00

Monday, June 23
Bryant Park Summer Film Festival: The Mark of Zorro (Rouben Mamoulian, 1940), Bryant Park Lawn

RAIDERS OF THE LOST ARK is part of free summer tribute at the Museum of Jewish Heritage

RAIDERS OF THE LOST ARK is part of free summer tribute at the Museum of Jewish Heritage

Wednesday, June 25
Close Encounters of the Spielberg Kind: Raiders of the Lost Ark (Steven Spielberg, 1981), Museum of Jewish Heritage, 6:30

Front/Row Cinema: Brave (Mark Andrews & Brenda Chapman, 2012), South Street Seaport

Friday, June 27
Films on the Green: La Haine (Mathieu Kassovitz, 1995), Tompkins Square Park, 8:30

Rooftop Films: Five Star (Keith Miller, 2014), Metro-Tech Commons, 9:00

Saturday, June 28
Feature Screenings: Cloudy with a Chance of Meatballs 2 (Cody Cameron & Kris Pearn, 2013), Sony Wonder Technology Lab, 12:15 (RSVP two weeks in advance)

Feature Screenings: The Mortal Instruments: City of Bones (Harald Zwart, 2013), Sony Wonder Technology Lab, 3:00 (RSVP two weeks in advance)

Monday, June 30
Bryant Park Summer Film Festival: A Soldier’s Story (Norman Jewison, 1984), Bryant Park Lawn

Coney Island Flicks on the Beach: Gravity (Alfonso Cuarón, 2013), beach at West Tenth St.

Wednesday, July 2
Close Encounters of the Spielberg Kind: Saving Private Ryan (Steven Spielberg, 1998), Museum of Jewish Heritage, 6:30

Outdoor Cinema: Pussy Riot: A Punk Prayer (Maxim Pozdorovkin & Mike Lerner, 2013), Socrates Sculpture Park, preceded by live music at 7:00

Front/Row Cinema: The Karate Kid (John G. Avildsen, 1984), South Street Seaport

Saturday, July 5
Pier/Party: The Avengers (Joss Whedon, 2012), South Street Seaport, preceded by Midtown Comics Fan Party at 4:00

Monday, July 7
Bryant Park Summer Film Festival: Blazing Saddles (Mel Brooks, 1974), Bryant Park Lawn

Coney Island Flicks on the Beach: Frozen (Chris Buck & Jennifer Lee, 2013), beach at West Tenth St.

Tuesday, July 8
Rooftop Films at Bronx Terminal Market: Frozen (Chris Buck & Jennifer Lee, 2013), Level 6 Garage Roof Deck, activities 7:00, film 8:30

Red Hook Flicks: Dazed and Confused (Richard Linklater, 1993), Valentino Pier

Wednesday, July 9
Close Encounters of the Spielberg Kind: Jurassic Park (Steven Spielberg, 1993), Museum of Jewish Heritage, 6:30

Outdoor Cinema: La Pirogue (Moussa Touré, 2012), Socrates Sculpture Park, preceded by live music at 7:00

Front/Row Cinema: Wreck-It Ralph (Rich Moore, 2012), South Street Seaport

SummerScreen: Back to the Future (Robert Zemeckis, 1985), McCarren Park

Summer on the Hudson: Pier I Picture Show presents Clueless (Amy Heckerling, 1995), Riverside Park, 8:30

RiverFlicks — Big Hit Wednesdays: Iron Man 3 (Shane Black, 2013), Pier 63, Hudson River Park

Thursday, July 10
Intrepid Summer Movie Series: Independence Day (Roland Emmerich, 1996), Intrepid flight deck

Syfy Movies with a View: Duck Soup (Leo McCarey, 1933), Pier 1, Brooklyn Bridge Park

Friday, July 11
RiverFlicks Family Fridays: Despicable Me 2 (Pierre Coffin & Chris Renaud, 2013), Pier 46, Hudson River Park

Rooftop Films: Broken Hearted: Twisted, Romantic Short Films, Metro-Tech Commons, 8:00

Films on the Green: The Moustache (Emmanuel Carrère, 2005), Pier 1, Riverside Park, 8:30

Saturday, July 12
Front/Row Cinema: I Am Legend (Francis Lawrence, 2007), South Street Seaport

Monday, July 14
Bryant Park Summer Film Festival: Suddenly Last Summer (Joseph L. Mankiewicz, 1959), Bryant Park Lawn

Coney Island Flicks on the Beach: E.T. the Extra-Terrestrial (Steven Spielberg, 1982), beach at West Tenth St.

Tuesday, July 15
Rooftop Films at Bronx Terminal Market: The Odd Life of Timothy Green (Peter Hedges, 2012), Level 6 Garage Roof Deck, activities 7:00, film 8:30

Red Hook Flicks: Hustle and Flow (Craig Brewer, 2005), Valentino Pier

Wednesday, July 16
Close Encounters of the Spielberg Kind: Amistad (Steven Spielberg, 1997), Museum of Jewish Heritage, 6:30

Outdoor Cinema: The Deadly Ponies Gang (Zoe McIntosh, 2013), Socrates Sculpture Park, preceded by live music at 7:00

Front/Row Cinema: Fantastic Mr. Fox (Wes Anderson, 2009), South Street Seaport

SummerScreen: Zoolander (Ben Stiller, 2001), McCarren Park

Summer on the Hudson: Pier I Picture Show presents Back to the Future (Robert Zemeckis, 1985), Riverside Park, 8:30

RiverFlicks — Big Hit Wednesdays: American Hustle (David O. Russell, 2013), Pier 63, Hudson River Park

SHARKNADO will wreak havoc in Brooklyn Bridge Park on July 17

SHARKNADO will wreak havoc in Brooklyn Bridge Park on July 17

Thursday, July 17
The Historic Harlem Parks Film Festival: Brothers Hypnotic (Reuben Atlas, 2013), “Horn Section” DJ set with DJ Laylo at 7:30, film screening at 8:30, Jackie Robinson Park Bandshell

Intrepid Summer Movie Series: Gravity (Alfonso Cuarón, 2013), Intrepid flight deck

Syfy Movies with a View: Sharknado (Anthony C. Ferrante, 2013), Pier 1, Brooklyn Bridge Park

Friday, July 18
RiverFlicks Family Fridays: Ghostbusters (Ivan Reitman, 1984), Pier 46, Hudson River Park

Films on the Green: Grand Illusion (Jean Renoir, 1937), Pier 1, Riverside Park, 8:30

Saturday, July 19
Front/Row Cinema: True Grit (Joel & Ethan Coen, 2010), South Street Seaport

Monday, July 21
Bryant Park Summer Film Festival: National Lampoon’s Vacation (Harold Ramis, 1983), Bryant Park Lawn

Coney Island Flicks on the Beach: Iron Man 3 (Shane Black, 2013), beach at West Tenth St.

Tuesday, July 22
Red Hook Flicks: Hotel Transylvania (Genndy Tartakovsky, 2012), Valentino Pier

Wednesday, July 23
Close Encounters of the Spielberg Kind: Close Encounters of the Third Kind (Steven Spielberg, 1977), Museum of Jewish Heritage, 6:30

Outdoor Cinema: Umberto D. (Vittorio De Sica, 1952), Socrates Sculpture Park, preceded by live music at 7:00

The Historic Harlem Parks Film Festival: The Night James Brown Saved Boston (David Leaf, 2008), “Godfather of Soul” DJ set with DJ Chairman Mao at 7:30, film screening at 8:30, St. Nicholas Park

Front/Row Cinema: E.T. the Extra-Terrestrial (Steven Spielberg, 1982), South Street Seaport

SummerScreen: Cry-Baby (John Waters, 1990), McCarren Park

Summer on the Hudson: Pier I Picture Show presents Harold and Maude (Hal Ashby, 1971), Riverside Park, 8:30

RiverFlicks — Big Hit Wednesdays: This Is the End (Seth Rogen & Evan Goldberg, 2013), Pier 63, Hudson River Park

Thursday, July 24
Seaport Film & Food Festival: Cockpit (Mårten Klingberg, 2012), with free Swedish cuisine and drinks, South Street Seaport, 6:00

Intrepid Summer Movie Series: Pirates of the Caribbean: The Curse of the Black Pearl (Gore Verbinski, 2003), Intrepid flight deck

Syfy Movies with a View: Fantastic Mr. Fox (Wes Anderson, 2009), Pier 1, Brooklyn Bridge Park

Rooftop Films: Animation Block Party, Brookfield Place, Winter Garden, live music at 8:30, short films at 9:00

Friday, July 25
Celebrate Brooklyn! Music and Movies: Amandla: A Revolution in Four-Part Harmony (Lee Hirsch, 2002) and Second-Hand Reading (William Kentridge, 2013), with live score performed by Neo Muyanga, Prospect Park Bandshell, 7:30

RiverFlicks Family Fridays: Ghostbusters II (Ivan Reitman, 1989), Pier 46, Hudson River Park

Films on the Green: Le Magnifique (Philippe de Broca, 1973), Transmitter Park, 8:30

Rooftop Films: NY Shorts, Brookfield Place, Winter Garden, live music at 8:30, short films at 9:00

Saturday, July 26
Front/Row Cinema: Men in Black 3 (Barry Sonnenefeld, 2012), South Street Seaport

Rooftop Films: The Case of the Three Sided Dream (Adam Kahan, 2014), Brookfield Place, Winter Garden, live music at 8:30, screening at 9:00

Monday, July 28
Bryant Park Summer Film Festival: Key Largo (John Huston, 1948), Bryant Park Lawn

Coney Island Flicks on the Beach: The Lego Movie (Chris Miller & Phil Lord, 2014), beach at West Tenth St.

Tuesday, July 29
Rooftop Films at Bronx Terminal Market: Cloudy with a Chance of Meatballs 2 (Cody Cameron & Kris Pearn, 2013), Level 6 Garage Roof Deck, activities 7:00, film 8:30

AT&T Film for All: When Harry Met Sally (Rob Reiner, 1989), the Beach at Coney Island, 3059 West Twelfth St., 8:30

Red Hook Flicks: Fried Green Tomatoes (Jon Avnet, 1991), Valentino Pier

The Heathers will hatch quite a plan in

The Heathers will hatch quite a plan in McCarren Park on July 30

Wednesday, July 30
Close Encounters of the Spielberg Kind: Schindler’s List (Steven Spielberg, 1993), Museum of Jewish Heritage, 6:30

Dahesh Museum of Art Wednesday Night Movies: The Heiress (William Wyler, 1949), with free drinks and popcorn, Dahesh Museum of Art Gift Shop, 145 Sixth Ave., 6:30

Outdoor Cinema: Viola (Matias Piñeiro, 2013), Socrates Sculpture Park, preceded by live music at 7:00

Front/Row Cinema: The Goonies (Richard Donner, 1985), South Street Seaport

SummerScreen: Heathers (Michael Lehmann, 1988), McCarren Park

Summer on the Hudson: Pier I Picture Show presents The Princess Bride (Rob Reiner, 1987), Riverside Park, 8:30

RiverFlicks — Big Hit Wednesdays: The Lego Movie (Chris Miller & Phil Lord, 2014), Pier 63, Hudson River Park

Thursday, July 31
Seaport Film & Food Festival: Nosotros los Nobles (The Noble Family) (Gary Alazraki, 2013), with free Mexican cuisine and drinks, South Street Seaport, 6:00

Passport Thursdays: India, with The World Before Her (Nisha Pahuja, 2012) and dance performance by Sonali Skandan & Jiva Dance, outside Queens Museum in Flushing Meadows Park, 7:00

Intrepid Summer Movie Series: The Hunt for Red October (John McTiernan, 1990), Intrepid flight deck

Syfy Movies with a View: Beetlejuice (Tim Burton, 1988), Pier 1, Brooklyn Bridge Park

Friday, August 1
RiverFlicks Family Fridays: Cloudy with a Chance of Meatballs 2 (Cody Cameron & Kris Pearn, 2013), Pier 46, Hudson River Park

Films on the Green: 2 Autumns, 3 Winters (Sébastien Betbeder, 2013), Transmitter Park, 8:30

Saturday, August 2
Front/Row Cinema: When Harry Met Sally (Rob Reiner, 1989), South Street Seaport

Sunday, August 3
Nitehawk Outdoors — 50 Kent Festival: ¡Three Amigos! (John Landis, 1986), 50 Kent Ave., live music at 7:00, screening at sunset

Monday, August 4
Bryant Park Summer Film Festival: The Karate Kid (John G. Avildsen, 1984), Bryant Park Lawn

Coney Island Flicks on the Beach: American Hustle (David O. Russell, 2013), beach at West Tenth St.

Tuesday, August 5
Red Hook Flicks: Paris Is Burning (Jennie Livingston, 1991), Valentino Pier

Wednesday, August 6
Close Encounters of the Spielberg Kind: Jaws (Steven Spielberg, 1975), Museum of Jewish Heritage, 6:30

Dahesh Museum of Art Wednesday Night Movies: The Picture of Dorian Gray (Albert Lewin, 1945), with free drinks and popcorn, Dahesh Museum of Art Gift Shop, 145 Sixth Ave., 6:30

Outdoor Cinema: Forest of the Dancing Spirits (Linda Västrik, 2013), Socrates Sculpture Park, preceded by live music at 7:00

Front/Row Cinema: The Croods (Kirk DeMicco & Chris Sanders, 2013), South Street Seaport

SummerScreen: The Big Lebowski (Joel & Ethan Coen, 1998), McCarren Park

Summer on the Hudson: Pier I Picture Show presents Anchors Aweigh (George Sidney, 1945), Riverside Park, 8:30

RiverFlicks — Big Hit Wednesdays: Lone Survivor (Peter Berg, 2013), Pier 63, Hudson River Park

Thursday, August 7
The LOT LIC Film Series: Chop Shop (Ramin Bahrani, 2008), 43-29 Crescent St., Long Island City, 6:00

Passport Thursdays: Brazil, with O Mistério do Samba (Carolina Jabor Lula Buarque de Hollanda, 2008) and live music and dance by Batala NYC, outside Queens Museum in Flushing Meadows Park, 7:00

Intrepid Summer Movie Series: Spaceballs (Mel Brooks, 1987), Intrepid flight deck

Syfy Movies with a View: Cat on a Hot Tin Roof (Richard Brooks, 1958), Pier 1, Brooklyn Bridge Park

Friday, August 8
RiverFlicks Family Fridays: Groundhog Day (Harold Ramis, 1993), Pier 46, Hudson River Park

Saturday, August 9
Front/Row Cinema: Four Weddings and a Funeral (Mike Newell, 1994), South Street Seaport

Monday, August 11
Bryant Park Summer Film Festival: Lover Come Back (Delbert Mann, 1961), Bryant Park Lawn

Tuesday, August 12
Red Hook Flicks: Madagascar (Eric Darnell & Tom McGrath, 2005), Valentino Pier

Movies at Crocheron Park: Despicable Me 2 (Pierre Coffin & Chris Renaud, 2013), Crocheron Park, 8:00

Wednesday, August 13
SummerStage: Bobby Sanabria and screening of Chico & Rita (Tono Errando, Javier Mariscal & Fernando Trueba, 2010), Marcus Garvey Park, 6:00

Close Encounters of the Spielberg Kind: E.T. the Extra-Terrestrial (Steven Spielberg, 1982), Museum of Jewish Heritage, 6:30

Dahesh Museum of Art Wednesday Night Movies: The Moon and Sixpence (Albert Lewin, 1942), with free drinks and popcorn, Dahesh Museum of Art Gift Shop, 145 Sixth Ave., 6:30

Front/Row Cinema: Charlie & the Chocolate Factory (Tim Burton, 2005), South Street Seaport

Outdoor Cinema: 13 Assassins (Takashi Miike, 2011), Socrates Sculpture Park, preceded by live music at 7:00

SummerScreen: Audience Pick, McCarren Park

Summer on the Hudson: Pier I Picture Show presents The Outsiders (Francis Ford Coppola, 1983), Riverside Park, 8:30

RiverFlicks — Big Hit Wednesdays: The Hunger Games: Catching Fire (Francis Lawrence, 2013), Pier 63, Hudson River Park

Captain Phillips lands on the Intrepid on

Captain Phillips lands on the Intrepid on August 14

Thursday, August 14
Seaport Film & Food Festival: Au Revoir Taipei (Arvin Chen, 2010), with free Taiwanese cuisine and drinks, South Street Seaport, 6:00

The LOT LIC Film Series: Polyester (John Waters, 1981), 43-29 Crescent St., Long Island City, 6:00

SummerStage: Bobby Sanabria and screening of Chico & Rita (Javier Mariscal, Fernando Trueba & Tono Errando, 2010), Marcus Garvey Park, 6:00

Passport Thursdays: Cuba, with Habanastation (Ian Padrón, 2012) and live music by the Cimarron Project, outside Queens Museum in Flushing Meadows Park, 7:00

Intrepid Summer Movie Series: Captain Phillips (Paul Greengrass, 2013), Intrepid flight deck

Syfy Movies with a View: Ghost Dog: The Way of the Samurai (Jim Jarmusch, 1999), Pier 1, Brooklyn Bridge Park

Friday, August 15
RiverFlicks Family Fridays: The Smurfs 2 (Raja Gosnell, 2013), Pier 46, Hudson River Park

Saturday, August 16
Front/Row Cinema: When Harry Met Sally (Rob Reiner, 1989), South Street Seaport

Sunday, August 17
SummerStage: Nuyorican Poets Café 40th Anniversary Celebration, with screening of Our Latin Thing (Leon Gast, 1972), East River Park, 6:00

SummerStage: Bellatrix! A Soul Train Tribute to Women in Music, with Ubiquita Sound System and screening of Twenty Feet from Stardom (Morgan Neville, 2013), Marcus Garvey Park, 6:00

Monday, August 18
Central Park Conservancy Film Festival – Scenes from Our City: Big (Penny Marshall, 1988), north of Sheep Meadow, 8:00

Bryant Park Summer Film Festival: The Shining (Stanley Kubrick, 1980), Bryant Park Lawn

Tuesday, August 19
Red Hook Flicks: Independence Day (Roland Emmerich, 1996), Valentino Pier

Central Park Conservancy Film Festival – Scenes from Our City: The Royal Tenenbaums (Wes Anderson, 2001), north of Sheep Meadow, 8:00

Movies at Crocheron Park: Monsters University (Dan Scanlon, 2013), Crocheron Park, 8:00

Wednesday, August 20
Dahesh Museum of Art Wednesday Night Movies: The Adventures of Sherlock Holmes (Alfred L. Werker, 1939), with free drinks and popcorn, Dahesh Museum of Art Gift Shop, 145 Sixth Ave., 6:30

RiverFlicks — Big Hit Wednesdays: Captain Phillips (Paul Greengrass, 2013), Pier 63, Hudson River Park

Front/Row Cinema: Who Framed Roger Rabbit (Robert Zemeckis, 1988), South Street Seaport

Central Park Conservancy Film Festival – Scenes from Our City: The Way We Were (Sydney Pollack, 1988), north of Sheep Meadow, 8:00

Thursday, August 21
Seaport Film & Food Festival: Amélie (Jean-Pierre Jeunet, 2001), with free French cuisine and drinks, South Street Seaport, 6:00

The LOT LIC Film Series: Strictly Ballroom (Baz Luhrmann, 1992), 43-29 Crescent St., Long Island City, 6:00

Passport Thursdays: Korea, with Approved for Adpotion (Laurent Boileau & Jung Henin, 2012) and dance performance by Song Hee Lee Dance Company, outside Queens Museum in Flushing Meadows Park, 7:00

Syfy Movies with a View: The Birds (Alfred Hitchcock, 1963), Pier 1, Brooklyn Bridge Park

Central Park Conservancy Film Festival – Scenes from Our City: Coming to America (John Landis, 1988), north of Sheep Meadow, 8:00

Friday, August 22
RiverFlicks Family Fridays: The Wizard of Oz (Victor Fleming, 1939), Pier 46, Hudson River Park

Central Park Conservancy Film Festival – Scenes from Our City: Rear Window (Alfred Hitchcock, 1954), north of Sheep Meadow, 8:00

Saturday, August 23
Front/Row Cinema: The Aviator (Martin Scorsese, 2004), South Street Seaport

Tuesday, August 26
Red Hook Flicks Neighborhood Choice: On the Waterfront (Elia Kazan, 1954), Valentino Pier

Movies at Crocheron Park: Europa Report (Sebastián Cordero, 2013), Crocheron Park, 8:00

Wednesday, August 27
Outdoor Cinema: Microcosmos (Claude Nuridsany and Marie Perénnou, 1996), Socrates Sculpture Park, preceded by live music at 7:00

Front/Row Cinema: Frozen (Chris Buck & Jennifer Lee, 2013), South Street Seaport

Thursday, August 28
The LOT LIC Film Series: The Triplets of Belleville (Sylvain Chomet, 2003), 43-29 Crescent St., Long Island City, 6:00

Syfy Movies with a View: Public Vote, Monty Python and the Holy Grail (Terry Gilliam & Terry Jones, 1975), Groundhog Day (Harold Ramis, 1993), or Who Framed Roger Rabbit (Robert Zemeckis, 1988), Pier 1, Brooklyn Bridge Park

Saturday, August 30
Front/Row Cinema: Crazy, Stupid, Love (John Requa & Glenn Ficarra, 2011), South Street Seaport

Sunday, August 31
Front/Row Cinema: Skyfall (Sam Mednes, 2012), South Street Seaport

Thursday, September 4
The LOT LIC Film Series: Lo Quattro Volte (Michelangelo Frammartino, 2010), 43-29 Crescent St., Long Island City, 6:00

Films on the Green: The French Minister (Bertrand Tavernier, 2013), Columbia University, 7:30

Thursday, September 11
The LOT LIC Film Series: Pariah (Dee Rees, 2011), 43-29 Crescent St., Long Island City, 6:00

Thursday, September 18
The LOT LIC Film Series: Wild Style (Charlie Ahearn, 1983), 43-29 Crescent St., Long Island City, 6:00

AN AUTEURIST HISTORY OF FILM: MY NIGHT AT MAUD’S

Jean-Louis (Jean-Louis Trintignant) is more than a little intrigued by Maud (Françoise Fabian) in the fourth of Eric Rohmer’s Six Moral Tales

MY NIGHT AT MAUD’S (MA NUIT CHEZ MAUD) (Eric Rohmer, 1969)
MoMA Film, Museum of Modern Art
The Lewis B. and Dorothy Cullman Education and Research Building
4 West 54th St. between Fifth & Sixth Aves.
May 14-16, 1:30
Tickets: $12, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk beginning at 9:30 am
212-708-9400
www.moma.org

Nominated for the Palme d’Or and a Best Foreign Language Film Oscar, My Night at Maud’s, Éric Rohmer’s fourth entry in his Six Moral Tales series (Claire’s Knee, Love in the Afternoon), continues the French director’s fascinating exploration of love, marriage, and tangled relationships. Three years removed from playing the romantic racecar driver Jean-Louis in Claude Lelouch’s A Man and a Woman, Jean-Louis Trintignant again stars as a man named Jean-Louis, this time a single thirty-four-year-old Michelin engineer living a relatively solitary life in the French suburb of Clermont. A devout Catholic, he is developing an obsession with a fellow churchgoer, the blonde, beautiful Françoise (Marie-Christine Barrault), about whom he knows practically nothing. After bumping into an old school friend, Vidal (Antoine Vitez), the two men delve into deep discussions of religion, Marxism, Pascal, mathematics, Jansenism, and women. Vidal then invites Jean-Louis to the home of his girlfriend, Maud (Françoise Fabian), a divorced single mother with open thoughts about sexuality, responsibility, and morality that intrigue Jean-Louis, for whom respectability and appearance are so important. The conversation turns to such topics as hypocrisy, grace, infidelity, and principles, but Maud eventually tires of such talk. “Dialectic does nothing for me,” she says shortly after explaining that she always sleeps in the nude. Later, when Jean-Louis and Maud are alone, she tells him, “You’re both a shamefaced Christian and a shamefaced Don Juan.” Soon a clearly conflicted Jean-Louis is involved in several love triangles that are far beyond his understanding, so he again seeks solace in church. My Night at Maud’s is a classic French tale, with characters spouting off philosophically while smoking cigarettes, drinking wine and other cocktails, and getting naked. Shot in black-and-white by Néstor Almendros, the film roams from midnight mass to a single woman’s bed and back to church, as Jean-Louis, played with expert concern by Trintignant, is forced to examine his own deep desires and how they relate to his spirituality. Fabian (Belle de Jour, The Letter) is outstanding as Maud, whose freedom titillates and confuses Jean-Louis. One of Rohmer’s best, most accomplished works despite its haughty intellectualism, My Night at Maud’s is screening May 14-16 at 1:30 as part of MoMA’s ongoing series “An Auteurist History of Film,” which continues May 21-23 with Robert Altman’s McCabe and Mrs. Miller and May 28-30 with Rainer Werner Fassbinder’s Merchant of the Four Seasons.

AN EVENING WITH CINEMA 16: IIII

Tadanori Yokoo’s 1965 KACHI KACHI YAMA is one of six experimental films being shown in latest Cinema 16 presentation

Tadanori Yokoo’s 1965 KACHI KACHI YAMA is one of six experimental films being shown in latest Cinema 16 presentation

The Kitchen
512 West 19th St. between Tenth & Eleventh Aves.
Wednesday, May 14, $20, 9:00
212-255-5793 ext11
www.cinemasixteen.com
www.thekitchen.org

Back in June 2011, photographer and curator Molly Surno told twi-ny, “The more experimental films I watch, the harder it is for me to sit through big-budget films. I mean, let’s put it this way: For me, a Saturday night spent among purely escapist entertainment would include The Godfather or The French Connection. . . . That is about as mainstream as I like to get.” Since 2008, the Brooklyn-based Surno, who earned her MFA from Columbia last year, has been reviving Cinema 16, the film society founded by Amos Vogel in 1947, combining experimental films with cutting-edge live music. The 2014 edition takes place May 14 at the Kitchen, with a half dozen far-from-mainstream films that examine the intersection of love, paradise, adventure, and mythology being accompanied by an original score by drum-synth collective IIII (“Four,” consisting of Hisham Akira Bharoocha, Ryan Sawyer, Brian Chase, and Ben Vida, joined by electronic musician Seja). The short films being presented are David Rimmer’s 1969 Migration, Frans Zwartjes’s 1968 Birds, One, Henri Platt’s 1968 I Am an Old Smoking Moving Indian Movie Star, Len Lye’s 1952-53 Color Cry, Tadanori Yokoo’s 1965 Kachi Kachi Yama, and Kihachirō Kawamoto’s 1965 Broken Branches.

FRENCH CINEMA’S SECRET TROVE: LE BONHEUR

LE BONHEUR

François (Jean-Claude Drouot) tries to convince Thérèse (Claire Drouot, his real-life wife), that he has plenty of happiness to spread around in LE BONHEUR

CURATED BY CAHIERS DU CINÉMA: LE BONHEUR (HAPPINESS) (Agnès Varda, 1965)
CinéSalon, French Institute Alliance Française, Florence Gould Hall
55 East 59th St. between Madison & Park Aves.
Tuesday, May 13, $13, 7:30
Series continues Tuesdays through May 27
212-355-6100
www.fiaf.org

In 1965, French Nouvelle Vague auteur Agnès Varda said about her third film, Le Bonheur, which translates as Happiness: “Happiness is mistaken sadness, and the film will be subversive in its great sweetness. It will be a beautiful summer fruit with a worm inside. Happiness adds up; torment does too.” That is all true nearly fifty years later, as the film still invites divided reaction from critics. “Miss Varda’s dissection of amour, as French as any of Collette’s works, is strikingly adult and unembarrassed in its depiction of the variety of love, but it is as illogical as a child’s dream,” A. H. Weiler wrote in the New York Times in May 1966. “Her ‘Happiness,’ a seeming idyll sheathed in irony, is obvious and tender, irresponsible and shocking and continuously provocative.” All these decades later, the brief eighty-minute film is all that and more, save for the claim that it is illogical. In a patriarchal society, it actually makes perfect, though infuriating, sense.

François and Émilie (Marie-France Boyer) seek out their own happiness in Nouvelle Vague classic

François and Émilie (Marie-France Boyer) seek out their own happiness in Nouvelle Vague classic

French television star Jean-Claude Drouot (Thierry La Fronde) stars as the handsome François, who is leading an idyllic life with his beautiful wife, Thérèse (Claire Drouot), and their delightful kids, Pierrot (Olivier Drouot) and Gisou (Sandrine Drouot), in the small, tight-knit Parisian suburb of Fontenay. While away on a job, François meets the beautiful Émilie (Marie-France Boyer), a postal clerk who connects him to his wife via long-distance telephone, flirting with him although she knows he is happily married. And despite being happily married, François returns the flirtation, offering to help with her shelves when she moves into an apartment in Fontenay. Both François and Émilie believe that there is more than enough happiness to go around for everyone, without any complications. “Be happy too, don’t worry,” Émilie tells him. “I’m free, happy, and you’re not the first,” to which he soon adds, “Such happiness!” And it turns out that even tragedy won’t put a stop to the happiness, in a plot point that angered, disappointed, confused, and upset many critics as well as the audience but is key to Varda’s modern-day fairy tale.

The beauty of nature plays a key role in LE BONHEUR

The beauty of nature plays a key role in LE BONHEUR

Le Bonheur is Varda’s first film in color, and she seems to have been heavily influenced by her husband, Jacques Demy (The Umbrellas of Cherbourg), bathing the film in stunning hues that mimic Impressionist paintings, particularly the work of Pierre-Auguste Renoir, in a series of picnics and flower-filled vases. In a sly nod, at one point a black-and-white television is playing the 1959 film Le Déjeuner Sur L’herbe (“Picnic on the Grass”), which was directed by Jean Renoir, one of Auguste’s sons, and also deals with sex, passion, procreation, and nature. Le Bonheur also features numerous scenes that dissolve out in singular blocks of color that take over the entire screen. Cinematographers Claude Beausoleil and Jean Rabier shoot the film as if it takes place in a candy-colored Garden of Eden, all set to the music of Mozart, performed by Jean-Michel Defaye. Varda doesn’t allow any detail to get away from her; even the protagonists’ jobs are critical to the story: François is a carpenter who helps builds new lives for people; Thérèse is a seamstress who is in the midst of making a wedding gown; and Émilie works in the post office, an intermediary for keeping people together. As a final touch, François, who represents aspects of France as a nation under Charles de Gaulle, and his family are played by the actual Drouot clan: Jean-Claude and Claire are married in real life (and still are husband and wife after more than fifty years), and Olivier and Sandrine are their actual children, so Le Bonheur ends up being a family affair in more ways than one.

Le Bonheur is screening May 13 at 7:30 as part of the FIAF CinéSalon series “French Cinema’s Secret Trove, Curated by Cahiers due Cinéma” and will be introduced by sex therapist Esther Perel and followed by a wine reception. The festival continues through May 27 with Jacques Becker’s Rue de l’Estrapade, Adolfo Arrieta’s Flammes, and Jacques Rozier’s Maine-Océan.

SCREENING AND DISCUSSION: THE FACE OF ANOTHER

Tatsuya Nakadai will reveal his actual face when he appears at the Museum of the Moving Image to screen and discuss THE FACE OF ANOTHER

Tatsuya Nakadai will reveal his actual face when he appears at the Museum of the Moving Image to screen and discuss THE FACE OF ANOTHER

THE FACE OF ANOTHER (TANIN NO KAO) (Hiroshi Teshigahara, 1966)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Saturday, May 17, free with museum admission (advance tickets available), 3:00
718-777-6800
www.movingimage.us

Kôbô Abe and director Hiroshi Teshigahara collaborated on five films together, including the marvelously existential Woman of the Dunes in 1964 and The Face of Another two years later. In The Face of Another, Tatsuya Nakadai (The Human Condition, Kill!) stars as Okuyama, a man whose face has virtually disintegrated in a laboratory accident. He spends the first part of the film with his head wrapped in bandages, a la the Invisible Man, as he talks about identity, self-worth, and monsters with his wife (Machiko Kyo), who seems to be growing more and more disinterested in him. Then Okuyama visits a psychiatrist (Mikijirô Hira) who is able to create a new face for him, one that would allow him to go out in public and just become part of the madding crowd again. But his doctor begins to wonder, as does Okuyama, whether the mask has actually taken control of his life, making him as helpless as he was before. Abe’s remarkable novel is one long letter from Okuyama to his wife, filled with utterly brilliant, spectacularly detailed examinations of what defines a person and his or her value in society. Abe wrote the film’s screenplay, which tinkers with the time line and creates more situations in which Okuyama interacts with people; although that makes sense cinematically, much of Okuyama’s interior narrative, the building turmoil inside him, gets lost. Teshigahara once again uses black and white, incorporating odd cuts, zooms, and freeze frames, amid some truly groovy sets, particularly the doctor’s trippy office, and Tōru Takemitsu’s score is ominously groovy as well. As a counterpart to Okuyama, the film also follows a young woman (Miki Irie) with one side of her face severely scarred; she covers it with her hair and is not afraid to be seen in public, while Okuyama must hide behind a mask. But as Abe points out in both the book and the film, everyone hides behind a mask of one kind or another. The Face of Another is having a special screening May 17 at 3:00 at the Museum of the Moving Image and will be followed by a conversation between Nakadai and Terrence Rafferty; advance tickets are available now.

THE DOUBLE

(photo by Dean Rodgers)

James Simon meets Simon James (Jesse Eisenberg in a dual role) in Richard Aoyade’s delightfully dark second film (photo by Dean Rodgers)

THE DOUBLE (Richard Ayoade, 2014)
Landmark Sunshine Cinema
143 East Houston St. between First & Second Aves.
Opens Friday, May 9
212-330-8182
www.landmarktheatres.com
www.magpictures.com/thedouble

Jesse Eisenberg stars as a lonely, timid young man trapped in an existential nightmare with his mirror-image doppelgänger in Richard Ayoade’s brilliant sophomore feature, The Double, a dark, imaginative adaptation of Fyodor Dostoyevsky’s 1846 novella, itself a riff on the work of Nikolai Gogol. “It was a little before eight o’clock in the morning when Titular Concillor Yakov Petrovich Golyadkin woke from a long sleep, yawned, stretched, and finally opened his eyes completely. He lay motionless in bed, however, for a couple of minutes more, like a man who is not yet quite sure whether he is awake or still asleep, and whether what is happening around him is real and actual or only the continuation of his disordered dreams,” Dostoyevsky’s tale begins, and Ayoade (Submarine) captures that confusion with respectful nods to Terry Gilliam’s Brazil, Orson Welles’s Kafka adaptation, The Trial, Jean-Luc Godard’s Alphaville, and David Lynch’s Eraserhead. Eisenberg (The Social Network, The Squid and the Whale) is first seen as James Simon, an intelligent but absurdly shy office drone who has trouble dealing with people; he spies on coworker Hannah (Mia Wasikowska) through a telescope, fumbles his words whenever his boss (Wallace Shawn) comes around, remains utterly silent when his excellent work goes unnoticed, and doesn’t complain when he is regularly mistreated by a gruff waitress (Cathy Moriarty) at a local diner. Even the elevator and his mother (Phyllis Somerville) don’t like him. As his identity continues to shrink, he is blindsided by the arrival of Simon James (Eisenberg), who is everything James Simon isn’t: suave, sophisticated, sexy, and ambitious, willing to say or do whatever it takes to get ahead at the office — and into young women’s apartments.

(photo by Dean Rodgers)

James doesn’t know how to approach the woman he loves (Mia Wasikowska) in THE DOUBLE (photo by Dean Rodgers)

Virtually everything about The Double is doubled. The story takes place in a nondescript future/past that is part utopia, part dystopia, with mysterious subways and other unpredictable spaces that are lushly beautiful and threatening. Both James and Simon are interested in Hannah, who runs the copy machine in the office basement, where James regularly goes to get a single copy made (another instance of doubling). As James becomes more invisible, Simon shows up everywhere, seemingly much more than just an alter ego. Where James’s world seems to be a nightmare, Simon’s is like a dream. Oddly, however, James is the only person who recognizes that Simon looks exactly like him, making for some very funny yet heartbreaking scenes. Erik Alexander Wilson, who worked with Ayoade on the indie hit Submarine, shoots the film in an ominous, shadowy darkness with a dulled palette and gorgeous lighting effects. The strong, quirky supporting cast includes often bizarre appearances by Paddy Considine, Sally Hawkins, Chris O’Dowd, Cathy Moriarty, Noah Taylor, Yasmin Paige, and James Fox as the Colonel, the company founder who James is desperate to impress. Written by Ayoade with Avi Korine, The Double is a crazy, extremely strange, thoroughly engaging and enraging examination of identity, of who we are and who we want to be, further establishing Ayoade as a unique auteur with a fascinating take on humanity.