twi-ny recommended events

LUNGS HARVEST ARTS FESTIVAL

lungs-harvest-arts-festival

Multiple community gardens on the Lower East Side
Saturday, September 24, and Sunday, September 25, free
www.lungsnyc.org

More than fifty community gardens on the Lower East Side are participating in the fifth annual LUNGS (Loisaida United Neighborhood Gardens) Harvest Festival, a weekend of free special events, including music, dance, film screenings, walking tours, workshops, art, poetry, karaoke, meditation, and more. Below are only some of the recommended events for Saturday and Sunday; there are also activities at the M’Finda Kalunga Garden, Fireman’s Garden, Liz Christy Garden, Secret Garden, El Sol Brillante, Doroty Strelsin Suffolk St. Garden, East Side Outside Garden, Umbrella House Rooftop Garden, Creative Little Garden, Lower East Side People Care Garden, Kenkeleba House Garden, Children’s Magical Garden, Green Oasis, Elizabeth St. Garden, Toyota Children’s Garden, Sam & Sadie Koenig Garden, and many others. The festival is a great way to become familiar with and support these small gems that can be found all over the Lower East Side.

Saturday, September 24

Permaculture tour with Ross Martin and Marga Snyder, La Plaza Cultural, Ave. C at Ninth St., 12 noon

Live music with Elizabeth Ruf, Ben Cauley, Avon Faire, Tammy Faye Starlight, Witch Camp with Amber Martin & Nath-Ann Carrera, Salley May, and Val Kinzler, DeColores Garden, East Eighth St. between Aves. B & C, 1:00 – 5:00

Guided meditation, with Matthew Caban and Jaquay Saintil, the Lower East Side People Care Garden, Rutgers St. between Henry and Madison Sts., 2:00

Collaborative poetry workshop with Rhoma Mostel, La Guardia Corner Gardens, Bleecker & Houston Sts., 3:00

“The Bride” performance piece by Theresa Byrnes, La Plaza Cultural, Ave. C at Ninth St., 4:00

Dance performance with Heidi Henderson and students from Connecticut College, Kizuna Dance, John Gutierrez, Sheep Meadow Dance Theater, Rina Espiritu, Lauren Kravitz, and Shantel Prado, Cornfield Dance, Rod Rodgers Teen Dancers, El Jardín del Paraíso, Fourth St. between Aves. C & D, 4:00

Dimensions of Ecology panel discussion, with Stuart Losee, Felicia Young, Anna Fitzgerald, and Chloe Rosetti, La Plaza Cultural, Ave. C at Ninth St., 5:00

Sunday, September 25

Pysanky workshop: How to Make Ukrainian Easter Eggs, with Anna Sawaryn, 6B Garden, Ave. B at Sixth St., 11:00 am – 2:00 pm

“Garbagia Island” Creatures Performance and Fashion Show, El Jardín del Paraíso, Fourth St. between Aves. C & D, 1:00

Vangeline Theater’s “Wake Up and Smell the Coffee,” contemporary Butoh dance, El Jardín del Paraíso, Fourth St. between Aves. C & D, 2:00

“Garden to Table Nutrition,” with Vanessa Berenstein, La Guardia Corner Gardens, Bleecker & Houston Sts., 3:00

Fountain installation: “Jeux d’Eaux” by Nicholas Vargelis, Le Petit Versailles, Second St. between Aves. B & C, 4:00

Laughter Yoga, with Sara Jones, La Guardia Corner Gardens, Bleecker & Houston Sts., 5:00

Photography show: George Hirose’s “Midnight in the Garden,” Campos Garden, Twelfth St. between Aves. B & C, 6:30

Dance party with Ray Santiago Band, Campos Garden, Twelfth St. between Aves. B & C, 7:30-9:30

THE RUINS OF LIFTA: WHERE THE HOLOCAUST AND NAKBA MEET

THE RUINS OF LIFTA

Menachem Daum and Yacoub Odeh discuss a different aspect of the Israeli-Palestinian conflict in THE RUINS OF LIFTA

THE RUINS OF LIFTA: WHERE THE HOLOCAUST AND NAKBA MEET (Menachem Daum & Oren Rudavsky, 2016)
Lincoln Plaza Cinema
1886 Broadway at 63rd St.
Opens Friday, September 23
212-757-2280
www.lincolnplazacinema.com
www.firstrunfeatures.com

Menachem Daum and Oren Rudavsky’s The Ruins of Lifta: Where the Holocaust and Nakba Meet is built on a faulty premise, but the film still manages to be a rather provocative and intriguing documentary. In their previous collaboration, Hiding and Seeking: Faith and Tolerance after the Holocaust, Rudavsky and Daum examined Daum’s relationship with his parents, Polish Jews who survived the Holocaust and taught Daum to distrust all non-Jews. Their latest film takes viewers to Lifta, the historic but now crumbling Palestinian village at the western entrance to Jerusalem that was abandoned during the 1948 war and has never been resettled by Palestinians or taken over by Israelis. A recent plan calls for it to be razed in order to make way for luxury villas. “Its ruins bear witness to the history of the Israeli-Palestinian conflict,” Daum, an Orthodox Jew, says about the village. “The story told by Lifta’s ruins challenges the narrative that I, the son of Holocaust survivors, believed in for most of my life.” Daum meets with members of the Coalition to Save Lifta, a small group of Jews and Palestinians, including cofounder Daphna Golan, Ilan Shatyer, and Yacoub Odeh. Daum also speaks with historians Benny Morris and Hillel Cohen and Palestinian lawyer Sami Arshid, who offer different perspectives on the conflict.

The mistake Daum makes is drawing parallels between Odeh, who was expelled along with the rest of the Palestinians in 1948, and Holocaust survivor Dasha Rittenberg, creating a false equivalency between the Nazis’ Final Solution that murdered six million Jews and the Nakba, the exile of the Palestinians. “The Holocaust and Nakba narratives are not exclusive. I do not have to choose between them,” Daum says as he attempts to bring the outspoken and angry Odeh and the calmer, soft-spoken Rittenberg together, as if their rapprochement might signal the possibility of a larger peace between the Jews and the Palestinians. But it is clear early on that Odeh is never going to be satisfied, which serves as a microcosm of any potential agreements about land and self-rule in Jerusalem. In his previous film, Colliding Dreams, made with Joseph Dorman, Rudavsky (A Life Apart: Hasidism in America) examined Zionism and Palestine’s history, specifically how Palestine did not belong to the British to give to the Jews when other people were already living there. In his director’s statement, Rudavsky explains, “We all need to throw Hail Mary passes on the subject of peace in Israel and this is our Hail Mary pass. If we don’t try — each and every one of us — to understand each other — then the future may truly be hopeless.” Although it might be a misguided pass — and one named after a Catholic prayer — in a game that seems to never end, The Ruins of Lifta still raises some important questions and is likely, at numerous moments, to stoke viewers’ ire.

THE LOVERS AND THE DESPOT

THE LOVERS AND THE DESPOT

Kim Jong-il, Choi Eun-hee, and Shin Sang-ok form a unique cinematic triumvirate in THE LOVERS AND THE DESPOT

THE LOVERS AND THE DESPOT (Rob Cannan & Ross Adam, 2016)
Lincoln Plaza Cinema, 1886 Broadway at 63rd St., 212-757-2280
Landmark Sunshine Cinema, 143 East Houston St. between First & Second Aves., 212-330-8182
Opens Friday, September 23
www.magpictures.com

In 1978, desperate to become an important international film producer, Kim Jong-il, son of North Korean supreme leader Kim Il-sung, kidnapped popular South Korean actress Choi Eun-hee and her ex-husband, director Shin Sang-ok. For the next several years, they made seventeen pictures together in totalitarian North Korea. Kim gave them complete artistic freedom while also manipulating them, trying to inject the films with propaganda that was favorable to North Korea while denigrating South Korea. “Let’s show the West what we are capable of,” Kim explains to Shin. This incredible story is told in the superb and exciting documentary The Lovers and the Despot, which plays out like a gripping thriller in the style of Argo, and it’s all true — although questions still abound all these years later. Together, Choi and Shin had made such award-winning films as A Flower in Hell, The Houseguest and My Mother, and Red Scarf. After their abduction, they experienced a kind of love-hate relationship with Kim, who became supreme leader in 1994. “I thought they were going to kill me,” Choi, now eighty-nine, says in the film. But she also notes, “It was one of the happiest times of my life.” The main controversy has always centered around whether Shin and Choi willingly became part of Kim’s propaganda machine or were merely just trying to stay alive, making the movies even as they plotted escape attempts. Shin and Choi secretly tape recorded hours of conversations between the two men, who appear to develop a real friendship. “In a way, we really hit it off. When he meets me, he leaves his guards outside. He completely adores me. There’s no way I can betray him,” Shin says on the tapes. But later he adds, “Whatever it takes I have to get out of here.”

In their first feature-length collaboration, directors Rob Cannan (Three Miles North of Molkom) and Ross Adam play amazing segments from the utterly fascinating tapes, which, as Shin notes, “ultimately . . . will be the only evidence.” They also speak with classified U.S. intelligence officer Michael Yi, U.S. State Department official David Straub, South Korean writer-director Lee Jang-ho, film critic Pierre Rissient, former Kim Jong-il court poet Jang Jin-sung, and Choi and Shin’s children, offering numerous perspectives of this remarkable tale. The film also features clips from such Shin projects as Homeless Wanderer and Runaway, archival home movies and photographs, and footage of North Korean propaganda films and carefully choreographed public gatherings. Composer Nathan Halpern, who has scored such other documentaries as Rich Hill, Hooligan Sparrow, and The Witness, keeps the mood tense and unnerving as Choi and Shin’s fate plays out. The Lovers and the Despot is an utterly captivating film about the love of movies and the immense power they hold over us, as well as a chilling look inside the mind of a brutal dictator.

SEED: THE UNTOLD STORY

SEED

Taggart Siegel and Jon Betz stress the need for seed in activist documentary

SEED: THE UNTOLD STORY (Taggart Siegel & Jon Betz, 2016)
Cinema Village
22 East 12th St. between University Pl. & Fifth Ave.
Opens Friday, September 23
212-529-6799
www.cinemavillage.com
www.seedthemovie.com

“We’re fooling with Mother Nature,” Montana organic wheat farmer and U.S. senator Jon Tester says in Seed: The Untold Story, a crunchy activist documentary opening September 23 at Cinema Village. Produced, directed, and edited by Jon Betz and Taggart Siegel, the film focuses on how ninety-four percent of vegetable seed varieties have disappeared over the last hundred years and how farming communities around the world are now trying to save and protect seeds while battling the government and such chemical companies as Monsanto. The facts are staggering; the number of varieties of cabbage has gone from 544 to 28, beets 288 to 17, cauliflower 158 to 9, artichokes 34 to 2, and asparagus 46 to 1. Betz and Siegel, who previously collaborated on Queen of the Sun: What Are the Bees Telling Us?, travel from India, Mexico, and Namibia to Hawaii, New Mexico, and Washington, DC, among other places, meeting with Native Americans, Native Hawaiians, and organic farmers who talk about the importance of the relationship between people and the land and how seeds, and corn in particular, are an intrinsic part of so many cultures. “Seeds are so crafty. There is a power . . . to me it’s magic. It’s a life force so strong,” anthropologist Jane Goodall says. “Corn ignited the sacred connection we have with seeds,” Mohawk Rowen White of Sierra Seeds explains. Bill McDorman of the Rocky Mountain Seed Alliance and Native Seeds/SEARCH compares a seed bank to Fort Knox, Will Bonsall of the Scatterseed Project says that bean and seed collections are like jewelry stores, while environmental lawyer and author Claire Hope Cummings proclaims, “Hybrid corn was the atom bomb of agriculture.” Also discussing the need for biodiversity and respect for nature’s bounty are Hopi Nation leader Leigh Kuwanwisiwma, ethnobotanist Gary Paul Nabhan, Center for Food Safety lawyers Andrew Kimball and George Kimbrell, Winona LaDuke of the White Earth Land Recovery Project, Kauai councilman Gary Hooser, an emotional Emigdio Ballon of Tesuque Pueblo, and Native Hawaiian and teacher Malia Chun, who calls what the chemical companies are doing “a disgrace to our culture.”

SEED

“I’ve always been dazzled by diversity,” Will Bonsall of the Scatterseed Project says in SEED

But as bleak as things might look — climate change continues while Monsanto keeps patenting seeds, suing so they don’t have to reveal what pesticides they use in experimental farming, and fighting legislation requiring labeling of genetically modified food products — the battle is far from over. “We will refuse to obey laws that force us to accept GMOs and patents,” says the ever-hopeful and brightly positive physicist, activist, and author Dr. Vandana Shiva, adding, “We need to protect the diversity, integrity, and freedom of life, give seed its own freedom so that we as humans can have our freedom.” The film is beautifully photographed by Siegel, with gorgeous shots of nature in almost every frame, aside from those that feature, um, corny animation. And Betz and Siegel make no bones about their message; this is a film that is meant to stir viewers to action, and it’s hard not to want to do something to get involved after watching it. Betz and Siegel will be at Cinema Village for Q&As following the 5:10 (with Stephen Ritz of Green Bronx Machine), 7:10, and 9:20 screenings on September 23 and 24; other special guests include Alex Beauchamp of Food and Water Watch on September 26 at 7:10, Clara Parks of the Mid-Atlantic Regional Seed Bank and Heather Liljengren of the Greenbelt Native Plant Center on September 27 at 7:10, and Carol Durst-Wertheim of the New York Women’s Culinary Alliance on September 29 at 7:10.

LOWER EAST SIDE PICKLE DAY 2016

pickle-day

Orchard St. between Houston & Delancey Sts.
Sunday, September 25, free, 12 noon – 5:00 pm
pickleday.nyc

Speaking about Calvin Coolidge, Alice Roosevelt Longworth said, “He looks as though he’s been weaned on a pickle.” For many of us who were born and raised in New York, we’re not sure why that was an insult. And that’s why on Sunday you’re likely to find us at the annual Lower East Side Pickle Day, being held on Orchard St. between Houston and Delancey. Among those participating in the festivities, which include food, fashion, and family-friendly games and activities, are pickled purveyors Guss’ Pickles, Pioneer Cannery, Macdonald Farms, Pickle Me Pete, Backyard Brine, Grillo’s Pickles, Crisp & Co. Pickles, Fox Point Pickles, Messy Brine, the Pickle Guys, Rick’s Picks, Horman’s Pickles, Divine Brine, Adamah Farm, Rachel Mae Farmstand, Brooklyn Brine, Doctor Pickle, Pittsburgh Pickle Co., McClure’s Pickles, and Crooked Carrot Fermentory in addition to Melt Bakery, A Casa Fox, Osaka Grub, Saxelby Cheesemongers, sweet buttons desserts, Wassail, Ni Japanese Deli, the Meatball Shop, Puebla Mexican Food, the SKINny Bar & Lounge, Georgia’s BBQ, Cow & Clover, and Roni-Sue’s Chocolates. There will also be live music by Louie and Chan and a home pickling/dancing contest. Pickles have a long affiliation with the Lower East Side, and the annual Pickle Day only adds to that pickled history.

BAD REPUTATION — SPOTLIGHT ON KRISTEN STEWART: ADVENTURELAND

Jesse Eisenberg and Kristen Stewart are in the mood for some summer fun in ADVENTURELAND

Jesse Eisenberg and Kristen Stewart are in the mood for some summer fun in ADVENTURELAND

ADVENTURELAND (Greg Mottola, 2009)
BAMcinématek, BAM Rose Cinemas
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
Saturday, September 24, 2:00 & 7:00, and Sunday, September 25, 4:40 & 9:40
Series runs September 23-27
718-636-4100
www.bam.org
adventurelandthefilm.com

When we were kids, it was always a treat when our parents packed us in the car and took us to Adventureland, a small amusement park in Farmingdale, Long Island. It wasn’t quite the same treat for writer-director Greg Mottola, who documents one summer he spent working as a carny there in the sweet coming-of-age comedy Adventureland, an underappreciated gem from last decade. Jesse Eisenberg stars as Mottola’s alter ego, James Brennan, a college grad in 1987 who is planning on traveling through Europe before starting grad school at Columbia — until his parents take a serious financial hit, forcing him to spend the summer working at the local amusement park in Pittsburgh called Adventureland. (Mottola had wanted to shoot the film in the actual Long Island location but found that the current state of Adventureland was too upscale compared to the one he remembers, so he found a more suitable cinematic park.) James is a hyperintellectual virgin who is waiting for true love, and he thinks he might have found it in fellow carny Em Lewin (Kristen Stewart). However, he doesn’t know that Em is also a booty call for the older Mike Connell (Ryan Reynolds), the hot maintenance man whose legendary claim to fame is that he once jammed with Lou Reed. Meanwhile, the amusement park’s hot-to-trot Lisa P. (Margarita Levieva) has returned, and she might be considering trying out a nice guy like James instead of her usual tough dudes.

Bill Hader and Kristen Wiig sort of run things at low-rent amusement park

Bill Hader and Kristen Wiig sort of run things at low-rent amusement park

Adventureland is a very funny, emotionally honest look at growing up faster than one imagined, filled with believable characters and situations in a genre that is often wrought with hyperbole. (Mottola is another member of Judd Apatow’s inner circle, having directed episodes of the underrated Undeclared and directed and cowrote, with Seth Rogen, the overrated Superbad; prior to that, he wrote and directed the overrated 1999 indie hit The Daytrippers.) Eisenberg (The Squid and the Whale, The Social Network) and Stewart (Into the Wild, Twilight) are magnetic together, conveying their parts with heartfelt emotion; although Eisenberg is seven years older than Stewart in real life — she was born in 1990, after the film takes place — Stewart displays an intelligence beyond her years. The excellent supporting cast features SNLers Bill Hader and Kristen Wiig as the park’s crazy owners; Freaks & Geeks’ Martin Starr as James’s best friend, the Russian-lit-obsessed, pipe-smoking Joel; and Matt Bush as Frigo, who never misses a chance to punch James in the nuts. Mottola sets his compelling story to an awesome soundtrack that includes killer tunes by the Replacements, Husker Du, Big Star, the Cure, Judas Priest, and plenty of Lou Reed and the Velvet Underground (as well as a Foreigner tribute band and Falco’s “Rock Me Amadeus”). Adventureland is screening September 24 & 25 in the BAMcinématek series “Bad Reputation: Spotlight on Kristen Stewart,” a five-day, five-film tribute to the L.A.-born actress who, at the age of twenty-six, has already appeared in nearly three dozen films. The mini-festival also includes David Fincher’s Panic Room, Catherine Hardwicke’s Twilight, Floria Sigismondi’s The Runaways (in which Stewart plays Joan Jett!), and Olivier Assayas’s The Clouds of Sils Maria, for which she won a French César Award for Best Supporting Actress

THE LANGUAGE OF THINGS

(photo by twi-ny/mdr)

The seven sculptures that make up Claudia Comte’s “The Italian Bunnies” are named after Italian sculptors (photo by twi-ny/mdr)

City Hall Park
Broadway, Park Row, and Chambers St.
Through September 29, free
www.publicartfund.org
www.nycgovparks.org

If you find yourself walking through City Hall Park and a woman gazes into your eyes and starts singing to you and you alone, it might not be some weirdo but actually part of the Public Art Fund group exhibition “The Language of Things.” The show was inspired by Walter Benjamin’s 1916 essay “On Language as Such and on the Language of Man,” in which the German philosopher and critical theorist explores “the difference between human language and the language of things.” He writes, “Every expression of human mental life can be understood as a kind of language, and this understanding, in the manner of a true method, everywhere raises new questions. It is possible to talk about a language of music and of sculpture, about a language of justice . . . all communication of the contents of the mind is language, communication in words being only a particular case of human language and of the justice, poetry, or whatever underlying it or founded on it.” The multiple works in this exhibition vary wildly in conception and execution, but they all communicate. The only work that features spoken human language is the above-mentioned Tino Sehgal piece “This You,” the artist’s first outdoor work, in which one of a rotating cast of women singers approach strangers and warble something meant specifically for them. Chris Watson’s four-channel “Ring Angels” is named for the suspicious concentric patterns that appeared on British radar in the 1930s, which turned out to be roosting starlings; Watson’s audio piece plays the sounds of modern-day starlings moving in close formation while referencing the arrival of starlings to America in 1890–91, when Eugene Schieffelin released first sixty and then forty starlings into Central Park in an effort to introduce to North America all the avian species mentioned in Shakespeare.

(photo by twi-ny/mdr)

The Black Lives Matter movement brought its message to Adam Pendleton’s “Untitled (code poem)” in City Hall Park (photo by twi-ny/mdr)

In Claudia Comte’s “The Italian Bunnies,” seven marble sculptures resembling bunny ears, and named for Italian artists (Guido, Pietro, Gian Lorenzo, Leonardo, Donatello, Michelangelo, and Properzia), appear to be in the midst of a silent conversation. Carol Bove’s “Lingam” refers to ancient Hindu phallic sculptures dedicated to Shiva and brings together petrified wood and steel as if they are engaged in some kind of symbolic ritual. Michael Dean’s reinforced concrete “4sho (Working Title)” developed from his own texts and typography. Don’t spend too much time trying to figure out how Hannah Weiner’s “Code Poems” work; in 1969, the poet and performance artist wrote, “i consider this code an exploration of linear communication, which has served the binary neurological function of the brain. the most useful thing for me here, in the code, is the understanding of the equivalents: one kind of signal may equally be substituted for another with the exact same meaning.” Directly influenced by Weiner’s work, Adam Pendleton’s “Untitled (code poem)” consists of eighteen concrete blocks in the shape of large-scale Morse code dots and dashes; for several days, people from the Black Lives Matter movement took over the space, using the blocks as seats as they spread their oft-misunderstood message, giving the piece an unexpected twist on the idea of communication. “The linguistic being of things is their language; this proposition, applied to man, means: the linguistic being of man is his language. Which signifies: man communicates his own mental being in his language,” Benjamin further explains. “It should not be accepted that we know of no languages other than that of man, for this is untrue.”