twi-ny recommended events

BOOKCON 2

Kevin Hart is one of the featured stars of BookCon2

Kevin Hart is one of the featured stars of BookCon2

Jacob K. Javits Convention Center
655 West 34th St. (11th Ave. between 34th & 39th Sts.)
Saturday, June 3, and Sunday, June 4, $10 (children ages six to twelve) – $45 (adults)
www.thebookcon.com

The annual trade show BookExpoAmerica at the Javits Center will once again be followed by BookCon, a two-day fair that is open to the public this weekend, celebrating all things literary, from picture books and comics to YA and adult fiction and nonfiction. There will be panel discussions, meet-and-greets, autograph sessions, Q&As, screenings, and much more. The lineup of guests is impressive, including Bill Nye, Charlamagne tha God, Chelsea Clinton, Cory Doctorow, Heather Graham, Jeff Kinney, Jeffrey Tambor, Kevin Hart, Leomony Snicket, Margaret Atwood, Marc Maron, Mayim Bialik, Veronica Roth, and many others. (Scott Kelly and Dan Brown had to cancel.) Below are only some of the myriad special events, some of which require advance registration and ticketing.

Saturday, June 3
Chad Michael Murray — an American Drifter, with Chad Michael Murray and Heather Graham, Room 1E10, 11:15

Carrying On with Rainbow Rowell, with Rainbow Rowell and Emma Straub, Room 1E14, 12:15

Ten-Year Anniversary of Diary of a Wimpy Kid, with Jeff Kinney and Kevin Maher, Main Stage, 12:45

WTF?: Marc Maron and Brendan McDonald, Room 1E14, 1:30

Do You Ship This?, with Danielle Paige, Victoria Aveyard, and Veronica Roth, moderated by Claire Fallon, Main Stage, 2:30

Girling Up: Mayim Bialik Spotlight, with Mayim Bialik, Room 1E16, 5:15

Veronica Roth will return for more BookCon fun this year

Veronica Roth will return for more BookCon fun this year

Sunday, June 4
A Picture Tells 1,000 Words: Graphic Novels, with Svetlana Chmakova, Samwise Didier, Matt Phelan, Thi Bui, and Scott Westerfeld, moderated by Abe Riesman, Room 1E16, 11:00 am

Write Here, Write Now, with E. Lockhart, Adam Silvera, Leigh Bardugo, and Jennifer E. Smith, moderated by Andrew Harwell, Room 1E10, 12:30

Kids Book Blockbusters, with Jeff Kinney, Mary Pope Osborne, Kwame Alexander, and Lemony Snicket, moderated by Roger Sutton, Main Stage, 12:45

Life Lessons from the Stage: Tim Federle in Conversation with Ruby Karp, Downtown Stage, 1:00

Sixteen-Year-Old Me, with Lauren Oliver, Kendare Blake, Soman Chainani, and Jeff Giles, moderated by Alessandra Balzer, Room 1E10, 1:45

Kevin Hart Live Q&A, with Kevin Hart and Charlamagne tha God, Main Stage, 4:00

SACHA YANOW: DAD BAND

Sacha Yanow will present one-woman show, Dad Band, at Joes Pub on June 4 (photo by Amanda Ryan)

Sacha Yanow will present one-woman show, Dad Band, at Joe’s Pub on June 4 (photo by Amanda Ryan)

Joe’s Pub
425 Lafayette St. by Astor Pl.
Sunday, June 4, $15, 9:30
212-539-8778
www.publictheater.org
www.sachayanow.com

New York-based actor and artist Sacha Yanow portrays her father in Dad Band, playing at Joe’s Pub on June 4 before heading to the Festival Theaterformen in Hannover, Germany. Yanow, whose previous work includes Silent Film and The Prince, will don a mustache, glasses, and button-down shirts to try to better understand her father, taking on the patriarchy and white supremacy through songs from the 1950s and ’60s, motivational speeches, dance, and footage of her dad’s appearance on To Tell the Truth in the 1970s. Yanow, who has collaborated with a wide range of artists, including Karen Finley, Dynasty Handbag, Sarah Michelson, and Elisabeth Subrin, and is the director of the Art Matters Foundation, wrote and performs the show, which features costume design by Signe Mae Olson. An early version of the piece premiered in November 2015 at the New Museum as part of the “Temporary Arrangements” series curated by Wynne Greenwood.

SUMMERSTAGE: MAVIS STAPLES / TOSHI REAGON & BIGLovely

Mavis Staples will perform a free concert in Central Park with Toshi Reagon & BIGLovely on June 3

Mavis Staples will perform a free concert in Central Park with Toshi Reagon & BIGLovely on June 3

Who: Mavis Staples, Toshi Reagon & BIGLovely
What: Free SummerStage concert
Where: Rumsey Playfield, Central Park, 72nd St. & Fifth Ave.
When: Saturday, June 3, free, doors at 6:00, show at 7:00
Why: Chicago-born legend Mavis Staples has become somewhat of a, well, summer staple in New York City. This year the seventy-seven-year-old R&B singer will headline a free show in Rumsey Playfield on June 3, highlighting her remarkable history as a member of the Staples Singers and as a solo artist, including songs from her most recent album, last year’s Livin’ on a High Note. Her sets regularly feature such classic songs as “I’ll Take You There,” “Let’s Get Together,” and “Freedom Highway” as well as such covers as “The Weight,” “Slippery People,” and “For What It’s Worth,” charming audiences with her golden voice and fab stories. Opening up will be the amazing Toshi Reagon & BIGLovely; Reagon is “a one-woman celebration of all that’s dynamic, progressive, and uplifting in American music”; now entering its third decade, BIGLovely consists of Judith Casselberry, Ganessa James, Juliette Jones, Stephanie McKay, Josette Newsam Marchak, Allison Miller, and Alex Nolan.

PRIDE MONTH: QUEER CONTINUUMS

Taja Lindley will give a free preview of Bag Lady Manifesta at the Brooklyn Museum on June 3

Taja Lindley will give a free preview of Bag Lady Manifesta at the Brooklyn Museum on June 3

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, June 3, free, 5:00 – 11:00
212-864-5400
www.brooklynmuseum.org

The Brooklyn Museum honors LGBTQ Pride Month for the June edition of its free First Saturday program, which continues its 2017 theme, “A Year of Yes: Reimagining Feminism.” There will be live music from the New York City Gay Men’s Chorus, SassyBlack, and Tamar-kali; a curator tour of “We Wanted a Revolution: Black Radical Women, 1965–85” led by Rujeko Hockley; teen apprentice pop-up gallery talks on works by LGBTQ artists; the New York City Legacy Ball, featuring Icons, Legends, Statements, and Stars of the ballroom community, hosted by father Sydney UltraOmni; a Community Resource Fair with the Gender Empowerment Movement Program, Health and Education Alternatives for Teens, Brooklyn Zen Center, Diaspora Community Services, Percent for Green, Well Read Black Girl, Brooklyn Pride, and the Audre Lorde Project; Pop-Up Poetry with Saretta Morgan and Alysia Harris paying tribute to artists in “We Wanted a Revolution: Black Radical Women, 1965–85”; a preview performance by Taja Lindley from The Bag Lady Manifesta, which comes to Dixon Place in the fall; a crown-making workshop; the Brooklyn premiere of Mike Mosallam’s Breaking Fast, part of “DisOrient: Queer Arab Film and Discussion,” hosted by Tarab NYC; and the kickoff of the museum’s Black Queer Brooklyn on Film series, with D’hana Perry performing selections from her immersive, multimedia documentary Loose and new works by Frances Bodomo, Dyani Douze, Ja’Tovia Gary, and Chanelle Aponte Pearson of the New Negress Film Society, joined by artists Lindsay Catherine Harris and Isabella Reyes and actor Ash Tai, followed by a Q&A. In addition, you can check out such exhibits as “Iggy Pop Life Class by Jeremy Deller,” “Infinite Blue,” “A Woman’s Afterlife: Gender Transformation in Ancient Egypt,” “We Wanted a Revolution: Black Radical Women, 1965–85,” and, at a discounted admission price of $12, “Georgia O’Keefe: Living Modern.”

FILMS ON THE GREEN: POTICHE (TROPHY WIFE)

Catherine Deneuve wants to be more than just a trophy housewife in François Ozon’s Potiche

POTICHE (TROPHY WIFE) (François Ozon, 2010)
Central Park, Cedar Hill
East side from 76th to 79th Sts.
Friday, June 2, free, 8:30
www.musicboxfilms.com/potiche
frenchculture.org

For the tenth anniversary season of Films on the Green, presented annually in parks around the city by the French Embassy — Cultural Services, the selections were made by a collection of guest curators; the 2017 summer series kicks off June 2 with François Ozon’s Potiche (Trophy Wife), which was chosen by actress and comedian Wanda Sykes. Legendary French star Catherine Deneuve radiates a colorful glow throughout the film, her smile lighting up the screen as it has throughout her long career, which now comprises more than one hundred movies over more than fifty years. Reunited with writer-director Ozon (8 Women) and Gérard Depardieu (they first appeared together in Claude Berri’s Je Vous Aime in 1980 and more recently in André Téchiné’s Les Temps Qui Changent in 2004), Deneuve was nominated for a César for her role as Suzanne Pujol, a trophy housewife who primarily serves as arm candy for her husband, Robert (Fabrice Luchini), who runs Suzanne’s family’s umbrella factory like a tyrant and is a little too close to his secretary, Nadège (César nominee Karin Viard). When Robert is taken hostage during a nasty strike at the plant, Suzanne is forced into action, deciding to run the business with the help of her counterculture son, Laurent (Jérémie Rénier), and her conservative daughter, Joëlle (Judith Godrèche). At first clashing with the mayor, Maurice Babin (Depardieu), Suzanne is soon considering rekindling her long-ago affair with the rather rotund Maurice as she realizes there’s so much more to life than being a wealthy appendage.

(Catherine Deneuve) has her hands full in Potiche, which kicks off Films on the Greens tenth anniversary season

Suzanne Pujol (Catherine Deneuve) has her hands full in Potiche, which kicks off Films on the Green’s tenth anniversary season on June 2 in Central Park

Loosely adapted from a Theatre de Boulevard comedy by Pierre Barillet and Jean-Pierre Grédy, Potiche is a charming throwback to 1970s female-empowerment movies, depicting long-held-back women suddenly grabbing the reins and embracing their personal and professional freedom, getting out from under the thumb of repressive societal conventions. Ozon infuses the film with numerous references to Deneuve’s history, evoking such seminal works as The Young Girls of Rochefort, Belle de Jour, and, of course, The Umbrellas of Cherbourg, and the costumes — particularly Deneuve’s fabulous fashion sense, which often dominates the scene — are a hoot, earning costume designer Pascaline Chavanne a much-deserved César nomination, but things get haywire in the final section, getting too silly and going too far over the top when politics come into play. Still, Potiche ably represents its genre, having fun with itself, which rubs off on the audience, who will have plenty of fun as well. Films on the Green continues weekly through July 28 (before a September 7 finale) with such other French films as Alain Gomis’s Tey (Today) chosen by Saul Williams, Leos Carax’s Mauvais Sang selected by Wes Anderson, Jean-Luc Godard’s Contempt picked by Jim Jarmusch, and Marcel Carné’s Port of Shadows from Laurie Anderson.

DOUG WHEELER: PSAD SYNTHETIC DESERT III

Doug Wheeler: “PSAD Synthetic Desert III”

“Doug Wheeler: PSAD Synthetic Desert III” is an immersive, meditative wonderland (photo courtesy Guggenheim Museum)

Solomon R. Guggenheim Museum
1071 Fifth Ave. at 89th St.
Friday – Wednesday through August 2, $18 – $25
Timed tickets through July 31 available June 1 at 10:00 am
212-423-3587
www.guggenheim.org

Don’t miss the special opportunity to experience the otherworldly “Doug Wheeler: PSAD Synthetic Desert III” at the Guggenheim, as timed tickets for twenty-minute visits go on sale June 1 at 10:00 am for the installation’s final month. The Arizona-born Light and Space artist, who lives and works in Santa Fe, has been creating immersive environments that affect visitors’ sense of equilibrium and relationship to reality for more than fifty years, in such installations as “Encasements” and “LC 71 NY DZ 13 DW.” Like fellow Light and Space artists James Turrell and Robert Irwin, Wheeler constructs rooms that stretch the imagination and challenge one’s perception of the world. Conceived in 1971, “PSAD Synthetic Desert III” is a fantastical realm in which no more than five people at a time can enter; the “semi-anechoic chamber” features a platform amid hundreds of gray foam cones spread out across a seemingly infinite landscape, on the floor and the back wall. Meanwhile, a minimized soundscape can be barely heard in the distance, with a drastic reduction in ambient noise. Visitors are strongly encouraged to be as silent as possible in order to best experience the meditative installation, with no cell phones, cameras, or even whispering. Wheeler, who was born in 1939, was inspired to create the work after flying over the Mojave Desert and landing on a dry lakebed, surrounded by emptiness in all directions. “When you’re in some place that has immensity, and it has power in that, and it’s, like, foreign, because there’s nothing human about it,” he says on the Guggenheim blog, “and there are places where I can go where there isn’t a single living thing that you can recognize, there’s not a green bud anywhere, there’s nothing moving on the ground, there’s nothing, and there’s nothing in the sky, and so when you’re in a place like that, and you become conscious of yourself, it changes a lot of your perspective of how we fit in to the mix of the whole universe, really, because we’re just so insignificant.”

Doug Wheeler oversees installation of immersive environment at the Guggenheim (photo courtesy Guggenheim Museum)

Doug Wheeler oversees first realization of immersive environment at the Guggenheim (photo courtesy Guggenheim Museum)

To get the most out of “PSAD Synthetic Desert III,” you really need to give yourself over to the installation, blocking out all other sound and noise in your head, making room to explore its gentle pleasures and not worry about texting, taking photos, or posting on social media. You can walk around, lie on the floor, or sit while absorbing the unique space. I’m not embarrassed to admit that I was certain that the cones were moving ever so slightly, as if they were alive and softly breathing, but a Guggenheim staff member assured me that was not the case. I strongly recommend the twenty-minute experience, which requires advance tickets that include museum admission; the ten-minute experience is available every day on a first-come, first-served basis, and you will get the next open time instead of being able to choose your own. But no matter how long you’re in “PSAD Synthetic Desert III” for, just let your mind go and you’re in for a real treat, a respite from the madness of the crazy world outside. “It’s something I thought would be really great for New York, because you never escape noise here,” Wheeler continues on the blog. “Just walking down the street is like sixty-seven decibels constantly, and then it goes up from there. So this’ll be a place that you can go where there won’t be any noise. There won’t be anything in there. That’s a big motivation for me to do something in this town, because [for] a lot of people here, that would definitely be a first.”

STEREOPTIK: DARK CIRCUS

(photo ©JM_BESENVAL)

STEREOPTIK will present the live-animation piece Dark Circus at HERE May 30 through June 4 (photo © JM Besenval)

HERE
145 Sixth Ave. at Dominick St.
May 30 – June 4, $25
212-647-0202
www.here.org

HERE’s Dream Music Puppetry Program has something special planned this week: Dark Circus, a multimedia production from innovative French company STEREOPTIK, running May 30 through June 4. Founded in 2011 by Romain Bermond and Jean-Baptiste Maillet, STEREOPTIK (The Suit Is Too Big, Paid Leave) creates live animated shows projected on screens but without actual film, whether digital or analog. Inspired by silent cinema, Bermond and Maillet serve as illustrators, musicians, projectionists, sound designers, lighting designers, and cameramen. For the fifty-five-minute Dark Circus, based on an original story by Pef and in collaboration with Frédéric Maurin, they are using animations made offstage for the first time. This is no mere Ringling Bros. and Barnum & Bailey Circus but an experimental wonderland with surprises galore, brought to life through shadow puppetry, ink drawings, sand animation, and unusual objects by Bermond and Maillet, who sit on either side of the screen, in full view of the audience as they work their theatrical magic.