twi-ny recommended events

RYAN TRECARTIN: ANY EVER

Ryan Trecartin’s “Any Ever” consists of unique viewing environments in which to watch his rather unique films (photo by twi-ny/mdr)

MoMA PS1
22-25 Jackson Ave. at 46th Ave.
Thursday – Monday through September 5, 12 noon – 6:00 pm
Suggested admission: $10 (free for MoMA ticket holders within thirty days of ticket)
718-784-2084
www.ps1.org
summer open house sneak peek

Texas native Ryan Trecartin has come along at just the right time, the go-to artist for the YouTube / reality TV generation. The thirty-year-old multimedia artist makes color-drenched, amateurish films featuring himself and his friends in wacky outfits, speaking in high-pitched voices as they comment on various sociopolitical themes in crazy ways. For “Any Ever,” his exhibition at PS1 that continues through September 3, Trecartin has created individual viewing environments for seven of his films created between 2007 and 2010 in Miami, made in collaboration with Lizzie Fitch. Divided into two sections, Trill-ogy Comp, consisting of K-CoreaINC.K (section a), Sibling Topics (section a), and P.opular S.ky (section ish), and Re’Search Wait’S, comprising Ready, The Re’Search, Roamie View: History Enhancement, and Temp Stop, the exuberant films are set amid a partying world that celebrates gender identity and individuality while attacking global corporate culture, transumerism, and market research. The works are projected in sculptural viewing areas that often incorporate elements of the films, including airline seats, a white conference table, bleachers, comfortable raised couches, and other playful milieus. With “Any Ever,” Trecartin has created a loud, frenetic, in-your-face world that is one heckuva fun party, even if it gets repetitive when taken in all at once.

Don’t let the calm, relaxing entrance area fool you; Ryan Trecartin’s “Any Ever” multimedia installation is about to get a lot crazier (photo by twi-ny/mdr)

On August 31, MoMA PS1 will host a PopRally closing party for the exhibit, with MC Akeem_Ouch, live performances by AraabMUZIK, Glass Popcorn, and #HDBOYZ, guided tours of the show led by Veronica Gelbaum (who plays “Ready” in Re’Search Wait’S), appearances by Spicee Cajun, Raul de Nieves as Lindsay Lohan, DJs Telfar, Physical Therapy, and Fatima Al Qadiri, and other very strange guests. You can also catch “Any Ever” — as well as “Francis Alÿs: A Story of Deception” (through September 12) and “Summer School presents Gus Van Sant and James Franco: My Own Private River” (through August 29) — at the final Warm Ups of the season, with Tanlines, NguzuNguzu, Teengirl Fantasy, Sun Araw, and Physical Therapy on August 27 (which has just been canceled, as PS1 will be closed on Saturday and Sunday because of Hurricane Irene) and Horse Meat Disco, Midnight Magic, Justin Miller, and BICEP on September 3, taking place in Interboro Partners’ “Holding Pattern” courtyard installation.

AN EVENING WITH PRESTON SINGLETARY

National Museum of the American Indian
George Gustave Heye Center, One Bowling Green
Thursday, August 25, free, 6:00
212-514-3700
www.nmai.si.edu
www.prestonsingletary.com

Tlingit artist Preston Singletary will be at the National Museum of the American Indian on August 25 at 6:00 to talk about his stunning exhibit, “Echoes, Fire, and Shadows.” Running through September 5, the midcareer retrospective consists of more than fifty glass sculptures and a wall mural that trace the artist’s twenty years of making ornamental, ceremonial, and unusual glass-blown and painted objects. “I sometimes hope that people will view my work on other levels not associated with ‘ethnic art,’” Singletary explains. “At the same time, it is this inspiration that gives my work its power. I see my work as an extension of tradition and a declaration that Native cultures are alive and developing new technologies and new ways of communicating the ancient codes and symbols of this land.” Also on view at the museum are “Small Spirits: Dolls from the National Museum of the American Indian” and “Infinity of Nations: Art and History in the Collections of the National Museum of the American Indian.”

CANCELED — MOVIES WITH A VIEW: ROSEMARY’S BABY

Rosemary (Mia Farrow) doesn’t know who she can trust in Roman Polanski’s horror classic

ROSEMARY’S BABY (Roman Polanski, 1968)
Brooklyn Bridge Park, Pier 1
Thursday, August 25, free, dusk — event canceled at 2:30!
www.brooklynbridgeparknyc.org

Based on the frightening novel by Ira Levin, Rosemary’s Baby is one of the greatest psychological horror films ever made. When Rosemary (Mia Farrow) and Guy Woodhouse (John Cassavetes) move into the fancy Upper West Side apartment complex the Bramford (the Dakota), ready to start a family, Rosemary slowly grows suspicious of Guy’s new friends, particularly the sweet old couple next door (Oscar winner Ruth Gordon and Sidney Blackmer), with good reason. Written and directed by Roman Polanski, Rosemary’s Baby works primarily because it is so believable, with recognizable characters and situations that never go over the top. The paranoid thriller, filled with truly scary scenes, has held up well over the years, so beware if you’re afraid of the dark. The film was scheduled to screen August 25 in Brooklyn Bridge Park as part of the “Movies with a View” series, preceded by Don Hertzfeldt’s short Wisdom Teeth and music from DJ Ming, but it has been canceled because of inclement weather. But people can begin voting now for the final presentation, a viewers’ choice that will close out the series on September 1 — and since you can vote for any New York film you want, Rosemary’s Baby is in the running.

STEPHEN MALKMUS AND THE JICKS: FREE ACOUSTIC IN-STORE PERFORMANCES

Thursday, August 25
Academy Annex, 95 North Sixth St., 718-218-8200, 6:00
Other Music, 15 East Fourth St., 212-477-8150, 9:00
www.matadorrecords.com

On “Tigers,” the opening track on Mirror Traffic (Matador, August 23, 2011), the brand-new album from Stephen Malkmus & the Jicks, Malkmus sings, “Trust me because I’m worth hating.” We’ve been trusting the king of indie pop since the early 1990s, when he was blowing our minds with such records as Slanted & Enchanted and Crooked Rain, Crooked Rain as leader of the seminal band Pavement. We hated when that group broke up, but they recently got back together and are rereleasing expanded editions of their classic discs, so it’s all good again. It’s also good that Malkmus’s fifth album with the Jicks, which currently also includes guitarist Mike Clark, bassist Joanna Bolme, and drummer Jake Morris, is another terrific effort, filled with pop gem after pop gem. On “Senator,” Malkmus may claim, “My duty to the Republique / is to use double speak because the Halo’s off,” but there’s little double speak by the indie god on these fifteen songs, from “No One (Is As I Are Be)” and “Brain Gallop” to “Stick Figures in Love” and “Gorgeous Georgie.” The songs travel all over the indie spectrum, sometimes within a single song, courtesy of another indie god, Beck, who produced the record. Stephen Malkmus & the Jicks will be at Terminal 5 on September 26 with Holy Sons, but you don’t have to wait that long to see them, as they’ll be doing free in-store acoustic performances on August 25 at Academy Annex in Williamsburg at 6:00 and Other Music at 9:00, first come, first served. And as of this posting on August 24, you can stream the new album for free on NPR by clicking here.

FÜNF RÄUME

Esther Stocker’s black foam core interrupts a white space in unusual and unexpected ways(photo by twi-ny/mdr)

Austrian Cultural Forum
11 East 52nd St. between Madison & Fifth Aves.
Daily through September 5, 10:00 am – 6:00 pm
212-319-5300
www.acfny.org
fünf räume slideshow

For “Fünf Räume,” or “Five Rooms,” the Austrian Cultural Forum invited a group of emerging Austrian artists to create site-specific installations in five gallery spaces, transforming four floors of the unusual Midtown glass tower, which was designed by Raimund Abraham. Curated by David Harper and Andreas Stadler, the works evoke politics, spirituality, and everyday life while questioning the nature of space. On the first floor, Italian-born Esther Stocker has attached black masking tape and foam core to the ceiling, which will continue to droop through the duration of the exhibition, closing in on visitors. Clemens Hollerer has placed broken slats of wood, painted in red, white, and blue, along the stairway wall, an ineffective barrier that was unable to serve its purpose, the colors evoking America (and perhaps the freedom given the artists to create whatever they wanted for the exhibition). Zenita Komad and Michael Kienzler have collaborated on “The Empty Mirror,” a chess-inspired collection of sixteen mirrored chairs that bounce light, words, and numbers onto the walls in a dizzying display of self-reflection. Komad and Kienzler, along with Sabine Kienzler, also made the untitled video at the entrance, showing a typewriter tapping out the New Testament quotation “At the beginning was the word” in both English and German. For “Adaption,” in the lower level, Valentin Ruhry created nonworking replicas of electrical outlets, light switches, and a temperature gauge, finding art in the most mundane of places while also examining functionality. Across from that, Ruhry greets viewers with an MDF panel that announces, “Hello World.” In the back of that room, Vancouver-born Daniel Domig’s “The Eyes Are Not Here, There Are No Eyes Here” combines painting and sculpture in a wooden construction that challenges the way paintings are usually displayed, revealing both sides of them within an interlocking series of wooden beams that makes them less accessible. And on the top floor, Italian-born Stocker has redesigned an all-white space in three dimensions, filling it with geometric shapes, made of black foam core, hanging from the ceiling, sticking out of the walls, and rising from the floor. Visitors can walk through this disconcerting room, a sort of artistic maze that comments on the fragility of life and art. “Fünf Räume” is an engaging yet confrontational exhibit that needs to be traversed very carefully. There will be curator-led gallery talks of the exhibit, which ends September 5, on August 24, 26, and 31 at 5:00.

SOLAR-POWERED FILM SERIES: AN EVENING WITH MATTHEW MODINE

Matthew Modine will be at Solar One on August 25 to present several of his short films, including the trailer for JESUS WAS A COMMIE (photo by Harry Borden)

Solar One
East 23rd St. & the FDR Dr.
Thursday, August 25, free, 8:00
www.greenedgenyc.org
www.solar1.org

The Solar-Powered Film Series continues on August 25 with a special evening with actor, activist, filmmaker, photographer, Bicycle for a Day founder, writer, and New York Knicks fan Matthew Modine. The star of such films as Birdy, Full Metal Jacket, and Memphis Belle will be at Solar One on Thursday night, presenting several of his short works, which he served in various configurations as writer, editor, director, cinematographer, and/or producer. Among the selections are When I Was a Boy, made with Todd Field; Smoking, a collaboration with David Sedaris; Ecce Pirate, which stars Chris Masterson; as well as To Kill an American, I Think I Thought, and the trailer for his next short, Jesus Was a Commie. Modine will participate in an audience Q&A and signing afterward. The series, organized by Solar One with Green Edge NYC, continues August 26 with Peter Bull’s Dirty Business, which looks at clean coal, and August 27 with Yann Arthus-Bertrand’s Home, narrated by Glenn Close.

CENTRAL PARK CONSERVANCY FILM FESTIVAL

Kris Kristofferson and Barbra Streisand will heat up Central Park on Saturday night in viewers choice winner A STAR IS BORN

Central Park
Landscape between Sheep Meadow and the 72nd Street Cross Dr.
August 23-27, free, 8:00 (gates at 6:30)
www.centralparknyc.org

The Central Park Conservancy Film Festival begins today, kicking off five nights of movies focusing on music. Taking place on the landscape between Sheep Meadow and the 72nd Street Cross Dr., each evening will begin at 6:30 with DJs, with the films beginning at 8:00. Although picnicking is encouraged, alcoholic beverages are not. First up is the Hector Lavoe biopic El Cantante (Leon Ichaso, 2006), followed by the Charlie Parker flick Bird (Clint Eastwood, 1988) on Wednesday. Thursday’s feature is the Broadway adaptation Dreamgirls (Bill Condon, 2006), with the Rolling Stones documentary Shine a Light (Martin Scorsese, 2008) helping fans to get their ya-ya’s out on Friday night. The series concludes on Saturday with the viewers choice, Kris Kristofferson and Barbra Streisand in the remake of A Star Is Born (Frank Pierson, 1976), which beat out Loretta Lynn and Coal Miner’s Daughter (Michael Apted, 1980).