twi-ny recommended events

U.S. OPEN QUALIFYING TOURNAMENT & MORE

The U.S. Open will turn on the lights for this year’s qualifying tournament August 23-27 — and admission is free (photo by twi-ny/mdr)

Billie Jean King National Tennis Center
Flushing Meadows Corona Park
Qualifying tournament: August 23-27, free
Arthur Ashe Kids’ Day: August 28, $10-$44
U.S. Open Championship: August 29 – September, $52 – $1,013
www.usopen.org
www.nywatertaxi.com/tennis-ferry

The draws are just about to be announced for the 2011 U.S. Open, which runs August 29 through September 11, but you don’t have to wait until then to see some fine tennis. The qualifying tournament gets under way today at 11:00 am and continues through Friday, with 128 men and 128 women from around the world trying to play their way into the annual championship, and admission is free, a far cry from the lofty prices for the real deal beginning next week. You can also get ready by attending Saturday’s sixteenth annual Arthur Ashe Kids’ Day, with special children’s activities, autograph sessions, tennis clinics, and appearances by tennis stars as well as actor Bradley Cooper and Knicks forward Carmelo Anthony and musical performances by Jason Derulo, Cody Simpson, Diggy Simmons, Jessica Jarrell, Mindless Behavior, Girls Nite Out, Action Item, Jacob Latimore, and others. And on Sunday, the Billie Jean King National Tennis Center will be open for free, allowing fans to walk the grounds and check out the players getting in their final practices before the tournament gets under way on Monday. To continue the less expensive side of the U.S. Open, Delta has teamed up with New York Water Taxi to offer free Tennis Taxi rides from the South Street Seaport and East 35th St. throughout the championship (August 29 – September 11), leaving twice a day, at 9:30/9:45 and 5:30/5:45, with large-screen TVs on board and special cocktails available. (If you want to guarantee a seat, you can reserve a ticket online for a $1 fee.)

CROOKED FINGERS: BREAKS IN THE ARMOR

Crooked Fingers’ Breaks in the Armor is due from Merge Records on October 11 and the band will be at Maxwell’s on November 3 and Mercury Lounge on November 4, but you can check out the album trailer above right now. For more on Crooked Fingers, click here.

RED HOOK SUMMER MOVIES: THE IRON GIANT

Hogarth Hughes makes a big new friend in 1950s Cold War throwback THE IRON GIANT

THE IRON GIANT (Brad Bird, 1999)
Valentino Pier, Red Hook
Van Dyke St. & the Brooklyn Waterfront
Tuesday, August 23, free, 8:30
www.redhookfilms.org

Writer-director Brad Bird won Oscars for his animated features The Incredibles (2004) and Ratatatouille (2007), but the Simpsons veteran first made his mark with the charming 1999 sci-fi cartoon The Iron Giant. Based on the 1968 book The Iron Man by Ted Hughes, the animated film is set during the Cold War, with the general populace and the military fearful of a nuclear attack by the Soviet Union. So when rumors that a fifty-foot-tall iron giant (voiced by Vin Diesel) has fallen from the sky, the government wants to destroy it, but it is being hidden by young Hogarth Hughes (Eli Marienthal), who has saved its life. Hogarth keeps his new best friend a secret from his mother (Jennifer Aniston) and federal agent Kent Mansley (Christopher McDonald) with the help of the town beatnik, Dean McCoppin (Harry Connick Jr.), who takes a liking to Hogarth’s mom. The screenplay, written by Tim McCanlies (Secondhand Lions), plays with various genre clichés just enough to avoid being clichéd itself, instead making The Iron Giant a delightful, nearly flawless twist on the E.T. mythos, mixed in with a little Androcles & the Lion, The Day the Earth Stood Still, and even Frankenstein and King Kong. The film, which also features the voices of Cloris Leachman (Mrs. Tensedge), John Mahoney (General Rogard), and M. Emmet Walsh (Earl Stutz), is a treat for children and adults. Bird, meanwhile, has graduated to live action; his next movie will be Mission: Impossible — Ghost Protocol, starring Tom Cruise, Jeremy Renner, and Simon Pegg. The Iron Giant is screening for free on August 23 at dusk as part of the Red Hook Summer Movies series in Valentino Pier, which continues August 30 with Pump Up the Volume (Allan Moyle, 1990), September 6 with Highlander (Russell Mulcahy, 1986), and September 13 with the viewers choice selection, Pee-Wee’s Big Adventure (Tim Burton, 1985).

BOOK GIVEAWAY: ZAGAT GUIDES

ZAGAT SPECIALTY GUIDES
www.zagat.com

Tim and Nina Zagat have been facilitating the evaluation of New York City restaurants since 1979, first taking surveys of their friends’ likes and dislikes, then inviting the public to contribute their thoughts in the beloved Zagat guides. They’ve since branched out into other cities as well as specialty guides, including hotels, golf courses, and “dating (& dumping).” The company has just released New York City Nightlife 2011/12: Because It’s Always Happy Hour Somewhere, which examines more than one thousand bars, clubs, and lounges by appeal, décor, service, and price, and New York City Shopping 2012: From the Shopper’s Point of View, which rates more than twenty-three hundred retail stores by quality, display, service, and cost.

GIVEAWAY: We have one copy of each guide to give away for free. To be eligible to win, send your name, daytime phone number, and which guide you’d like to contest@twi-ny.com by Thursday, August 25, at 3:00 pm. If you want New York City Shopping, please include your favorite store, while if you want New York City Nightlife, please let us know your favorite bar or club. All entrants must be twenty-one years of age or older; winners will be selected at random.

CARTE BLANCHE: DIETER KOSSLICK, THE CULINARY CINEASTE — SIDEWAYS

Paul Giamatti and Thomas Haden Church discuss merlot and more in Alexander Payne’s SIDEWAYS

SIDEWAYS (Alexander Payne, 2004)
MoMA Film
Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Wednesday, August 24, 7:00; Friday, August 26, 4:00
Series runs August 22-30
Tickets: $10, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk
212-708-9400
www.moma.org
www2.foxsearchlight.com/sideways

Eating, drinking, and going to the movies — three great things that go great together. In 2007, Dieter Kosslick, the Culinary Cineaste and director of the Berlin International Film Festival, introduced the series “Eat, Drink, See Movies” to the Berlinale, pairing films with specific meals. The German Slow Foodie has now put together a similar program for the Museum of Modern Art, teaming up with Gabriel Kreuther, executive chef of the Modern, to offer special drinks and dishes to accompany screenings of food-related films from MoMA’s vast library. First up is Stanley Tucci’s Big Night, screening tonight at 7:00, with Sepia Risotto with Gold Leaf added to the Modern’s menu. For the merlot-intensive Sideways (August 24 & 26), the Modern will be serving “Three Expressions of Pinot Noir, Paired with Charcuterie,” including Domaine Cornu “Les Barigards” with Vella Dry Jack Cheese, Becker Pinot Noir Estate with Iberico Ham, and Copain Gouttes d’Art with Quail Terrine. Alexander Payne’s fourth film, following the underseen Citizen Ruth, the excellent Election, and the overrated About Schmidt, is fabulously entertaining from start to finish, a smart, inventive, very funny dark comedy about friendship and love set in California wine country. Paul Giamatti stars as Miles, a schlumpy wine connoisseur who is having trouble getting over his divorce and the failure of his massive novel to get published. His best friend, Jack (Thomas Haden Church), is getting married, so the two head off on a road trip, with Miles looking forward to sampling fine wine, and Jack anticipating sampling fine women. While Jack finds what he is looking for in Stephanie (Sandra Oh, who was married to Payne at the time), Miles seems hell-bent on not allowing himself to enjoy life, even as a beautiful woman with a deep appreciation of the grape (the excellent Virginia Madsen in what should have been a career-redefining performance) shows an interest in him. You definitely do not have to be a wine drinker to fall in love with this marvelous movie, one of the best of 2004; it was nominated for Best Director, Best Picture, Best Supporting Actress (Madsen), and Best Supporting Actor (Haden Church), and screenwriters Jim Taylor and Payne won for Best Adapted Screenplay.

BABETTE’S FEAST is on the menu both onscreen and at the Modern as part of culinary series

Kosslick’s series continues through August 30 with such tasty treats as David Gelb’s Jiro Dreams of Sushi on August 23 (followed by a panel discussion with Kosslick, Kreuther, Ruth Reichl, and chef Michael Romano; the Modern, meanwhile, will be serving Crudo Trio), Sandra Nettlebeck’s Mostly Martha (Vitello Tonato), Marcel Carne’s Harvest (Eckerton Hill Farm Heirloom Tomato Terrine), Gabriel Axel’s Babette’s Feast (Blini with Crème Fraîche and American Sturgeon Caviar), Brad Bird’s Ratatouille (Ratatouille Panna Cotta with Yellow Tomato Coulis), and D. A. Pennebaker’s Kings of Pastry (Trio of Desserts), among other cinematic culinary delights.

EVA ROTHSCHILD: EMPIRE

Eva Rothschild’s “Empire” spiders over Central Park entrance (photo by twi-ny/mdr)

Scholars’ Gate, Doris C. Freedman Plaza
Central Park entrance, 60th St. & Fifth Ave.
Through August 28
646-862-0933
www.publicartfund.org
empire slideshow

For her first U.S. public commission, Dublin-born artist Eva Rothschild has constructed the site-specific “Empire,” ruling over the Scholars’ Gate entrance to Central Park at 60th St. & Fifth Ave. Evoking both Franz West’s 2009 “The Ego and the Id” at the same location and Louise Bourgeois’s “Spiders,” which dominated Rockefeller Center ten years ago, “Empire” twists and turns like the nearby tree branches in the park. Although it looks fragile, it is made of four-inch-diameter steel, planting itself in the ground at ten spots, forming an unusual archway inviting visitors into the park. Rothschild, who lives and works in London, has painted the winding structure in three colors, a band of black followed by either red or green, echoing the green trees, the dark branches, the windows of the surrounding buildings, and even the traffic lights. “The Plaza is a threshold,” Rothschild says of the piece, which reaches nearly twenty feet high, “and the work aims not to congest the space but to heighten awareness of the shift that takes place when one steps out of the street and into the park. It should become another gateway between two different worlds of urban experience.” This is the last week to walk under and around and touch the welcoming sculpture, which will be up through August 28.

BRYANT PARK SUMMER FILM FESTIVAL: DIRTY HARRY

DIRTY HARRY closes out the 2011 Bryant Park Summer Film Festival on August 22

DIRTY HARRY (Don Siegel, 1971)
Bryant Park Summer Film Festival
41st St. at Sixth Ave.
Monday, August 22, free, dusk
212-512-5700
www.bryantpark.org

“You’ve got to ask yourself one question: Do I feel lucky? Well, do ya, punk?” Clint Eastwood created a cinematic legend, cool, calm Bay Area cop Harry Callahan, in Don Siegel’s genre redefining 1971 thriller, Dirty Harry. Callahan, confidence radiating out of every pore, has a penchant for getting himself into trouble, leaving mayhem and chaos behind him as he polices the mean streets of San Francisco. The first film of the series is by far the best of the bunch, as Harry is on the hunt for a crazed serial killer who goes by the name Scorpio (Andy Robinson). The underappreciated Harry Guardino is Callahan’s boss, Al Bressler, Reni Santoni plays Callahan’s rookie partner, Chico Gonzalez, and John “Dean Wormer” Vernon is the mayor who does not approve of Callahan’s rather violent tendencies. But the real star of the film might just be Harry’s .44 Magnum, “the most powerful handgun in the world and would blow your head clean off.” Dirty Harry led to the sequels Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988), each one essentially at least one major step down in quality. We know what you’re thinking: In all this excitement, did he fire six shots, or only five? You can find out Monday night as Dirty Harry closes out the 2011 Bryant Park Summer Film Festival.