twi-ny recommended events

AMERICAN GAGSTERS — GREAT COMEDY TEAMS: SULLIVAN’S TRAVELS

Joel McCrea and Veronica Lake try to get serious in Preston Sturges’s socially conscious comedy

SULLIVAN’S TRAVELS (Preston Sturges, 1941)
BAMcinématek, BAM Rose Cinemas
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
Friday, August 17, 6:50
Series runs through September 17
212-415-5500
www.bam.org

When a successful Hollywood director decides to make a socially conscious film instead of his usual fluff comedies, he gets more than he bargained for in this classic Preston Sturges film starring Joel McCrea and Veronica Lake. McCrea gives one of his finest performances as John L. Sullivan, a filmmaker who has made a string of shallow comedies but is ready to take on far more serious subjects, despite what the studio wants. So he heads out on the road, pretending to be a tramp to learn about the real world as he is followed by a crew ready to bail him out of any trouble, but he is soon thrust into actual distress when he winds up on his own, with no money and no memory, a railroad hobo desperately trying to survive against seemingly impenetrable odds. In the wake of the financial mortgage crisis and the country’s continuing economic woes, Sullivan’s Travels feels as fresh and relevant as ever; just as McCrea’s Sullivan does in the film, writer-director Sturges is letting everyone know that it’s okay to enjoy life even in troubled times. To that end, the film opens with a special dedication that reads, “To the memory of those who made us laugh: the motley mountebanks, the clowns, the buffoons, in all times and in all nations, whose efforts have lightened our burden a little.” Sullivan’s Travels is screening August 17 in the BAMcinématek series “American Gagsters: Great Comedy Teams,” which runs through September 17 and consists of fifty films (all but one in 35mm) featuring fabulous comedic pairings; Sturges’s The Palm Beach Story, a madcap romp with McCrea and Claudette Colbert, is also being shown on Friday.

AMERICAN GAGSTERS — GREAT COMEDY TEAMS: THE PALM BEACH STORY

Joel McCrea, Claudette Colbert, and Rudy Vallée are caught up in a romantic triangle in Preston Sturges’s THE PALM BEACH STORY

THE PALM BEACH STORY (Preston Sturges, 1942)
BAMcinématek, BAM Rose Cinemas
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
Friday, August 17, 4:30 & 9:15
Series runs through September 17
212-415-5500
www.bam.org

Writer-director Preston Sturges was on quite a roll in the early 1940s, making a string of memorable pictures that included The Great McGinty, Christmas in July, The Lady Eve, Sullivan’s Travels, The Miracle of Morgan’s Creek, and Hail the Conquering Hero. In the midst of that amazing run is The Palm Beach Story, one of the craziest of the classic screwball comedies. Running out of money, married couple Tom (Joel McCrea) and Geraldine (Claudette Colbert) Jeffers are preparing to leave their ritzy Park Ave. apartment until a straight-talking, shriveled old wienie king (Robert Dudley) hands Gerry a wad of cash so she doesn’t have to move out. She pays off their many bills, but Tom is suspicious of how she got the money, demanding to know if any sex was involved, a rather risqué question for a 1942 Hays Code-era romantic comedy. Gerry decides that she is no good for Tom and insists on getting a divorce even though they still love each other. So she grabs a train to Florida, meeting the wacky Ale & Quail Club and John D. Hackensacker III (Rudy Vallée), a kind, soft-spoken gentleman who takes a liking to her and helps her out of a jam. Things reach a manic pace as Tom heads to Palm Beach as well, trying to save the marriage while fending off the advances of the the Princess Centimillia (Mary Astor). McCrea and Colbert make a great comic duo in, displaying a fiery sex appeal that is still hot all these years later. What’s not hot is the film’s use of black characters, who are horribly stereotyped and are even referred to as “colored” in the credits. It might have been a different time, but there aren’t a whole lot of quality movies that were that blatant about it. In addition, the shooting scene with the Ale & Quail Club goes way over the top. But when the film focuses on Tom and Gerry, caught up in their own endlessly charming game of cat and mouse, The Palm Beach Story shines. The Palm Beach Story is screening August 17 in the BAMcinématek series “American Gagsters: Great Comedy Teams,” which runs through September 17 and consists of fifty films (all but one in 35mm) featuring fabulous comedic pairings; Sturges’s Sullivan’s Travels, the socially conscious comedy starring McCrea and Veronica Lake, is also being shown on Friday.

RAQUEL CION: GILDING THE LONELY

Joe’s Pub
425 Lafayette St. by Astor Pl.
Saturday, August 18, $15, 9:30
212-967-7555
www.joespub.com

There’s no reason sexy chanteuse Raquel Cion should be lonely any longer. Her Gilding the Lonely is an intimate portrait of longing that deserves to be seen by many. In June, it was standing-room only for two shows at the Lounge at Dixon Place, where the native New Yorker triumphed with her engaging mix of music and tragicomic tales of looking for love in the big city. On Saturday, August 18, she’s moving slightly uptown to Joe’s Pub, where she’ll be wearing a glittering gown, performing songs by David Bowie, Prince, the Rolling Stones, Dwight Yoakam, Tom Waits, and others, accompanied by Zecca Esquibel (Get Wet) on piano and Bill Gerstel (3 Teens Kill 4) on drums. “Being lonely in NYC is different,” Cion (Cou-Cou Bijoux: Pour Vous) told us in a June twi-ny talk. “Though loneliness is universal, no one is immune. But there is something about feeling lonely in New York that has its own particular flavor. Sometimes it feels like an everlasting gobstopper in how it can change flavor and how you gotta just suck it (up).”

FILMS IN TOMPKINS: POLTERGEIST

Life is about to get a whole lot creepier for the Freeling family in POLTERGEIST

POLTERGEIST (Tobe Hooper, 1982)
Tompkins Square Park
500 East Ninth St. between Aves. A & B
Thursday, August 16, free, sundown
www.filmsintompkins2012.com

When psychic Tangina Barrons (Zelda Rubinstein) says “Don’t go into the light,” she means it in more ways than one, so be sure to take heed when Tobe Hooper’s classic modern ghost story screens for free in tree-lined Tompkins Square Park on August 16. Inspired by the 1962 Twilight Zone episode “Little Girl Lost,” Poltergeist, which also features the significant involvement of cowriter and producer Steven Spielberg, has all the elements in all the right places to just plain scare the hell out of you. Shortly after Steven (Craig T. Nelson) and Diane (JoBeth Williams) Freeling move into their new home in the planned California community of Cuesta Verde, things start getting very creepy, especially when youngest daughter Carol Anne (Heather O’Rourke) announces, “They’re here,” then disappears into the television. Meanwhile, older sister Dana (Dominique Dunne) freaks out, and brother Robbie (Oliver Robins) has a bit of a problem with a clown doll and a tree branch. Hooper (The Texas Chain Saw Massacre, Lifeforce) lets the tension build slowly until it eventually explodes in a no-holds-barred ending that will have you digging into the cuticles of whoever is sitting next to you. And yes, those skeletons are real human bones, not replicas. The success of Poltergeist led to two sequels, a television series, and, unfortunately, a possible remake, but there’s nothing quite like the original, a deviously delicious frightfest that continues to send shivers down the spine no matter how often one sees it. And yes, Steven’s boss is indeed played by the Pathmark man (James Karen). Sadly — some say the result of a curse — O’Rourke died in 1988 at the age of twelve, and Dunne, the daughter of writer Dominick Dunne, was murdered by a former boyfriend in 1982 when she was just twenty-two. The Tompkins Square Park screening will be preceded by live music from East Village African rock group Timbila.

LIVE IN THE CLUBHOUSE: “GIL HODGES” WITH AUTHOR DANNY PEARY

Bergino Baseball Clubhouse
Cast Iron Building
67 East 11th St.
Thursday, August 16, free with RSVP, 7:00
212-226-7150
www.bergino.com
us.penguingroup.com

“Gil Hodges smiled, which was a big deal.” So begins Tom Clavin and Danny Peary’s latest baseball biography, Gil Hodges: The Brooklyn Bums, the Miracle Mets, and the Extraordinary Life of a Baseball Legend (Penguin, August 7, 2012, $26.95), the follow-up to their 2010 tome, Roger Maris: Baseball’s Reluctant Hero. Clavin and Peary delve into the life and times of the Indiana-born Hodges, the beloved eight-time All-Star who played first base on the Brooklyn Dodgers’ championship Boys of Summer team and later went on to manage the Amazin’ Mets in 1969. In more recent years, the late Hodges, who died in 1972 just short of his forty-eighth birthday, has been the subject of heated debate over whether he belongs in the Hall of Fame. Peary will discuss that and more when he talks about the book on August 16 at the Bergino Baseball Clubhouse in the Cast Iron Building on East Eleventh St. For our interview with Peary about his Maris book, go here.

JULIA AT 100: A CELEBRATION OF JULIA CHILD’S 100th BIRTHDAY

Julia Child’s one hundredth birthday is being celebrated with special events around the city (photo courtesy PBS)

powerHouse Arena
37 Main St. at Water St., Brooklyn
Wednesday, August 15, free, 7:00
www.powerhousearena.com

August 13 marks the eighth anniversary of the passing of beloved chef Julia Child, who revolutionized home cooking through her series of popular cookbooks and television programs. But Wednesday, August 15, is what would have been her one hundredth birthday, and there are centenary celebrations going on around the country for Child, who won a National Book Award, three Emmys, and a Peabody during her illustrious career. One of the primary gatherings will be taking place at powerHouse Arena in DUMBO, where “Julia at 100” will feature appearances by Tamar Adler, author of An Everlasting Meal: Cooking with Economy and Grace, Dave Crofton, co-owner of One Girl Cookies (One Girl Cookies: Recipes for Cakes, Cupcakes, Whoopie Pies, and Cookies from Brooklyn’s Beloved Bakery), Matt Lewis, co-owner of Red Hook’s Baked (Baked: New Frontiers in Baking and Baked Explorations: Classic American Desserts Reinvented), intimate blogger and Nutella lover Alyssa Shelasky (Apron Anxiety: My Messy Affairs in and out of the Kitchen), and Smitten Kitchen blogger Deb Perelman, whose first book, The Smitten Kitchen Cookbook: Recipes and Wisdom from an Obsessive Home Cook is due out October 31. There will be treats from Baked and One Girl, a trivia contest, free wine, and a bake-off; attendees who bring a baked good inspired by one of Julia Child’s recipes are eligible for prize packages. In addition, numerous restaurants are hosting special Julia Child menus, including Buvette, Aureole, Madison Bistro, Union Square Cafe, Marea, and Alison Eighteen. And tickets are now available for the October 28 presentation “On Julia Child at 100,” a discussion with Knopf editor Judith Jones and culinary historian Laura Shapiro at the 92nd St. Y, moderated by Alexandra Leaf.

TICKET ALERT: BAM FISHER NEXT WAVE

Tickets go on sale August 13 for inaugural Next Wave season in Fishman Space at new BAM Fisher center

BAM Fisher, Fishman Space
321 Ashland Pl.
All tickets $20; on sale Monday, August 13
Season runs September 5 – December 23
718-636-4100
www.bam.org

Bigger isn’t necessarily better these days as BAM gets into the low-price, small-theater game for its thirtieth Next Wave festival. Earlier this year, the Signature Theatre opened its new Pershing Square Center on West 42nd St., comprising three venues that seat between 191 and 294 people and with all ticket prices for the initial run a mere $25. Then, in May, Lincoln Center raised the curtain on its new space, the Claire Tow Theater, which resides above the Mitzi E. Newhouse and has room for 112 customers, who pay only $20 per performance. And today, $20 tickets go on sale for BAM’s new venue, BAM Fisher on Ashland Pl., which features the 250-seat Fishman Space. Focusing on short-run experimental presentations, BAM Fisher will host dance, film, music, theater, talks, and more. The inaugural season opens with Jonah Bokaer and Anthony McCall’s site-specific Eclipse, an intimate four-character dance with the audience on all four sides, and continues with such works as The Shooting Gallery, a collaboration between video artist Bill Morrison and composer Richard Einhorn; Brooklyn Bred, consisting of performance art by Coco Fusco, Dread Scott, and Jennifer Miller, curated by Martha Wilson; Marc Bamuthi Joseph and Living Word Project’s sociopolitical red, black & GREEN: a blues, which promises something for all five senses; and dance pieces by Lucy Guerin (Untrained) and Miguel Gutierrez and the Powerful People (And lose the name of action). Expect the phone lines to be jammed, because tickets ($28-$144) also go on sale today for a new production of Robert Wilson, Philip Glass, and Lucinda Childs’s four-and-a-half-hour Einstein on the Beach at the Howard Gilman Opera House.