live performance

“HELLZAPOPPIN’: WHAT ABOUT THE BEES?”

Yvonne Rainer’s “last dance” includes a pillow fight at New York Live Arts

Who: Emily Coates, Brittany Bailey, Brittany Engel-Adams, Patricia Hoffbauer, Vincent McCloskey, Emmanuèle Phuon, David Thomson, Timothy Ward, Kathleen Chalfant
What: World premiere
Where: New York Live Arts Theater, 219 West Nineteenth St. between Seventh & Eighth Aves.
When: October 5-8, $15-$85
Why: Legendary dancer, choreographer, filmmaker, author, and activist Yvonne Rainer asks, “What about the bees?” in what she has announced will be her “last dance.” Premiering October 5-8 at New York Live Arts, “HELLZAPOPPIN’: What about the bees?” takes on systemic racism through text, movement, and live projections, including excerpts from the 1941 Hollywood musical Hellzapoppin’, a reality-busting movie melding film and theater starring Ole Olsen and Chic Johnson, Martha Raye, Mischa Auer, Shemp Howard, Slim and Slam, and Whitey’s Lindy Hoppers, and Jean Vigo’s highly influential 1933 antiestablishment film about boarding school, Zero for Conduct. The evening begins with a screening of Rainer’s 2002 half-hour film After Many a Summer Dies the Swan: Hybrid, which expands on a piece she choreographed for Mikhail Baryshnikov’s White Oak Dance Project incorporating texts by Oscar Kokoschka, Adolf Loos, Arnold Schoenberg, and Ludwig Wittgenstein and rehearsal footage shot by Charles Atlas and Natsuko Inue.

“HELLZAPOPPIN’: What about the bees?” runs October 5-8 at NYLA

A coproduction of NYLA and Performa, “HELLZAPOPPIN’: What about the bees?” will be performed by a mix of dancers and actors, featuring Emily Coates, Brittany Bailey, Brittany Engel-Adams, Patricia Hoffbauer, Vincent McCloskey, Emmanuèle Phuon, David Thomson, Timothy Ward, and Kathleen Chalfant. Rainer also harkens back to her fictional character Apollo Musagetes, leader of the muses, who in 2020 presented “Revisions: A Truncated History of the Universe for Dummies: A Rant Dance, Lecture, and Letter to Humanity.” “I’m going to be veering back and forth between various topics: my aging self-pity, my ‘permanently recovering racism,’ my sometimes evasive appropriation of the notion that not all white people, and not all white women, are racists, and various historical and cultural reflections,” Rainer, who is now eighty-seven, said in a statement. Rainer will participate in a Stay Late conversation with Bill T. Jones following the October 6 show.

THEATER TALKS — DEATH OF A SALESMAN: A CONVERSATION WITH WENDELL PIERCE, SHARON D. CLARKE, ANDRÉ DE SHIELDS, AND MIRANDA CROMWELL

Who: Wendell Pierce, Sharon D. Clarke, André De Shields, Miranda Cromwell, Salamishah Tillet
What: Panel discussion on new Death of a Salesman revival
Where: Schomburg Center for Research in Black Culture (NYPL), 515 Malcolm X Blvd., and online
When: Monday, October 3, free with RSVP, 7:00
Why: Lee J. Cobb, George C. Scott, Dustin Hoffman, Brian Dennehy, and Philip Seymour Hoffman have all starred as Willy Loman in Broadway productions of Arthur Miller’s Pulitzer Prize–winning 1949 American classic, Death of a Salesman. You can now add to that prestigious list Wendell Pierce, in the latest Broadway revival, now in previews for an October 9 opening at the Hudson Theatre. The cast features Pierce and Sharon D. Clarke as Willy’s wife, Linda — both won Oliviers for their performances in the West End production — along with André De Shields as Ben, Khris Davis as Biff, and McKinley Belcher III as Happy, the first all-Black Loman family on the Great White Way.

On October 3 at 7:00, Pierce (The Wire, The Piano Lesson), Clarke (Holby City, Caroline, or Change), and Tony and Emmy winner De Shields (Hadestown, The Full Monty) will be joined by director Miranda Cromwell (Magic Elves, Pigeon English) and moderator and Pulitzer Prize winner Salamishah Tillet for a discussion at the NYPL’s Schomburg Center for Research in Black Culture; presented in conjunction with the 92nd St. Y’s Unterberg Poetry Center, the free event is being held in person and online, and advance registration is required. “So many of the elements of the play are fundamentally questioning of the American dream, and when you put that through the perspective of the Black experience, that enriches it,” Cromwell said in a statement. “The obstacles are harder, the stakes become higher.”

LUNDAHL & SEITL: SYMPHONY OF A MISSING ROOM PERFORMANCE AND DISCUSSION

Lundahl & Seitl, Symphony — Tunnel Vision, performed in 2015 at Momentum 8 (photo courtesy of the artists)

Who: Lundahl & Seitl, Barbara London
What: Performance and discussion
Where: Scandinavia House, 58 Park Ave. at 38th St.
When: Sunday, October 2, free with advance RSVP, performances 11:30 am – 1:30 pm and 4:00 – 5:30, discussion at 1:30
Why: “In times of challenge, how to find a good balance between resilience and resistance when adapting to a changing environment? How can we stay sensible for subtle yet powerful shifts in our being together? What is an acceptable level of reality, and for who/what do we make the sacrifice?” So ask immersive art duo Lundahl & Seitl in regard to their 2009 piece, Symphony of a Missing Room, which they reimagined as an app during the pandemic. On Sunday, October 2, Christer Lundahl and Martina Seitl will be at Scandinavia House to perform the work, in half-hour increments between 11:30 and 1:30 and 4:00 to 5:30; in addition, there will be a discussion at 1:30 moderated by curator and writer Barbara London, host of the Barbara London Calling podcast.

The free event is being held in partnership with the Consulate General of Sweden in New York; Lundahl & Seitl have previously performed Symphony of a Missing Room at the Swedish National Museum in Stockholm, the Akropolis Museum in Greece, the Kochi-Muziris Biennale in India, and the Temple of Alternative Histories at Staatstheater Kassel in Germany, among other venues. The ever-evolving work involves white goggles as participants must reconsider their inner and outer relationships with the environment and the space they are in. Admission is free with advance RSVP.

CANCELED: MARK MORRIS DANCE GROUP IN BROOKLYN BRIDGE PARK

Mark Morris Dance Group will perform Water and more at Brooklyn Bridge Park on October 1 (photo by John Eng)

Who: Mark Morris Dance Group
What: Free outdoor performances
Where: Brooklyn Bridge Park, Pier 1, Harbor View Lawn
When: Saturday, October 1, free, 2:00 & 4:00, workshop at 3:00 {ed. note: This event is now canceled because of the weather]
Why: Brooklyn-based favorites Mark Morris Dance Group will be in Brooklyn Bridge Park on Saturday, October 1, to present a pair of free programs on the Harbor View Lawn at Pier 1, at 2:00 and 4:00, with an all-ages workshop at 3:00. The troupe, founded in 1980 by Morris, will perform Water, a nine-minute 2021 piece for fourteen dancers set to music by George Frideric Handel; Greek to Me, a five-minute solo from 1998 set to Harry Partch’s “Two Studies on Ancient Greek Scales” from “Eleven Intrusions”; the twenty-two-minute 2007 Suite from Orfeo ed Euridice set to the score by Christoph Willibald Gluck; and the eighteen-minute 1998 work Dancing Honeymoon, featuring seven dancers in yellow and music by Ethan Iverson.

NEW YORK FILM FESTIVAL 60: FREE TALKS

Paul Schrader will discuss his latest film, Master Gardener, in free talk at NYFF60

NYFF60: FREE TALKS
New York Film Festival 60
Elinor Bunin Munroe Amphitheater, 144 West 65th St. between Broadway & Amsterdam Ave.
October 1-15, free tickets available one hour before showtime
212-875-5601
www.filmlinc.org/nyff2022

If you don’t act immediately, it is often difficult to get tickets to the New York Film Festival’s most hotly anticipated events, appearances by superstars and internationally renowned directors at New York, US, North American, and world premieres. But there are more than a dozen free talks, lectures, panel discussions, and game-playing events that are first-come, first-served, at the Elinor Bunin Munroe Amphitheater at Lincoln Center; free tickets are distributed an hour prior to the talk, one per person. This year’s lineup includes Noah Baumbach, Nan Goldin, Paul Schrader, Cauleen Smith, Alice Diop, Frederick Wiseman, Nancy Savoca, Laura Poitras, Elvis Mitchell, Mia Hansen-Løve, Kelly Reichardt, and Molly Haskell, which is not too shabby. Below is the full schedule; you can also catch these events on YouTube later.

Saturday, October 1
Deep Focus: Noah Baumbach, White Noise, 6:00

Special Events — Cinephile Game Night: NYFF60 Edition, 8:00

Sunday, October 2
Deep Focus: Paul Schrader, Master Gardener, 2:00

The 2022 Amos Vogel Lecture, with Cauleen Smith, followed by a Q&A with Jacqueline Stewart, 6:00

Monday, October 3
Roundtables: “Politics of Desire,” with Joao Pedro Rodrigues (Will-o’-the-Wisp), Ruth Beckermann (Mutzenbacher), Elisabeth Subrin, and Isabel Sandoval (Maria Schneider, 1983), 4:00

Crosscuts: Alice Diop & Frederick Wiseman, 6:00

Special Events — IndieWire Presents: Screen Talk Live, with Eric Kohn and special guests, 6:30

Special Events — Cinephile Game Night: NYFF60 Edition, 8:00

Cauleen Smith, whose Drylongso (above) screened an the 1998 New York Film Festival, will deliver the 2022 Amos Vogel Lecture

Thursday, October 6
Roundtables: “Missing Movies,” presentation and workshop with Amy Heller, Dennis Doros, Nancy Savoca, Rich Guay, Ira Deutchman, and Maya Cade, 6:00

Saturday, October 8
Roundtables — “Film Comment Live: On the Critical Attitude,” with hosts Devika Girish and Clinton Krute and guest Laura Poitras (All the Beauty and the Bloodshed), Elvis Mitchell (Is That Black Enough for You?!?), Tiffany Sia (What Rules the Invisible), and Alain Gomis (Rewind & Play), 1:00

Crosscuts: Mia Hansen-Løve (One Fine Morning) & Charlotte Wells (Aftersun), 4:00

Deep Focus: Nan Goldin, 7:00

Sunday, October 9
Crosscuts: Joanna Hogg (The Eternal Daughter) & Kelly Reichardt (Showing Up), 6:00

Special Events — Cinephile Game Night: NYFF60 Edition, 8:00

Tuesday, October 11
Deep Focus: Annie Ernaux, 6:00

Thursday, October 13
Special Events: “Inclusive Visions,” with a wine-tasting presentation by Dr. Hoby Wedler, hosted by Michele Spitz, 6:00

Saturday, October 15
Roundtables — “Film Comment Live“: Festival Report, with Devika Girish, Clinton Krute, Kelli Weston, Phoebe Chen, Molly Haskell, and others, 6:00

FC BERGMAN: 300 el x 50 el x 30 el

300 EL x 50 EL x 30 EL
Harvey Theater at the BAM Strong
651 Fulton St.
September 28 — October 1, $44-$120, 7:30
www.bam.org
www.fcbergman.be/en

Belgian theater collective FC Bergman is making its US debut at BAM with its imaginative 2011 work, 300 el x 50 el x 30 el, which opens BAM’s 2022 Next Wave festival. Running September 28 to October 1, the seventy-five-minute wordless multimedia piece transforms the Harvey stage into a village with six shacks in the woods to bring to life a biblical-inspired anarchic tale of animals, nature, humanity, and technology as a flood approaches. Created by Stef Aerts, Joé Agemans, Bart Hollanders, Matteo Simoni, Thomas Verstraeten, and Marie Vinck, the widely hailed 2011 work, which has toured the world, features sets by FC Bergman and Matthijs Kuyer, camera direction by Thomas Verstraeten, and costumes by Judith Van Herck and is performed by Aerts, Agemans, Simoni, Verstraeten, and Vinck along with Gert Portael, Herwig Ilegems, Shana Van Looveren, Evelien Bosmans, Ramona Verkerk, Arne Focketeyn, Oscar Van Rompay, Ruud Gielens, Gregory Frateur, Mattis Devoldere Contesse, Karen Vanparys, Yorrith de Bakker, and Jeroen Perceval.

Founded in 2008, the Antwerp-based company, which has been associate artists with the Toneelhuis in Antwerp since 2013, has a repertoire that includes the modern parable The Sheep Song; an adaptation of William Gaddis’s National Book Award–winning 1975 novel JR; the wordless monologue Terminator Trilogy; and the descriptively titled Walking down the Champs-Elysées with a tortoise to get a better view of the world, but it is hard to drink tea on an ice floe when everyone is drunk. The troupe is known for its unique approach to storytelling and its immersive environments that should feel right at home at the Harvey, where there will be a celebration with members of the cast and crew following the opening-night performance.

POP: VALERIE GREEN/DANCE ENTROPY PRESENTS HOME

Six international choreographers explore the concept of home in new collaboration at Gibney

Who: Valerie Green/Dance Entropy
What: HOME premiere
Where: Gibney: Agnes Varis Performing Arts Center, 280 Broadway (entrance at 53A Chambers St.)
When: September 29 – October 1, $15-$20, 7:30
Why: “Home is acceptance, safety, security, and privacy,” Lebanese choreographer Bassam Abou Diab says about HOME, the new project from Manhattan-based Valerie Green/Dance Entropy. “It is the space in which I feel I can be free, natural, and present, the place in which I entrust my secrets and my details. It is the place that gives me the feeling of being an integral part of, the place that I feel comfortable in despite my racial, gender, and social differences.” Running September 29 through October 1 at Gibney and part of Gibney’s POP (Performance Opportunity Project) series, HOME brings together Green, Abou Diab, Maria Naidu from Sweden, Ashley Lobo from India, Souleymane Badolo from Burkina Faso, and Sandra Paola López Ramírez from Colombia, six choreographers creating movement based on what “home” means to them. The piece will be performed by Entropy dancers Karma Chuki, Aidan Feldman, Erin Giordano, Kristin Licata, Lawson Pinder, Sara Pizzi, and Richard Scandola, with costumes by Irena Romendik and lighting by Kathy Kaufman. The collaboration began in 2019 and involved Green providing a two-week residency for each choreographer.

Badolo explains, “I am like a snail; I carry my house with me wherever I am, wherever I go. I still have my culture, tradition, and my language that I speak, and also my land and my ancestors living in me. My house is my movement, my dance.” For Lobo, home is “the dichotomy of confusion and clarity that is India. Everything is chaotic but within that there seems to be a naturally evolving order, the natural progression from confusion to clarity.” The full evening-length piece is directed by Green, who said in a statement, “The HOME project challenged me as an artist in a new way. To take careful ownership in developing one’s work has been a unique and rewarding experience, and I am excited to offer audiences a glimpse into what home means from distinct cultures and choreographers. In these divided times, connection and understanding across diverse cultures is more important and needed than ever.” Tickets are $15 in advance, $20 at the door.