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A THOUSAND WAYS (PART TWO): AN ENCOUNTER

The second part of 600 Highwaymen’s A Thousand Ways takes place in person at the Public, for two people at a time (photo by Everything Time Studio)

Public Theater
425 Lafayette St.
Part Two: June 8 – August 15, $15
Part One available through July 18, $15
publictheater.org
www.600highwaymen.org

In January, as part of the Public Theater’s annual multidisciplinary Under the Radar festival, the Obie-winning 600 Highwaymen company presented A Thousand Ways (Part One): A Phone Call, a free hourlong telephone conversation between you and another person, randomly put together and facilitated by an electronic voice that asks both general and intimate questions, from where you are sitting to what smells you are missing, structured around a dangerous and lonely fictional situation that is a metaphor for sheltering in place, even though the work began several years ago. It’s a great way to get connected to a stranger while looking inwardly at yourself. In my case, I spoke with a theater-loving woman from the Midwest, and we got along extremely well, making for an engaging and moving discussion.

From June 8 to August 15, the Public will be hosting the next section of the work, A Thousand Ways (Part Two): An Encounter, in which you and a stranger — not the same one — meet in person, sitting across a table, separated from one another by a clear glass panel. There will be no touching and no sharing of objects, following all Covid-19 guidelines. The Public has also brought back the phone call, with slots available through July 18. While you don’t have to experience part one in order to understand part two, it is highly encouraged. Conceived and written by Abigail Browde and Michael Silverstone, who formed 600 Highwaymen in 2009, A Thousand Ways continues their ongoing mission of “aiming at a radical approach to making live art by creating intimacy amongst strangers and illuminating the inherent poignancy of people coming together.” The duo’s previous works include Employee of the Year, Empire City, The Fever, and Theater of the Mind with David Byrne. Tickets for each part of A Thousand Ways are $15; a grand finale is planned in which groups will be able to gather across the globe.

“In this introspective year, it’s been an absolute honor to know that in over twenty-five cities and twelve countries around the world — and now in four languages — strangers are coming together night after night, across phone lines and through glass planes, to imagine one another and, in the process, create a kind of community with and for one another,” Browde and Silverstone said in a statement. And it all starts with a phone call and two people who have never met, evoking how we are all emerging in our own ways from the pandemic lockdown.

MAYA LIN: GHOST FOREST

Maya Lin’s Ghost Forest will decompose in Madison Square Park through mid-November (photo by twi-ny/mdr)

Madison Square Park Oval Lawn
Exhibition continues through November 14
madisonsquarepark.org
whatismissing.net

Postponed for a year because of the pandemic, Maya Lin’s Ghost Forest is up and dying a slow death in Madison Square Park. The exhibition shines a light on climate change, logging practices, environmental degradation, extreme deprivation, and other human interventions that are destroying the natural world. Ghost Forest consists of forty-nine forty-foot-tall Atlantic white cedars from the Pine Barrens in New Jersey. The bare trees, around eighty years old, are not technically dead yet, but they will wither away through November 14 as the grass and trees of the park turn green around them over the summer before fading as fall heads into winter. “Throughout the world, climate change is causing vast tracts of forested lands to die off,” Lin says in her artist’s statement. “They are being called ghost forests; they are being killed off by rising temperatures, extreme weather events that yield saltwater intrusion, forest fires, and insects whose populations are thriving in these warmer temperatures, and trees that are more susceptible to beetles due to being overstressed from these rising temperatures. In southwestern Colorado where my family and I live in the summer, these forests — killed off by beetles — are all around us. As I approached thinking about a sculptural installation for Madison Square Park, I knew I wanted to create something that would be intimately related to the park itself, the trees, and the state of the earth.”

The “gentle giants,” as Lin calls them, form a kind of twisting maze that visitors can walk through (except in the rain.) The bare trunks and branches evoke griefs large and small: It’s hard not to think of the isolation and loss of the past fourteen months of the Covid-19 crisis; in addition, Lin’s husband, photography collector and dealer Daniel Wolf, died of a heart attack in January at the age of sixty-five. The display was supposed to consist of fifty trees, but one didn’t survive the transport, another fatality. Lin is most well known for her Civil Rights Memorial in Montgomery, Alabama, and the Vietnam Veterans Memorial in Washington, DC; other earthworks and environmental installations by Lin include The Secret Life of Grasses at Storm King, Map of Memory: Hudson River Timeline at the Hudson River Museum, Seven Earth Mountain at Pier 94, A History of Water at the Orlando Museum of Art, and the 2011 short film Unchopping a Tree, which asks, “If deforestation were happening in your city, how quickly would you work to stop it?”

Forty-nine bare trees rise like doomed skyscrapers in Maya Lin’s Ghost Forest (photo by twi-ny/mdr)

Ghost Forest is part of Lin’s “What Is Missing?” project, an online global memorial where people can share memories of something from the natural world that has disappeared or is diminishing or discuss specific examples of ecological conservation and restoration. Be sure to listen to Ghost Forest Soundscape, thirteen minutes of sounds made by the gray fox, cougar, barred owl, American black bear, elk, harbor seal, bat, beaver, bottle nose dolphin, and wild turkey, a powerful reminder of living beings that once could be heard and seen in and around New York; in conjunction with Ghost Forest, there will also be a series of in-person and online talks. “We will be coordinating public programs that focus on nature-based solutions to climate change as well as highlighting the ecological history of Manhattan through a soundscape of species that were once common in the city,” Lin explains. “We are faced with an enormous ecological crisis — but I also feel that we have a chance to showcase what can be done to help protect species and significantly reduce the climate change emissions by changing our relationship to the land itself.” To counteract the project’s carbon footprint, Lin, the Natural Areas Conservancy, and the Madison Square Park Conservancy will be planting more than one thousand trees and shrubs across all five boroughs.

From June 1 to 11, the public is invited to answer the question “How has climate change altered your daily life?”; the responses will be posted on a reflection board at the north corner of the Oval Lawn as well as on social media. On June 4 at 9:00 am (free with advance RSVP), the park will host, on Zoom, its sixth annual public art symposium, “Greening Public Art,” highlighted by a keynote conversation with Lin, Rodale Institute board member Maria Rodale, Nature Conservancy in New York executive director Bill Ulfelder, and Perfect Earth Project founder Edwina von Gal, moderated by Andrew Revkin of the Earth Institute at Columbia. Other speakers include Una Chaudhuri, Marina Zurkow, Anita Fields, Nicholas Galanin, Allison Janae Hamilton, Tavares Strachan, and Lucia Pietroiusti and moderator Sarah Douglas. On June 15 at 6:00, the park and Fotografiska New York team up for an art talk with Gabriella Demczuk, who documents ghost forests across the United States; advance registration is required. On September 21 at 6:00 Fotografiska will host an art talk with Lin and Elizabeth Kolbert as part of Climate Week NYC, followed October 19 at 6:00 with Lin and von Gal discussing climate change with moderator Sarah Charlop-Powers. And on November 9 at 6:00, Fotografiska will livestream David Scott Kessler’s experimental film The Pine Barrens, with a live score by the Ruins of Friendship Orchestra. If only the world would listen.

In addition, Music on the Green is a series of live concerts with Carnegie Hall held on Wednesday nights within Ghost Forest; below is the full lineup:

Wednesday, July 7, 6:00
Music by Barber, Bartók, Copland, Caroline Shaw, others
Cort Roberts, horn
Adelya Nartadjieva, violin
Gergana Haralampieva, violin
Halam Kim, viola
Madeline Fayette, cello

Wednesday, July 14, 6:00
Music by Messiaen, Copland, Kaija Saariaho, Reena Esmail, others
Leo Sussman, flute
Wilden Dannenberg, horn
Jennifer Liu, violin
Halam Kim, viola
Madeline Fayette, cello

Wednesday, July 21, 6:00
Bach’s Goldberg Variations, India Gailey’s Mountainweeps, John Luther Adams’s Three High Places, others
Halam Kim, viola
TBD, violin
Arlen Hlusko, cello

Wednesday, July 28, 6:00
Andrea Casarrubios’s Speechless, Leven Zuelke’s At a Cemetery, and works by Ravel, Fauré, Debussy, and Ellington
Sae Hashimoto, percussion
Suliman Tekalli, violin
Ari Evan, cello

Wednesday, August 4, 6:00
Satie’s Gnossiennes, John Psathas’s Fragment, and works by Duke Ellington and Chick Corea
Ian Sullivan, vibraphone
Sae Hashimoto, marimba

Wednesday, August 11, 6:00
Hans Abrahamsen’s wind quintet Walden, Hannah Lash’s Leander and Hero, and works by Beach, Piazzolla, Still, others
Amir Farsi, flute
Stuart Breczinski, oboe
Yasmina Spiegelberg, clarinet
Nik Hooks, bassoon
Cort Roberts, horn

RIVER TO RIVER FESTIVAL 2021

Mariana Valencia’s Futurity is part of 2021 River to River Festival

Multiple locations
June 10-27, free (some events require advance RSVP)
RSVPs open June 1
lmcc.net

The twentieth annual River to River Festival, one of the most eagerly awaited events of each summer, runs June 10-27, with free live performances and screenings on Governors Island, in Battery Park City, the Clemente Soto Vélez Cultural & Educational Center, and other locations. Curated by Lili Chopra and Nanette Nelms, the 2021 edition features works that explore female identity, the African diaspora, colonialism, and other sociopolitical issues. Everything is free, but some events require advance RSVP, beginning June 1; from the way New Yorkers have responded to other live, free performances as the city opens up following the pandemic lockdown, you better be at your computer, ready to go, if you want to snag some tickets.

Among the highlights are processions through Battery Park City led by Miguel Gutierrez, Okwui Okpokwasili, and the Illustrious Blacks; a concert honoring Wayne Shorter, with esperanza spalding, Terri Lyne Carrington, and Leo Genovese; the premiere of Arthur Jafa’s WS, a longer super nova, a tribute to Shorter; Maria Hassabi’s TOGETHER, which was booked immediately when it was part of the 2019 Performa Biennial; and nora chipaumire’s Nehanda, an opera based on the 1898 court case The Queen vs. Nehanda, involving a medium who was also a heroic revolutionary leader in Southern Rhodesia. Several films will be available to livestream following its public premiere.

Thursday, June 10
Opening Concert honoring Wayne Shorter, with esperanza spalding, Terri Lyne Carrington, and Leo Genovese, La Plaza, the Clemente Soto Vélez Cultural & Educational Center, 114 Norfolk St., followed by premiere of Arthur Jafa’s WS, a longer super nova, Flamboyán Theater, 107 Suffolk St., free with RSVP, 7:30

Saturday, June 12
A Day at The Arts Center at Governors Island, with site-specific exhibitions by Meg Webster and Onyedika Chuke, a participatory sculpture by Muna Malik, Open Studios with LMCC 2021 Arts Center artists-in-residence, Damon Davis’s film The Stranger, and more, free with RSVP, noon – 5:00

June 12-22
esperanza spalding, Songwrights Apothecary Lab, live installation, the Clemente Soto Vélez Cultural & Educational Center, 107 Suffolk St., more info to come

June 12, 17, 24, 8:00, June 19, 26, 3:00
Livestreaming of Arthur Jafa’s WS, a longer super nova, followed by discussion with Wayne Shorter, esperanza spalding, Greg Tate, and Craig Street, free with RSVP

June 13-27
Damon Davis, The Stranger, allegorical film shot in Ghana about a Black American returning to his place of origin, starring Sel Kofiga, Damon Davis, Lola Ogbara, and Dalychia Saah, narrated by Ria Boss, with a score by Owen Ragland, digital streaming, free

Sunday, June 13
Processions, with Miguel Gutierrez, Teardrop Park, Battery Park City, free with RSVP

Sunday, June 20
Processions, with Okwui Okpokwasili, Rockefeller Park, Battery Park City, free with RSVP

Friday, June 25
Processions, with the Illustrious Blacks, South Cove, Battery Park City, free with RSVP

June 15-27
Womxn in Windows, multipart video installation in storefront windows exploring female identity, co-curated with Zehra Ahmed, Seaport District, free

June 16, 19, 22, 24
Black Gotham Experience, As Above So Below, interactive walking tours about the African diaspora in Lower Manhattan, featuring Kamau Ware and Rodney Leon, begins at 192 Front St., free with RSVP, 5:30 – 7:30

June 25-27
Mariana Valencia, Futurity, queerstories featuring Star Baby, Studio A3, the Arts Center at Governors Island, free with RSVP, 1:00 & 4:30

June 26-27
Maria Hassabi, TOGETHER, location TBA, free with RSVP, 6:00

Saturday, June 26
nora chipaumire, Nehanda, immersive, participatory, and durational filmed performance, La Plaza, the Clemente Soto Vélez Cultural & Educational Center, 114 Norfolk St., free with RSVP

NEW YORK POLISH FILM FESTIVAL 2021

Małgorzata Imielska’s award-winning All for My Mother is part of New York Polish Film Festival

NEW YORK POLISH FILM FESTIVAL
Through June 6, $9 rental, $50 for all films
www.nypff.com

If you missed the sixteenth annual New York Polish Film Festival at Scandinavia House last week, either because you couldn’t find the time or are not yet ready to go to indoor theaters to watch movies, you still have a chance to check out seven of the nine films from the friendly confines of your living room. Through June 6, the works, programmed by festival founder and director Hanna Hartowicz, will be available online, either as individual $9 rentals or $50 to see them all; the jury consists of Stacy Keach, Veronica K. Hartowicz, Martyna Majok, Kama Royz, Cezary Skubiszewski, and Ewa Zadrzynska-Głowacka. In Jan Komasa’s Oscar-nominated Corpus Christi (Boże Ciało), Bartosz Bielenia is mesmerizing as a violent teenager who is sent from juvie to work in a sawmill in a small town, but instead he poses as a priest and starts preaching to the community, which has been torn apart by a horrific accident. It’s about revenge and redemption not only for the village but for Poland as a whole. A hit-and-run wreaks havoc on a close-knit town in Bartosz Kruhlik’s award-winning debut feature, Supernova, a harrowing look at local justice.

Małgorzata Szumowska and Michał Englert’s Never Gonna Snow Again (Śniegu już nigdy nie będzie), the opening night selection, is a satire about a masseur (Alec Utgoff) with magic hands, but he just might be radioactive. Magic hands also play a role in Agnieszka Holland’s Oscar-shortlisted Charlatan (Szarlatan), based on the true story of healer Jan Mikolášek (Ivan Trojan), who starts rubbing the backs of the wrong people. Jacek Bromski’s Solid Gold is a political thriller pitting powerful businessman Kawecki (Andrzej Seweryn) against undercover agent Kaja (Marta Nieradkiewicz), who have a unique history. “The world is changing,” one character notes. “It’s no longer fit for living in.” Mariusz Wilczyński’s gorgeously hand-drawn animated Kill It and Leave This Town (Zabij to i wyjedź z tego miasta) is a bleak and bluesy piece of psychological horror about loss, with music by the late Tadeusz Nalepa and a character voiced by legendary director Andrzej Wajda. Zofia Domalik was named Best Actress at the Polish Film Festival for her portrayal of a seventeen-year-old who refuses to be caged in until she finds her mother in Małgorzata Imielska’s All for My Mother (Wszystko dla mojej matki), which won the Audience Award at the Warsaw Film Festival. Several of the films include special introductions from the directors. The 2021 NYPFF is dedicated to master auteur Krzysztof Kieślowski, who made such films as Dekalog, The Double Life of Veronique, and Red, Blue, and White; he passed away in 1996 at the age of fifty-four.

TRIBECA TALKS

Tariq “Black Thought” Trotter and Zola Mashariki will discuss 7 Years at Tribeca Festival

AT&T Terrace at Spring Studios
50 Varick St.
June 12-19, free – $40
tribecafilm.com

This year’s live discussions at the Tribeca Festival are taking place outdoors, on the AT&T Terrace at Spring Studios on Varick St. While some of the hottest events are already sold out — featuring such creators as Tina Fey, Sanaa Lathan, M. Night Shyamalan, Amy Schumer, Emily Ratajkowski, Blondie, John Legend, and Shira Haas — there are still many more available, with directors, CEOs, designers, and podcasters.

Thursday, June 10
Series Preview: Red Frontier, with Mimi O’Donnell, Sarah Nolen, Maria Dizzia, and Kara Young, $26, 7:00

Friday, June 11
Storytellers – Scott Z. Burns, $40, 5:00

Saturday, June 12
Jason Hirschhorn: The Business of Entertainment, free with RSVP, 1:00

Live Recording: Resistance, with Saidu Tejan-Thomas Jr. a musical performance by Ivy Sole, a poetry reading by Dominique Christina, and a stand-up set from Elsa Waithe, $26, 3:00

Sunday, June 13
Jason Hirschhorn: The Future of Podcasting, with Conal Byrne, Jason Hirschhorn, James Kim, and Rachel Ghiazza, free with RSVP, 1:00

Tribeca Talks: Jad Abumrad with Jason Reitman, $26, 5:00

Monday, June 14
Series Preview: Apple TV+ Siegfried & Roy Original Podcast, with Steven Leckart and Will Malnati, $26, 5:00

Scott Rechler Recalibrate Reality: The Future of NY, free with RSVP, 7:00

Tuesday, June 15
Directors Series — Doug Liman, with Jason Hirschhorn, 5:00

Wednesday, June 16
Live Recording: Ear Hustle, with Earlonne Woods and Nigel Poor, $26, 5:30

Scott Rechler Recalibrate Reality: The Future of NY with David Rockwell, free with RSVP, 7:30

Saturday, June 19
Black Filmmakers vs American History, with Jelani Cobb, Ruben Santiago-Hudson, Kasi Lemmons, and Melina Matsouka, moderated by Warrington Hudlin, $40, noon

7 Years: A Conversation with Tariq “Black Thought” Trotter and Zola Mashariki, $26, 5:00

TRIBECA FESTIVAL 2021 FREE OUTDOOR SCREENINGS

The original Shaft is part of Tribeca free outdoor screenings program

TRIBECA FESTIVAL
June 10-20, free with RSVP
Other tickets and passes 20% off with code TFMEMORIAL21 through May 31
tribecafilm.com

The 2021 Tribeca Festival might have dropped the word Film from its name, but it is still jam-packed with movies, being held this year indoors, outdoors, and virtually for people hanging at home. From June 10 to 20, there will be dozens and dozens of free screenings in parks across the city, including Van Cortlandt Park, Rockaway Beach 30th St. Playground, Soundview Park, Hudson River Park, Flushing Meadows Corona Park, Walter Gladwin Park, and the Battery. Below are the programs, featuring films old and new, that are still available; tickets must be reserved in advance, so you better hurry. And if you’re looking to purchase tickets for other, paid, screenings, use code TFMEMORIAL21 to save 20% through Memorial Day.

Thursday, June 10
Love and Monsters (Michael Matthews, 2020), Van Cortlandt Park, free with RSVP, 5:30

Belly (Hype Williams, 1998), Rockaway Beach 30th St. Playground, free with RSVP, 5:30

Raising Victor Vargas (Peter Sollett, 2003), Rockaway Beach 30th St. Playground, free with RSVP, 8:00

Friday, June 11
Johnny Mnemonic (Robert Longo, 1995) in black-and-white, Rockaway Beach 30th St. Playground, free with RSVP, 5:30

Bill & Ted Face the Music (Dean Parisot, 2020), Van Cortlandt Park, free with RSVP, 6:00

Edge of Tomorrow (Doug Liman, 2014), Van Cortlandt Park, free with RSVP, 8:00

Kiss the Ground (Josh Tickell and Rebecca Tickell, 2020), Rockaway Beach 30th St. Playground, free with RSVP, 8:00

The Host is screening on June 12 in Soundview Park

Saturday, June 12
Moana (Chris Williams, Ron Clements, and John Musker, 2016), Rockaway Beach 30th St. Playground, free with RSVP, 2:30

Pacified (Paxton Winters, 2020) Soundview Park, free with RSVP, 3:00

Rita Moreno: Just a Girl Who Decided to Go for It (Mariem Perez Riera, 2021), Pier 76, Hudson River Park, free with RSVP, 5:00

Stateless (Michèle Stephenson, 2020), Rockaway Beach 30th St. Playground, free with RSVP, 5:30

2020: Now Showcase B: Lost & Found, Soundview Park, free with RSVP, 6:00

The Host (Joon-ho Bong, 2007), Rockaway Beach 30th St. Playground, free with RSVP, 8:00

Sunday, June 13
Takeover (Emma Francis-Snyder, 2020) and Cucarachita Martina’s Musical Adventure (Waldo Cabrera, 2020), Soundview Park, free with RSVP, 4:00

Perfume de Gardenias (Macha Colón, 2021), Rockaway Beach 30th St. Playground, free with RSVP, 4:00

Rita Moreno: Just a Girl Who Decided to Go for It (Mariem Perez Riera, 2021), Soundview Park, free with RSVP, 5:00

Landfall (Cecilia Aldarondo, 2020), Rockaway Beach 30th St. Playground, free with RSVP, 6:30

Monday, June 14
The Royal Tenenbaums (Wes Anderson, 2001), the Battery, free with RSVP, 4:30

The Royal Tenenbaums will be holding court June 14 at the Battery

Thursday, June 17
2020 Shorts: Update Required, Marine Park, free with RSVP, 5:30

Tribeca NOW Special Screening: Incarceration Nations: A Global Docuseries (Dr. Baz Dreisinger), Marine Park, free with RSVP, 8:00

Friday, June 18
The Conductor (Bernadette Wegenstein, 2021), Marine Park, free with RSVP, 6:00

2020 Shorts: Animated Shorts Curated by Whoopi G 2020, Flushing Meadows Corona Park, free with RSVP, 6:00

The Sixth Sense (M. Night Shyamalan, 1999), Flushing Meadows Corona Park, free with RSVP, 8:00

Saturday, June 19
The Last Dragon (Michael Schultz, 1985), Walter Gladwin Park, free with RSVP, 2:00

Selma (Ava DuVernay, 2014), Astoria Park, free with RSVP, 2:30

He Got Game (Spike Lee, 1998), Walter Gladwin Park, free with RSVP, 5:00

Just Another Girl on the IRT (Leslie Harris, 1993), Astoria Park, free with RSVP, 5:30

Daughters of the Dust (Julie Dash, 1991), Astoria Park, free with RSVP, 8:00

Shaft (Gordon Parks, 1971), Walter Gladwin Park, free with RSVP, 8:00

Sunday, June 20
Indeed Presents Rising Voices, featuring works by Johnson Cheng, David Fortune, Stacy Pascal Gaspard, Deondray & Quincy LeNear Gossfield, Kantú Lentz, Boma Iluma, Gabriela Ortega, Dre Ryan, Elisee Junior St. Preux, and Shelly Yo, free with RSVP, Walter Gladwin Park, 11:30

James and the Giant Peach (Henry Selick, 1996), Astoria Park, free with RSVP, 3:00

The Witches (Nicolas Roeg, 1990), Walter Gladwin Park, free with RSVP, 3:00

Love and Basketball (Gina Prince-Bythewood, 2000), Astoria Park, free with RSVP, 5:00

2020 Shorts: Choose Your Battles, Walter Gladwin Park, free with RSVP, 5:30

Dead Presidents (Albert Hughes and Allen Hughes), Walter Gladwin Park, free with RSVP, 8:00

WOMEN / CREATE! A VIRTUAL FESTIVAL OF DANCE

Karole Armitage’s Six Ft. Apart opens “WOMEN / CREATE! A Virtual Festival of Dance”

WOMEN / CREATE! A VIRTUAL FESTIVAL OF DANCE
Women / Create!; New York Live Arts online
Through May 31, free with RSVP (suggested donation $10)
www.womencreatedance.org
newyorklivearts.org

“Dance has an incredible capacity for expression and is the only form that brings us really deeply into our own self to understand how we deal with the inner core of our beings,” choreographer Jennifer Muller says during the ninth annual “WOMEN / CREATE! A Virtual Festival of Dance,” which has gone online this year and is available on demand through May 31. Presented with New York Live Arts, where two of the new works were filmed, the festival consists of six pieces — from five award-winning companies and one emerging artist — by women choreographers, who introduce their dance and participate in a Q&A moderated by singer, host, producer, and curator Danni Gee.

Karole Armitage’s Armitage Gone! Dance opens the evening with Six Ft. Apart, a socially distanced performance performed at NYLA by Sierra French and Cristian Laverde-Koenig, who are joined by Alonso Guzman wearing a baseball cap with an iPhone on it; every time he shakes his head, Agnes Fury Cameron’s abstract percussive briefly interrupts the silence, like he has rocks in his noggin. (The sound environment was initially meant to be heard over audience members’ headphones, which will eventually happen.)

In KINGS, Ailey II apprentice Meagan King, mentored by the great Renée Robinson, honors the Exonerated Five, with Christopher Taylor, Aaron Frisby, Emerick Ligonde, Isaiah Harvey, and Jayden Williams portraying the men who were previously known as the wrongly convicted Central Park Five. The music features Sound Effects Zone’s “Whispers of the Past” and Hans Zimmer’s “Solomon,” with spoken text by Wayne “Juice” Mackins.

All six choreographers join together for postshow “WOMEN / CREATE!” discussion

Sidra Bell Dance New York’s PRELUDE | IDENTITY through a window . . . with bated breath . . . is an excerpt of a longer work, with Sebastian Arbarbanell, Alonzo Blanco, Marisa Christogeorge, Drew Lewis, Misa Kinno Lucyshyn, and Sophia Halimah Parker in tight-fitting futuristic costumes (“A Global Dust Storm in Mars” by NANNERWAVE) moving to a screeching soundscape, with production, lighting, and décor by Amith Chandrashaker and videography and 3D rendering by Harrison Goodbinder.

In Island Re-Imagined, Jennifer Muller/The Works adapts the 2005 Island for the virtual stage, with Elise King, Elijah Laurant, Anna Levy, Sy Lu, Shoshana Mozlin, Minga Prather, and Cassidy Spaedt dancing over Roberto Dutesco’s photographs of wild horses on Sable Island, set to a score by Marty Beller. The performance includes text about how the video was made while also pointing out, “Creating a parallel between the wild horses confined to Sable Island and the experience of living in a Covid era, the piece echoes the sentiments of our time.”

Introducing Dance within Your Dance, Passion Fruit Dance Company founder Tatiana Desardouin explains, “I’m not trying to bring a set definition of [the groove], but I want to invite people to question, Do I really understand what it is?’” The thirteen-minute piece, made in collaboration with External Eye (Adesola Osakalumi and Miki Tuesday), takes place on a rooftop and at NYLA, with Desardouin, Mai Lê Ho, and Lauriane Ogay grooving to hip-hop and house music and a cappella vocals by Sam I Am Montolla as Desardouin soulfully highlights Black culture.

Finally, Buglisi Dance Theatre’s multimedia Invisible Embrace, choreographed by Jacqulyn Buglisi and filmed live at NYLA, comprises four parts of the five-section ballet, “Unraveling,” “Momentum,” “Soliloquy,” and “Flight,” exploring aspects of isolation and the need for human contact, merging indoors and outdoors. The work is performed by Blakeley White-McGuire, So Young An, Greta Campo, Evan Fisk, Myles Hunter, Ricardo Barrett, Carolina Rivera, and Aoi Sato, with original music by Alex Weiser recorded by the Mertz Trio (pianist Lee Dionne, violinist Brigid Coleridge, and cellist Julia Yang) with soprano Eliza Bagg, projections by Joey Moro, film by Terese Capucilli, and photography by Paul B. Goode. The narrative was inspired by Irish poet John O’Donohue, Dante’s Inferno, American poet Claudia Rankine, and others.

“WOMEN / CREATE!” is a wide-ranging collection of dance pieces, followed by a wide-ranging discussion, available for only a few more days, from six unique choreographers who speak to the past, present, and future of dance. Catch it while you can.