Yearly Archives: 2011

BIG APPLE BARBECUE BLOCK PARTY

Perhaps the weather will cut down the ridiculously long lines at annual Big Apple Barbecue in Madison Square Park (photo by twi-ny/mdr)

Madison Square Park
23rd to 26th Sts. between Fifth & Madison Aves.
Saturday, June 11, and Sunday, June 12, 11:00 am – 6:00 pm
Admission: free; $8 per plate of barbecue, $4 per dessert
www.bigapplebbq.org
www.madisonsquarepark.org

When it first began nine years ago, we were instantly addicted to the Big Apple Barbecue Block Party, in which BBQ experts from around the country offered their delectable delights in a city starving for good ’cue. But soon the crowds became so ridiculous, the lines hours and hours long, that it just wasn’t worth it. And then the Union Square Hospitality Group, which sponsors the event in Madison Square Park, began selling a Fastpass a few years ago, a ticket that allows you to pay extra to cut the line — and then those lines started getting long as well. It all left a bad taste in the mouth, but we’re willing to give it another shot, all in the anticipation of fine barbecue; we’re also thinking that maybe the weather will keep a lot of people away. This year’s pitmasters include Joe Duncan from Baker’s Ribs in Dallas (St. Louis-style ribs), Mike Emerson from Pappy’s Smokehouse in St. Louis (baby back ribs), Chris Lilly from Big Bob Gibson Bar-B-Q in Decatur (pulled pork shoulder), Patrick Martin from Martin’s Bar-B-Que Joint in Nashville (western Tennessee-style whole hog), the ever-popular Mike Mills of 17th Street Bar & Grill in Murphysboro (baby backs), Raleigh’s Ed Mitchell (whole hog, all-natural whole turkey barbecue), Jimmy Hagood from BlackJack Barbecue in Charleston (pulled pork shoulder), Tommy Houston from the Checkered Pig in Danville (St. Louis-style ribs), Myron Nixon from Jack’s Old South in Unadilla (beef brisket), Garry Roark from Ubon’s Barbeque of Yazoo (pulled pork shoulder), Drew Robinson from Jim ‘N’ Nick’s Bar-B-Q in Birmingham (smoked sausage), and Michael Rodriguez from the Salt Lick Bar-B-Que in Driftwood (beef brisket sausage). There are also several booths from New York City, but we never understand why people would wait two or three hours to get a small plate of food from a restaurant they can go to anytime they want. Bambi Kino, Guitar Shorty, and Dale Watson will perform on Saturday, with Doug Wamble, Those Darlins, and Black Joe Lewis & the Honeybears playing on Sunday. Among the free seminars are “Corn: The Great Comrade,” “Dips & Drinks,” “The Raw Deal: Killer Sides from Raw Ingredients,” “Southern Living Fourth of July Feast,” “Kentucky Toast,” and “To Live and Die in Avoyelles Parish.”

SHAKESPEARE’S SLAVE

Shakespeare just might be in love in Resonance Ensemble’s SHAKESPEARE’S SLAVE at the Clurman (photo by Jon Kande)

Clurman Theatre, Theatre Row
410 West 42nd St. between Ninth & Tenth Aves.
Through June 18, $18
212-239-6200
www.resonanceensemble.org
www.theatrerow.org

In 1596, English playwright William Shakespeare (David L. Townsend) finds himself in a creative funk, unable to get inspired to write a play about Henry IV, commissioned by Lord Chamberlain. Instead of putting words down on paper, he spends his time — and what little money he has — drinking and gambling in a local pub. But when he meets a potential benefactor’s brand-new African slave, Grace (Shaun Bennet Wilson), he instantly believes he has met the muse who can change his career — and his life. In the nonprofit Resonance Ensemble production Shakespeare’s Slave, writer Steven Fechter and director Eric Parness tell the fictitious story of this exciting relationship, which stirs the Bard’s loins and, ultimately, his quill. Unfortunately, much of the rest of the 160-minute play feels like unnecessary fluff that goes off in far too many directions, with subplots and brief vignettes that go nowhere or are just excuses for Fechter to pontificate in purplish prose on the evils of slavery. Grace’s owners, Sir John Hunksley (Chris Ceraso) and his wife, Levina (Lucille Duncan), are buffoonish socialites; while Sir John wants to pay Shakespeare a rather tidy sum to write a play about his adventures, Levina wants her own kind of adventures with the down-and-out Shakespeare, who is desperate to remain in London and not have to return home to his wife, Anne Hathaway (Nancy Nagrant), and young son in Stratford-upon-Avon. Zack Calhoon does two funny turns as a foppish theater critic, but those are more like asides to the central issue at hand: that Shakespeare might be in love (Tom Stoppard, anyone?) with an African slave. Referencing such future Shakespeare plays as Hamlet and Othello — in addition to a strong scene in which money lender Simon Drekker (Stewart Walker) offers his take on The Merchant of VeniceShakespeare’s Slave also wrestles with the fine line between being clever and being overly cute. The play features fine period costumes by Mark Richard Caswell, and Sarah B. Brown’s smart set design features an upper walkway where Hathaway haunts Will from afar, but too much of Shakespeare’s Slave, which does have its inspiring moments, is much ado about nothing — although there is a strong play in there that could potentially be achieved with judicious cutting. Resonance Ensemble’s focus is on presenting classics with related contemporary plays; Shakespeare’s Slave is being presented at Theatre Row in repertory with H4, an adaptation of Henry IV, Part 1 & 2, in a pairing that artistic director Parness says is “a Shakespeare play in modern times and a modern play in Shakespeare’s time.”

BROOKLYN FOLK FESTIVAL 2011

Brooklyn Waterfront Artists Coalition (BWAC)
499 Van Brunt St.
June 10-12, $20 per day, $55 weekend pass
718-596-2506
www.brooklynfolkfest.com

Brooklyn’s vibrant grass-roots music scene is on display this weekend at the third annual Brooklyn Folk Festival, which will feature both old-school performers from the golden age of 1960s folk as well as newer acts, with styles spanning the folk spectrum, from bluegrass and old-time string band to jug band, acoustic blues, and world music from Africa, Mexico, and Eastern Europe. The festival got under way Friday night at atmospheric local hot spot Jalopy with a full lineup that included such legends as Peter Stampfel and Tommy “Uncle Monk” Ramone in addition to the prolific Feral Foster, host of the venue’s weekly free “Roots and Ruckus” series. On Saturday and Sunday the action shifts to the Brooklyn Waterfront Artists Coalition, a spacious gallery located in a Civil War-era warehouse at the end of Van Brunt St. in Red Hook. The diverse roster of musicians appearing throughout each afternoon and into the evening reads like a veritable who’s who of local talent. Among the many acts performing are Brooklyn’s reunited Roulette Sisters, acclaimed bluesman “Blind Boy” Paxton, the infectious male/female amplified guitar ‘n’ drums duo Boom Chick, and North Carolinian banjo player Clifton Hicks, who specializes in traditional Appalachian mountain music. There will also be screenings of films by John Cohen and from the archives of Alan Lomax (free with day or weekend pass), a Hazel Dickens Singing Workshop, Beginning and Intermediate Old Time Jamming with Alan Friend, Songs of the Sea and Tavern group singing with Heather Wood, and Banjo: Tunings and Styles in Old Time Music with Down Home radio host Eli Smith, each an additional $10.

EGG ROLLS & EGG CREAMS ’11

The Chinese and Jewish communities of the Lower East Side will come together for annual Egg Rolls & Egg Creams Festival on Eldridge St. (photo by twi-ny/mdr)

Museum at Eldridge Street
12 Eldridge St. between Canal & Division Sts.
Sunday, June 12, 12 noon – 4:00 pm
Admission: free
212-219-0302
www.eldridgestreet.org

The eleventh annual Egg Rolls & Egg Creams block party will bring together the Jewish and Chinese communities of the Lower East Side on June 12 for what is always a fun day of food and drink, live music and dance, history, culture, and lots more. Among the highlights of the festival are the kosher egg creams and egg rolls, yarmulke and challah workshops, tea ceremonies, a genealogy clinic, Yiddish and Chinese lessons, Hebrew and Chinese calligraphy classes, mah jongg, cantorial songs, Jewish paper cutting and Chinese paper folding, face painting, and free tours (in English and Chinese) of the wonderfully renovated Eldridge St. Synagogue, which now boasts the East Window designed by Kiki Smith and Deborah Gans. Last year’s performers, many of whom will be back again on Sunday, included the Chinatown Senior Center Folk Orchestra, Qi Shu Fang’s Peking Opera, the Shashmaqam Bukharan Jewish Cultural Group, Ray Muziker Klezmer Ensemble, and Cantor Eric Freeman.

QUEEN OF THE SUN: WHAT ARE THE BEES TELLING US?

Artist, beekeeper, and energy healer Sara Mapelli performs a ritual dance in QUEEN OF THE SUN (photo by Ruby Bloom)

QUEEN OF THE SUN: WHAT ARE THE BEES TELLING US? (Taggart Siegel, 2010)
Cinema Village
22 East 12th St.
June 10-16, 1:00, 3:00, 5:00, 7:00, 9:00
212-924-3363
www.queenofthesun.com
www.cinemavillage.com

In a November 1923 lecture, Austian anthroposopher Rudolf Steiner said, “Perhaps you noticed something about the entire nature of beekeeping, something, I would say, of the nature of an enigma. The beekeeper is understandably interested above all in what must be done. Actually, every human being should show the greatest interest in this subject, because, much more than you can imagine, our lives depend upon beekeeping.” Steiner also predicted that bees would disappear from the face of the earth in eighty to one hundred years. Sadly, Taggart Siegel’s compelling documentary about colony collapse disorder, Queen of the Sun, reveals that Steiner just might be right. Siegel (The Real Dirt on Farmer John) meets with experts around the world, including author Michael Pollan, biodynamic beekeeper Gunther Hauk, philosopher Horst Kornberger, Indian activist and physicist Vandana Shiva, Slow Food International president Carlo Petrini, molecular biologist Johannes Wirz, entomologist May Berenbaum, and such serious, oddball, and quirky beekeepers as Yvon Archard, Michael Thiele, David Heaf, Gunther Friedmann, Massimo Carpinteri, Ron Breland, and Warren Thompson, who talk about how integral bees are not only to the natural environment but to the very future of humanity. They also proudly show off their rather close personal relationships with their queens and hardworking drones as they discuss the hazards of monoculture, corporate migratory beekeeping, pesticide usage, and other factors that have led to the frightening disappearance of millions of colonies. “We could call it colony collapse of the human being too,” Hauk says. The film, which also includes a look at the legal battle over beekeeping in New York City, begins and ends with artist, energy healer, and beekeeper Sara Mapelli performing a ritual dance covered with some twelve thousand bees. Queen of the Sun has built quite a buzz, having won awards at festivals around the world, including the Planet in Focus Film Festival; it opens at Cinema Village today for a one-week run, the perfect prelude to National Pollinator Week, which takes place June 20–26. You’ll never look at honey the same way again.

DRAMA QUEENS — THE SOAP OPERA IN EXPERIMENTAL AND INDEPENDENT CINEMA: FAR FROM HEAVEN

Julianne Moore faces a family crisis in Todd Haynes’s FAR FROM HEAVEN

FAR FROM HEAVEN (Todd Haynes, 2002)
MoMA Film
Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Saturday, June 11, 5:00
Series continues through June 19
Tickets: $10, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk
212-708-9400
www.moma.org
www.farfromheavenmovie.com

Douglas Sirk and Thomas Mann would be proud. In Todd Haynes’s wonderfully retro Far from Heaven, Oscar-nominated Julianne Moore is amazing as 1950s housewife Cathy Whitaker, who thinks she has the perfect idyllic suburban life — until she discovers that her husband (Dennis Quaid) has a secret that dare not speak its name. Mr. & Mrs. Magnatech they are not after all. When she starts getting all chummy with the black gardener (Dennis Haysbert), people start talking, of course. Part Imitation of Life (Douglas Sirk, 1959), part Death in Venice, and oh-so-original, Haynes’s awesome achievement will have you believing you’re watching a film made in the 1950s, propelled by Elmer Bernstein’s excellent music, Edward Lachman’s remarkable photography, and Mark Friedberg’s terrific production design. Far from Heaven is screening at MoMA on June 11 with Tom Kalin’s 1991 short finally destroy us as part of the series “Drama Queens — The Soap Opera in Experimental and Independent Cinema,” which continues with such films as Sirk’s All That Heaven Allows (1955), Bette Gordon’s Variety (1984), and Rainer Werner Fassbinder’s Angst essen Seele auf (Ali: Fear Eats the Soul) (1973), many of which are also paired with short works.

THEATRE FOR ONE IN TIMES SQUARE

Artistic director Christine Jones welcomes adventurous theatergoers back to unique Times Square venue (photo by twi-ny/mdr)

Duffy Square, 46th St. & Broadway
Through June 12
Admission: free (donations accepted)
www.theatreforone.com
online slide show

Last May, Tony-nominated set designer Christine Jones (American Idiot, Spring Awakening) opened up a very different kind of theater in Times Square, a unique venue that was not so concerned with glamour, glitz, long runs, and attendance figures. Set in a converted rock-and-roll road box designed by Ada Tolla, Giuseppe Lignano, and Baptiste Thevenon of LOT-EK, Theatre for One is back in Duffy Square, offering private vignettes for one person at a time in a space that is part confessional, part peep show. The short works, written by Zayd Dohrn, Stephanie Fleischman, Jacquelyn Reingold, Emily Schwend, and Beau Willimon, were commissioned specifically for TFO and will be performed by actor and magician Steve Cuiffo, Obie winner Birgit Huppuch (Ariana), Tony nominee Marin Ireland (reasons to be pretty), television and theater actress Tasha Lawrence, and Drama Desk nominee Dallas Roberts (Nocturne, The L Word), who also just happens to be married to Jones. Lighting and costumes are by Ana Cappelluto. Admission is free, but it’s first come, first served, so be prepared for some long lines if you go at prime time. (Afternoon and evening performances are scheduled for Thursday and Friday 7:00 – 11:30, Saturday 4:00 – 6:00 and 7:00 – 11:00, and Sunday 4:00 – 7:30.)