Yearly Archives: 2011

NFL DRAFT 2011

Auburn QB Cam Newton is expected to be the first pick in the 2011 NFL draft being held at Radio City

Radio City Music Hall
1260 Sixth Ave. at 50th St.
April 28-30, free with advance wristband
212-247-4777
www.nfl.com
www.radiocity.com

Despite the lockout being lifted in the courts, it doesn’t look like the National Football League and the NFL Players Association are getting down to some much-needed collective bargaining anytime soon, but that’s not going to prevent the latest crop of college talent from being divvied up this week. The seventy-sixth NFL draft will go on as scheduled at Radio City Music Hall, with round one set for Thursday at 8:00, rounds two and three taking place Friday at 6:00, and rounds four through seven starting at noon on Saturday. Although admission is free, you have to get a wristband (good for two people) for the first two days, which are being given out on the 50th St. side of Radio City beginning at 10:00 tonight for Thursday. Tickets for Friday will be given out the same way on Thursday, while Saturday entry will be first come, first served at 11:00 am, no wristbands needed. Twenty-five potential draftees are expected to be on hand, including prospective number one Cam Newton of Auburn as well as Nebraska CB Prince Amukamara, Iowa DE Adrian Clayborn, Kentucky WR Randall Cobb, Alabama DT Marcell Dareus, Auburn DT Nick Fairley, Alabama RB Mark Ingram, California DE Cameron Jordan, Purdue DE Ryan Kerrigan, Illinois DT Corey Liuget, Texas A&M OLB Von Miller, UCLA FS Rahim Moore, LSU CB Patrick Peterson, Missouri DE Aldon Smith, USC T Tyron Smith, Baylor NT Phil Taylor, Baylor G/T Danny Watkins, Wisconsin DE J.J. Watt, and Virginia Tech RB Ryan Williams. In addition, NFL alums and members of the 2011 Pro Football Hall of Fame class will be in attendance. Gang Green fanatics can spend Thursday night at the New York Jets 2011 Draft Party, a free fanfest at New Meadowlands Stadium in East Rutherford that will include a field-goal-kicking contest, Jets alumni and cheerleaders, and other special activities and entertainment.

TICKET GIVEAWAY: SEX ON THE BEACH

Roy Arias is back in award-winning one-man show SEX ON THE BEACH

Roy Arias Theaters
Times Square Arts Center
300 West 43rd St. at Eighth Ave., fifth floor
May 6 – July 3, $25-$47.50
www.royariasstudios.com/sex-on-the-beach

Five years ago Roy Arias’s one-man show about the Caribbean sex industry, Sex on the Beach, won an HOLA (Hispanic Organization of Latin Actors) award and was nominated for an ACE by the Association of Latino Critics. It’s now back in a new production directed by Alfred Preisser, the founding artistic director of the Classical Theatre of Harlem. The play follows three people who turn to the world’s oldest profession to get by: Puerto Rican transvestite La Caramelo, Dominican hustler Brazo E’ Niño, and Cuban jinetera Esperanza. SOTB features scenic design by Samantha Shoffner, lighting by Tracy Wertheimer, and costumes by Mia Stephenson.

The show runs May 6 – July 3 at the Times Square Arts Center, and twi-ny has four pairs of tickets to give away for select performances on Thursday and Friday nights (in English) and Sunday afternoons (in Spanish). Just send your name and daytime phone number to contest@twi-ny.com by Friday, April 29, at 12 noon to be eligible. All entrants must be twenty-one years of age or older; four winners will be selected at random.

BEYOND BULLETS: GUN VIOLENCE IN AMERICA

BULLETS IN THE HOOD is part of special Maysles Institute program examining gun violence in America

Maysles Cinema
343 Malcolm X Blvd. between 127th & 128th Sts.
Wednesday, April 27, suggested donation $10, 7:30
212-582-6050
www.mayslesinstitute.org

Last month Sylvia Savadjian curated a True Crime program at the Maysles Institute that looked at homelessness in New York City; she will be back on April 27 with an examination of gun violence, with all proceeds going to Harlem Mothers S.A.V.E. The evening will consist of three documentary shorts, Kevin Breslin’s Living for 32, Terence Fisher and Daniel Howard’s Bullets in the Hood: A Bed-Stuy Story, and Ivana Todorovic’s A Harlem Mother, followed by a panel discussion with Breslin; Living for 32 subject Colin Goddard, who survived being shot four times at the Virginia Tech massacre; Harlem Mothers S.A.V.E. cofounder Jean Corbett-Parker, whose son was shot and killed outside a Harlem nightclub in 2001; and Stephanie Skaff, the director of Downtown Community Television’s “Beyond Bullets” media campaign.

URS FISCHER: UNTITLED (LAMP/BEAR)

Urs Fischer, “Untitled (Lamp/Bear),” cast bronze, epoxy primer, urethane paint, acrylic polyurethane topcoat, acrylic glass, gas discharge lamp, and stainless-steel framework, 2005-6 (photo by twi-ny/mdr)

Seagram Building
375 Park Ave. between 52nd & 53rd Sts.
Through September 30, free
www.christies.com
lamp/bear slideshow

Born in Switzerland in 1973, New York-based bad-boy artist Urs Fischer combines photography, sculpture, and installation art in his oeuvre, making holes in gallery and museum walls and floors, manipulating perception and playing with the experience of, well, experiencing art. His 2009-10 show at the New Museum, “Urs Fischer: Marguerite de Ponty,” was met with skepticism in some corners, with numerous critics arguing it was a significant conflict of interest, since museum trustee Dakis Joannou is a major collector of Fischer’s work. Perhaps Fischer is putting such controversy behind him with his latest installation, a huge, cuddly yellow teddy-bear lamp perched in front of the Mies van der Rohe-designed Seagram Building on Park Ave. in Midtown. The twenty-three-foot-tall, thirty-five-thousand-pound 2005-6 cast bronze piece (with a stainless-steel interior) is being showcased for Christie’s Post-War & Contemporary Evening Sale on May 11, where it is expected to go for about $10 million; while “Untitled (Lamp/Bear)” might not quite be what the auction house is calling “one of the great sculptural masterpieces of our time,” it is a wholly endearing, playful, and provocative work of childhood memory, complete with floppy arms and legs (and one ear), that actually functions as a night-light, turning on in the evening. The May 11 sale will also feature works by Roy Lichtenstein, Mark Rothko, Cindy Sherman, Alexander Calder, Philip Guston, Richard Prince, Robert Rauschenberg, Jean-Michel Basquiat, Andy Warhol, Willem de Kooning, and Jeff Koons, among many others.

TRIBECA FILM FESTIVAL: GRAVE ENCOUNTERS

Reality TV crew gets more than it bargained for in GRAVE ENCOUNTERS

GRAVE ENCOUNTERS (The Vicious Brothers, 2011)
Tuesday, April 26, Clearview Cinemas Chelsea, 11:30 pm
Thursday, April 29, Clearview Cinemas Chelsea, 12 noon
www.tribecafilm.com
www.twinenginefilms.com

In Grave Encounters, Sean Rogerson stars as Lance Preston, the host of a ghost-hunter reality TV series who is not averse to slipping locals a little cash to lie about having seen or heard creepy things at their latest location in order to pump up the drama. In this case, the Grave Encounters team — sound recordist Sasha Parker (Ashleigh Gryzko), tech expert Matt White (Juan Riedinger), cameraman T. C. Gibson (Merwin Mondesir), and pseudo-spirit medium Houston Gray (Mackenzie Gray), along with Preston — have committed to spending the night locked inside the long-abandoned Collingwood Psychiatric Hospital, which may or may not be haunted by the ghosts of doctors and patients pasts. Just when it’s looking like there actually might be something supernatural going on, they decide to take off early, but the building is not about to let them all go so easily. Shot in twelve days in a vacant mental facility in Vancouver, Grave Encounters, written, edited, and directed by the Vicious Brothers (Stuart Ortiz and Colin Minihan), presents a promising premise but takes way too long to start delivering the necessary thrills and chills. And when things finally do start happening, they lack any kind of shock or surprise, falling flat when then should have had audiences on the edge of their seats. Evoking such ghost stories as The Blair Witch Project, Paranormal Activity, and The Legend of Hell House, Grave Encounters is filled with potential that never reaches the scare levels of its far more successful predecessors.

2011 FILM PRESERVATION HONORS AND 40th ANNIVERSARY BENEFIT CONCERT

Albert Maysles is one of the honorees at special Anthology Film Archives program at City Winery

City Winery
155 Varick St. at Vandam St.
Wednesday, April 27, $40-$200, 7:30
212-608-0555
www.citywinery.com
www.anthologyfilmarchives.org

Anthology Film Archives was founded in 1969 for the express purpose of preserving, studying, and exhibiting independent, experimental, and avant-garde film and video. In 1992, they began honoring artists, individuals, and organizations who have made a difference in appreciating and understanding film heritage in their annual Film Preservation Honors program. As part of its continuing celebration of its fortieth anniversary, Anthology will be hosting a special event on April 27 at City Winery, paying tribute to documentarian Albert Maysles, Harvard Film Archive founding director Vlada Petric, film scholar Tony Pipolo, Technicolor (for the restoration of Max Ophüls’s Lola Montes), and the Library of Congress (for its creation of the National Film Registry). Hosted by one of Anthology’s founders, Jonas Mekas, and with musician Richard Barone serving as master of ceremonies, the evening will feature live performances and appearances by Harmony Korine, Marina Abramović, Ólöf Arnalds, and Transgendered Jesus, in addition to such speakers as Andrew Sarris, Lola Schnabel, Ed Bland, and Stuart Liebman. There will also be an auction of custom-made Anthology Film Archives wines. Tickets are only $40, although if you splurge for the $200 benefit admission you’ll get VIP seating, light food and wine, and other amenities.

PEN WORLD VOICES FESTIVAL OF AMERICAN LITERATURE 2011

David Foster Wallace’s unfinished novel, THE PALE KING, will be explored in depth at the seventh annual PEN World Voices Festival of International Literature

Multiple locations
April 25 – May 1, $5 – $30
866-811-4111
www.pen.org

Celebrating the written word and freedom of expression while fighting censorship and human rights abuses, the seventh annual PEN World Voices Festival of International Literature will feature more than one hundred writers and artists from more than three dozen countries participating in seven days and nights of panel discussions, conversations, readings, and live performances. In addition, the Celluloid Literature Film Series will screen documentaries every night at the Instituto Cervantes New York, including such shorts and full-length works as Paul Bowles: Creating a Legend (Karim Debbagh, Coon Prager, 2006), Out of Place: Memories of Edward Said (Sato Makoto, 2006), Seamus Heaney: Out of the Marvellous (Charlie McCarthy, 2009), and The Erotic Man (Jørgen Leth, 2010). “We live in a time of great changes and challenges, and the need to remind ourselves of our basic values is as important as ever,” explain director László Jakab Orsós, chair Salman Rushdie, and PEN American Center president K. Anthony Appiah. “We have to reinforce our power to be able to analyze and understand the turbulent phenomena of our culture.” The festival runs April 25 – May 1, with the hubs the Standard, New York and the High Line, and consists of multiple events each day; below are our recommended highlights.

Monday, April 25, the Standard, $20, 11:00 pm: Yael Hedaya, Honor Moore, Irvine Welsh, Edmund White, and others will take part in the PEN Speakeasy “Sex; Erotic Readings,” hosted by Katie Halper, re-creating the feel of a speakeasy and sharing erotic stories.

Tuesday, April 26, St. Patrick’s Old Cathedral Gymnasium, 268 Mulberry St., $15, 7:30: Rick Moody, Michael Silverblatt, Sandro Veronesi, Michael Pietsch, and others will delve into the fascinating story behind the publication of David Foster Wallace’s unfinished final novel in “Everything and More: The Pale King by David Foster Wallace.”

Wednesday, April 27, Museum of the Moving Image, 36-01 35 Ave., $15, 7:00: HBO’s outstanding series In Treatment, starring Gabriel Byrne as a therapist in need of some treatment of his own, is based on the Israeli television series Be-tipul, written by novelist Yael Hedaya; Hedaya will be in Astoria to talk about therapy and television and screen an episode of the show.

Thursday, April 28, Westbeth Home of the Arts, Community Room, 155 Bank St., $12, 6:30: For “A Literary Safari: A Unique Experience,” sixteen writers will be situated throughout the Westbeth Center, reading from their works, including Nathacha Appanah, Rahul Bhattacharya, Abdelkader Benali, Amélie Nothomb, Ksenia Shcherbino, Teresa Solana, John Burnside, Mircea Cărtărescu, Manuel de Lope, Deborah Eisenberg, Marcelo Figueras, Jonas Hassan Khemiri, Hervé Le Tellier, Daniel Orozco, Gunnhild Øyehaug, and Lynne Tillman.

Friday, April 29, 92nd St. Y, 1395 Lexington Ave., $25, 7:30: Multidisciplinary artist and musician Laurie Anderson has curated “Poetry: The Second Skin,” an evening that explores the connections between poetry and music with John Burnside, Ernesto Cardenal, David-Dephy Gogibedashvili, Hasina Gul, Yusef Komunyakaa, Juan Carlos Mestre, Piotr Sommer, Joachim Sartorius, and Pia Tafdrup.

Saturday, April 30, the Cooper Union, Frederick P. Rose Auditorium, 41 Cooper Sq., $15, 12 noon: For “Get Super Lit: Comic Books Come Alive on Stage,” Jeff Newelt has put together a multimedia presentation of works that feature a wide range of superheroes created by Kate Beaton, Nick Bertozzi, Kevin Colden, Mike Dawson, Ludovic Debeurme, Dean Haspiel, Michael Kupperman, Benjamin Marra, R. Sikoryak, and Harvey Pekar, all of whom, save for the late Pekar, will participate in the program.

Sunday, May 1, New York Public Library, Celeste Bartos Forum, Fifth Ave. at 42nd St., $25, 3:00: Literary critic and deconstructionist Harold Bloom will talk with the NYPL’s Paul Holdengräber about writing and read some of his favorite poems, including his own, in “From the Anxiety to the Anatomy of Influence: A Conversation with Harold Bloom.”