K-pop star T.O.P., aka Choi Seung-hyun, stars as a teenage assassin in COMMITMENT
KOREAN MOVIE NIGHT: COMMITMENT (DONG-CHANG-SAENG) (Park Hong-soo, 2013)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, January 14, free, 7:00
212-759-9550
www.koreanculture.org
www.wellgousa.com
After their father (Park Sung-woong) is declared a traitor to North Korea and killed, Lee Myung-hoon (Choi Seung-hyun) and his younger sister, Lee Hye-in (Kim Yoo-jung), are placed in a forced labor camp. When Myung-hoon is nineteen, North Korean agent Moon Sang-chul (Jo Sung-ha) offers him a way out: if he agrees to be a spy/assassin for Kim Jong-Il’s regime, he and his sister will eventually be freed. Accepting the mission, Myung-hoon goes to Seoul, where he attends high school as a cover and makes friends with a loner girl (Han Ye-ri) with the same name as his sister. This Hye-in wants to be a dancer, which brings up memories of Myung-hoon’s childhood dreams of becoming a successful pianist — a long way from being an expert killer, as he carries out his jobs with pinpoint precision. But as Kim Jong-il suddenly falls ill and his son, Kim Jong-un, prepares to take over as supreme leader, all bets are off and it gets harder and harder to know who’s on which side. One day Myung-hoon is messing with a group of tough students who are bullying Hye-in, and the next he is in the middle of a complex plot involving drugs, laundered money, diamonds, and double crosses. Also known as Alumni, Park Hong-soo’s Commitment is an exciting if bumpy thriller about family, loyalty, and friendship. Choi, who is better known as K-pop star T.O.P. of Big Bang, is dark and moody as the teenage assassin who will do anything to protect his sister, while Kim’s character goes through a sudden, hard-to-believe change about halfway through the film. Things get far too convoluted in the final scenes, the plot heading off in all kinds of ridiculous directions, but Choi manages to make it all worthwhile. Commitment, which is playing in several New York City theaters right now, can be seen for free on January 14 at 7:00 at Tribeca Cinemas, kicking off the Korean Movie Night series “Wild Days: Coming of Age in 2014.” Presented by the Korean Cultural Service, the series continues on January 28 with Kwak Kyung-taek’s Friend: The Great Legacy and February 11 with Won Shin-eon’s The Suspect before concluding February 25 with Kang Yi-kwan’s Juvenile Offender.
The free Korean Movie Night series “Laughter and Love at the Box Office!” continues June 11 at Tribeca Cinemas with the bittersweet romantic tale Architecture 101. Former architect Lee Yong-zoo’s second feature film, following Possessed, examines the building of personal relationships as well as the construction of homes as a pair of grown-ups consider what might have been. When Seo-Yeon (Han Ga-in) enters the firm where Seung-Min (Uhm Tae-woong) works, the thirty-five-year-old architect appears initially not to know her, but it turns out that they explored the possibility of first love together fifteen years earlier at school. Lee cuts back and forth between the present, in which Seo-Yeon hires Seung-Min to rebuild a house for her, and the past, when Seung-Min (Lee Je-hoon) and Seo-Yeon (Bae Su-ji) are still figuring out what they want out of life and love, trying to understand the desire churning inside them. In the present, Seo-Yeon says she has been married for three years, and Seung-Min is secretly engaged to his assistant, Eun-Chae (Koh Joon-hee). Meanwhile, in the past, Seung-Min doesn’t know what to do about his feelings for Seo-Yeon, who seems to like one of his best friends, Jae-Wook (Yoo Yeon-seok). The past, present, and future meld into one over the musical theme of pop star Jeon Ram-whe’s sappy Korean ballad “Etude of Memory” as true love tantalizingly hangs just out of reach. Architecture 101 is a beautiful yet heartbreaking film with superb performances — Bae and Jo Jung-suk, who plays Nabddeuckyi, a confidant of the younger Seung-Min’s based on the director himself, both won Best New Actor awards for their portrayals — and a compelling narrative structure that builds to a powerfully emotional climax. “Laughter and Love at the Box Office!” concludes June 25 with Jo Sung-hee’s romantic fantasy hit A Werewolf Boy.
The Korean Academy of Film Arts takes on urban renewal in their annual collaboration, The House. Ban Joo-young, Lee Hyun-jin, Lee Jae-ho-I, Park Eun-young-I, and Park Mi-sun team up to tell the story of a young woman, Ga-young (voiced by Kim Kkobbi), struggling to get by in modern-day Korea. With no money and no real job, she moves into a ramshackle apartment with Hee-ju (Ha Jae-sook) while dreaming of winning the lottery and being able to move into a nearby wealthy complex. But when she finds a magic bracelet, she suddenly can see the spirits of the old houses, who would die if their buildings were torn down by the city, changing Ga-yong’s attitude about just what home means. The filmmakers combine CGI and real photographs with the drawing style of Yoshitoro Nara and the look and sensibility of Hayao Miyazaki’s classic Spirited Away in The House, an admirable if ultimately unsatisfying story that has too many holes and lacks nuance. It ends up feeling overly derivative and unsentimentally political, even if it is based on some real circumstances, as evidenced by the pictures that accompany the closing credits. Also featuring the voices of Choi Jeong-ho, Choi Ha-na, Kim Hee-jin, and Oh In-sil as multiple characters, The House is screening for free February 12 at 7:00 at Tribeca Cinemas as part of the latest biweekly Korean Movie Night series, “Drawn into Film: Korean Animation!,” which continues February 26 with Yuen Sang-ho’s debut, The Window.