Tag Archives: john cameron mitchell

ENOUGH. AN EVENING TO SUPPORT GUN SAFETY

Who: Dionne Warwick, Ira Kaplan, Macy Gray, John Cameron Mitchell, Amanda Palmer, Tash Neal, Gracie Lawrence, Loudon Wainwright III, Dar Williams, Paul Shaffer, Dida Pelled, Resistance Revival Chorus, DJ Logic, musical director Eli Brueggemann, more
What: Benefit concert for Every Town for Gun Safety and Moms Demand Action
Where: City Winery NYC, 25 Eleventh Ave. at Fifteenth St.
When: Wednesday, July 6, $50-$500, 8:00
Why: The battle over gun laws has hit epic proportions as the Supreme Court gets involved, there are more mass shootings at schools, and Republican congress members feature the use of guns in their holiday cards and campaign ads. On July 6, City Winery is hosting “Enough. An evening to support gun safety,” a benefit concert for Every Town for Gun Safety and Moms Demand Action. Among those performing to raise funds and encourage participation in the fight for stricter gun control laws are Dionne Warwick, Ira Kaplan, Macy Gray, John Cameron Mitchell, Amanda Palmer, Loudon Wainwright III, Dar Williams, Paul Shaffer, Dida Pelled, Resistance Revival Chorus, DJ Logic, and musical director Eli Brueggemann.

“We feel a responsibility to use our facility as a community-gathering space expressing our concern for the plague of guns in our country and importance of safety measures required given the Second Amendment,” City Winery CEO and founder Michael Dorf said in a statement. “Everytown.org and Moms Demand Action are doing remarkable work in this domain and we are bringing as much of a spotlight to their important work as possible with this event.”

Every Town for Gun Safety proudly proclaims, “We’re the largest gun violence prevention organization in America — and we’re winning. Gun violence touches every town in America. For too long, life-saving laws have been thwarted by the gun lobby and by leaders who refuse to take common-sense steps that will save lives. But something is changing. Nearly 10 million mayors, moms, teachers, survivors, gun owners, students, and everyday Americans have come together to make their own communities safer.”

Moms Demand Action, which was formed in 2012 in response to the Newtown shooting, “is a grassroots movement of Americans fighting for public safety measures that can protect people from gun violence. We pass stronger gun laws and work to close the loopholes that jeopardize the safety of our families. We also work in our own communities and with business leaders to encourage a culture of responsible gun ownership. We know that gun violence is preventable, and we’re committed to doing what it takes to keep families safe.”

Tickets for the event range from $50 to $500; a special bottle of Enough Benefit Cabernet Sauvignon will be available, promising, “The nose opens with fresh herbal notes of sage and eucalyptus, followed by black currant jam, hints of fresh blueberries, star anise, and cloves. On the palate, the wine is soft and smooth with lots of blackberries and dried cherries. Hints of vanilla, cinnamon, and allspice dance around the palate with a medium body and fine-grained texture. The finish cleans out quickly, leaving you ready for another sip.”

And, as Gray points out in the above video, “All I want for Christmas is a whole bunch of stuff / But anything that you can buy me won’t be enough / Because everything I’m hoping for is intangible / Like free health care and gun control.”

The bipartisan bill Congress passed on June 24 is far from enough; we need to keep fighting until the scourge of guns terrorizing America is over.

A LOVE LETTER TO LIZA MINNELLI

Who: Lorna Luft, Joel Grey, Lily Tomlin, Michael York, Joan Collins, Catherine Zeta-Jones, Ben Vereen, Ute Lemper, Michael Feinstein, Billy Stritch, Kathie Lee Gifford, Lea Delaria, Chita Rivera, Jonathan Groff, Charles Busch, Kathy Najimy, Sandra Bernhard, Andrew Rannells, Julie Halston, John Waters, John Kander, Nathan Lane, Mario Cantone, Tony Hale, Coco Peru, John Cameron Mitchell, Andrea Martin, Michele Lee, Nicolas King, Parker Posey, Craig Ferguson, Hoda Kotb, Jason Alexander, Jim Caruso, Kathy Griffin, Neil Meron, Haley Swindal, Seth Sikes, Verdon Fosse legacy dancers
What: Seventy-fifth birthday tribute to Liza Minnelli
Where: The Town Hall via Stellar
When: Friday, March 12, $30, 8:00 (also available March 13 at 8:00 and March 14 at 7:00)
Why: On March 12, 1946, Liza May Minnelli was born to beloved actress and singer Judy Garland and Hollywood director Vincente Minnelli in Los Angeles, ultimately a family of Academy Award winners. On March 12, 2021, several dozen of Liza’s friends and admirers will gather virtually to wish the Tony-, Oscar-, and Emmy-winning star of stage and screen — Cabaret, The Sterile Cuckoo, Arthur, Liza with a Z, The Act — a very happy seventy-fifth birthday. Presented by the Town Hall, “A Love Letter to Liza Minnelli: 75th Birthday All-Star Tribute” will feature performances and appearances by a wide-ranging group of celebrities, including Joel Grey, Lily Tomlin, Joan Collins, Catherine Zeta-Jones, Ben Vereen, Michael Feinstein, Kathie Lee Gifford, Chita Rivera, Jonathan Groff, Charles Busch, Sandra Bernhard, Andrew Rannells, John Waters, John Kander, Nathan Lane, Mario Cantone, Andrea Martin, Michele Lee, and Kathy Griffin, along with surprise guests and never-before-seen footage of Liza.

“Sometimes you’re happy, sometimes you’re sad / But the world goes ’round / Sometimes you lose every nickel you had / But the world goes ’round,” Minnelli sings in New York, New York, offering words to live by, especially during the current crises. “Somebody loses and somebody wins / And one day it’s kicks, then it’s kicks in the shins / But the planet spins, and the world goes ’round.” Of course, this is Liza’s world; we’re only living in it. Tickets to the birthday tribute are $30, with twenty percent of the proceeds benefiting the Actors Fund.

TRIBECA TALKS 2019

Martin Scorsese and Robert De Niro will talk about their work together at the Beacon

Martin Scorsese and Robert De Niro will talk about their work together at the Beacon as part of the 2019 Tribeca FIlm Festival

Tribeca Film Festival
Multiple locations
April 24 – May 5, free – $50
www.tribecafilm.com

One of the most exciting parts of the Tribeca Film Festival is the Tribeca Talks section, which features discussions with actors, directors, writers, and other film-crew members talking about their craft. Divided into “Directors Series,” “Future of Film,” “Master Class,” and “Storytellers,” the talks include such cool programs as Sarah Silverman with Mike Birbiglia, Martin Scorsese with Robert De Niro, Michael J. Fox with Denis Leary, David O. Russell with Jennifer Lawrence, Questlove with Boots Riley, Guillermo del Toro with Alec Baldwin, and Hideo Kojima with Norman Reedus along with such topics as “The Art of Adaptation,” “Is Anyone Home? Location-Based Entertainment,” “The Journey of Digital Storytelling to TV,” and “10 Years of 30 for 30.” The events, some of which are free with advance registration, take place at BMCC TPAC, the Tribeca Festival Hub, the Marriott Bonvoy Boundless Theater, the SVA Theater, and the Beacon.

Thursday, April 25
Tribeca Games Presents: Hideo Kojima with Norman Reedus, Stella Artois Theatre @ BMCC TPAC, $40, 6:00

Directors Series: Guillermo del Toro with Alec Baldwin, Stella Artois Theatre @ BMCC TPAC, $40, 8:00

Friday, April 26
Future of Film: The Art of Adaptation, with Mathias Chelebourgh, Pete Billington, and Jessica Shamash, Tribeca Festival Hub, free with advance ticket, 1:00

Future of Film: Building the New Storytellers, with Ken Perlin, Lance Weiler, Alfredo Salazar-Caro, and Jeremy Bailenson, Tribeca Festival Hub, free with advance ticket, 2:30

Queen Latifah with Dee Rees with the Premiere of the Queen Collective Shorts, screening preceded by discussion with Queen Latifah and Dee Rees, Marriott Bonvoy Boundless Theater, $40, 5:30

Saturday, April 27
Future of Film: Is Anyone Home? Location-Based Entertainment, with Coline Delbaere, Ethan Stearns, and Antoine Cayrol, moderated by Loren Hammonds, Tribeca Festival Hub, free with advance ticket, 1:00

Storytellers: Jaron Lanier, Marriott Bonvoy Boundless Theater, $40, 2:00

Directors Series: David O. Russell with Jennifer Lawrence, Stella Artois Theatre @ BMCC TPAC, rush, 6:00

Sunday, April 28
Directors Series: Martin Scorsese with Robert De Niro, Beacon Theatre, 2:00

Monday, April 29
Future of Film: Immersive Storytelling Across the Mediums, with Jessica Brillhart and Aaron Katz, Tribeca Festival Hub, free with advance ticket, 1:00

Future of Film — Sharing Is Caring: Shared Experiences in Mixed Reality, with Adam May, Lucy Hammond, May Abdalla, and Amy Rose, Tribeca Festival Hub, free with advance ticket, 2:30

Master Class: The Art of Cinematic Sound, with Walter Murch, Ben Burtt, Gary Rydstrom, and Midge Costin, moderated by Glenn Kiser, SVA Theater 2 Beatrice, $40, 5:00

Storytellers: Sarah Silverman with Mike Birbiglia, Stella Artois Theatre @ BMCC TPAC, $40, 8:00

Questlove will be interviewed by Boots Riley at the Tribeca Film Festival

Questlove will be interviewed by Boots Riley at the Tribeca Film Festival

Tuesday, April 30
Storytellers: Michael J. Fox with Denis Leary, Stella Artois Theatre @ BMCC TPAC, $40, 6:00

Storytellers: Questlove with Boots Riley, Marriott Bonvoy Boundless Theater, rush, 2:00

Wednesday, May 1
Storytellers: Rashida Jones, Stella Artois Theatre @ BMCC TPAC, $40, 6:00

Friday, May 3
Master Class: Irwin Winkler on the Art and Craft of Producing, SVA Theater 2 Beatrice, free with advance ticket, 3:30

Tribeca Disruptive Innovation Award, Stella Artois Theatre @ BMCC TPAC, $50, 4:00

Prune Nourry and Serendipity, screening followed by discussion with Prune Nourry, Rita Charon, and Nina Collins, Marriott Bonvoy Boundless Theater, $24, 8:00

Saturday, May 4
Tribeca Celebrates Pride Day, with Jeffrey Winter, Wade Davis, River Gallo, Sadé Clacken Joseph, Raul Castillo, Tanya Saracho, Ser Anzoategui, Roberta Colindrez, Kevin Huvane, Lesli Klainberg, John Cameron Mitchell, Leilah Weinraub, Simon Halls, Rivianna Hyatt, Fabrice Houdart, Alok Vaid-Menon, Tre’vell Anderson, Joanna Lohman, Sarah McBride, Malcolm Kenyatta, Stacy Lentz, Kathy Tu, Staceyann Chin, Twiggy Pucci Garçon, and many others, Marriott Bonvoy Boundless Theater, $30, 10:00 am

Directors Series: Marielle Heller, SVA Theater 2 Beatrice, $40, 1:00

Master Class — The Journey of Digital Storytelling to TV: A Discussion with HBO Talent, SVA Theater 2 Beatrice, free with advance ticket, 5:30

Sunday, May 5
10 Years of 30 for 30, with Connor Schell, Ezra Edelman, Alex Gibney, and Marina Zenovich, moderated by Chris Connelly, SVA Theater 2 Beatrice, $30, 3:30

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

Students have to fight for their future in Dash Shaw’s MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA (Dash Shaw, 2016)
Metrograph
7 Ludlow St. between Canal & Hester Sts.
Opens April 14
212-660-0312
metrograph.com
www.gkids.com

Daria and Scooby-Doo meet The Poseidon Adventure and Titanic in graphic novelist Dash Shaw’s first full-length feature animation, the awkwardly titled, awkwardly plotted, yet awkwardly entertaining My Entire High School Sinking into the Sea. In the somewhat semiautobiographical tale, Dash (voiced by Jason Schwartzman) runs the school newsletter with his best friend, Assaf (Reggie Watts); the two consider themselves investigative journalists, even if no one reads their stories. Dash is further frustrated when Assaf shows an interest in Verti (Maya Rudolph), who has different ideas for the newsletter. After publicly embarrassing Assaf, a stunt that disappoints the relatively cool Principal Grimm (Thomas Jay Ryan), Dash discovers that the high school’s new roof, which is under construction, is not up to code. Just as he starts telling everyone that, the school begins breaking apart and falling into the ocean. Dash soon finds himself with Assaf, lunch lady Lorraine (Susan Sarandon), and his archenemy, Mary (Lena Dunham), as they try to stay above water and survive the maelstrom that is swirling all around them. In order to make it, they’ll have to go from the freshman floor, the lowest one, up through the sophomore, junior, and senior floors to potential safety, a clever way of having them grow up fast. But their journey is a gory one as they encounter plenty of dead students and teachers along with lots of body parts.

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

Survival is the name of the game in animated disaster epic set in high school

Shaw (Cosplayers, Bottomless Belly Buttons) wrote and directed the film, with his partner, Jane Samborski, serving as lead animator, creating much of the DIY-style art in his Brooklyn kitchen; the two previously collaborated on the online series The Unclothed Man in the 35th Century A.D., based on Shaw’s 2009 graphic novel. The cartoon style is all over the place, from sketchy and purposely amateurish to hallucinogenic and surreal, incorporating images of real fire and water; at times it looks like the film is being projected by the iconic 1960s psychedelic Joshua Light Show. (In fact, one of the other animators was Curtis Godino, who has worked with JLS and founder Joshua White; Frank Santoro also contributed to the film.) A cool elevator sequence pays homage to early German animator Lotte Reiniger. The narrative contains ginormous plot holes; try to suspend disbelief and just let the tongue-in-cheek madness play out onscreen. Shaw and Samborski do a good job of capturing the general angst and ennui of high school life, although it does become repetitive during the too-long seventy-seven-minute running time. And a direct reference to Shaw’s publisher is completely gratuitous. The film also features the voices of Alex Karpovsky as slacker Drake, John Cameron Mitchell as jock Brent Daniels, and Louisa Krause as popular girl Gretchen, with music by Rani Sharone of the band Stolen Babes and the haunting solo project Thrillsville. A selection of the New York Film Festival, My Entire High School Sinking into the Sea opens April 14 at Metrograph, with Q&As with Shaw, Samborski, and producer Kyle Martin at the 7:00 shows April 14-16. (The April 14 Q&A will be moderated by Mitchell.)

NEW YORK FILM FESTIVAL MAIN SLATE: MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

Students have to fight for their future in Dash Shaw’s MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA (Dash Shaw, 2016)
Film Society of Lincoln Center
West 65th St. between Broadway & Amsterdam Aves.
Monday, October 10, Alice Tully Hall, $25, 9:00
Tuesday, October 11, Howard Gilman Theater, $20, 6:00
NYFF Live discussion: Wednesday, October 12, amphitheater, free, 7:00
Festival runs September 30 – October 16
212-875-5050
www.filmlinc.org
dashshaw.tumblr.com

Daria and Scooby-Doo meet The Poseidon Adventure and Titanic in graphic novelist Dash Shaw’s first full-length feature animation, the awkwardly titled, awkwardly plotted, yet awkwardly entertaining My Entire High School Sinking into the Sea. In the somewhat semiautobiographical tale, Dash (voiced by Jason Schwartzman) runs the school newsletter with his best friend, Assaf (Reggie Watts); the two consider themselves investigative journalists, even if no one reads their stories. Dash is further frustrated when Assaf shows an interest in Verti (Maya Rudolph), who has different ideas for the newsletter. After publicly embarrassing Assaf, a stunt that disappoints the relatively cool Principal Grimm (Thomas Jay Ryan), Dash discovers that the high school’s new roof, which is under construction, is not up to code. Just as he starts telling everyone that, the school begins breaking apart and falling into the ocean. Dash soon finds himself with Assaf, lunch lady Lorraine (Susan Sarandon), and his archenemy, Mary (Lena Dunham), as they try to stay above water and survive the maelstrom that is swirling all around them. In order to make it, they’ll have to go from the freshman floor, the lowest one, up through the sophomore, junior, and senior floors to potential safety, a clever way of having them grow up fast. But their journey is a gory one as they encounter plenty of dead students and teachers along with lots of body parts.

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

Survival is the name of the game in animated disaster epic set in high school

Shaw (Cosplayers, Bottomless Belly Buttons) wrote and directed the film, with his partner, Jane Samborski, serving as lead animator, creating much of the DIY-style art in his Brooklyn kitchen; the two previously collaborated on the online series The Unclothed Man in the 35th Century A.D., based on Shaw’s 2009 graphic novel. The cartoon style is all over the place, from sketchy and purposely amateurish to hallucinogenic and surreal, incorporating images of real fire and water; at times it looks like the film is being projected by the iconic 1960s psychedelic Joshua Light Show. (In fact, one of the other animators was Curtis Godino, who has worked with JLS and founder Joshua White; Frank Santoro also contributed to the film.) A cool elevator sequence pays homage to early German animator Lotte Reiniger. The narrative contains ginormous plot holes; try to suspend disbelief and just let the tongue-in-cheek madness play out onscreen. Shaw and Samborski do a good job of capturing the general angst and ennui of high school life, although it does become repetitive during the too-long seventy-five-minute running time. And a direct reference to Shaw’s publisher is completely gratuitous. The film also features the voices of Alex Karpovsky as slacker Drake, John Cameron Mitchell as jock Brent Daniels, and Louisa Krause as popular girl Gretchen, with music by Rani Sharone of the band Stolen Babes and the haunting solo project Thrillsville. My Entire High School Sinking into the Sea is screening October 10 at 9:00 and October 11 at 6:00 at the New York Film Festival; both screenings will be followed by a Q&A with Shaw. In addition, the free discussion NYFF Live: Making My Entire High School Sinking into the Sea will take place October 12 at 7:00 in the amphitheater with Shaw, Samborski, and producer Kyle Martin.

DANNY SAYS

Danny Fields and the Ramones

Documentary details Danny Fields’s wild life in the music business, including managing the Ramones

DANNY SAYS (Brendan Toller, 2016)
IFC Center, 323 Sixth Ave. at Third St., 212-924-7771
Lincoln Plaza Cinema, 1886 Broadway between 62nd & 63rd Sts., 212-757-2280
Opens Friday, September 30
dannysaysfilm.com

“He’s a handmaiden to the gods. He’s been midwife to some of the most important people in music,” John Cameron Mitchell says at the beginning of Danny Says, Brendan Toller’s highly entertaining if scattershot documentary about Danny Fields. Born Daniel Henry Feinberg in Brooklyn in 1939, Fields graduated from the University of Pennsylvania when he was still a teenager, dropped out of Harvard Law School, and went on to one of the wildest careers in the music business. Attracted to both cutting-edge and celebrity culture, Fields was a DJ, a magazine editor, a record executive, a press agent, and a band manager, always doing things his way. “I always went against the grain,” he says in the film, which features family photographs, home movies (including scenes from his bar mitzvah), outstanding music clips, and new and archival interviews with Fields, a natural storyteller with a casual delivery, whether he’s talking about his sexual promiscuity, hanging out with Andy Warhol and Edie Sedgwick at the Factory, or trying to hook up Jim Morrison and Nico. Nothing is off limits as he shares tales about going to gay bars, making “Have a Marijuana” with David Peel & the Lower East Side, developing a friendship with Linda Eastman, and playing the Ramones for Lou Reed for the first time. “He had a way with words that made you want to become part of whatever he was doing,” Peel says in the film.

Others who sing Fields’s praises are Wayne Kramer, Judy Collins, Iggy Pop, Alice Cooper, Justin Vivian Bond, Leee Black Childers, Lenny Kaye, Jonathan Richman, Jann Wenner, and Tommy Ramone. Toller, who met Fields while finishing his 2008 debut film, I Need That Record! The Death (or Possible Survival) of the Independent Record Store, made when he was twenty-one, and editors Ian Markiewicz and Timothy Sternberg have a blast with the archival concert footage, especially of the Stooges and the Ramones (who honored Fields with their song “Danny Says” on End of the Century) in their early days as well as the Velvet Underground, the Doors, the MC5, and the Modern Lovers. Playful animation by Emily Hubley, Johnny Woods, and Matt Newman accompanies several of Fields’s longer anecdotes. The narrative flow is rough, bouncing around like an album with some great songs but doesn’t quite achieve greatness itself, but it’s still a whole lotta fun. “What motivates me is to be in the right crowd,” Fields says. Seeing this film puts moviegoers in the right crowd, at least for ninety minutes. Danny Says opens September 30 at Lincoln Plaza and IFC Center; Toller will be at IFC for a Q&A with Michael Musto following the 7:15 screening Friday night.

THE BELLS: A DAYLONG CELEBRATION OF LOU REED

The life and legacy of Lou Reed will be celebrated on July 30 with free all-day festival at Lincoln Center

The life and legacy of Lou Reed will be celebrated on July 30 with free all-day festival at Lincoln Center

LINCOLN CENTER OUT OF DOORS
Damrosch Park Bandshell, Josie Robertson Plaza, Hearst Plaza,
Alice Tully Hall lobby, Elinor Bunin Munroe Film Center Amphitheater
Saturday, July 30, free, 10:15 am – 12 midnight
www.lcoutofdoors.org
www.loureed.com

I think I took Lou Reed for granted. I’d see him regularly, either performing onstage, wandering through downtown art galleries, seeing shows at BAM, or grabbing a cab with his wife, Laurie Anderson. He was just one of those icons you thought would always be around, but it was not to be. On October 27, 2013, he succumbed to liver disease at the age of seventy-one. Less than three weeks later, on November 14, Lincoln Center hosted a low-key tribute to the Godfather of Punk at the Paul Milstein Pool & Terrace, three hours of his recorded music, with no speeches and no live performances. On July 30, Lincoln Center Out of Doors will be putting on a much bigger and broader festival in honor of Reed’s influential life and career with “The Bells: A Daylong Celebration of Lou Reed,” curated by Anderson and Hal Willner. The party gets under way at 10:15 on Josie Robertson Plaza with a tai chi lesson with Master Ren GuangYi; Reed recorded six original songs with Sarth Calhoun for the master’s Power and Serenity instructional DVD. From 11:00 to 4:00, the immersive sound installation “Lou Reed DRONES,” consisting of six guitars and amps emitting feedback, will continue in the Alice Tully Hall lobby. At 11:30 in the Damrosch Park Bandshell, the house band of Don Fleming, Sal Maida, Kenny Margolis, Lee Ranaldo, Steve Shelley, and Matt Sweeney will be joined by vocalists Joan as Police Woman, David Johansen, Lenny Kaye, Jesse Malin, Kembra Pfahler, Felice Rosser, Harper Simon, Jon Spencer, Bush Tetras, JG Thirlwell, and the Willie Mae Rock Camp for Girls for some rock & roll. From 12 noon to 7:00, the Elinor Bunin Munroe Film Center Amphitheater will present Reed’s 2010 documentary, Red Shirley (12 noon & 3:00), about his one-hundred-year-old cousin; A Night with Lou Reed (1:30 & 5:30), a video document of his 1983 Bottom Line stand; and the American Masters program Lou Reed: Rock and Roll Heart (4:00). At 2:00 in Hearst Plaza, Master Ren GuangYi will give a tai chi chuan and weapons demonstration, along with an eagle claw weapons demonstration by Masters Emmanuel Sam and Paul Lee. At 3:00, “Pass Thru Fire: Lyrics of Lou Reed” features Elizabeth Ashley, Steve Buscemi, Anne Carson, Kim Cattrall, Willem Dafoe, A. M. Homes, Natasha Lyonne, Julian Schnabel, Fisher Stevens, and Anne Waldman reading Reed’s words. At 7:00, Anderson, Anohni, Emily Haines, Garland Jeffreys, David Johansen, Mark Kozelek, Bill Laswell, John Cameron Mitchell, Maxim Moston, Jenni Muldaur, Jane Scarpantoni, Victoria Williams, Jim White, John Zorn, and others will gather at the bandshell for live performances of “Lou Reed’s Love Songs,” showing off his gentler side. The celebration, named after his 1979 album The Bells, concludes with a 10:30 screening (with headphones) of Julian Schnabel’s film Lou Reed’s Berlin, a concert film of Reed’s performance of the 1973 album at St. Ann’s Warehouse in 2006. It should be quite a day and night; try not to take it for granted.

LOU REED’S BERLIN (Julian Schnabel, 2007)
Damrosch Park Bandshell
Saturday, July 30, free, 10:30
www.loureed.com/inmemoriam

In December 2006, Lou Reed resurrected his 1973 masterwork, Berlin, a deeply dark and personal song cycle that was a critical and commercial flop upon its initial release but has grown in stature over the years. (As Reed sings on the album’s closer, “Sad Song”: “Just goes to show how wrong you can be.”) The superbly staged adaptation, directed by Academy Award nominee Julian Schnabel (Basquiat, The Diving Bell and the Butterfly), took place at Brooklyn’s intimate St. Ann’s Warehouse, featuring Rob Wasserman and longtime Reed sideman Fernando Saunders on bass, Tony “Thunder” Smith on drums, Rupert Christie on keyboards, and guitarist extraordinaire Steve Hunter, reunited with Lou for the first time in three decades. The band is joined onstage by backup singers Sharon Jones and Antony, the Brooklyn Youth Chorus, and a seven-piece orchestra (including cello, viola, flute, trumpet, clarinet, and flugel). Amid dreamlike video montages shot by Schnabel’s daughter, Lola, depicting Emmanuelle Seigner as the main character in Berlin, as well as experimental imagery by Alejandro Garmendia, Reed tells the impossibly bleak story of Caroline, a young mother whose life crashes and burns in a dangerously divided and debauched Germany. “It was very nice / It was paradise,” Reed sings on the opening title track, but it’s all downhill from there. “It was very nice / It was paradise” might also now serve as a kind of epitaph for one of the most important poets of the last fifty years. Berlin is being shown at Damrosch Park Bandshell at 10:30 on July 30, with headphones available.