this week in theater

KENNETH TAM: THE CROSSING

The Crossing marks Kenneth Tam’s live, virtual debut at the Kitchen OnScreen (rehearsal photo courtesy Lumi Tan and Kenneth Tam)

Who: Kenneth Tam, Lumi Tan
What: Kenneth Tam’s first live performance
Where: The Kitchen OnScreen Zoom
When: December 5-6, free with RSVP, 7:00
Why: Brooklyn-based multidisciplinary artist Kenneth Tam has been in residence at Queenslab in Ridgewood since October 30, preparing a new work for the Kitchen, following all Covid-19 protocols as he rehearses the piece and prepares for its livestream debut December 5-6. Performed by Martin Richard Borromeo, Paulina Meneses, James Lim, and Resa Mishina, The Crossing explores issues of race, gender, identity, ritual, and assimilation in relation to Asian Americans and Culturally Based Fraternal Organizations, centering on Taoist funeral rites, probate ceremonies, and the brutal hazing death of Baruch college freshman and pledge Michael Deng in 2013 while running through the gantlet known as the Glass Ceiling. Admission is free with RSVP; the December 6 performance will be followed by a Q&A with Tam (All of M, Breakfast in Bed) and Kitchen curator Lumi Tan. You can see previous Kitchen OnScreen projects here by Baseera Khan, Autumn Knight, and Ka Baird with Max Eilbacher.

EdgeCut: SANITY

Katelyn Halpern and Paul Pinto’s Living Room video is part of “EdgeCut: Sanity”

Who: Malena Dayen, Karen Lancel & Hermen Maat, Caitlin & Misha, Katelyn Halpern, Paul Pinto, divinebrick, Chris SooHoo
What: 3D live, interactive experience
Where: New York Live Arts
When: Saturday, December 5, $7-$15, 1:00 – 4:00
Why: On October 10, EdgeCut introduced us to the remarkable NowHere platform for the first part of its collaboration with New York Live Arts, “Captivity,” five hours of short performance works, discussions, and networking in which audience members navigated through different levels in order to watch livestreamed events in little pods and hang out with curators, creators, and other visitors in their pods. You could steer through fantastical landscapes, float in space, and pull up next to another pod and talk about where you’d been so far or where you were off to next, with cameras on so your face is visible on the front of your pod. I’ve tried just about every form of online entertainment while we’re all sheltering in place and arts venues are closed, and nothing else comes close to this one, even given various hiccups that require patience.

The second iteration, “Sanity,” takes place December 5 from 1:00 to 4:00, a more manageable three hours that will feature four unique rooms. In the Growth Room, you can catch director and singer Malena Dayen’s opera While You Are with Me and the bright and colorful Living Room music video of dancing television heads by multidisciplinary artists Katelyn Halpern and Paul Pinto; in the Worry Room, you can let out steam with Caitlin & Misha’s Infinite Worries Bash, a participatory installation of electroacoustic piñatas that inquires, “Can the destruction of these interactive worry vessels create space for clarity?”; in the Transformation Room, you can meditate to divinebrick and Chris Soohoo’s Performance Prayer; and in the Kissing Room, you can share private moments courtesy of intimacy agents Karen Lancel and Hermen Maat, who ask, “Can we measure a kiss and what kissers feel together?”

Intimacy agents Karen Lancel and Hermen Maat explore what online kissing is like at “EdgeCut: Sanity”

Curated by Heidi Boisvert and Kat Mustatea, the EdgeCut program, which originally convened at the New Museum’s NEW INC incubator for art, tech, and design for in-person presentations, is now seeking to expand and redefine the virtual 3D experience during the pandemic lockdown, exploring the question “How do we create collective experience and transformative gatherings in this moment of ‘a crisis within a crisis’ that speak to transition, change, healing, humanity?” The works were chosen through an open call; the finale of the trilogy, “Humanity,” is scheduled for February 13, 2021. Tickets range from $7 per room to $15 for the full experience, which has to be seen to be believed.

ALL ARTS TALKS: UNTIL THE FLOOD WITH DAEL ORLANDERSMITH

Dael Orlandersmith will discuss the streaming Until the Flood at live online talk December 2 (photo by Robert Altman / courtesy Rattlestick Playwrights Theater, 2018)

Who: Dael Orlandersmith, Sherman Fleming, James King
What: Live discussion about Until the Flood
Where: All Arts Facebook, YouTube
When: Wednesday, December 2, free with RSVP, 4:00
Why: In January 2018, Pulitzer Prize finalist Dael Orlandersmith presented her one-woman show Until the Flood at Rattlestick Playwrights Theater. In the play, which was originally commissioned by the Repertory Theatre of St. Louis, Orlandersmith portrays eight composite characters in relating the tragic story of the killing of Michael Brown at the hands of police officer Darren Wilson in Ferguson, Missouri, on August 9, 2014; Orlandersmith traveled to Ferguson and interviewed dozens of people to understand the incident from every possible angle, creating Black retired schoolteacher Louisa Hemphill (70s), white retired policeman Rusty Harden (75), Black teen Hassan (17), white high school teacher Connie Hamm (35), Black barber Reuben Little (late 60s/early 70s), white landowner and electrician Dougray Smith (late 30s/early 40s), Black high school student Paul (17), and Black minister Edna Lewis (late 50s/early 60s), who share their thoughts on racism, anger, violence, poverty, fear, bigotry, liberalism, protest, privilege, education, and other social issues. Orlandersmith delivers each monologue in a different costume (by Kaye Voyce) on Takeshi Kata’s open set centered by a chair she often uses, with a burst of interstitial projections (by Nick Hussong) between scenes.

A recorded version of Until the Flood, directed by Neel Keller, is currently streaming for free at All Arts TV into 2023. On December 2 at 4:00, Orlandersmith (Yellowman, Forever) will be joined by Philly-based performance artist Sherman Fleming for a live Zoom talk moderated by All Arts artistic director James King, discussing the power of art and Until the Flood, placing the work in context of the murder of George Floyd, the Black Lives Matter movement, and the pandemic lockdown; admission is free with RSVP. The event is presented in partnership with ACT Theatre, Center Theatre Group, Denver Center for the Performing Arts, Goodman Theatre, Milwaukee Repertory Theater, Portland Center Stage, Rattlestick Playwrights Theater, and Repertory Theatre of St. Louis.

OUT OF THE BOX FOLLIES

Who: Stephanie Byer, J. D. Brookshire, Georgia Buchanan, Susan Case, Susan Courtney, Kelly Gilmore, James Harter, Larry Stephen Hines, John Christopher Jones, Colleen Kennedy, Laurel Lockhart, Susan McBrien, Phil Mougis, Ward Nixon, Woody Regan, Joseph Rose, Betsy Ross, Gloria Sauvé, Sally Sherwood, Lin Snider, Jennifer Sherron Stock
What: Online streaming benefit
Where: Out of the Box Theatre Company
When: December 4-6, $20-$1,000
Why: Founded in 2006 by the late Scott Robinson, Out of the Box Theatre Company is a nonprofit that’s mission is “to feature working professionals at their peak and in their prime: seasoned actors, directors, and designers primarily past fifty years of age . . . and to present new interpretations of period plays and contemporary classics: works written in the last century and earlier.” Because of the pandemic lockdown, its annual fundraiser has moved online, where it will be streamed December 4-5 at 8:00 and December 5-6 at 3:00. “Out of the Box Follies” will consist of songs, sketches, poems, and more, including such tunes as “Vodka” by the George Gershwin, “Smile” by Charlie Chaplin, and “And I Was Beautiful” by Jerry Herman, a new skit by Susan Courtney and James Harter, who starred last year in Harvey, and an excerpt from William Shakespeare’s A Midsummer Night’s Dream. The show is directed by Lin Snider, with music direction by Woody Regan. “The pandemic has presented so many challenges and hardships to performing artists,” producer Halina Malinowski said in a statement. “We decided that we wanted to give the our company members — the average age of the performers in this show is over sixty years old — a chance to perform when it’s not safe for many of them to leave their homes.” Tickets are $20 and up, depending on what you can afford.

THE ARS NOVA FOREVER TELETHON

Who: Julia Abueva, César Alvarez, Frankie Alvarez, Cathy Ang, Brittain Ashford, Jaclyn Backhaus, Courtney Bassett, Gelsey Bell, Nick Belton, Katja Blichfeld, Brian Bogin, Rachel Bonds, Hannah Bos, Michael Breslin, Salty Brine, Starr Busby, Andrew R. Butler, Nikki Calonge, Josh Canfield, Kennedy Caughell, Rachel Chavkin, Karen Chee, Manik Choksi, Claudia Chopek, Heather Christian, Lilli Cooper, Gavin Creel, Lea DeLaria, Blake Delong, Sonia Denis, Vinny DePonto, Dickie DiBella, Billy Eichner, Erik Ehn, Naomi Ekperigin, Bridget Everett, Jesse Tyler Ferguson, Ashley Pérez Flanagan, Patrick Foley, Peter Friedman, Laura Galindo, Nick Gaswirth, Matt Gehring, Alex Gibson, Betty Gilpin, Amber Gray, Deepali Gupta, Stephanie Hsu, Khiyon Hursey, Joomin Hwang, Joe Iconis, James Monroe Iglehart, Michael R. Jackson, Sakina Jaffrey, Kyle Jarrow, Mitra Jouhari, Jinwoo Jung, Stephen Karam, Celia Keenan-Bolger, Jennifer Kidwell, Billy Kiessling, Blaine Krauss, Mahayla Laurence, Arthur Lewis, Chris Lowell, Grace McLean, Dave Malloy, Andrew Mayer, Karyn Meek, Sammy Miller, James Monaco, Kaila Mullady, Shoba Narayan, Lila Neugebauer, Ryan O’Connell, Emily Oliveira, Isaac Oliver, Larry Owens, Ashley Park, Joél Pérez, Paul Pinto, Pearl Rhein, Matt Rogers, Phil Romano, Kyra Sedgwick, Shalewa Sharpe, Scott R. Sheppard, Brooke Shields, Rona Siddiqui, Leigh Silverman, Ben Sinclair, Tessa Skara, Peter Smith, Phillipa Soo, Scott Stangland, Chris “Shockwave” Sullivan, Babak Tafti, Jason Tam, Robin Lord Taylor, Stephanie Wright Thompson, Alex Timbers, Anthony Veneziale, Cathryn Wake, Natalie Walker, Jason “Sweettooth” Williams, Beau Willimon, Bess Wohl, Lauren Worsham, Katrina Yaukey, John Yi, Paloma Young, more
What: Virtual fundraiser
Where: Ars Nova online
When: Friday, December 4, free with RSVP (donations accepted), 6:00
Why: What, you were expecting something standard from Ars Nova? Then you don’t know the arts organization very well, do you? Whether you’re a longtime fan of the innovative company or a newbie, you’ll find a vast array of talent participating in the Ars Nova Forever Telethon, taking place over twenty-four consecutive hours beginning at 6:00 pm on December 4. Founded in 2002, Ars Nova develops and nurtures experimental, cutting-edge, innovative presentations at its main home on West Fifty-Fourth St. and its new satellite venue at Greenwich House; among its biggest recent successes are Small Mouth Sounds, The Lucky Ones, Rags Parkland Sings the Songs of the Future, boom, and Natasha, Pierre & the Great Comet of 1812.

Natasha, Pierre & the Great Comet of 1812 will be celebrated by original cast members at Ars Nova Forever Telethon (photo by Ben Arons)

The telethon will feature appearances by such theatrical luminaries as Gavin Creel, Lea DeLaria, Bridget Everett, Jesse Tyler Ferguson, Betty Gilpin, Amber Gray, Stephanie Hsu, James Monroe Iglehart, Michael R. Jackson, Celia Keenan-Bolger, Lila Neugebauer, Ashley Park, Kyra Sedgwick, Brooke Shields, Leigh Silverman, Phillipa Soo, Robin Lord Taylor, Alex Timbers, and Bess Wohl, among dozens of others, who are all listed above. Registration is free, but donations are encouraged based on what you can afford; if you make a gift of $100 or more in advance, you will receive a watch party box filled with goodies you can eat, drink, and wear during the show. The full schedule is below.

The Kickoff, hosted by Ashley Pérez Flanagan and Grace McLean, 6:00 pm

The Comet Comes Home, hosted by Rachel Chavkin & Dave Malloy, celebrating Natasha, Pierre & the Great Comet of 1812, 8:00 pm

Showgasm, hosted by Matt Rogers & Shalewa Sharpe, variety show, 10:00 pm

Isaac Oliver’s Lonely Quarantine, hosted by Isaac Oliver, midnight

The Witching Hour with the Neon Coven, hosted by the Neon Coven, 2:00 am

Cartoon Camp, hosted by Mahayla Laurence & Matt Gehring, 4:00 am

Ars Nova Rewind: Vintage Videos, rare archival footage, 6:00 am

Morning Meditations: An In-Home Retreat, hosted by Sakina Jaffrey, inspired by Small Mouth Sounds, 8:00 am

“Boom Crunch” Zoom Brunch: A Celebration of Theatrical Choices, hosted by Larry Owens & Natalie Walker, 10:00 am

So You Think You Can KPOP, hosted by Jason Tam, celebrating KPOP, noon

Thon-Tha-Thon-Thon-Thon, hosted by Freestyle Love Supreme, 2:00 pm

The Finale for the Future!, hosted by Lilli Cooper & Joél Pérez, 4:00 pm

TENNESSEE WILLIAMS’S THE NIGHT OF THE IGUANA BENEFIT READING

Who: Dylan McDermott, Phylicia Rashad, Roberta Maxwell, Austin Pendleton, Jean Lichty, Keith Randolph Smith, Carmen Berkeley, Eliud Kauffman, Julio Macias, Stephanie Schmiderer, Bradley James Tejeda, John Hans Tester
What: Prerecorded reading of Tennessee Williams classic benefiting the Actors Fund
Where: La Femme Theatre Productions
When: December 2-6, $10-$250
Why: “There are worse things than chastity,” Hannah Jelkes says in Tennessee Williams’s The Night of the Iguana. “Yes: Lunacy and death,” Lawrence Shannon responds. Williams’s tale of a former minister accused of a serious crime on the eve of WWII in a hotel in Acapulco transformed from a short story to a one-act play to a three-act Broadway show and to a film between 1948 and 1964, with such stars as Patrick O’Neal Bette Davis, and Margaret Leighton in the original Broadway production, Richard Burton, Ava Gardner, and Deborah Kerr in the John Huston movie, and Woody Harrelson, Clare Higgins, and Jenny Seagrove in a London revival. It will now make its online debut in a prerecorded reading staged by La Femme Theatre Productions, which was formed in 2015 to explore and illuminate the universal female experience. Streaming December 2-6, the play, a benefit for the Actors Fund, features Dylan McDermott as Reverend Shannon, Phylicia Rashad as Maxine, Roberta Maxwell as Miss Fellowes, Austin Pendleton as Nonno, Jean Lichty as Hannah, Keith Randolph Smith as Jake, Carmen Berkeley as Charlotte, Eliud Kauffman as Hank, Julio Macias as Pancho, Stephanie Schmiderer as Frau Fahrenkopf, Bradley James Tejeda as Pedro, and John Hans Tester as Herr Fahrenkopf. The reading is directed by Emily Mann, with sets and background design by Beowulf Boritt and music and sound by Darron L West. Tickets are $10 to $250 for a forty-eight-hour stream, depending on what you can afford.

ELEGIES FOR ANGELS, PUNKS, AND RAGING QUEENS WORLD AIDS DAY BENEFIT

Who: Brooks Ashmanskas, Laura Bell Bundy, Lena Hall, Robin de Jesús, Jay Armstrong Johnson, Nathan Lane, Norm Lewis, Kevin McHale, Jessie Mueller, Cynthia Nixon, Anthony Rapp, Krysta Rodriguez, Seth Rudetsky, JK Simmons, Alysha Umphress, Paul Castree, Richard Chamberlain, Charity Angél Dawson, Fran Drescher, J. Harrison Ghee, Gideon Glick, Lisa Howard, James Monroe Iglehart, Cherry Jones, Francis Jue, Vicki Lewis, Telly Leung, Stanley Wayne Mathis, Eric William Morris, Michael Notardonato, Okieriete Onaodowan, Kirsten Scott, Matthew Scott, Michael James Scott, Evan Todd, Mariand Torres, Michael Xavier, Danny Burstein, Judith Light, Billy Porter, Michael Urie, more
What: Abingdon Theater Company benefit for World AIDS Day
Where: Broadway on Demand
When: Tuesday, December 1, free, 5:00
Why: First produced at the Ohio Theatre in New York City in 1989, composer Janet Hood and lyricist Bill Russell’s Elegies for Angels, Punks, and Raging Queens consists of monologues from the perspective of AIDS victims and songs that explore the reaction of their deaths from friends and family. On World AIDS Day, Broadway on Demand, in conjunction with the Abingdon Theater Company, is hosting a virtual revival of the show, featuring an all-star cast of more than fifty actors, including Brooks Ashmanskas, Lena Hall, Fran Drescher, Nathan Lane, Norm Lewis, Richard Chamberlain, Jessie Mueller, Cynthia Nixon, Anthony Rapp, Krysta Rodriguez, James Monroe Iglehart, Cherry Jones, Seth Rudetsky, and JK Simmons, with special appearances by Danny Burstein, Judith Light, Billy Porter, and Michael Urie. It’s free to stream, although donations are encouraged for Broadway Cares/Equity Fights AIDS. The stories were inspired by the AIDS Memorial Quilt and Edgar Lee Masters’s Spoon River Anthology collection of interrelated free-verse poems and features such songs as “I’m Holding On to You,” “I Don’t Do That Anymore,” “I Don’t Know How to Help You,” and “Celebrate.”