this week in lectures, signings, panel discussions, workshops, and Q&As

MASTER CLASS: STEVE JAMES

NO CROSSOVER: THE TRIAL OF ALLEN IVERSON kicks off Master Class series with Steve James at the Maysles Institute

Maysles Institute
343 Malcolm X Blvd. between 127th & 128th Sts.
July 28 – August 4, suggested donation $10, 7:30
212-582-6050
www.mayslesinstitute.org

Award-winning director, producer, and editor Steve James has made some of the most fascinating, entertaining, and important documentaries of the past twenty years, delving into the American psyche through sports, death row, and inner-city violence. The Maysles Institute will be celebrating the release of his latest film, The Interrupters, a powerful examination of gang violence in Chicago, with Master Class, a series curated by Sylvia Savadjian that begins Thursday night with a screening of James’s No Crossover: The Trial of Allen Iverson, a look back at a major event in the basketball superstar’s youth that took place in James’s own hometown of Hampton, Virginia. The film screens at 7:30 and will be followed by a Q&A and reception with James. On Friday night, the instant classic Hoop Dreams will be shown, a seminal work that follows the dreams of two high school athletes, William Gates and Arthur Agee, seeking to make it big in the NBA. The series continues August 4 with James and Peter Gilbert’s At the Death House Door and August 5-11 with The Interrupters; look for our rave reviews of both coming soon.

EIKO & KOMA: WATER / RESIDUE

Eiko and Koma will perform in Lincoln Center’s Paul Milstein Pool as part of free Out of Doors Festival (photo by Robert G. Sanchez)

Lincoln Center Out of Doors
Paul Milstein Pool, Hearst Plaza
July 27-31, free, 9:30
212-875-5000
www.lcoutofdoors.org
www.eikoandkoma.org

In the spring, innovative New York-based dancers and choreographers Eiko Otake and Takashi Koma performed the powerful Naked at the Baryshnikov Arts Center, a free, haunting “living installation” in which the longtime couple moved perilously slowly in a postapocalyptic organic environment that included tantalizing drips of water coming from the ceiling. For their latest site-specific work, Eiko and Koma will perform in the Paul Milstein Pool at Hearst Plaza, July 27-31 at 9:30, as part of the Lincoln Center Out of Doors Festival. Native American flutist-composer Robert Mirabal will accompany the dancers in the water, playing his original score live. Also on hand will be Henry Moore’s “Reclining Figure,” which has occupied the pool for years. The new piece was partly inspired by Eiko and Koma’s 1995 River, which takes place in moving water and was recently reconstructed for the 2011 American Dance Festival; water has also played a role in such previous productions as Elegy (1984), Thirst (1985), and Passage (1989). “In this most urban landscape of midtown Manhattan, we also intend to remember and imagine the ancient water all living things came from and each of us was born from,” they explain in a program note. “Finally, many recent disasters remind us that water’s seeming calm is illusory.” It is appropriate that Water is taking place in a reflecting pool, as Lincoln Center is also hosting “Residue,” a multimedia exhibition that looks back at Eiko and Koma’s long career in conjunction with their ongoing Retrospective Project, featuring video, sets, costumes, and the extraordinary structure built for Naked. The display continues at the Astor Gallery at the New York Public Library for the Performing Arts through October 30. On July 28 at 6:00, Dance magazine editor in chief Wendy Perron will speak with Eiko and Koma and show several of their short videos, including My Parents, The Retrospective Project, Dancing in Water: The Making of River, and The Making of Cambodian Stories. All events are free and open to the public.

SEX AND TRAVEL NIGHT

A scale-model replica of King Edward VII’s sex chair will be on view during special free event at Museum of Sex

Museum of Sex
233 Fifth Ave. at 27th St.
Tuesday, July 26, free, 7:00
212-689-6337
www.museumofsex.com

“Love was immediately associated with travel,” Elisabeth Eaves writes in Wanderlust: A Love Affair with Five Continents (Seal, May 2011, $16.95), remembering a long-distance college romance. Her memoir follows her from New Guinea to Cairo and beyond. In The Sinner’s Grand Tour: A Journey Through the Historical Underbelly of Europe (Broadway, May 2011, $15), Tony Perrottet limits his sexually inspired travels to a single continent: “The British Museum was only the first stop in a personal Grand Tour I’d planned across Europe, in search of forbidden historical fruit,” he explains. “Today, the entire continent is still littered with secret boudoirs, perverse relics, and ancient dungeons, many of which, I was convinced, could be found.” Eaves’s and Perrottet’s dual journeys will bring them together July 26 for “Sex and Travel Night” at the Museum of Sex, where they will read from their books and discuss the intersection between lust and travel in the institution’s OralFix bar, where the audience can partake in such aphrodisiac cocktails as the Aphrodite (good for potency and lust), the Golden Blossom (endurance and longevity), and the Lucky Devil (excitement and joy), as well as a specially devised elixir created for the event. Among the items on view will be a playful scale-model replica of King Edward VII’s sex chair.

ART OF ENCOUNTER: GALLERY READINGS

Lee Ufan, “Relatum (formerly Language),” cushions, stones, and light, 1971 (photo by twi-ny/mdr)

Solomon R. Guggenheim Museum
1071 Fifth Ave. at 89th St.
Tuesday, July 26, $10, 6:30
212-423-3587
www.guggenheim.org

“Infinity begins with the self but is only manifested fully when connected with something beyond the self,” Lee Ufan wrote in 1993. “I do not want to fix or represent the self as self, but to recognize the existence of the self in relationship with otherness and perceive the world in a place where such a relationship exists.” One of the many pleasures of the Guggenheim’s current dazzling retrospective, “Lee Ufan: Marking Infinity,” is the inclusion of many quotes from the Korean visual artist and theoretician, who has written extensively about his work specifically as well as the making, or “not-making,” of art in general. Scattered throughout the exhibit and translated on the audioguide, the quotes lend thought-provoking, illuminating insight into Lee’s creative process. On Tuesday, July 26, a group of artists and thinkers will gather among Lee’s Mono-ha (“School of Things”) “living structures” and paintings and read selections from his writings, including Laurie Anderson, Jonah Bokaer, Young-ha Kim, Larissa MacFarquhar, Andrew Solomon, and John Yau, followed by a reception. “Expression achieves externality that is simultaneously passive and active. I hope to cut into the controlled everyday reality of industrial society, breathing fresh air into it and stimulating an awareness of infinity that transcends the human, to awaken a world that is always open,” Lee wrote in 1970. This special program is being held in conjunction with the Korea Society exhibition “The Writings of Lee Ufan,” which continues through August 15; the Guggenheim show runs through September 28.

PRINCE OF THE CITY: REMEMBERING SIDNEY LUMET

Al Pacino gives a fiery performance as a would-be bank robber in Sidney Lumet's DOG DAY AFTERNOON

DOG DAY AFTERNOON (Sidney Lumet, 1975) and SERPICO (Sidney Lumet, 1973)
Film Society of Lincoln Center, Walter Reade Theater
165 West 65th St. at Amsterdam Ave.
Serpico: Saturday, July 23, 9:00
Dog Day Afternoon: Saturday, July 23, 6:30, and Monday, July 25, 1:00
Series continues through July 19-25
212-875-5601
www.filmlinc.com

The Film Society of Lincoln Center’s tribute to the late Sidney Lumet continues tonight with two of the Philadelphia-born New Yorker’s greatest works, a pair of tense, powerful fact-based dramas starring Bronx native Al Pacino that helped define the 1970s, both onscreen and off. First up, at 6:30, is one of the most bizarre bank robberies gone wrong you’ll ever see, Dog Day Afternoon. Pacino stars as Sonny, a confused young man desperate to get money to pay for his boyfriend’s (Chris Sarandon) sex-change operation. But things don’t go quite as planned, and soon Sonny is leading the gathered crowd in chants of “Attica! Attica!” while his partner, Sal (John Cazale), wants a plane to take them to Wyoming and Det. Moretti (Charles Durning) is trying to get them to surrender without hurting anyone, primarily themselves. Dog Day Afternoon is a blistering, funny, biting commentary on mid-’70s New York as well as a fascinating character study of a deeply conflicted man. Following at 9:00 is another gritty, realistic drama, Serpico, with Pacino giving an unforgettable performance as an undercover cop single-handedly trying to end the rampant corruption that has spread like a disease throughout the NYPD. When his fellow officers and supposed friends turn their back on him, he is left on his own, vulnerable but still committed, risking both his career and his life to do what he thinks is right. Pacino is explosive in both films, playing two very different protagonists on different sides of the law yet similar in so many ways. “Prince of the City: Remembering Sidney Lumet” features three other Lumet films today, 1978’s The Wiz (10:30 am), 1968’s The Sea Gull (1:15), and 1988’s Running on Empty (4:00), while tomorrow’s schedule includes 1962’s Long Day’s Journey into Night (12:30), 1990’s Q&A (4:00), and 1981’s Prince of the City (7:15), the latter two followed by Q&As with cast members and real characters depicted in the films.

PIG OUT!

3rd Ward
195 Morgan Ave.
Saturday, July 23, free with RSVP, 2:00 – 9:00
www.3rdward.com

Brooklyn art collective 3rd Ward considers itself “an incubator for innovation and possibility” where anyone and everyone is invited “to work, play, learn, grow, and, ultimately, transform.” On July 23, the public is also invited to eat to their heart’s content at 3rd Ward’s fourth annual Pig Out! From 2:00 to 9:00, attendees will be lining up for barbecue from the Lower East Side’s Brindle Room (and you thought all those artistic types were either vegetarian or vegan), local produce from Plovgh, and live music by Union Street Preservation Society, Northern Bells, Alana & the Rough Gems, and DJs the Gorges Boys. There will also be workshops and demonstrations, including “Alginate Casting,” “Chocolate Sculpture,” “The Bicycle Doctor Is In,” and “Ingredient Challenge.”

SUMMER NIGHT AT THE FRICK COLLECTION

Giovanni Bellini, “St. Francis in the Desert,” oil on poplar panel, ca. 1475-78

The Frick Collection
1 East 70th St. at Fifth Ave.
Friday, July 22, free, 6:00 – 9:00 (children over ten welcome)
212-288-0700
www.frick.org

Every Sunday morning from 11:00 to 1:00, admission to the Frick Collection is pay-what-you-wish instead of the normal $18 to experience one of the city’s genuine treasures. But this Friday, the Frick is extending its hours, as the “Summer Night” program will open its doors for free from 6:00 to 9:00 for a special after-hours viewing of “In a New Light: Bellini’s ‘St. Francis in the Desert,’” which has recently undergone infrared reflectography, leading to new insight into the meaning behind the masterpiece, as well as “Turkish Taste at the Court of Marie-Antoinette.” The evening will also include the class “Summer Sketch: Bellini and Botany,” taught by Liz Insogna in the Garden Court; the gallery talks “Introduction to the Frick” at 6:15, 7:15, and 8:15 in the West Gallery and “Rooms of the Frick” at 6:45, 7:45, and 8:45 in the Dining Room; the curatorial presentations “Marie-Antoinette’s Turkish Dreams” by Charlotte Vignon at 6:30 and 7:00 and “Bellini Multimedia: Screening” by Denise Allen at 7:30; and five-minute live performances of “Danse Arabe” by Andreas Heise and Kristen Stevens in the Music Room at 8:15, 8:25, 8:35, and 8:45. Although there are no reservations or tickets needed, there are likely to be long lines for everything, so get there early.