this week in lectures, signings, panel discussions, workshops, and Q&As

ALL THE NEWS THAT’S FIT TO SCREEN

SWEET SMELL OF SUCCESS is part of journalism series at New York Public Library for the Performing Arts

New York Public Library for the Performing Arts
Dorothy and Lewis B. Cullman Center, Bruno Walter Auditorium
40 Lincoln Center Plaza (111 Amsterdam Ave. & 66th St.)
Thursdays at 6:30 from May 31 to June 28
www.nypl.org

Playing off the New York Times motto “All the News That’s Fit to Print,” the New York Public Library for the Performing Arts is honoring the career of journalist Helen Bernstein Fealy with the free film series “All the News That’s Fit to Screen.” Celebrating the twenty-fifth anniversary of the NYPL’s Helen Bernstein Book Award for Excellence in Journalism, the institution will be presenting five films set in the world of newspaper and magazine publishing, taking place on successive Thursday nights in the Bruno Walter Auditorium, with each program including a postscreening discussion. The festival begins May 31 with Shattered Glass (Billy Ray, 2003), which tells the story of disgraced New Republic reporter Stephen Glass; professor Adam L. Penenberg, who broke the story for Forbes, will be on hand to talk about it. On June 7, New York Times golf writer Karen Crouse will discuss female sports reporters following a screening of the classic Katharine Hepburn / Spencer Tracy battle of the sexes Woman of the Year (George Stevens, 1942). On June 14, gossip columnists George Rush and Lindsay Powers will dish it out after Sweet Smell of Success (Alexander Mackendrick, 1957), the Walter Winchell-inspired tale starring Burt Lancaster as columnist J. J. Hunsecker and Tony Curtis as his protégé, Sidney Falco. On June 21, Marina Goldovskaya will talk about and screen her 2011 documentary, A Bitter Taste of Freedom, which tells the tragic story of Russian investigative journalist Anna Politkovskaya. The series concludes on June 28 with one of the most famous bombs ever made, The Bonfire of the Vanities (Brian De Palma, 1990), with Julie Salamon, author of The Devil’s Candy: The Bonfire of the Vanities Goes to Hollywood, ready to share some inside tidbits following the screening.

POST PLASTICA

POST PLASTICA is a multimedia collaboration between PS 122 and El Museo del Barrio

El Teatro, El Museo del Barrio
1230 Fifth Ave. at 104th St.
May 31 – June 3, $20, 7:30
212-352-3101
www.ps122.org

PS 122 and El Museo del Barrio have joined forces to present the multimedia performance Post Plastica, a virtual fantasy that imagines the future of art as well as the world itself. Created by sisters Ela Troyano and Alina Troyano, who is also known as Carmelita Tropicana, Post Plastica stars Tropicana as a woman who gets a Botox injection that puts her in a coma, sending her off on an adventure that includes a woman-bear scientist played by Becca Blackwell (Untitled Feminist Show) and the title character, played by Erin Markey (Green Eyes). A mix of video and live performance, Post Plastica features production design by Aliza Shvarts, costumes by Yail Romagoza, lighting by Chris Hudacs, and projections by Uzi Parnes. Each evening will be preceded by a special event at El Museo beginning at 6:00, including an exhibit of stereoscopic imagery by Richard Pell on May 31, the lecture/demonstration “Meet the Celebrity” with Fufurufu and Nao Bustamente on June 1, an “Urban Beekeeping” discussion with Guillermo Fernandez and Jennifer Monson on June 2, and the “Normal Is Good” interview between Shvars and Romagoza on June 3.

THE FESTIVAL OF RUSSIAN ARTS

Yuri Kara’s adaptation of Mikhail Bulgakov’s THE MASTER AND MARGARITA is part of Russian festival examining literature, film, and more

Multiple locations throughout Manhattan
Through June 6
Admission: free
causaartium.org

The inaugural Festival of Russian Arts is under way, comprising special events around the city through June 6. Officially subtitled “New York’s Entry into the Rich and Dynamic World of Russian Art and Culture,” the festival includes film screenings, literary readings, panel discussions, and receptions. On Saturday, May 26, at 4:00, playwright Yaroslava Pulinovich, translator John Freedman, and director Tamilla Woodard will participate in “I Won! A Staged Reading and Open Discussion” at the Little Times Square Theatre, featuring a pair of one-act, one-woman shows, I Won! and Natasha’s Dream. On May 29 at 5:30, Pulinovich will join Irina Bogatyreva, Polina Klyukina, and moderator Jenny Lyn Bader for the talk “Shattered Icons: The Demise of Heroes in America and Russia” at the New York Public Library’s Berger Forum. On May 31, Cathy Nepomnyashchy will lead the discussion “Writers at the Flashpoint: New Russian Writing & the Riddle of the Caucasus” at the Connor Room at the Mid-Manhattan Library with Arslan Khasavov, Alisa Ganieva, and Sergei Shargunov. From June 1 to June 6, “Diverging Perspectives: Filming Russian Literature in Russia and in the West” will screen various versions of such literary classics as Fyodor Dostoevsky’s The Brothers Karamazov (by Richard Brooks, Petr Zelenka, and Ivan Pyryev), Nikolai Gogol’s The Overcoat (by Alberto Lattuada, Grigori Kozintsev & Leonid Trauberg, Aleksey Batalov, and Michael McCarthy), and Mikhail Bulgakov’s The Master and Margarita (by Yuri Kara, Paul Bryers, and Andrzej Wajda) at the Tribeca Grand Cinema and the NYU Cantor Film Center, with talks before and after most presentations. On June 2, Martin Amis and Olga Slavnikova will discuss “Side by Side: A Conversation with Writers from Different Worlds” in the NYPL’s South Court Auditorium, moderated by Leonard Lopate. All events are free and open to the public.

DANCEAFRICA: ONE AFRICA/MANY RHYTHMS

The inimitable Baba Chuck Davis will once again lead the BAM DanceAfrica celebration on Memorial Day Weekend (photo by Julieta Cervantes)

Brooklyn Academy of Music
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
May 25-28, free – $50
718-636-4100
www.bam.org

For some people, it isn’t summer in New York City until the beaches and pools open, or half-day Fridays begin, or the free outdoor music series kick off all over town. For us, summer doesn’t get under way until BAM’s annual DanceAfrica returns, four days of dance, film, music, fashion, food, and one of the best street fairs of the year. The thirty-fifth annual cultural celebration starts in the Howard Gilman Opera House on May 25 with performances by the Adanfo Ensemble, Farafina Kan: The Sound of Africa, United African Dance Troupe, and the BAM/Restoration DanceAfrica Ensemble. On Saturday, Adanfo and Restoration will be joined by the Forces of Nature Dance Theatre and the Oyu Oro Afro-Cuban Dance Company, on Sunday by Illstyle Peace Productions and Creative Outlet, and on Monday by Hamalali Wayunagu Garifuna and Asase Yaa. The inimitable Baba Chuck Davis will participate in an Iconic Artist Talk on May 27 at 6:00 with Kariamu Welsh in the Hillman Attic Studio. The Mason-Jam-Ja Band will play BAMcafé Live on Friday night at 10:00, while the Black Rock Coalition Orchestra Salute to Don Cornelius & Soul Train takes place on Saturday night, followed by a late-night dance party with DJ Idlemind. BAMcinématek will be screening such films as Fabio Caramaschi’s One Way, a Tuareg Journey, Zelalem Woldemariam Ezare’s Lezare (For Today), Abdelkrim Bahloul’s A Trip to Algiers, Akin Omotoso’s Man on Ground, Lionel Rogosin’s Come Back, Africa, Andy Amadi Okoroafor’s Relentless, Daniel Daniel Cattier’s 50 Years of Independence of Congo, Claus Wischmann & Martin Baer’s Kinshasa Symphony, and Michel Ocelot’s Tales of the Night, with Omotoso, Cattier, and Okoroafor on hand for Q&As. Through June 3, BAM will be hosting the exhibition “Waiting for the Queen,” highlighting works on paper by U.S.-based Nigerian artists Njideka Akunyili and Ruby Onyinyechi Amanze, curated by Dexter Wimberly. And on Saturday, Sunday, and Monday, the DanceAfrica 2012 Bazaar will transform Ashland Pl. into a global marketplace rich with African and Caribbean cultural heritage, including great food, clothes, art, jewelry, books, music, and so much more. “Ago!” “Amée!!”

FLEET WEEK

An international contingent of military vessels and tall ships will pull into the metropolitan area for Fleet Week

Intrepid Sea, Air & Space Museum and other locations
Pier 86, 12th Ave. & 46th St.
May 23–30
Admission: adults $22, children three to six $10, seven to seventeen $17 (if purchased online in advance)
www.intrepidmuseum.org
www.fleetweeknewyork.com

Started back in 1984, Fleet Week takes place May 23-30, when thousands of men and women from the U.S. Navy, Marines, and Coast Guard come ashore in New York City for a week of special events and all-night partying. The official Parade of Sail begins Wednesday morning, May 23, at 8:11 at the Verrazano-Narrows Bridge, making its way past the Statue of Liberty and the World Trade Center site. Twenty-one ships from around the world will dock in the metropolitan area, with many available for boarding; the lineup includes the USS Wasp, the USCGC Eagle, and the USS Donald Cook at Pier 90 in Manhattan, the USS Mitscher, Roosevelt, San Jacinto, and Gonzalez and the tall ships Cisne Branco and KRI Dewaruci on Staten Island, the USCGC Seneca and Willow, the RAF Argus, JS Shirane, and FNS Pohjanmaa, and the tall ships Etoile, La Belle Poule, Buque Escuela Arm Cuauhtemoc, and Juan Sebastian de Elcano in Brooklyn, and the tall ships ARC Gloria and BAE Guayas at the Intrepid Sea, Air & Space Museum. Among the special events are the USN Leap Frogs Parachute Jump on Coney Island on May 24, U.S. Marine Corps Day in Battery Park on May 25, an Explosive Ordnance Team demo in Eisenhower Park and Military Day in Times Square on May 26, the Staten Island War of 1812 Commemoration on May 27, and the Manhattan Memorial Day Parade on May 29. The Intrepid will host a fiftieth anniversary celebration of the Mercury-Atlas 7 mission on May 24, Broadway showcases featuring performances by the casts of Ghost, Sister Act, Chicago, Priscilla Queen of the Desert, Rock of Ages, Godspell, Porgy & Bess, Peter and the Starcatcher, Anything Goes, Memphis, The Unauthorized Harry Experience, Traces, and The Gazillion Bubble Show on May 25, screenings of Men in Black 3 (May 24) and Top Gun (May 25), the annual Tug of War on May 26, a USCG Search & Rescue Demonstration on May 27, and a lunchtime talk with former USS Mason crewmember Lorenzo DuFau on May 29. You can get an advance look at the ships by taking New York Water Taxi’s Special OpSail 2012 Preview Tour on May 22 ($45-$60) and the up-close-and-personal OpSail VIP Parade of Sail Tour on May 23 ($55-$75).

NEVER STAND STILL

Documentary celebrates the long history of Jacob’s Pillow as a mecca for dance (photo by Christopher Duggan)

NEVER STAND STILL: DANCING AT JACOB’S PILLOW (Ron Honsa, 2011)
Quad Cinema
34 West 13th St.
May 18-24
212-255-2243
www.quadcinema.com
firstrunfeatures.com

In conjunction with the eightieth anniversary of the Jacob’s Pillow Dance Festival, Ron Honsa has made Never Stand Still, a documentary that celebrates the long history of the national historic landmark dedicated to the art of movement. Narrated by Bill T. Jones, the seventy-five-minute documentary looks back at the founding of the Pillow, located in Becket, Massachusetts, through exciting archival footage of Ted Shawn and his wife, Ruth St. Denis, Shawn’s all-male troupe, and the construction of the first American theater dedicated specifically to dance. Honsa speaks with such legendary dancers and choreographers as Merce Cunningham, Suzanne Farrell, Mark Morris, Judith Jamison, Paul Taylor, and Marge Champion, who all discuss the importance of the Pillow as a nurturing creative mecca that continues to bring performers and audiences together from all over the world. “It was a place where people could, quietly or not, think differently and act differently,” Cunningham says in one of his last interviews. Gideon Obarzanek calls the Pillow “one of the few places you can come and really feel and understand the past in order to move into the future.” Honsa focuses on a series of companies and creators as they rehearse and perform at Jacob’s Pillow, including Obarzanek’s Chunky Move, Rasta Thomas and Bad Boy Dance, solo artist Shivantala Shivalingappa, the Mark Morris Dance Group, Jens Rosén and Stockholm 59° North, Nikolaj Hübbe and the Royal Danish Ballet, and Bill Irwin, who pays tribute to the movement skills of Charlie Chaplin and Buster Keaton. Honsa (The Men Who Danced) gives equal time to the past, present, and future of dance, incorporating classical, modern, contemporary, hip-hop, experimental, ballet, and other styles and genres, playing no favorites. The film runs May 18-24 at the Quad; Honsa and special guests will participate in a Q&A following the 6:15 screening on opening night.

THE CARETAKER

Jonathan Pryce, Alex Hassell, and Alan Cox star in THE CARETAKER at BAM (photo by Richard Termine)

Brooklyn Academy of Music
BAM Harvey Theater
651 Fulton St. between Ashland & Rockwell Pl.
Through June 17, $25-$100
718-636-4100
www.bam.org

Jonathan Pryce gives a whirlwind tour-de-force performance in the latest revival of Harold Pinter’s The Caretaker, running at BAM’s Harvey Theater through June 17. In the Liverpool Everyman and Playhouse/Theatre Royal Bath production, Pryce (Miss Saigon, Comedians) stars as the tramp Davies, a homeless man in tatters who is just looking for a good pair of shoes and a place to rest his weary bones. He is offered both by Aston (Alan Cox), a friendly sort of chap Davies met in a pub who takes Davies to his apartment, a ramshackle space overloaded with dusty, moldy black-and-white and gray objects, the only color a brightly painted ceramic Buddha. Davies is soon being harassed by a strange man who turns out to be Aston’s younger brother, Mick (Alex Hassell), who enjoys teasing the elderly Davies. Over the course of several weeks, the trio engages in existential philosophical discussions à la Beckett’s Waiting for Godot, speaking about nothing and everything as both brothers separately ask him to serve as the apartment building’s caretaker, leading to confusion over who’s really in charge. Meanwhile, Davies keeps talking about having to get to Sidcup to reclaim his identity papers, as his real name is not actually Davies. Directed by Christopher Morahan, The Caretaker is worth seeing just for Pryce’s extraordinary performance as the title character, an endearingly eccentric figure who likes things his own extremely particular way. The first half is filled with eclectic humor and slapstick, but the second half gets bogged down in repetition and plot twists that come out of left field, not really going anywhere ― even though that’s part of the point. “I can take nothing you say at face value,” Mick says to Davies. “Every word you speak is open to any number of different interpretations.” And so it is with the play and Pinter himself. The Caretaker was his breakthrough, premiering in London in 1960 with Donald Pleasence as Davies, Alan Bates as Mick, and Peter Woodthorpe as Aston; Robert Shaw took over the role of Aston on Broadway and in Clive Donner’s 1963 film. Pryce will participate in an Artist Talk following the May 24 performance, speaking with Pinter scholar Austin E. Quigley.