
Korean star Choi Min-sik will be honored with his own sidebar at this year’s New York Asian Film Festival
CHOI MIN-SIK: MR. VENGEANCE: OLDBOY (Park Chan-wook, 2003)
Film Society of Lincoln Center, Walter Reade Theater
165 West 65th St. at Amsterdam Ave.
Saturday, June 30, 1:00
Festival runs June 29 – July 12
212-875-5601
www.subwaycinema.com
www.filmlinc.com
The second in director Park Chan-wook’s revenge trilogy (in between Sympathy for Mr. Vengeance and the 2005 New York Film Festival selection Sympathy For Lady Vengeance), Oldboy is a twisted, perverse psychological thriller that won the Grand Prix de Jury at Cannes, among many other international awards. Choi Min-sik (Chihwaseon) stars as Oh Dae-su, a man who has been imprisoned for fifteen years — but he doesn’t know why, or by whom. When he is finally released, his search for the truth becomes part of a conspiracy game, as he can seemingly trust no one. As he gets closer to finding everything out, the gore and terror continues to increase. Choi is outstanding as the wild-haired Dae-su in Park’s awesome rampage of a film, which is not for the faint of heart. On the DVD, the extras include audio commentary and deleted scenes in which Park discusses how embarrassing it is doing audio commentary and showing deleted scenes, but you can hear him discuss Oldboy in person on June 30 at 1:00 with costar Yoon Jin-seo at the Film Society of Lincoln Center, where it is being screened at the special New York Asian Film Festival sidebar event “Choi Min-sik: Mr. Vengeance,” which looks at the fascinating career of the popular Korean actor and activist, who left the business for several years in protest over controversial screen quotas. The series also includes 2001’s Failan, 2005’s Crying Fist, and this year’s Nameless Gangster.







Kirby Dick’s The Invisible War is one of the bravest, most explosive investigative documentaries you’re ever likely to see. Dick (This Film Is Not Yet Rated) busts open the military’s dirty little secret, revealing that episodes of horrific sexual abuse such as the Tailhook scandal are not an aberration but a prime example of a rape epidemic that seems to an accepted part of military culture. Dick speaks with many women and one man who share their incredible stories, describing in often graphic detail the sexual abuse they suffered, then faced further abuse when they reported what had happened. Their superiors, some of whom were the rapists themselves, either looked the other way, laughed off their allegations as no big deal, or threatened the victims’ careers. Dick includes remarkable Defense Department statistics — the government admits that approximately one out of every five female soldiers suffers sexual abuse and that there were nineteen thousand violent sex crimes in 2010 alone — even as such military officials as Dr. Kaye Whitley, Rear Admiral Anthony Kurta, and Brigadier General Mary Kay Hertog make absurd claims that they are satisfied with the way they are handling the alarming trend. The central figure in the film is Kori Cioca, a former member of the Coast Guard whose face was broken when she was raped by a superior and now keeps getting denied necessary medical services from the VA. Such courageous women as USAF Airman 1st Class Jessica Hinves, former Marine Officer Ariana Klay, USN veteran Trina McDonald, USMC Lieutenant Elle Helmer, USN Lieutenant Paula Coughlin, and even Special Agent Myla Haider of the Army Criminal Investigation Command also open up about the physical and psychological damage the abuse has left on their lives and careers. 