this week in lectures, signings, panel discussions, workshops, and Q&As

FUN CITY — NEW YORK IN THE MOVIES 1967-75: YOU’RE A BIG BOY NOW

Peter Kastner is determined to make a new life for himself in the big city in early Coppola film

Peter Kastner is determined to make a new life for himself in the big city in early Coppola film

YOU’RE A BIG BOY NOW (Francis Ford Coppola, 1966)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Saturday, August 10, free with museum admission, 2:00
Series runs August 10 – September 1
718-777-6800
www.movingimage.us

Poor Bernard Chanticleer (Peter Kastner). His mother (Geraldine Page) sends him locks of her hair and pays a prudish landlord (Julie Harris), aided by a tough cop (Dolph Sweet), to make sure no girls visit him in his new apartment. Bernard’s father (Rip Torn) rules over him with an iron fist in the basement of the New York Public Library. A nice, innocent young woman (Karen Black in her first major role) is interested in him, but he wants a psycho go-go dancer/actress (Elizabeth Hartman). Meanwhile, he is getting all the wrong advice from his best friend (Tony Bill). Francis Ford Coppola’s little-known romantic comedy — his second feature, following Dementia 13 — earned Page an Academy Award nomination, Kastner a BAFTA nomination as Most Promising Newcomer, and a Palme d’Or nomination at Cannes. Coppola uses the New York City settings with a charming intelligence and wit, whether Bernard is chasing a kite across the Sheep Meadow, wandering through the Times Square peep shows, or being chased through the New York Public Library. The Lovin’ Spoonful supplies the fabulously sixties soundtrack. Based on David Benedictus’s novel, You’re a Big Boy Now kicks off the Museum of the Moving Image series “Fun City: New York in the Movies 1967-75,” with guest curator J. Hoberman on hand to introduce the film. The festival, which runs August 10 through September 1, includes a wide range of works made in and about the Big Apple, from such familiar favorites as Rosemary’s Baby, The French Connection, Superfly, Midnight Cowboy, and Dog Day Afternoon to such lesser-known treats as Bye Bye Braverman, The Angel Levine, Little Murders, The Landlord, and Dick Fontaine’s 1970 documentary, Norman Mailer vs. Fun City.

ZIPPER: CONEY ISLAND’S LAST WILD RIDE

ZIPPER (photo by Amy Nicholson)

The Zipper ride serves as a central focus on what is happening to Coney Island in new documentary (photo by Amy Nicholson)

ZIPPER: CONEY ISLAND’S LAST WILD RIDE (Amy Nicholson, 2012)
IFC Center
323 Sixth Ave. at West Third St.
August 9-29
212-924-7771
www.ifccenter.com
www.zipperfilm.com

The past, present, and future of Coney Island as an amusement park mecca is explored through the microcosm of one specific attraction in Amy Nicholson’s bittersweet documentary, Zipper: Coney Island’s Last Wild Ride. Since the mid-to-late 2000s, the New York City government and private developers have been pursuing controversial plans to rezone the Coney Island district, with proposals for high-rise condos, chain stores and restaurants, and new, modern rides to replace the old-time classics, which are being torn down one at a time. But even as agreements are made, contracts are signed, and games and amusements evicted, Coney Island has not turned into a futuristic fantasyland, instead filled with empty lots as everyone battles over what to put where, with hundreds of millions of dollars at stake. Nicholson focuses on the crazy Zipper ride, in which customers are locked in a cage, then lifted high in the air and twisted and turned in multiple directions; she speaks at length with longtime Coney Island resident and Zipper owner Eddie Miranda and his crew of Jerry, Joey, Don, and Larry, who together represent what Coney Island is all about — a gritty, very real, and historic place where people flock to have fun, free of corporate greed and suburban sameness. Nicholson also meets with the big-time players in the controversy, including several members of the New York City Economic Development Corporation and the Department of City Planning (Amanda Burden, Seth W. Pinsky), Thor Equities head Joe “Coney Island Joey” Sitt, and city councilman Dominic Recchia, as they offer their views on what should be done with the beachfront property. Nicholson (Muskrat Lovely) also captures numerous protests and public meetings where people gather to try to save and protect the indelible nature and unique character of Coney Island, a one-of-a-kind location. Although Nicholson clearly has an agenda — in her official director’s statement, she explains, “My hope is to share this story with anyone who appreciates the noisy, unfettered, chaotic, all-welcoming, anything goes atmosphere of a place like Coney Island; the one place in the world where you wouldn’t find an Applebee’s” — she doesn’t get overly nostalgic about the former resort destination, instead presenting the facts, which are not pretty. Zipper is running August 9-13 at the IFC Center, with Nicholson participating in several Q&As on Friday, Saturday, and Sunday.

CONEY ISLAND HISTORY DAY 2013

Deno’s Wonder Wheel is central attraction on Coney Island History Day (photo by twi-ny/mdr)

Coney Island History Project & Deno’s Wonder Wheel Park
West 12th St. Dreamland Pedestrian Plaza
Saturday, August 10, free, 1:00 – 6:00
www.coneyislandhistory.org

As the future of Coney Island remains in doubt, with the government and developers battling over how to rezone the famed district and take away the charm of the People’s Playground, the location’s storied past will be celebrated on August 10 at the third annual Coney Island History Day. This year’s old-timey festivities feature live entertainment from the Banjo Rascals, organ grinders from the Automatic Musical Instrument Collectors Association and the Carousel Organ Association of America, Professor Phineas Feelgood’s World of Magic, HumanToon/Street Sorcerer Kevin C Carr, and the Lady Circus. Visitors are encouraged to dress up in 1920s costumes, take a trivia test, and offer their own stories to the Oral History Archive. In addition, the Coney Island History Project will open its latest exhibition, “The History of Deno’s Wonder Wheel: Three Generations,” exploring one of the world’s greatest amusement-park attractions.

TICKET GIVEAWAY: FINAL ANALYSIS

Gustav Mahler (Ezra Barnes) and his wife, Alma Maria (Elisabeth Jasicki), face a crisis in 1910 Vienna in Otho Eskin’s FINAL ANALYSIS (photo by Joan Marcus)

Gustav Mahler (Ezra Barnes) and his wife, Alma Maria (Elisabeth Jasicki), face a crisis in 1910 Vienna in Otho Eskin’s FINAL ANALYSIS (photo by Joan Marcus)

FINAL ANALYSIS
The Alice Griffin Jewel Box Theatre
Pershing Square Signature Center
480 West 42nd St. between Tenth & Eleventh Aves.
August 8 – October 5, $25-$95
212-279-4200
www.finalanalysistheplay.com

Nominated for an unprecedented thirteen Midtown International Theatre Festival awards last year and winning seven — for Outstanding Production, Outstanding New Script (Otho Eskin), Outstanding Direction (Ludovica Villar-Hauser), Outstanding Costume Design (Jenny Green), Outstanding Lead Actor (Michael Goldsmith), Outstanding Supporting Actor (Stephen Bradbury), and the Producers’ Award — Final Analysis is moving off Broadway to the Pershing Square Signature Center after a successful Kickstarter campaign that raised more than $50,000, running in repertory with Breakfast with Mugabe in the Alice Griffin Jewel Box Theatre through early October. The play takes place in a single day in a coffee shop in 1910 Vienna, where a collection of influential intellectuals, artists, and leaders delve into art and science, corruption and morality, anti-Semitism and power, and the nature of evil, addressing the central question “Is hate love’s dark companion?” The play features Ezra Barnes as Gustav Mahler, Elisabeth Jasicki as Alma Maria, Gannon McHale as Sigmund Freud, Tony Naumovski as Joseph Stalin, Michael Satow as Ludwig Wittgenstein, Stephen Bradbury as a waiter, and Ryan Garbayo as a mysterious young man, with Villar-Hauser once again directng. There will be postperformance discussions on August 28 about Mahler’s conducting of the first uncut version of Wagner’s The Ring in August 1910; on September 11 on hate and madness; and on September 25 focusing on Freud.

TICKET GIVEAWAY: Tickets for Final Analysis are $25-$95, but twi-ny has three pairs to give away for free to performances August 8-30. Just send your name, daytime phone number, and all-time-favorite Viennese intellectual to contest@twi-ny.com by Thursday, August 8, at 5:00 to be eligible. All entrants must be twenty-one years of age or older; three winners will be selected at random.

MoRUS FILM FEST — RECLAIMED SPACE: 7th STREET

7th STREET (Josh Pais, 2002)
6th & B Community Garden
Ave. B & Sixth St.
Thursday, August 8, strongly suggested donation $5, 7:30
Festival runs August 3-10, all access pass $20
973-818-8495
www.7thstreetmovie.com
www.morusnyc.org

Actor Josh Pais, who was in the Raphael suit in Teenage Mutant Ninja Turtles, turns the camera on the neighborhood he grew up in, Seventh Street between Avenues C & D, in this fascinating documentary that examines class struggle, racism, anti-Semitism, poverty and homelessness, the drug trade, gentrification, but, above all, family and friendship. Along the way, Pais, who is almost too reminiscent of Ben Stiller, introduces viewers to a fabulous and frightening cast of characters, including Manny the millionaire, Mickey the con man, Rex the draft dodger, Merlin the homeless sage, and many more. This is a special little documentary that will surprise you, delight you, and scare you while making you think back about the place where you grew up. Of course, it is also about a part of Alphabet City that has continued to undergo significant change since the film was made more than ten years ago. Pais will be on hand on August 8 when 7th Street is screened in the 6th & B Community Garden as part of the inaugural MoRUS Film Fest, sponsored by the Museum of Reclaimed Urban Space, whose mission “is to preserve history and promote scholarship of grassroots urban space activism by researching and archiving efforts to create community spaces.” The festival continues through August 10 with such other events as a compilation of Loisaida films in La Plaza Cultural and Jacob Burckhardt’s Landlord Blues and Phil Hartman’s No Picnic in Orchard Alley.

BEGINNINGS: LIVE!

beginnings

BEGINNINGS WITH ANDY AND MARK
Upright Citizens Brigade Theatre
153 East Third St.
Tuesday, August 6, $5, 8:00
212-366-9231
www.east.ucbtheatre.com
www.beginningspod.com

Back in July 2011, Andy Beckerman and Mark Bisi created the Wrestling Team podcast “Beginnings,” in which Beckerman interviews entertainers, primarily comedians, about the start of their careers. Over the past two years, he has spoken with such writers and entertainers as Ben Katchor, Greg Proops, Sean Patton, Christian Finnegan and Kambri Crews, Marnie Stern, Ben Marcus, Rachel Dratch, Bill Griffith, Girl Talk, Wyatt Cenac, Sam Lipsyte, and many others, along with such musical guests as Au Revoir Simone, Cymbals Eat Guitars, Jean Grae, Andrew W.K., Savoir Adore, and Dale Earnhardt Jr. Jr. The discussions focus on the question “Where do creative people come from?” On August 6, “Beginning” will take place live at the Upright Citizens Brigade Theatre on East Third St., with a stellar lineup, including the always outrageous Jim Norton from The Opie & Anthony Show,, Canadian stand-up Bonnie McFarlane, Eric Drysdale from The Daily Show and The Colbert Report, and a musical performance by New York City band ARMS. Beckerman will be joined by guest cohost Mike Pace of “Worst Gig Ever”; admission is only five bucks.

BREAKUP AT A WEDDING

Phil Havemeyer (Philip Quinaz) has to convince his bride-to-be (Alison Fyhrie) to marry him in BREAKUP AT A WEDDING

Phil Havemeyer (Philip Quinaz) has to reconvince his bride-to-be (Alison Fyhrie) to marry him in BREAKUP AT A WEDDING

BREAKUP AT A WEDDING (Victor Quinaz, 2013)
IndieScreen
289 Kent Ave. at South Second St.
August 2-8, 7:00
347-227-8030
www.breakupatawedding.com

With their wedding day upon them, Alison Jones (Alison Fyhrie) suddenly gets cold feet, convincing her fiance, Philip Havemeyer (cowriter Philip Quinaz), that they should go ahead with the festivities anyway, faking it for the guests and then calling it quits afterward in the silly but fun pseudo-mockumentary Breakup at a Wedding. The film is set up as wedding videographer Vic James’s (cowriter, director, and producer Victor Quinaz, Philip’s brother) self-proclaimed masterpiece; James and his small team of photographers have been given unlimited access to the previously happy couple and their friends and families, capturing intimate moments, deep, dark secrets, and general mayhem as all hell breaks loose, from the rehearsal dinner through the wedding itself. “Weddings make people go insane, but I always edit out the crazy,” Vic says at the beginning, “that is, until I met these two.” There are battles between the competing best men (Damian Lanigan and Chris Manley), maid of honor Mary (Mary Grill) is determined to get laid, and Alison has trouble dealing with her divorced parents (Hugh Scully and Caitlin B. FitzGerald), her father’s new Czech mail-order bride (Helena Lukas Martemucci), and her stepmother’s goddaughter, Lenka Jones (cowriter and producer Anna Martemucci, who is married to Victor Quinaz), who is betrothed to Alison’s brother, Brian (Brian Shoaf). It all makes for a host of bizarre antics, some very funny, others too far over the top, but there’s a charming genuineness and warmth to it all, probably in part because many of the actors and filmmakers are related themselves, and Philip Quinaz has most likely experienced a whole lot in one of his other jobs, professional wedding DJ. Cinematographer and coeditor Giovanni P. Autran, who also plays the florist, keeps it all honest, mixing in interview segments, handheld shots at the wedding, and playfully lit dance scenes. And thankfully, the film avoids getting overly sentimental while including some fresh insights into love, friendship, responsibility, and trust. Breakup at a Wedding continues at indieScreen in Williamsburg nightly at 7:00 through August 8; one of the producers, Zachary Quinto, who plays Spock on the relaunched Star Trek franchise, will be on hand for a Q&A following the August 6 show.