this week in lectures, signings, panel discussions, workshops, and Q&As

MLK DAY 2014

MLK Day features a host of special events and community-based service projects throughout the city (photo by twi-ny/mdr)

Multiple venues
Monday, January 21
www.mlkday.gov

In 1983, the third Monday in January was officially recognized as Martin Luther King, Jr. Day, honoring the birthday of the civil rights leader who was assassinated in Memphis on April 4, 1968. Dr. King would have turned eighty-five this month, and you can celebrate his legacy tomorrow by participating in a Martin Luther King, Jr. Day of Service project or attending one of several special events taking place around the city. BAM’s twenty-eighth annual free Brooklyn Tribute to Dr. Martin Luther King, Jr. includes a keynote speech by Angela Davis, live performances by José James and the Christian Cultural Center Choir, the NYCHA Saratoga Village Community Center student exhibit “Picture the Dream,” and a screening of Shola Lynch’s 2012 documentary Free Angela and All Political Prisoners. The JCC in Manhattan will host an MLK Day blood drive and “The Living Legacy of Dr. King,” consisting of the panel discussion “Leading a Socially Responsible Life” with Ruth Messinger, Harrie Bakst, and Rabbi Joanna Samuels, interactive workshops for teens, and the “Artists Celebrate the Living Legacy of Dr. King” performance with Judith Sloan, Susannah Heschel, and Joshua Nelson, the Prince of Kosher Gospel. (Admission is free but preregistration is recommended.)

The Museum of the Moving Image is screening THE NEGRO AND THE AMERICAN PROMISE on MLK Day

The Museum of the Moving Image will be open on MLK Day, with two screenings of the 1963 documentary The Negro and the American Promise as part of its “Changing the Picture” series (free with museum admission). The Children’s Museum of Manhattan will teach kids about King’s legacy with the “Martin’s Mosaic” workshop, the “Heroic Heroines: Ruby Bridges” book talk, and live performances by the National Jazz Museum in Harlem All Stars Band, while the Brooklyn Children’s Museum has such special hands-on crafts programs as “Let’s March!,” “Let’s Join Hands,” and “Dream Clouds” and live music from the Berean Community Drumline. And the Museum at Eldridge Street will be hosting a free reading of Eloise Greenfield and Jan Spivey Gilchrist’s picture book The Great Migration: Journey to the North.

MAIDENTRIP

Teen sailor Laura Dekker goes on the journey of a lifetime in MAIDENTRIP

MAIDENTRIP (Jillian Schlesinger, 2013)
IFC Center
323 Sixth Ave. at West Third St.
January 17-23
212-924-7771
www.ifccenter.com
www.maidentrip.com

In 2009, thirteen-year-old Laura Dekker announced that she was going to try to become the youngest person to sail around the world solo. After a long battle with the Dutch court, the teen, who was born on a boat in New Zealand and spent her first five years at sea, took off on her journey in her thirty-eight-foot ketch appropriately dubbed Guppy. Laura’s inspiring — and controversial — story is told in the winning documentary Maidentrip. Jillian Schlesinger’s debut feature-length film follows Laura as she circumnavigates the globe by herself, sailing across long stretches of sometimes treacherous ocean and making stops to experience a variety of lands and cultures. The bulk of Maidentrip is told in Laura’s own voice, as she films herself on board Guppy and talks not only about her adventure but also about her personal life, including discussing the effects of her parents’ divorce on her and her sister when she was five. “I love being alone,” Laura says at one point. “And I guess, yeah, I feel like freedom is when you’re not attached to anything.” As serious as she is about sailing, she is still a teenager, dancing in front of the camera playfully and throwing a little hissy fit when a visitor annoys her. It all makes for an intimate coming-of-age story as Laura, who values her privacy, grows up in public. Should her parents, particularly her father, who she chose to live with, have allowed the teen to go on this trip in the first place? Is it the court’s responsibility to intercede in such situations? Schlesinger gets the controversy out of the way early, never again revisiting what many people will consider a wrongheaded and dangerous decision, but they’re likely to change their mind once they watch Laura persevere and flourish at sea. Winner of the Audience Award at the Cannes Film Festival and SXSW, Maidentrip opens January 17 at the IFC Center, with Schlesinger and producer Emily McAllister on hand to talk about the film at the 6:25 and 8:25 screenings on Friday and Saturday night.

BRUCE SPRINGSTEEN IN FOCUS 1980-2012

Fans carry Bruce Springsteen during Wrecking Ball tour (photo by Debra L. Rothenberg)

Rock Paper Photo Pop-Up Gallery
Gallery 151
132 West 18th St. between Sixth & Seventh Aves.
Wednesday, January 15, free, 6:00
www.rockpaperphoto.com
www.debrarothenberg.com

Since 1980, Northern New Jersey-raised Debra L. Rothenberg has been taking pictures of hometown hero Bruce Springsteen, capturing the Boss with the genuine glee of a true fan. “My life was breathing, photography, and Bruce Springsteen; nothing else mattered,” she recently said upon the release of her first book, Bruce Springsteen in Focus 1980-2012: Photographs by Debra L. Rothenberg (Turn the Page, September 2013, $44.95). In celebration of Springsteen’s latest record, High Hopes, Rothenberg, an award-winning photographer who has contributed to such publications as Time, Newsweek, Rolling Stone, and, since 1999, the Daily News, will be signing copies of the book at a reception for her exhibit featuring many of her best Bruce snaps at Rock Paper Photo’s pop-up spot at Gallery 151. Part of the proceeds from sales of the book will go to the Alzheimer’s Association, the Light of Day foundation for Parkinson’s research, and the National Breast Cancer Foundation. On January 18, Rothenberg will be at the Asbury Park Musical Heritage Foundation, where another display of her Springsteen photographs continues through March 2.

DANISH PAINTINGS FROM THE GOLDEN AGE TO THE MODERN BREAKTHROUGH: COPENHAGEN AND VANGUARD EUROPE

Harald Slott-Møller, “Summer Day,” oil on canvas, 1888 (collection of Ambassador John L. Loeb Jr.)

COPENHAGEN AND VANGUARD EUROPE
Scandinavia House
58 Park Ave. at 38th St.
Monday, January 13, free, 6:30
Exhibit continues Tuesday-Saturday through January 25, free, 12 noon – 6:00
212-847-9740
www.scandinaviahouse.org

More than three dozen works by two dozen artists who were part of the tremendous surge in painting in Denmark from the early eighteenth to early twentieth centuries are on view in the Scandinavia House exhibit “Danish Paintings from the Golden Age to the Modern Breakthrough: Selections from the Collection of Ambassador John L. Loeb Jr.” On January 13 at 6:30, Dr. Patricia G. Berman, who cocurated the exhibition with Dr. Thor J. Mednick and is the author of In Another Light: Danish Painting in the Nineteenth Century, will deliver the free illustrated lecture “Copenhagen and Vanguard Europe,” focusing on Denmark’s capital city as a center for avant-garde artists in the 1890s, particularly while the nation tried to redefine its identity during the social, financial, and political upheaval that followed the Napoleonic wars. Professor Berman has lectured often at Scandinavia House; her clarity and charm make the enormous amount of fascinating information she’s able to deliver all the more enlightening. The lovely show has been extended through January 25 and is highlighted by such beautiful canvases as Harald Slott-Møller’s “Summer Day,” in which two women delicately stand in shallow water on a beach; Bertha Wegmann’s “Interior with a Bunch of Wild Flowers, Tyrol,” a still-life with several surprising items; P. S. Krøyer’s “Self-Portrait, Sitting by His Easel at Skagen Beach,” with its earth-toned foreground colors set off against the blue of the sky and sea; and Vilhelm Hammershøi’s “Interior with a Woman Standing,” a stunning composition featuring open and closed doors, a shadowy woman, and a mysterious silence, as if the viewer is being invited in to something they will never learn anything more about. The show also includes works by Ludvig Find, Christen Købke, Otto Bache, Jens Juel, and husband and wife Anna Ancher and Michael Ancher, among others. The paintings are all from the collection of New York City native John Langeloth Loeb Jr., who served as the U.S. ambassador to Denmark from 1981 to 1983 and then as a delegate to the United Nations.

HAMLET

Hamlet (director and star Bruce Ramsay) contemplates his bleak future in streamlined version of the Bard

HAMLET (Bruce Ramsay, 2011)
Cinema Village
22 East 12th St. between University Pl. & Fifth Ave.
Opens Friday, January 10
212-924-3363
www.cinemavillage.com
www.facebook.com

Director and star Bruce Ramsay strips down and condenses the Bard in his 1940s-set noirish update of Hamlet, but in doing so he also drains one of Shakespeare’s most powerful tragedies of all its poetry and emotion. Trimming the tale down to a far-too-lean eighty-seven minutes, Ramsay cuts out characters and reinterprets scenes to focus on the family-related aspects of the story of betrayal, madness, murder, and revenge, using the original text for the most part while setting the entire film in one large house (actually the University Women’s Club in Vancouver). He fills the cast with veterans of Canada’s Bard on the Beach series, including Gillian Barber as Gertrude, Duncan Fraser as Polonius, Haig Sutherland as Laertes, Martin Sims as Guildenstern, Russell Roberts as the ghost of Hamlet’s father, and Lara Gilchrist as Ophelia; Welsh actor Peter Wingfield plays Claudius, with Stephen Lobo as Horatio and Bret Stait as Rosencrantz. The bare-bones film was shot in three days (for a mere — and rather admirable — $27,000), but it’s taken nearly three years for it to get a U.S. theatrical release, and it’s easy to see why. Ramsay’s Hamlet is more like a failed episode of Masterpiece Theatre, sort of Agatha Christie meets Downton Abbey in postwar London, than a fresh new look at the extremely familiar play, though it is a noble attempt. Indeed, “I must be cruel to be kind. Thus bad begins and worse remains behind.” Hamlet opens at Cinema Village on January 10, with Ramsay taking part in Q&As following the 7:10 screenings on Friday and Saturday night.

THE GREAT FLOOD

THE GREAT FLOOD (Bill Morrison, 2011)
IFC Center
323 Sixth Ave. at West Third St.
January 8-16
212-924-7771
www.ifccenter.com
www.icarusfilms.com

Sound and image meld together beautifully in Bill Morrison’s meditative, elegiac The Great Flood. Inspired by John M. Barry’s 1997 book Rising Tide: The Great Mississippi Flood of 1927 and How It Changed America, Morrison teamed up with improvisational musician Bill Frisell on the project. The two had previously worked together on a pair of short works, The Mesmerist and The Film of Her, after meeting at the Village Vanguard when Morrison was a dishwasher at the jazz club where Frisell was playing. Morrison, who specializes in using deteriorated and degraded archival footage and experimental scores, scoured the National Archives, the Library of Congress, the Hoover Presidential Library, and other sources to come up with remarkable scenes of the flooding of the Mississippi in 1927. Divided into such chapters as “Sharecroppers,” “Swollen Tributaries,” “Evacuation,” “Aftermath,” and “Watershed,” with snippets of informational text but without narration, the film follows the southern blacks who were most affected by the massive flood, being forced to shore up the levees around white areas, losing their own homes, and ultimately heading north as part of the Great Migration, bringing the Delta blues with them. Guitarist Frisell, joined by Ron Miles on cornet, Tony Scherr on guitar and bass, and Kenny Wollesen on drums and vibes, has composed a gorgeous, moving score, heavily influenced by a trip his band and Morrison took in early 2011 up the Mississippi, with the group playing in multiple cities while the river threatened to flood again.

Each chapter, from an overhead view of a computerized map that details the 1927 flood to a fast and furious foray through the Sears Roebuck catalog, from a Baptist church procession to a series of rare clips of such bluesmen as Big Bill Broonzy, Son House, Sonny Boy Williamson, and Robert Lockwood, features a different piece of music, highlighted by Frisell’s always inventive guitar and Miles’s deeply expressive horn. Of course, as the images pass by, it’s impossible not to think of Hurricanes Katrina and Sandy and be awed by the devastating power of nature, as well as realize how little has changed with regard to the reaction of politicians and who the victims tend to be. But the film is rarely mournful; instead, there’s often a celebratory quality about it, centered on people’s natural instinct to survive. The Great Flood is scheduled to run January 8-16 at the IFC Center, with Morrison, who has also created such other unique cinematic experiences as Spark of Being and The Miners’ Hymns, on hand to talk about the film at the 8:05 screenings on January 9 and 11. In addition, the IFC Center will screen Morrison’s masterpiece, Decasia, in an HD digital projection daily at 2:40 and 6:20.

AMERICAN REALNESS 2014

Adrienne Truscott moves from her day job at the Kitchen to live performance at Abrons Arts Center in …TOO FREEDOM…

Abrons Arts Center and other venues
466 Grand St. at Pitt St.
January 9-19, $20
212-598-0400
www.americanrealness.com
www.abronsartscenter.org

January in New York City is a veritable feast of live performance festivals, including PS 122’s Coil, the Public’s Under the Radar, Here’s Prototype, and Winter Jazzfest. Over at Abrons Art Center, American Realness will be celebrating its fifth anniversary with seventeen new movement-based shows and encore presentations as well as several off-site events. Tina Satter’s House of Dance (also part of Coil) follows a tense tap-dance competition. Ishmael Houston-Jones and Emily Wexler team up for the world premiere of 13 Love Songs: dot dot dot, which involves deconstructing romantic lyrics by Bryan Adams, Mary J. Blige, Ja Rule, Stephen Merritt, Nina Simone, Madonna, and others. Miguel Gutierrez explores gay sex and lost love in the intimate myendlesslove. Eleanor Bauer combines text, music, and movement in Midday and Eternity (The Time Piece); she’ll also lead the “Dancing, not the Dancer” class and host the anything goes Bauer Hour on January 19. Choreographer Juliana F. May and dancers Benjamin Asriel, Talya Epstein, and Kayvon Pourazar explore the physical and emotional naked body in Commentary=not thing. The Kitchen house manager Adrienne Truscott delves into day jobs and artistic creativity in . . . Too Freedom . . . , which also features Neal Medlyn, Gillian Walsh, Laura Sheedy, and Mickey Mahar. Lucy Sexton (the Factress), Anne Iobst (the Naked Lady), Scott Heron, and DANCENOISE join forces for Prodigal Heroes: An Evening of Legendary New York. Moriah Evans and Sarah Beth Percival play with human-connection tropes in Out of and Into (8/8): Stuff. Medlyn’s King concludes his seven-part foray into iconic stars, this time taking on Michael Jackson. And Melinda Ring’s Forgetful Snow and Roseanne Spradlin’s Indelible Disappearance — A Thought not a Title will be presented together for free on January 12.

Moriah Evans and Sarah Beth Percival team up in OUT OF AND INTO (8/8): STUFF for American Realness festival

Also on the schedule are Adam Linder’s Cult to the Built on What, Michelle Boulé’s Wonder (Boulé will also lead a “Persona & Performance” class on January 17), Rebecca Patek’s ineter(a)nal f/ear, Jillian Peña’s Polly Pocket, and Dana Michel’s Yellow Towel. The festival heads to MoMA PS1 on January 10-12 for Mårten Spångberg’s four-and-a-half-hour La Substance, but in English and to MoMA’s main Midtown location on January 15-16 for Eszter Salamon’s Dance for Nothing, based on John Cage’s Lecture on Nothing. In addition, there will be art exhibits throughout Abrons (Sarah Maxfield’s “Nonlinear Lineage: Over/Heard,” Ian Douglas’s “Instant Realness,” Medlyn and Fawn Krieger’s “The POP-MEDLYN Hall of Fame,” and Ann Liv Young’s interactive “Sherry Art Fair”), and Coil, Under the Radar, Prototype, and American Realness will be copresenting free live concerts every night from January 9 to 19 in the Lounge at the Public Theater, including Invincible, Christeene, Ethan Lipton, Heather Christian & the Arbonauts, Sky-Pony, Timur and the Dime Museum, the Middle Church Jerriesse Johnson Gospel Choir, M.A.K.U. Sound System, DJ Acidophilus, and Nick Hallett, Space Palace, and Woahmone DJs.