this week in lectures, signings, panel discussions, workshops, and Q&As

JOHN WATERS: MAKE TROUBLE

Tuesday, April 11, Barnes & Noble Union Square, 33 East 17th St., 212-253-0810, free, 7:00
Thursday, April 13, Alamo Drafthouse Downtown Brooklyn, 445 Albee Square West, 718-513-2547, 8:00
www.maketrouble.com

On May 30, 2015, filmmaker, writer, artist, and provocateur John Waters, aka the People’s Pervert and the Prince of Puke, gave the commencement speech at the Rhode Island School of Design, offering his unique advice about life after college, telling the graduating students, “Go out in the world and fuck it up beautifully.” That talk has now been adapted into the eighty-page book Make Trouble (Algonquin, April 11, $14.95), featuring line drawings by Eric Hanson. On April 11, Waters, who has made such films as Hairspray, Female Trouble, and Pink Flamingos, will be at the Union Square Barnes & Noble for a conversation with Christopher Bollen, editor at large at Interview magazine and author of Lightning People and Orient. After the conversation, Waters will sign copies of Make Trouble and just about anything else fans bring, and he will pose for photos as well. Wristbands will be given out beginning at 9:00 that morning to people who have purchased the new book at that B&N. Then, on Thursday, April 13, Waters will head to the Alamo Drafthouse in downtown Brooklyn for a screening of his 1970 cult classic, Multiple Maniacs, preceded by a Q&A with Waters; a copy of Make Trouble comes with every ticket.

MARCEL DUCHAMP’S “FOUNTAIN” TURNS 100

Marcel Duchamp, “Fountain,” (1950 version of 1917 original), Philadelphia Museum of Art, 125th Anniversary Acquisition, gift (by exchange) of Mrs. Herbert Cameron Morris, 1998 (© Artists Rights Society, ARS, New York / ADAGP, Paris / Estate of Marcel Duchamp)

On Sunday, April 9, at 3:00, the Philadelphia Museum of Art, which has an extensive collection of works by French ready-made Dada master Marcel Duchamp, will host The Richard Mutt Case, a site-specific performance by members of Pig Iron Theatre Company reenacting the scandal over Duchamp’s most famous piece, the upside-down porcelain urinal known as “Fountain,” which the Society of Independent Artists rejected for an open New York exhibition exactly one hundred years ago. In celebration of the centennial, the museum is offering free entry between 3:00 and 4:00 on Sunday to visitors who say “Richard Mutt” or “R. Mutt,” the name used to sign “Fountain” (it actually says “R. Mutt”), at the admissions desk. The event is being held in conjunction with the exhibition “Marcel Duchamp and the Fountain Scandal,” which continues through December 3. So why is a publication entitled “This Week in New York” hyping something happening in Philadelphia? Well, there are numerous museums around the world participating in the free-admission password homage, including institutions in Beijing, Jerusalem, Stockholm, Basel, London, Kyoto, Amsterdam, Paris, and Berlin. No New York City museum has officially stated that it will be taking part in the program, which is too bad. But that doesn’t mean you can’t try. Getting rejected could make you empathize a bit with Duchamp, who wrote at the time to his sister, “One of my female friends under a masculine pseudonym, Richard Mutt, sent in a porcelain urinal as a sculpture; it was not at all indecent — no reason for refusing it. The committee has decided to refuse to show this thing. I have handed in my resignation and it will be a bit of gossip of some value in New York.” One hundred years later, it is still valuable gossip. (For an additional New York City angle, on April 10, Francis M. Naumann Fine Art, a major Duchamp collector located on West Fifty-Seventh St., will open “Marcel Duchamp Fountain: An Homage,” consisting of related works by John Baldessari, Marcel Dzama, Sherrie Levine, Sophie Matisse, Richard Pettibone, Ai Weiwei, and more than two dozen others that were directly influenced by “Fountain,” which went missing many years ago.)

SLOW ART DAY

Slow Art Day encourages museumgoers to spend more time with select works (courtesy Rubin Museum)

Rubin Museum, 150 West 17th St. at Seventh Ave., $10-$15, 212-620-5000, 11:00 – 6:00
American Folk Art Museum, 2 Lincoln Square, free, 11:30 – 7:00
Saturday, April 8
www.slowartday.com

It’s a push push world out there, with everybody always on the move, rushing from place to place, face-deep in cell phones, not paying attention to their environment. Even when they do go to museums for a much-needed respite, many people are more interested in snapping selfies than actually taking a moment and looking at the art they’ve paid to see. The average museumgoer spends approximately seventeen seconds with a work of art, the equivalent of reading a tweet instead of in-depth articles about topics they’re interested in. That’s essentially why Slow Art Day began back in 2009, initiated by Phil Terry, who was the CEO of Creative Good then and now heads Collaborative Gains. The idea is simple: On April 8, participating institutions around the world, which include the Rubin Museum and the American Folk Art Museum in New York City, encourage visitors to spend between five and ten minutes looking at five preselected works of art, then talk about the experience with a host or other museumgoers. “To view art slowly is to take the time to be fully present and to initiate a meaningful conversation between one’s own mind and heart and that of the artist,” Rubin Museum docent Jiawen explains in a statement. At the Rubin, which is currently showing “Masterworks of Himalayan Art,” “OM Lab,” “Sacred Spaces: Himalayan Wind and the Tibetan Buddhist Shrine Room,” and “Gateway to Himalayan Art,” there will be Slow Art Day tours at 1:00 and 3:00, as well as a new mindfulness audio tour narrated by Sharon Salzberg and Kate Johnson. At the American Folk Art Museum, where “Carlo Zinelli (1916–1974)” and “Eugen Gabritschevsky: Theater of the Imperceptible” are on view, Slow Art Day offers visitors the opportunity to not only spend more time with artworks but to sketch them. Of course, you can take the Slow Art Day concept to any museum or gallery of your choosing, and you don’t have to do it only one day a year; it’s a fascinating way to get inside a work, and inside yourself, while understanding more about the world at large, which is what art is all about, all the time.

TRIBECA FILM FESTIVAL 2017 SPECIAL EVENTS

TRIBECA FILM FESTIVAL
Multiple locations
April 20-30, free – $365 (most events $23.88 – $43.45)
tribecafilm.com/festival

Tickets are still available for most of the special screenings, talks, and live performances at the 2017 Tribeca Film Festival, taking place at such locations as the BMCC Tribeca PAC, the SVA Theatre, the Beacon, Regal Cinemas Battery Park, Radio City, the Town Hall, Cinépolis Chelsea, and the Festival Hub at Spring Studios. The guest list is pretty impressive, including Dustin Hoffman, Barbra Streisand, Philip Glass, Common, Scarlett Johansson, Michael Moore, Kathryn Bigelow, Johnny Lydon, Lena Dunham, Kobe Bryant, Aretha Franklin, Errol Morris, Faith Evans, Zac Posen, Lil’ Kim, Alejandro González Iñárritu, Julian Schnabel, a Flock of Seagulls, Christopher Plummer, Taj Mahal, Jennifer Hudson, Quentin Tarantino, and Bruce Springsteen with Tom Hanks (which is sold out), among many others. Oh, and how about this gathering, celebrating the forty-fifth anniversary of The Godfather: Francis Ford Coppola, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Talia Shire, and Robert De Niro.

Wednesday, April 19
Gala — Clive Davis: The Soundtrack of Our Lives (Chris Perkel, 2017), followed by live performances by Aretha Franklin, Jennifer Hudson, Earth Wind & Fire, Barry Manilow, Carly Simon, and Dionne Warwick, Radio City Music Hall, $56-$281, 7:00

Thursday, April 20
After the Movie: Bowling for Columbine (Michael Moore, 2002), followed by fifteenth anniversary conversation with Michael Moore and others, SVA Theatre 2 Beatrice, $23.88, 7:00

Retrospective Special Screenings: La Belle et la Bête (Jean Cocteau, 1942), with live musical accompaniment by members of the Philip Glass Ensemble, preceded by a conversation with Philip Glass and Errol Morris, Town Hall, $55-$85, 8:00

Friday, April 21
Tribeca Talks: Directors Series — Jon Favreau with Scarlett Johansson, SVA Theatre 1 Silas, rush, 5:00

Special Screenings: The Public Image Is Rotten (Tabbert Fiiller, 2017), followed by a conversation with director Tabbert Fiiller and John Lydon, Tribeca Festival Hub, sixth floor, $23.88, 8:45

Saturday, April 22
Shorts: Blues Planet: Triptych (Wyland, 2017), with live performance by Taj Mahal and the Wyland Blues Planet Band, Tribeca Festival Hub, sixth floor, $23.88, 2:00

Tribeca Talks: Directors Series — Alejandro González Iñárritu, SVA Theatre 1 Silas, rush, 2:30

Special Screenings: The Third Industrial Revolution (Eddy Moretti, 2017), followed by a conversation with director Eddy Moretti and Jeremy Rifkin, Tribeca Festival Hub, sixth floor, limited, 5:00

Special Screenings: House of Z (Sandy Chronopoulos, 2017), followed by a conversation with director Sandy Chronopoulos and film subject Zac Posen, SVA Theatre 1 Silas, $43.45, 8:00

Tribeca Talks: Virtual Reality — Kathryn Bigelow & Imraan Ismail: The Protectors: A Walk in the Ranger’s Shoes, screening and conversation with Kathryn Bigelow and Imraan Ismail, Tribeca Festival Hub, sixth floor, $43.45, 8:15

After the Movie: Awake, a Dream from Standing Rock (2017), followed by a conversation with filmmakers Josh Fox, James Spione, and Myron Dewey and special guests, Cinépolis Chelsea 7, rush, 8:30

Nelson George will team up with Common for a screening, discussion, and live performance at Tribeca on April 23

Sunday, April 23
Tribeca Talks: Master Class — Dolby: Image and Sound Master Class with Imogen Heap, Dolby Cinema at AMC Empire 2, free, 12 noon

Tribeca Talks: Storytellers — Kobe Bryant and Glen Keane with Michael Strahan, BMCC Tribeca PAC, $43.45, 4:30

Tribeca Talks: Podcasts — Live from the Tribeca Film Festival: Gilbert Gottfried’s Amazing Colossal Podcast!, with Gilbert Gottfried and Frank Santopadre, Regal Cinemas Battery Park 11-4, $43.45, 5:30

Tribeca Talks: Storytellers — Common with Nelson George, screening of Letter to the Free, followed by a conversation with Nelson George and a live performance by Common, Tribeca Festival Hub, sixth floor, $43.45, 8:00

Monday, April 24
Tribeca Talks: Directors Series — Noah Baumbach with Dustin Hoffman, BMCC Tribeca PAC, $43.45, 6:00

Tuesday, April 25
Tribeca Talks: Storytellers — Lena Dunham and Jenni Konner, Tribeca Festival Hub, sixth floor, $43.45, 6:00

Tribeca Talks: Directors Series — Paul Feig, BMCC Tribeca PAC, $43.45, 6:00

Special Screenings: Paris Can Wait (Eleanor Coppola, 2016), followed by French food pairings inspired by the film, BMCC Tribeca PAC, $43.45, 8:00

Pen pals Barbra Streisand and Robert Rodriguez will join together in conversation at the Tribeca Film Festival on April 29

Wednesday, April 26
Special Screenings: The Exception (David Leveaux, 2017), followed by a conversation with director David Leveaux and actor Christopher Plummer, BMCC Tribeca PAC, $23.88, 6:00

Special Screenings: From the Ashes (Michael Bonfiglio, 2017), introduced by Michael Bloomberg and followed by a discussion with director Michael Bonfiglio and special guests, Tribeca Festival Hub, sixth floor, rush, 6:00

Thursday, April 27
Gala — Can’t Stop, Won’t Stop: The Bad Boy Story (Daniel Kaufman, 2017), followed by a live concert featuring Combs and Mase, Lil’ Kim, and Faith Evans, Beacon, $71-$356, 8:00

Special Screenings — Warning: This Drug May Kill You (Perri Peltz, 2017), followed by a conversation with Dr. Nora Volkow, Dr. Andrew Kolodny, film subject Gail Cole, and producer Sascha Weiss, moderated by director Perri Peltz, SVA Theatre 2 Beatrice, $23.88, 8:45

Friday, April 28
Tribeca Talks: Storytellers — Bruce Springsteen with Tom Hanks, Beacon Theatre, 5:00

After the Movie: Reservoir Dogs (Quentin Tarantino, 1992), followed by twenty-fifth anniversary conversation with Quentin Tarantino and members of the cast, Beacon Theatre, $71-$356, 8:00

Special Screenings — Julian Schnabel: A Private Portrait (Pappi Corsicato, 2017), followed by a a conversation with director Pappi Corsicato and Julian Schnabel, SVA Theatre 1 Silas, $43.45, 8:30

The forty-fifth anniversary of THE GODFATHER will be celebrated at Radio City as part of the Tribeca Film Festival, with James Caan, Francis Ford Coppola, Al Pacino, and others

Saturday, April 29
Before the Movie: Aladdin (Ron Clements & John Musker, 1992), twenty-fifth anniversary, preceded by a live performance by Aladdin singing voice Brad Kane, BMCC Tribeca PAC, free, 10:00 am

After the Movie: The Godfather (Francis Ford Coppola, 1972) and The Godfather Part II (Francis Ford Coppola, 1974), followed by a forty-fifth anniversary conversation with Francis Ford Coppola, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Talia Shire, and Robert De Niro, moderated by Taylor Hackford, Radio City Music Hall, $46-$131, 1:00

Tribeca Talks: Master Class — Production and Costume Design, with Kristi Zea, SVA Theatre 2 Beatrice, free, 3:00

Tribeca Talks: Storytellers — Barbra Streisand with Robert Rodriguez, BMCC Tribeca PAC, $43.45, 6:00

Tribeca N.O.W. Special Screenings — Out of This World: Female Filmmakers in Genre, screening and conversation with filmmakers Nicole Delaney, Vera Miao, and Arkasha Stevenson, Cinépolis Chelsea 7, $23.88, 6:00

After the Movie — Chris Gethard: Career Suicide (Kimberly Senior, 2017), followed by a conversation with Chris Gethard and fellow comedians Pete Holmes, Abbi Jacobson, and others, SVA Theatre 1 Silas, $23.88, 8:15

Sunday, April 30
Tribeca Talks: Master Class — Cinematography, with Ellen Kuras, SVA Theatre 2 Beatrice, free, 4:00 PM

Special Screenings: Dare to Be Different (Ellen Goldfarb, 2017), followed by live tribute to WLIR with a Flock of Seagulls, Dave Wakeling of the English Beat, and the Alarm, Tribeca Festival Hub, sixth floor, rush, 6:00

Tribeca N.O.W. Special Screenings: The New York Times’ Op-Docs (2017), followed by a conversation with filmmakers Andrea Meller, Megan Mylan, Marisa Pearl, and Gina Pollack, SVA Theatre 2 Beatrice, $23.88, 6:15

Tribeca Talks: Podcasts — Live from the Tribeca Film Festival: Slate’s Trumpcast, with Jamelle Bouie and Virginia Heffernan, hosted by Jacob Weisberg, SVA Theatre 1 Silas, $43.45, 8:15

POLK AWARDS: HOOLIGAN SPARROW

Hooligan Sparrow risks her freedom and her life for protesting for women’s rights in China

HOOLIGAN SPARROW (Nanfu Wang, 2016)
BAMcinématek, BAM Rose Cinemas
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
Wednesday, April 5, $14, 7:30
718-636-4100
www.bam.org
hooligansparrow.com

The 2016 Human Rights Watch Film Festival kicked off last year with Nanfu Wang’s alarming debut feature documentary, Hooligan Sparrow, for which she won the annual Nestor Almendros Award for courage in filmmaking. On April 5, it will have a special screening and Q&A at BAM in honor of its latest accolade, the George Polk Documentary Film Award, an annual presentation from LIU. The film is a brave, disquieting look at Chinese activist Ye Haiyan, better known as Hooligan Sparrow, an advocate for sex workers’ rights, as she leads protests against a school principal who sexually abused six elementary school girls. “If you film us, we’ll smash your camera,” a man tells Wang at the beginning. Later she’s told she will be beaten if she doesn’t hand over her equipment. But she’s determined to keep telling the story any way she can. Sparrow, who gained notoriety for a project in which she offered free sex to migrant workers, is joined by Shan Lihua, Tang Jitian, Jia Lingmin, Wang Yu, and lawyer Wang Jianfen as she battles law enforcement, the government, and brothel owners, her safety and freedom in constant jeopardy. “If I believe something is right and I’m obliged to do it, they can’t stop me by arresting me or even killing me,” she defiantly says. She and her daughter, Lan Yaxin, keep getting evicted from their homes and banned from numerous provinces, but that doesn’t prevent her from protesting with such signs as “All China’s Women’s Federation Is a Farce. China’s Women’s Rights Are Dead” and “You Can Kill Me, But You Can’t Kill the Truth.” Born and raised in a remote Chinese farming village and currently based in New York City, Wang, who directed, produced, photographed, and edited Hooligan Sparrow, never backs down even as she meets with Chinese officials and is followed everywhere she goes, forced to become suspicious of nearly everyone she encounters. “Just because you’re paranoid doesn’t mean they aren’t after you,” Joseph Heller wrote in Catch-22. Wang clearly has reason to be paranoid.

The film is executive produced by Andy Cohen and Alison Klayman, who collaborated on the award-winning documentary Ai Weiwei: Never Sorry; the Chinese artist and activist, who had been under long-term house arrest, took up Hooligan’s cause, and he included her belongings in an installation in his 2014 Brooklyn Museum retrospective, “According to What?” Wang, who has three master’s degrees, cowrote the film with Mark Monroe, who wrote the Oscar-nominated documentary The Cove and numerous Sundance winners. Hooligan Sparrow also features a subtly ominous score by Nathan Halpern and Chris Ruggiero that helps keep you on the edge of your seat as Hooligan and her group continue to fight the power, despite each of them being detained and imprisoned at one point or another — and some still are. Hooligan Sparrow is being shown April 5 at 7:30 at BAM, followed by a Q&A with the Brooklyn-based Wang and Polk Awards screening committee co-chair Richard Pearce. “Hooligan Sparrow is a remarkable and courageous work,” Polk Awards curator John Darnton said in a statement. “In filming it, in the face of intimidation by undercover security thugs, Ms. Wang herself turns into a dissident. She begins somewhat nervously, even timidly, and then becomes emboldened before our very eyes, employing wily devices like hidden-camera glasses and secret audio to get the documentation she needs.” The Polk Awards are named for CBS correspondent George Polk, who was brutally murdered while covering the Greek civil war in 1948; last year’s George Polk Documentary Film Award went to Matthew Heineman’s Oscar-nominated Cartel Land.

NEW@GRAHAM: AN EVENING WITH PONTUS LIDBERG

new at graham

Who: Pontus Lidberg, Kaitlyn Gilliland, Christopher Adams, Martha Graham Dance Company
What: Graham Studio Series: conversation, film screening, and live performance
Where: Martha Graham Studio Theater, 55 Bethune St. at Washington St., eleventh floor
When: Thursday, April 6, $20 in advance, $25 at the door, 7:00
Why: Last April, the Martha Graham Dance Company presented the world premiere of Swedish choreographer Pontus Lidberg’s Woodland, a co-commission with the Library of Congress. For the latest installment of the Graham Studio Series, Lidberg, who is also a filmmaker (The Rain, Labyrinth Within), will be at the company’s home on Bethune St. for a conversation about his work and to offer a sneak peek at his new film, the seventy-minute Written on Water, which stars Aurélie Dupont, former principal dancer and current director of the Paris Opera Ballet, with excerpts performed live by former New York City Ballet principal dancer Kaitlyn Gilliland (BalletNext, BalletCollective, Ballet Tech, Intermezzo Dance Company, and others) and Christopher Adams, current member of Zvidance, Susan Marshall and Company, and Pontus Lidberg Dance. In addition, the company will perform Woodland, which is set to reordered music by Irving Fine. The evening will be followed by a reception.

RICHARD MAXWELL: ARTIST TALK AND SCREENINGS

Richard Maxwell will discuss his theater career April 3 at CUNY(photo by Juri Junkov)

Richard Maxwell will discuss his life and career APril 3 at CUNY (photo by Juri Junkov)

Martin E. Segal Theatre Center at CUNY Graduate Center
365 Fifth Ave. between 34th & 35th Sts.
Monday, April 3, free, 2:00 screenings, 6:30 artist talk
212-817-1860
thesegalcenter.org
www.nycplayers.org

For nearly twenty years, North Dakota native Richard Maxwell and his New York City Players company have been staging award-winning experimental works that push the boundaries of what theater can be. The director and playwright has received accolades for such productions as People without History at the Performing Garage, Good Samaritans at St. Ann’s Warehouse and Abrons Arts Center, The Evening and Neutral Hero at the Kitchen, and House at the Ontological Theatre. His plays generally run between fifty and ninety minutes and feature overly mannered acting and abstract narratives. On April 3, screenings of three of Maxwell’s plays will be shown: 1998’s House at 2:00, 2005’s The Darkness of This Reading at 3:00, and 2014’s Isolde at 4:00. Then, at 6:30, Maxwell will sit down for a conversation with CUNY executive director and director of programs Dr. Frank Hentschker. (Admission is free, first come, first served.) Maxwell’s newest play, Samara, is having its world premiere April 4 to May 7 at the Mezzanine Theatre, presented by Soho Rep.