Toni Morrison discusses her life and career in The Pieces I Am (photo by Timothy Greenfield-Sanders)
TONI MORRISON: THE PIECES I AM (Timothy Greenfield-Sanders, 2019)
Film Forum, 209 West Houston St., 212-727-8110
Film Society of Lincoln Center, Francesca Beale Theater, 144 West 65th St. between Broadway & Amsterdam Aves., 212-875-5050
Opens Friday, June 21
www.tonimorrisonfilm.com
At the beginning of Timothy Greenfield-Sanders’s Toni Morrison: The Pieces I Am, artist Mickalene Thomas’s hands are seen putting together a collage of different images of author Toni Morrison, like a jigsaw puzzle, one on top of the other, to the sounds of Kathryn Bostic’s score. It’s a beautiful start to a beautiful film that takes viewers deep inside Morrison’s life and career, from daughter and student to teacher, wife, mother, editor, and award-winning novelist. “She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order,” Morrison writes in Beloved. In the film, Greenfield-Sanders, Morrison’s longtime friend and primary photographer of nearly forty years, and editor and researcher Johanna Giebelhaus gather the pieces that help paint a portrait of the extraordinary person that is Toni Morrison.
Toni Morrison and Timothy Greenfield-Sanders collaborate on new documentary (photo by Timothy Greenfield-Sanders)
They incorporate old interviews with Charlie Rose, Dick Cavett, and Bill Moyers, personal photographs, archival footage, and new interviews with Morrison and thirteen of her colleagues — among them Columbia University professor Farah Griffin, activist Angela Davis, New Yorker critic Hilton Als, Random House editor Robert Gottlieb, composer Richard Danielpour, media magnate Oprah Winfrey, and fellow authors Paula Giddings, Russell Banks, Fran Lebowitz, and Walter Mosley — who have nothing but laudatory things to say about her, as both a writer and a human being. The film also includes excerpts from several of Morrison’s books, read by Kim Cattrall, Joel Grey, S. Epatha Merkerson, Whoopi Goldberg, and others, in addition to works by such black artists as Kara Walker, Martin Puryear, Titus Kaphar, Charles White, Elizabeth Catlett, David Hammons, Faith Ringgold, Romare Bearden, and Hank Willis Thomas that subtly complement her words.
The main focus, however, is on Morrison’s status as a black woman writer and her white audience. Early in her career, she was criticized for writing only about blacks and the black experience. “The assumption is the reader is a white person, and that troubled me. They were never talking to me,” Morrison says. “I didn’t want to speak for black people; I wanted to speak to, and to be among . . . us. So the first thing I had to do was to eliminate the white gaze.” One white gaze she has not eliminated is that of Greenfield-Sanders, who is Caucasian; in fact, Morrison is the one who inspired him to make such films as The Black List, The Latino List, The Women’s List, and The Trans List, which document people from diverse communities. (Morrison contributed an introduction to The Women’s List.)
Greenfield-Sanders focuses on such Morrison novels as Sula, The Bluest Eye, Song of Solomon, Tar Baby, and Beloved as well as the nonfiction compendium The Black Book. Cinematographer Graham Willoughby purposely shoots Morrison, who turned eighty-eight in February, straight on, with her looking directly into the camera, while the other subjects are photographed from the side, over the shoulder, adding further prestige and prominence to the grand dame, who is also shot on lovely mornings, working at her riverfront home.
Toni Morrison is seen hard at work in her riverfront home in The Pieces I Am (photo by Timothy Greenfield-Sanders)
Perhaps the best thing about this two-hour American Masters production is that after watching and listening to this remarkable woman talk about her approach to writing and the world at large, you’ll want to rush to reread her books, or pick them up for the first time. “Words have power,” she explains. Indeed they do. Toni Morrison: The Pieces I Am opens June 21 at Film Forum and Lincoln Center; Greenfield-Sanders will participate in Q&As following the 7:20 show on June 21, the 12:20 show on June 22 (with Brigid Hughes), and the 2:40 show on June 23 at Film Forum and after the 3:30 and 6:20 shows on June 22 and the 1:00 show on June 23 at Lincoln Center.
About halfway through Unzipped, Douglas Keeve’s thrilling 1995 documentary, which follows fashion designer extraordinaire Isaac Mizrahi as he puts together his fall 1994 collection following a critical disaster, Mizrahi says, “Everything’s frustrating; every single thing is frustrating. Except designing clothes. That’s not frustrating. That’s really liberating and beautiful. I don’t know, being overweight and not being able to lose weight, you know, that’s a problem. Anything you’re really working hard at and that’s not working, that’s a problem. But frankly, designing clothes is never a problem.” Of course, the statement doesn’t exactly ring true as Mizrahi, usually with his trademark bandanna wound around his wild, curly hair, encounters his fair share of difficulties as he meets with Candy Pratts and André Leon Talley from Vogue and Polly Mellen from Allure, expresses his hopes and fears with Mark Morris, Sandra Bernhard, Eartha Kitt, and his mother, and works with such supermodels as Kate Moss, Naomi Campbell, Cindy Crawford, Shalom Harlow, Linda Evangelista, Carla Bruni, Christy Turlington, and Amber Valletta. Along the way he makes endless pop-culture references, singing the theme song from The Mary Tyler Moore Show, citing scenes from The Red Shoes, Marnie, Valley of the Dolls, and Whatever Happened to Baby Jane? and using Nanook of the North and The Call of the Wild as creative inspiration.
