this week in lectures, signings, panel discussions, workshops, and Q&As

THE ROCKY HORROR SHOW MUSICAL LIVESTREAM

Who: Tim Curry, Wilmer Valderrama, Lance Bass, Rosario Dawson, Jason George, Nell Campbell, Seth Green, Jason Alexander, David Arquette, the Dresden Dolls, Miss Peppermint, Eiza Gonzalez, Josh Gad, Ben Barnes, Jenna Ushkowitz, Rachel Bloom, Karen Olivo, Marissa Jaret Winkour, Madison Uphoff, Kalen Chase, Rumer Willis
What: Livestreamed Halloween political fundraiser
Where: WisDems Zoom
When: Saturday, October 31, suggested donation $31, 10:00
Why: America is in danger of going through a perilous time warp if the current administration gets another four years in office, further setting back gains that have been made over decades toward freedom and equality for all. With that in mind, the Wisconsin Democratic Party has been on a fierce and furious drive to flip the swing state blue on election day with virtual cast reunions of Happy Days, The Princess Bride, Veep, and Superbad that have each raised hundreds of thousands of dollars. Next up is a celebration of the 1975 midnight cult classic The Rocky Horror Picture Show, a film that celebrates individuality and daring to be different. We might not be able to touch-a, touch-a, touch-a, touch one another, but we can reach out and come together online, and joining in the fun on Halloween night will be Dr. Frank N. Furter himself, Tim Curry, along with Wilmer Valderrama, Lance Bass, Rosario Dawson, Jason George, Nell Campbell, Seth Green, Jason Alexander, and David Arquette, with musical performances by the Dresden Dolls, Miss Peppermint, Eiza Gonzalez, reunion champ Josh Gad, Ben Barnes, Jenna Ushkowitz, Rachel Bloom, Karen Olivo, Marissa Jaret Winkour, Madison Uphoff, Kalen Chase, and Rumer Willis. The suggested donation is $31 for the one-time-only live event, but you can give any amount to watch the festivities and submit your own question, so as far as change goes, don’t just dream it, be it.

LIVE THEATER STREAM AND Q&A: THE FALL

Ronald Guttman stars as Jean-Baptiste Clamence in Albert Camus’s The Fall at FIAF

Who: Ronald Guttman, Dr. Stephen Petrus
What: One-man show and Q&A
Where: FIAF Vimeo
When: Through Wednesday, October 28 at 11:59 pm, free
Why: On October 1, Belgian actor Ronald Guttman took the stage at FIAF’s Tinker Auditorium and performed the solo work The Fall for an in-person audience of twenty-five, in addition to many more watching the livestream from wherever they are sheltering in place. The sixty-minute piece is an English-language adaptation by Alexis Lloyd of Albert Camus’s 1956 novel La Chute, consisting of monologues by Parisian ex-pat former lawyer Jean-Baptiste Clamence, examining the meaning of the life he has lived as he hangs out in a seedy Amsterdam dive bar in the red light district. “Pleased to make your acquaintance,” Clamence says at the beginning, speaking directly to the audience before explaining a moment later, “There’s only one thing simple about me; I don’t own anything. I used to. I used to be wealthy back in Paris.” For the next hour, he shares stories about Holland, modern man, fornication, mysterious laughter, memory, and shame, describing himself as a “judge-repentant,” walking across the stage with an elegiac look, wondering what could have been. (The show is directed by Didier Flamand.) FIAF has made the stream available for free through October 28 at midnight, including a twenty-minute Q&A with the New York-based Guttman, moderated by Dr. Stephen Petrus. Guttman has been performing The Fall in different iterations for more than twenty years, so his familiarity with the existential material makes this well worth watching before it disappears forever.

WAR OF THE WORLDS: THE 1938 RADIO SCRIPT

Who: Jason Tam, Arnie Burton, Morgan Siobhan Green, Khiry Walker, Dan Domingues, Courtney Thomas, Jonathan Silverstein
What: Livestreamed version of classic Orson Welles radio broadcast and talkback
Where: Keen Company Hear/Now
When: Friday, October 30, $25, 8:00
Why: On October 30, 1938, Raymond Rocello and His Orchestra were performing over the Columbia Broadcasting System radio network from the Meridian Room at the Park Plaza Hotel in downtown Manhattan when a news bulletin broke in, announcing that there had been explosions on Mars, with objects now heading toward Earth. Believing that a Martian invasion was under way, Americans were in a panic and took to the streets and highways. They would eventually find out that it was merely an audio adaptation of H. G. Wells’s 1898 novel The War of the Worlds, with a script written by Howard Koch and directed by Orson Welles for his Mercury Theatre company. Eighty-two years later, with a pandemic and presidential election threatening the safety of the United States, New York’s Keen Company is presenting an all-star benefit livestream reading of the radio drama, featuring Jason Tam, Arnie Burton, Morgan Siobhan Green, Khiry Walker, Dan Domingues, and Courtney Thomas, with original music by Paul Brill. “Since the early days of the pandemic, I became increasingly obsessed with old time radio and the ways these early pioneers provoked their audience to use their imagination in new ways,” Keen artistic director Jonathan Silverstein said in a statement. “One of the greatest of these programs is Orson Welles’s War of the Worlds, which skillfully used ‘fake news’ to create real-life panic on October 30, 1938. I look forward to sharing this one-of-a-kind revival, which will not only entertain but also bring to light some eerily similar themes between its original broadcast and today.” Tickets for the one-night-only show, which will be followed by an interactive talkback, are $25, supporting such Keen initiatives as its Hear/Now audio programming, which will continue in February with Lucille Fletcher’s Sorry, Wrong Number, starring Marsha Mason, in addition to works by Pearl Cleage, Kate Cortesi, finkle, James Anthony Tyler, and Melissa Li and Kit Yan. What better way to prepare for a virtual Halloween?

ARTISTS AND COMMUNITY: SOVEREIGNTY

Following its West Coast premiere at the Marin Theatre Company last fall, Sovereignty will make its NYC debut online (photo by Kevin Berne)

Who: DeLanna Studi, Gary Farmer, Derek Garza, Danforth Comins, Shyla Lefner, Enrico Nassi, Max Woertendyke, Daniel Pearce, Christopher Ryan Grant, Mary Kathryn Nagle, Laurie Woolery, more
What: New York online premiere and Q&As
Where: Theatre for a New Audience online
When: Friday, October 30, free with RSVP, 7:00, and Sunday, November 1, free with RSVP, 2:00
Why: Theatre for a New Audience debuts its new “Artists & Community” programming with the New York virtual premiere of Mary Kathryn Nagle’s Sovereignty. The story takes place in present-day Oklahoma, when the inherent jurisdiction of Cherokee Nation is being challenged in the Supreme Court, and 1835, when ancestors of the defense lawyers are deciding whether to accept Andrew Jackson’s Treaty of New Echota. The show debuted in January 2018 at DC’s Arena Stage and then ran last fall at Marin County Theatre in California. Directed by Laurie Woolery, the online TFANA production features DeLanna Studi as Sara Polson, Gary Farmer as Major Ridge/Roger Ridge Polson, Derek Garza as Elias/Waite, Danforth Comins as Andrew Jackson/Ben, Shyla Lefner as Sally (Sarah Bird Northrup)/Flora Ridge, Enrico Nassi as John Ridge, Max Woertendyke as Samuel Worcester/Mitch, Daniel Pearce as John Ross/Jim Ross, and Christopher Ryan Grant as White Chorus Man. There will be two live performances, on October 30 at 7:00 and November 1 at 2:00, each followed by a Q&A that puts the play, which has been further refined by Nagle (Sliver of a Full Moon, Manahatta), into context of 2020, including the July decision in the McGirt v. Oklahoma case.

THE NEW GROUP OFFSTAGE: TWO BY WALLACE SHAWN

Who: Matthew Broderick, Jill Eikenberry, John Epperson, Larry Pine, Wallace Shawn, Claudia Shear, Annapurna Sriram, Michael Tucker; Kristen Johnston, Lili Taylor, Marsha Stephanie Blake, Thomas Bradshaw, Liam Craig, Melissa Errico, Carlos Leon, Emily Cass McDonnell, Maulik Pancholy, Stephen Park, Bill Sage
What: The New Group reunion readings of two plays by Wallace Shawn
Where: “The New Group Off Stage”
When: Wednesday, October 28, $25, 7:00, and Thursday, October 29, $25, 7:00 (available for viewing through November 29)
Why: In his 2011 essay “Why I Call Myself a Socialist: Is the World Really a Stage?,” beloved playwright, actor, and voice artist Wallace Shawn explains, “We are not what we seem. We are more than what we seem. The actor knows that. And because the actor knows that hidden inside himself there’s a wizard and a king, he also knows that when he’s playing himself in his daily life, he’s playing a part, he’s performing, just as he’s performing when he plays a part on stage. He knows that when he’s on stage performing, he’s in a sense deceiving his friends in the audience less than he does in daily life, not more, because on stage he’s disclosing the parts of himself that in daily life he struggles to hide. He knows, in fact, that the role of himself is actually a rather small part, and that when he plays that part he must make an enormous effort to conceal the whole universe of possibilities that exists inside him.”

It’s inconceivable that you’re unfamiliar with the cuddly, adorable, shaggy-haired Shawn, who has appeared in more than one hundred films, including numerous Woody Allen movies, as well as voicing Rex in the Toy Story franchise and portraying a fictionalized version of himself in Louis Malle’s reality-busting My Dinner with Andre, in which he shares a meal with theater director Andre Gregory. Shawn’s most famous performance is, no doubt, as Sicilian mastermind Vizzini in Rob Reiner’s 1987 fairy-tale classic, The Princess Bride. The scenes between Shawn as Vizzini and wrestling legend Andre the Giant as his cohort Fezzik are among the film’s most treasured. (My Movie with Andre?) Shawn, the son of famed New Yorker editor William Shawn and journalist Cecille Shawn, is also an esteemed playwright, winning an Obie in 1974 for Our Late Night and earning kudos galore for 1996’s The Designated Mourner, which, in several productions, was directed by Gregory, with Shawn playing Jack in stage and radio iterations.

In the age of coronavirus, with theaters shuttered, Shawn reunited last month with the cast of The Princess Bride for a virtual reading and discussion benefiting the Wisconsin Democratic Party. Now the New Group is celebrating him with “The New Group Off Stage: Two by Wallace Shawn,” a pair of live, virtual readings of productions the company has previously staged. First up, on October 28, is 2017’s Evening at the Talk House, which in my review I said was an “utterly delightful, deliciously wicked black comedy, one of the most gregarious shows you’re ever likely to see, despite its dark undertones.” As you walked into the Signature’s Romulus Linney Courtyard Theatre, the actors were circulating on the set at the center, and the audience was invited to speak with them, joining a small, intimate cocktail party before the main event. The original all-star cast is back for the reading — Matthew Broderick, Jill Eikenberry, John Epperson, Larry Pine, Claudia Shear, Annapurna Sriram, Michael Tucker, and Shawn — but that preliminary interaction will be gone, changing the dynamic between audience and performer even more than in most Zoom renditions.

The next night, October 29, the New Group will present Shawn’s 1985 play, Aunt Dan and Lemon, which the company revived in 2004 at the Acorn Theatre; back for the virtual show are Kristen Johnston as Aunt Dan and Lili Taylor as Lemon along with Maulik Pancholy, Marcia Stephanie Blake, Liam Craig, Melissa Errico, Carlos Leon, Bill Sage, Emily Cass McDonnell, Stephen Park, and Thomas Bradshaw replacing Isaach De Bankole and Layla Khoshnoudi stepping in for Brooke Sunny Moriber. Ten percent of the proceeds of the Talk House reading will go to City Harvest, while the same amount of the Aunt Dan proceeds will go to the Center for Constitutional Rights. (Both readings will be available for viewing through November 29.) The New Group’s virtual pandemic programming has featured excellent reunion readings of The True and The Jacksonian in addition to the ongoing “Why We Do It” interview series with such alums as Cynthia Nixon, Bobby Cannavale, Edie Falco, Suzanne Vega, and Natasha Lyonne; here’s hoping that Shawn soon tells us why he does it. (My Dinner with Wallace, anyone?)

A CELEBRATION OF GRATITUDE AND HOPE

Who: Joshua Malina, David Broza, Nita M. Lowey, Joel Grey, Shoshana Bean, Tiffany Haddish, Yemin Orde Youth Village Choir, more
What: Virtual benefit
Where: ImpactIsrael
When: Wednesday, October 28, free with RSVP, 8:00
Why: ImpactIsrael is a Maryland-based organization that “provides the support needed to transform immigrant and at-risk youth into productive members of Israeli society through value-driven education and support. ImpactIsrael works to improve the education, security, health, and welfare of over 25,000 Israelis by touching lives across all boundaries — religious, secular, Jews, Arabs, Druze, and Bedouins.” On October 28 at 8:00, it will be presenting “A Celebration of Gratitude and Hope,” an online benefit for Israel’s next generation of leaders. The evening will be emceed by Joshua Malina (A Few Good Men, Scandal) and features appearances by Israeli singer-songwriter David Broza (East Jerusalem West Jerusalem, At Masada: The Sunrise Concert featuring Shawn Colvin & Jackson Browne), U.S. Representative Nita M. Lowey (who will receive the Tikkun Ha’Lev Award), singer and stage actress Shoshana Bean (Wicked, Waitress), comedian and actress Tiffany Haddish (Girls Trip, The Carmichael Show), legendary actor and director Joel Grey (Cabaret, Fiddler on the Roof in Yiddish), and the Yemin Orde Youth Village Choir, among others. Admission is free, but donations will be accepted, including at special levels that will qualify you for listings on a digital scroll, promotional materials, and recognition with a commemorative gift.

DUET BEHAVIOR 2020

Meredith Monk (photo by Christine Alicino) and John Hollenbeck (photo by Mercedes Jelinek) will present virtual duet on October 28

Who: Meredith Monk, John Hollenbeck, Brett Littman
What: Virtual performance and Q&A
Where: Noguchi Museum and Zoom
When: Wednesday, October 28, free, 8:00
Why: Multidisciplinary avant-garde artist Meredith Monk and composer and percussionist John Hollenbeck celebrate ten years of collaboration between the Noguchi Museum and Bang on a Can with the special online presentation Duet Behavior 2020. The show, streaming for free October 28 at 8:00, features excerpts in which Monk and Hollenbeck improvise on pieces from throughout Monk’s fifty-plus-year career, reimagining familiar and unfamiliar works. They have been working together since 1998; Hollenbeck has appeared in Monk’s Magic Frequencies, mercy, impermanence, Songs of Ascension, and On Behalf of Nature in addition to recording several of their compositions on his own. New York City native Monk will be playing from upstate New York and Hollenbeck from Montreal, using Zoom for the visuals and Jamulus for the audio, produced by the House Foundation for the Arts. The premiere will be followed by a Zoom Q&A with the two creators and Noguchi Museum director Brett Littman.