this week in music

THE WORLD’S FARE 2019

worlds fare

EAT. DRINK. UNITE.
Citi Field
123-01 Roosevelt Ave.
Saturday, May 18, and Sunday, May 19, noon – 7:00
General admission $23, with three-hour beer garden $49, VIP $199
theworldsfare.nyc
www.eventbrite.com

The second annual World’s Fare at Citi Field, near where the 1963-64 World’s Fair took place, features more than one hundred food vendors from all five boroughs, more than five dozen craft breweries, a World Market Bazaar, and more. The Culinary Committee co-chairs this year are Gael Greene, Alex Raij, Anita Lo, and Joshua Schneps, with the festival curated by food-arena movers and shakers Liza Mosquito deGuia, Niko Triantafillou, Jean Lee, Joe DiStefano, George Motz, Tia Keenan, Hannah Goldberg, Felipe Donnelly, Jenny Dorsey, Joseph Yoon, Karen Seiger, Kysha Harris, Tamy Rofe, and Cindy VandenBosch. There will be live music by Black Tie Brass Band, Strings N Skins, Funky Dawgz Brass Band, Mariachi Loco, Rho & the Nomads, Royal KhaoZ, Kaleta & Super Yamba, and Underground Horns and dance performances by Sachiyo Ito & Company, Leggz Ltd., American Bolero Dance Company, NY Chinese Cultural Center, Salit Bellydance, Nartan Rang Dance Academy, Country Dancing, KG Group Entertainment, Gemuetlichen Enzianer Dancers, and Schade Academy of Irish Dancing along with interactive murals, karate exhibitions, henna, African body painting, art by Taisan Tanaka, and other events. Among the participating eateries are Baba’s Pierogies, Balkan Bites, Barbecue on a Stick, Caribbean Street Eats, Chef Jimmy’s Vicious Creole Cycle, D’Abruzzo NYC, DiRiso Risotto Balls, Donovan’s Pub, Down East Lobstah, Duck Season, George Motz’s Oklahoma Fried Onion Cheeseburger, Keki Modern Cakes, Little Porky’s, Macaron Parlour, Melt Bakery, Memphis Seoul, Miss Holly’s Smokehouse, Nansense, Oaxaca Taqueria, Republic of Booza, Rooster Boy, Sam’s Fried Ice Cream, Stuffed Ice Cream, Tania’s Kitchen, Twisted Potato, Wafels & Dinges, and What’s the Dillaz. General admission is $23; you can add three hours of libations in the beer garden for another $26, while VIP access goes for $199.

Harlem EatUp!

Dine+In+Marcus,+JJ,+Alex+and+Michael

Chefs Marcus Samuelsson and JJ Johnson (left) return for the fifth annual Harlem EatUp! Festival (photo courtesy Harlem EatUp!)

Multiple locations in Harlem
May 13-19, free – $250
harlemeatup.com

The fifth annual Harlem EatUp! Festival takes place May 13-19, with dozens of chefs, restaurants, culinary organizations, mixmasters, and artists participating in tastings, dinners, concerts, and more celebrating Harlem culture, hosted by Bevy Smith. Below are only some of the special events happening uptown, with part of the proceeds benefiting Citymeals on Wheels, Historic Harlem Parks, and Harlem Park to Park.

Monday, May 13
Dine in Harlem: BLVD Bistro, hosted by owner Carlos Swepson and guest chef Leah Cohen, $135, 7:00

Tuesday, May 14
Dine in Harlem: FieldTrip, hosted by chef JJ Johnson and guest chef Marc Vetri, $85, 7:00

Wednesday, May 16
Dine in Harlem: Melba’s Restaurant, with owner Melba Wilson and guest chef Jerome Grant and DJ Nas Leber, $100, 7:00

Thursday, May 16
The Harlem EatUp! Annual Luminary Award Dinner, honoring Lana Turner and David N. Dinkins, hosted by chef Marcus Samuelsson and guest chefs Mashama Bailey of the Grey and Emma Bengtsson of Aquavit, Neil Patrick Harris and David Burtka, Mac McDonald of Vision Cellars, and Andre Mack of Maison Noir, with live music by the Rakiem Walker Project, Red Rooster Harlem, $250, 6:30

Saturday, May 18
The EatUp! Main Stage at the Harlem Stroll, with culinary demonstrations and live performances, Morningside Park, free, 12:30 – 5:30

Ultimate Grand Tasting at the Harlem Stroll, featuring participants Alvin Lee Smalls of Lee Lee’s Bakery, Alyah Horsford-Sidberr of Cove Lounge, Angel Grande of Nocciola Ristorante, Antonio Settepani of Settepani, Ashley Dikos and Andrew Martinez of Bo’s Bagels, Carlos Salazar of Rincón Mexicano, Carlos Swepson of BLVD Bistro, Cédric Durand of Tastings Social presents GAUDir, Cédric Durand of Charles’ Country Pan Fried Chicken, Drunken Fruit, Giannina Gutierrez, Harlem Haberdashery, Camaron Fagan of Harlem Tavern, Humberto Guallpa of Row House, Jake Timmons of Dinosaur Bar-B-Que, Jamaica Tourism Board, Norma Jean Darden of Miss Mamie’s Spoonbread, Jelena Pasic of Harlem Shake, Jessica Spaulding of Harlem Chocolate Factory, Juliet and Justine Masters of the Edge Harlem, Lara Land, Lexis Gonzalez and Dr. Sharon Gonzalez of Lady Lexis Sweets, Leticia “Skai” Young and Raymond Zamanta Mohan of LoLo’s Seafood Shack, Marcus Samuelsson of Red Rooster Harlem/Ginny’s Supper Club, Matthew Trebek & Nodar Mosiashvili of OSO Harlem, Milton Washington, Melba Wilson of Melba’s Restaurant, Nick Larsen and Petrushka Bazin Larsen of Sugar Hill Creamery, Nocciola, RanDe Rogers of Sisters Caribbean Cuisine, Raymond Weber of CUT by Wolfgang Puck, and Zach Sharaga and Samantha Phillips of Dear Mama, adults only, Morningside Park, $85, 12:30 – 5:30

Saturday, May 18
and
Sunday, May 19

The Marketplace at the Harlem Stroll, with more than two dozen food vendors, a kids’ zone, demonstrations, live performances, and more, Morningside Park, free, 12:30 – 5:30

Sunday, May 19
The EatUp! Main Stage at the Harlem Stroll, with DJ Stormin’ Norman, David Burtka, JJ Johnson of FieldTrip/Henry by JJ, Marcus Samuelsson, Neil Patrick Harris, Scott Conant of Cellaio Steak, Karl Franz Williams of Solomon & Kuff Rum Hall, Charles Gabriel of Charles’ Country Pan Fried Chicken, Johnny Mambo & Friends, Vy Higginson’s Sing Harlem Choir, and more, Morningside Park, free, 12:30 – 5:30

Ultimate Grand Tasting at the Harlem Stroll, featuring participants Aliyyah Baylor of Make My Cake, Amie Kiros of Piatto d’Oro, Andrew LoPresto of Bar314, Antonio Settepani of Settepani, Aromas Boutique Bakery, Camaron Fagan of Harlem Tavern, Carlos Salazar of Rincón Mexicano, Carlos Swepson of BLVD Bistro, Chris Pollok of Bier International, Davie Simmons of Uptown Veg & Juice Bar, Dear Mama, Drunken Fruit, Greedy Pot, Harlem Haberdashery, Humberto Guallpa of Row House, Jamaica Tourism Board, Jessica Spaulding of Harlem Chocolate Factory, Julian Medina of La Chula Harlem, Kenichi Tajima of Tastings Social presents Mountain Bird, Lara Land, Leon Johnson, Lexis Gonzalez and Dr. Sharon Gonzalez of Lady Lexis Sweets, Lloyd’s Carrot Cake, Betty Campbell-Adams of Maison Harlem, Marcus Samuelsson of Red Rooster Harlem/Ginny’s Supper Club, Mark Rosati of Shake Shack, Neca Bryan of Kingston Restaurant & Bar, Norma Jean Darden of Miss Mamie’s Spoonbread, RanDe Rogers of Sisters Caribbean Cuisine, Yohey Horishita, and Zachary Gelnaw-Rubin of Lion Lion, adults only, Morningside Park, $85, 12:30 – 5:30

AI: ARE YOU BRAVE ENOUGH FOR THE BRAVE NEW WORLD?

live ideas

LIVE IDEAS 2019
New York Live Arts
219 West 19th St.
May 8-12, $10-$20
newyorklivearts.org

New York Live Arts’ seventh annual Live Ideas humanities festival explores artificial intelligence with five days of art, dance, discussion, music, lectures, and more, asking the question “AI: Are You Brave Enough for the Brave New World?” Inaugurated in 2013, the festival previously focused on Dr. Oliver Sacks and James Baldwin; social, political, artistic, and environmental issues; a nonbinary future; and strengthening democracy. Among those participating in the 2019 edition are Bill T. Jones, Nick Hallett, Yuka C Honda, Scorpion Mouse, Kyle McDonald, Patricia Marx, and Eunsu Kang, delving into technological dreaming, coding, mental illness, drones, and the truth. Tickets for most events are between ten and twenty dollars; below are some of the highlights.

Wednesday, May 8
What Is AI?, keynote/performance with Nick Hallett, Meredith Broussard, Patricia Marx, Baba Israel, and Ragamuffin, $15, 6:00

Wednesday, May 8
through
Saturday, May 11

Rhizomatiks Research X ELEVENPLAY X Kyle McDonald: discrete figures, performed on stage designed for interactivity between performers, drones, and AI, $36-$45, 8:00

Thursday, May 9
Future of Work, panel discussion with Arun Sunderarajan, Matthew Putman, Carrie Gleason, Madeleine Clare Elish, and moderator Ritse Erumi, $20, 6:00

Rational Numbers: Music and AI, performance by Yuka C Honda and Angélica Negrón, $10, 9:00

Friday, May 10
Does Truth Need Defending?, panel discussion with Ambika Samarthya-Howard, Hilke Schellmann, Jeff Smith, and moderator Malika Saada Saar, $10, 6:00

Algorave: LiveCode.NYC, rave featuring AI experiments and live performances by Scorpion Mouse, CIBO + Ulysses Popple, Colonel Panix + nom de nom, ioxi + Zach Krall, and Codie, $10, 9:00

(photo by Tomoya Takeshita )

Rhizomatiks Research, ELEVENPLAY, and Kyle McDonald collaborate on interactive performance piece discrete figures (photo by Tomoya Takeshita )

Saturday, May 11
Symposium: AI x ART, including “Body, Movement, Language: AI Sketches” with Bill T. Jones, “Between Science & Speculation: Technological Dreaming” with Ani Liu, “AI in Performance: Making discrete figures” with Kyle McDonald, “Yes, AI CAN help you develop a new relationship with your audience” with Dr. Brett Ashley Crawford, “Livecoding Traversals through Sonic Spaces” with Jason Levine, “GANymedes: Art with AI” with Eunsu Kang, “Emergent Storytelling with Artificial Intelligence” with Rachel Ginsberg, and “Creating in the Age of AI” with Ani Liu, Dr. Brett Ashley Crawford, Eunsu Kang, Kyle McDonald, and Bill T. Jones, $15, 4:30

Sunday, May 12
Class: How to Question Technology, Or, What Would Neil Postman Say?, with Lance Strate, $15, 1:30

HACK-ART-THON: ACT LABS, “Breaking the Stigma Around Mental Illness,” prototype presentation, jury deliberation, and award ceremony, with Katy Gero & Anastasia Veron, Artyom Astafurov & Beth Graczyk, Jennifer Ding & Dominika Jezewska, Ishaan Jhaveri & Esther Manon Siddiquie, Keely Garfield & Cynthia Hua, Keira Heu-Jwyn Chang & Nia Laureano, Jared Katzman & Rachel Kunstadt, and Marco Berlot & Zeelie Brown, free with advance RSVP, 6:30

A BEAUTIFUL DAWNING: OKLAHOMA! AT 75

ll-oklahoma-at-75

Who: Kerstin Anderson, Phillip Attmore, Jason Gotay, Nyla Watson, more
What: 92Y’s Lyrics & Lyricists
Where: 92nd St. Y, Kaufmann Concert Hall, 1395 Lexington Ave. at 92nd St., 212-415-5500
When: May 4-6, $30-$85
Why: Daniel Fish’s current Broadway adaptation of Rodgers & Hammerstein’s first collaboration, Oklahoma!, has many singing its praises and others decrying it as an abomination. I raved about it in my review, to which Oscar Hammerstein III replied, “Nonsense. The play is a travesty posing as experimental; a parasite feasting on the original musical.” In honor of the work’s diamond anniversary, the 92nd St. Y’s Lyrics & Lyricists series is presenting “A Beautiful Dawning: Oklahoma! at 75,” five shows May 4-6 celebrating its ongoing influence and legacy. The cast features vocalists Kerstin Anderson, Phillip Attmore, Jason Gotay, and Nyla Watson, with Justin Smith on violin, Scott Kuney on guitar, Mark Vanderpoel on bass, and Perry Cavari on drums. Parker Esse directs; Ted Chapin is writer and host and Andy Einhorn the music director, with projection design by Dan Scully. “We’ll be taking a deep look at the show — from its unlikely creation, through its years as a staple of the repertoire, through to the various modern reinterpretations that attest to the show’s continuing relevance,” Chapin said in a statement. “And of course, because this is L&L, there will be a few oddities thrown in among the show’s beloved and well-known songs.” We’re guessing that chili will not be served.

TRIBECA FILM FESTIVAL THIS USED TO BE NEW YORK: OTHER MUSIC

Documentary goes behind the scenes of one of New York City’s most beloved record stores

Documentary goes behind the scenes of one of New York City’s most beloved record stores

OTHER MUSIC (Puloma Basu & Rob Hatch-Miller, 2019)
Village East Cinema
181-189 Second Ave. at 12th St.
Sunday, May 5, 8:45
www.tribecafilm.com
www.othermusicdocumentary.com

It’s a shame that Puloma Basu and Rob Hatch-Miller’s new documentary, Other Music, is part of the Tribeca Film Festival section “This Used to Be New York,” because that means that their subject, the much-loved Other Music independent record store, is a “Used to Be,” no longer part of the city’s landscape. From 1995 to 2016, Other Music was an oasis for music lovers and musicians of all types, an escape from the mainstream; in fact, when the shop first opened, a giant Tower Records chain store was across the street, but OM thrived because it offered so much that was different. “Other Music was the quintessential place in New York City for people that appreciated music. It just was a place where you were able to search out things you had never heard of,” JD Samson of Le Tigre says in the film.

Basu and Hatch-Miller (Syl Johnson: Any Way the Wind Blows) not only focus on customers and performers but also on the devoted, fanatical OM staff that formed a kind of family, including Dave, Nicole, Clay, Amanda, Duane, Katie, Daniel, Jo Ann, Michael, Maris, Karen, Jenny, Geoff, and Stephanie, led by owners and cofounders Josh Madell and Chris Vanderloo. (Third cofounder Jeff Gibson did not participate in the film but is seen in old clips.) “People who just listen to records all day deserve to have a job where they can do that. People who work in record shops are always weirdos. Weirdos need jobs,” Stuart Braithwaite of Mogwai jokes. Longtime employee Kris, noting that live shows weren’t enough for him when he first came to New York, explains why he worked at OM: “I wanted to be bombarded constantly. I wanted to have my ideas challenged, and I wanted to be fucked with.”

The documentary follows the store’s countdown to its closing on June 25, 2016, as customers come by to chat and buy records there for the last time and current and former employees share memories about their time at the shop, discussing OM’s unique categorization of music, the handwritten cards for recommended records, the confounding Decadanse section, the local musical response to 9/11, and their online business and epically detailed newsletters (which we at twi-ny relied on heavily). Josh’s wife, Dawn, and Chris’s wife, Lydia, add their thoughts on the impact the store’s two-decade run had on their lives. There are lots of old photos and archival footage, including snippets of in-store live appearances by Mogwai, Interpol, Yo La Tengo, Neutral Milk Hotel, No Age, the Go-Betweens, and cult favorite Gary Wilson; high praise from Meet Me in the Bathroom author Lizzie Goodman, Daniel Kessler of Interpol, Ezra Koenig of Vampire Weekend, Matt Berninger of the National, Dean Wareham of Luna and Galaxie 500, Brian Chase of Yeah Yeah Yeahs, Regina Spektor, Jason Schwartzman, and former store employee Dave Portner of Animal Collective; a celebration of onetime OM staffer Beans of Antipop Consortium; and others who will make you regret either never having gone there or not having gone — or bought — enough. “It’s kind of like a religious experience,” Benicio del Toro says. Other Music has one more screening remaining at the Tribeca Film Festival, on May 5 at 8:45.

FIRST SATURDAYS: CELEBRATE SPRING

 Liz Johnson Artur (born Bulgaria, 1964). Josephine, Peckham, 1995. Chromogenic photograph, 20 x 24 in. (50.8 x 60.9 cm). Courtesy of the artist. © Liz Johnson Artur

Liz Johnson Artur, Josephine, Peckham, chromogenic photograph, 1995 (Courtesy of the artist. © Liz Johnson Artur)

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, May 4, free (some events require advance tickets), 5:00 – 11:00
212-864-5400
www.brooklynmuseum.org

Spring is in the air at the May edition of the free First Saturdays program at the Brooklyn Museum. There will be live performances by Descarrilao, Arooj Aftab, the Fadara Group (True to Our Native Land, featuring Chief Ayanda Clarke), and Kaleta & Super Yamba Band; an artist and curator talk on “Nobody Promised You Tomorrow: Art 50 Years After Stonewall” with Park McArthur, Constantina Zavitsanos, and Allie Rickard; a hands-on workshop in which participants can make print design artwork inspired by several current exhibitions; a screening of the fifteen-minute short Dreams from the Deep End (Modupeola Fadugba, 2018), followed by a discussion with Fadugba, Kristen Windmuller-Luna, and swim team members; an artist and curator tour of “Liz Johnson Artur: Dusha” with Liz Johnson Artur and Drew Sawyer; and teen gallery talks on “One: Egúngún.” In addition, the galleries will be open late so you can check out “Frida Kahlo: Appearances Can Be Deceiving,” “Nobody Promised You Tomorrow: Art 50 Years After Stonewall,” “Eric N. Mack: Lemme walk across the room,” “One: Do Ho Suh,” “One: Egúngún,” “Something to Say: Brooklyn Hi-Art! Machine, Deborah Kass, Kameelah Janan Rasheed, and Hank Willis Thomas,” “Infinite Blue,” “A Woman’s Afterlife: Gender Transformation in Ancient Egypt,” “Kwang Young Chun: Aggregations,” and more.

CARMINE STREET GUITARS

Carmine Street Guitars

Rick Kelly and Cindy Hulej are a mutual admiration society in Carmine Street Guitars

CARMINE STREET GUITARS (Ron Mann, 2018)
Film Forum
209 West Houston St.
Opens Wednesday, April 24
212-727-8110
filmforum.org
www.sphinxproductions.com

In the second half of Ron Mann’s utterly delightful and unique documentary Carmine Street Guitars, a well-dressed, well-groomed young man enters the title store in Greenwich Village and identifies himself as Adam Shalom, a Realtor who is selling the building next door. Shalom tries to talk about square footage, but Carmine Street Guitars founder and owner Rick Kelly barely looks up as he continues cleaning a fret. It’s a critical, uncomfortable moment in an otherwise intimate and inviting film; throughout the rest of the eighty-minute documentary, the soft-spoken Kelly talks guitars and craftsmanship with a stream of very cool musicians and his punk-looking young apprentice, Cindy Hulej. But Shalom’s arrival hearkens to one of the main reasons why Mann made the movie: to capture one of the last remaining old-time shops in a changing neighborhood, a former bohemian paradise that has been taken over by hipsters and corporate culture, by upscale stores and restaurants and luxury apartments. You’ll actually cheer that Kelly gives Shalom such short shrift, but you’ll also realize that Shalom and others might be knocking again at that door all too soon.

Carmine Street Guitars

Rick Kelly welcomes “instigator” Jim Jarmusch to his Greenwich Village shop in Carmine Street Guitars

The rest of the film is an absolute treat. Mann follows five days in the life of Carmine Street Guitars; each day begins with a static shot of the store from across the street, emphasizing it as part of a community as people walk by or Kelly, who was born in Bay Shore, arrives with a piece of wood he’s scavenged. The camera then moves indoors to show Kelly and Hulej making guitars by hand, using old, outdated tools and wood primarily from local buildings that date back to the nineteenth century. Kelly doesn’t do computers and doesn’t own a cell phone; he leaves all that to Hulej, who posts pictures of new six-strings on Instagram. Meanwhile, Kelly’s ninetysomething mother, Dorothy, works in the back of the crazily cluttered store, taking care of the books with an ancient adding machine. Over the course of the week, they are visited by such musicians as Dallas and Travis Good of the Sadies (who composed the film’s soundtrack), “Captain” Kirk Douglas of the Roots, Eleanor Friedberger, Dave Hill of Valley Lodge, Jamie Hince of the Kills, Nels Cline of Wilco, Christine Bougie of Bahamas, Marc Ribot, and Charlie Sexton. Bill Frisell plays an impromptu surf-guitar instrumental version of the Beach Boys’ “Surfer Girl.” Stewart Hurwood, Lou Reed’s longtime guitar tech, talks about using Reed’s guitars for the ongoing “DRONES” live installation. “It’s like playing a piece of New York,” Lenny Kaye says about the guitars made from local wood while also referring to the shop as part of the “real village.”

Mann, the Canadian director of such previous nonfiction films as Grass, Know Your Mushrooms, and Comic Book Confidential, was inspired to make the movie at the suggestion of his friend Jarmusch, who in addition to directing such works as Stranger Than Paradise (which featured Balint), Down by Law, and 2016 NYFF selection Paterson is in the New York band Sqürl. Plus, it was Jarmusch who first got Kelly interested in crafting his guitars with wood from buildings, “the bones of old New York,” resulting in Telecaster-based six-strings infused with the history of Chumley’s, McSorley’s, the Chelsea Hotel, and other city landmarks. Carmine Street Guitars, which is far more than just mere guitar porn, opens April 24 at Film Forum, with Mann, Kelly, and Hulej participating in Q&As following the 7:45 show on Wednesday night, joined by Jarmusch, and after the 6:00 screening on Friday and 4:10 show on Saturday.