
Mat Hoffman will take to the air onscreen and in person at special Tribeca Drive-In presentation
TRIBECA FILM FESTIVAL
World Financial Center Plaza
April 22-24, free
Doors open at 6:00, activities at 6:30, films at approximately 8:15
www.tribecafilm.com
This year’s free Tribeca Drive-In features three films on successive nights outside at World Financial Center Plaza. On April 22, live performances by salsa bands, a dance contest, and salsa lessons will precede a screening of Francisco Bello and Tim Sternberg’s 2009 documentary, THE SPIRIT OF SALSA, about New Yorkers who take salsa classes at the Santo Rico Dance School. On April 23, a waterfront carnival accompanies Penny Marshall’s endearing comedy BIG, starring Robert Loggia, Elizabeth Perkins, and Tom Hanks about a boy inside a man’s body. And on April 24, Jeff Tremaine’s THE BIRTH OF BIG AIR, which looks at BMX competitor Mat Hoffman, will feature BMX demos before and after the movie, including a live stunt by Hoffman himself.





Iranian writer-director Bahman Ghobadi (A TIME FOR DRUNKEN HORSES) goes underground in NO ONE KNOWS ABOUT PERSIAN CATS, following the plight of Negar (Negar Shaghaghi) and Ashkan (Ashkan Koshanejad) as they attempt to put together an indie band for a gig in London. Inspired by their dedication—and always out to make a buck himself—fast-talking wheeler-dealer Nadar (Hamed Behdad) takes them to get illegal passports, then introduces them to a series of bands who play in secretive underground spaces where the government and the police don’t bother them, even though it is against the law to play Western-style music. Their quest for musicians leads them to such real groups as Take It Easy Hospital and the Yellow Dogs, who regularly risk their freedom and safety by playing to excited young fans desperate to hear live, modern music. Ghobadi throws in just about every genre imaginable, from heavy metal and punk to classic rock and jazz in a stirring musical journey, turning each song into a video depicting everyday life in Tehran. The film does lapse into overheated and unnecessary heavy-handed melodrama in its final scenes, but it’s still a compelling story of the intrinsic power of music and the desperate need to make connections.