this week in (live)streaming

UNSETTLED: SEEKING REFUGE IN AMERICA FREE SCREENING AND LIVE Q&A

Unsettled

Unsettled follows four LGBTQ immigrants seeking refuge in America

Who: Samantha Power, Ari Shapiro, Tom Shepard, Subhi Nahas
What: Free screening and live Q&A of Unsettled (Tom Shepard, 2019)
Where: WORLD Channel and ITVS
When: Monday, June 22, free with advance RSVP, 7:00
Why: “I just want to live a normal life,” Junior Mayema says in Tom Shepard’s heart-wrenching documentary Unsettled: Seeking Refuge in America. In honor of the UN’s World Refugee Day, which took place on June 20, the film is being streamed on June 22 at 7:00, followed by a Q&A with producer-director Shepard, former US ambassador to the UN Samantha Power, All Things Considered host Ari Shapiro, and one of the film’s subjects, Subhi Nahas, a Syrian refugee who has unexpectedly become a spokesman for LGBTQ refugees and asylum seekers.

In the film, Shepard (Scout’s Honor, The Grove) follows the agonizing plight of several LGBTQ people who have escaped dangerous situations in their homeland to try to make a new, safer life in the United States, but obstacles abound. “I was always the black sheep, I was always the outcast. I think most gay people in Syria felt the same: isolation, people mocking them. And it’s been a lonely place for twenty-five years,” Subhi says. He left Syria shortly after an al-Qaeda branch began terrorizing gay people in his hometown in 2012; as he becomes a leader in the gay refugee movement, he is determined to get his sister out as well.

Cheyenne Adriano and Mari N’Timansieme are partners in love, music, and business, attempting to gain asylum through legal channels after their lives were jeopardized first in their native Angola, then in Capetown, South Africa. “Being kicked out by the people you most love and trust, I have this anger in my heart,” Cheyenne says. “At least here, we’re not going to have people stalking us, or following us, or throwing rocks, or calling us names on the street. I think this doesn’t happen here in America, right?”

Junior, from the Democratic Republic of the Congo, has the most difficulty making the transition, having trouble finding a job, friends, and a place to sleep. While Subhi, Cheyenne, and Mari are driven by very specific goals, Junior is lost, his life further disrupted by his alcoholism. Among those offering support to the four of them are various professionals, officials, and volunteers, including Powers, refugee and asylum advocate Melanie Nathan, refugee sponsor Fred Hertz, director of refugee services Amy Weiss, LGBT refugee advocate Neil Grungras, and attorney Kathlyn Querubin, but the road is not an easy one, for any of them.

The film is especially relevant given several recent developments in the USA, with the Supreme Court declaring that gay, lesbian, and transgender workers are covered by antibias laws and ruling on cases involving legal and illegal immigration. LGBTQ refugees come to America, fleeing countries where their sexual orientation might not only be against the law but is punishable by death, yet they still have to go through a complex system in order to gain asylum here. It’s a harrowing journey that does not always have a happy ending, even in San Francisco, and now under the current administration. After the free screening and live discussion on June 22, the documentary will be available for streaming on the WORLD channel and PBS from June 28 to July 12.

STATE VS. NATASHA BANINA

Natasha

Darya Denisova gives a bold performance made for Zoom in State vs. Natasha Banina

Who: Arlekin Players Theatre
What: Live Zoom interactive theater art experiment
Where: Cherry Orchard Festival Zoom
When: Sunday, June 21, 28, July 5, 10, 12 free with RSVP, 8:00
Why: I’ve watched dozens of livestreamed presentations during the pandemic lockdown, from dance, theater, and music to literature, art, and political discussions. Among the standouts have been Richard Nelson’s made-for-Zoom What Do We Need to Talk About? for the Public Theater, a continuation of the Apple Family Plays; Martha Graham Dance Company’s reimagining of the lost 1937 solo Immediate Tragedy, comprising prerecorded movement from sixteen dancers, the Zoom boxes manipulated in breathtakingly inventive ways; On Site Opera’s To My Distant Beloved, in which a singer and pianist perform Beethoven’s An die ferne Geliebte over the phone for one person at a time, complete with emailed love letters about loneliness and isolation; and the Dropkick Murphys’ “Streaming Outta Fenway,” a furious live concert held in an empty Fenway Park, where they were joined onscreen by Bruce Springsteen from his home in New Jersey.

But the future of online productions might be best represented so far by Arlekin Players Theatre’s State vs. Natasha Banina, an online adaptation of the Boston troupe’s version of Yaroslava Pulinovich’s Natasha’s Dream, a solo work the company put on at the New Rep Theatre in February 2017. Part of the annual Cherry Orchard Festival, which focuses on Russian arts, State vs. Natasha Banina gets right in your face, literally and figuratively. The forty-five-minute drama features Darya Denisova as Natasha Banina, a young woman locked away in a claustrophobic white room, having been accused of a terrible crime. She speaks directly to the audience, which serves as a jury, as she describes what led her to commit the heinous act.

“See, that’s all a bunch of crap that they’re saying. None of that shit happened. Huh? You wanna hear what I did? Anything else you want?” she declares at the start. She draws on the walls, interacts with animation (from hearts to a spaceman), calls out the names of some of the audience members, and plays with her hair. It’s a sordid and gripping tale of obsession and mental illness, and Denisova gets deep under your skin with an edgy, brave performance boldly crafted for the internet. Director Igor Golyak, who is Denisova’s partner, shoots the live show from their living room, with choreography by Viktor Plotnikov, video by Anton Iakhontov, and music by Vadim Khrapatchev, all of which come together seamlessly. I can’t imagine that the award-winning 2019 stage version was more powerful.

Natasha

Darya Denisova stars as a woman who has committed a heinous crime in State vs. Natasha Banina

The audience is asked to fill out a survey in the beginning, then render its verdict at the end. The play is followed by a Zoom Q&A in which Golyak and Denisova lay bare their fascinating process, eager to hear what we have to say about the various techniques and what the overall experience was like. Golyak has noted that State vs. Natasha Banina is “a new art form to overcome social distancing, the pandemic, and ultimately unite people in one virtual space by merging theater, cinematography, and video games.” He has also indicated that it’s not limited to the coronavirus crisis, that this presents a unique opportunity to explore the future of theater itself. There are only two performances left, on June 21 and 28 at 8:00; tickets are free, but donations will be accepted to support the Actors Fund’s Covid-19 Emergency Relief Fund. [Ed. note: The run has been extended with additional shows on July 5, 10, and 12.]

INSIDER INSIGHTS: GERHARD RICHTER PAINTING

Gerhard Richter reveals his creative process in fascinating documentary (photo courtesy of Kino Lorber)

Who: Brinda Kumar, Corinna Belz
What: Livestreamed prerecorded discussion
Where: MetMuseum Facebook and YouTube
When: Tuesday, June 23, free, 6:00
Why: In conjunction with the expansive Met Breuer exhibition “Gerhard Richter: Painting After All,” which opened March 4 for a brief run before the pandemic lockdown and hopefully will continue once the crisis is over, the Met’s “Insider Insights” series will examine Corinna Belz’s 2011 documentary, Gerhard Richter Painting. [Ed. note: It was announced on June 22 that the Met Breuer will be closing for good, so the exhibition will not be coming back.] On June 23 at 6:00, writer-director Belz will be joined by Met Modern and Contemporary Art assistant curator Brinda Kumar for a prerecorded interview discussing the making of the film, which can be streamed for free through July 31 here.

There’s nothing abstract about the title of Belz’s documentary on the German artist, no missing words or punctuation marks. Gerhard Richter Painting is primarily just that: Ninety-seven minutes of Gerhard Richter painting as he prepares for several exhibitions, including a 2009 show at the Marian Goodman Gallery in New York City. In 2007, Belz got a rare chance to capture Richter on camera, making a short film focusing on the stained-glass window he designed for the Cologne Cathedral. Two years later, the shy, reserved Richter, who prefers to have his art speak for itself, invited Belz into his studio, giving her remarkable access inside his creative process, which revealingly relies so much on chance and accident. Belz films Richter as he works on two large-scale canvases on which he first slathers yellow paint, adds other colors, then takes a large squeegee and drags it across the surface, changing everything. It’s fascinating to watch Richter study the pieces, never quite knowing when they are done, unsure of whether they are any good. It’s also painful to see him take what looks like an extraordinary painting and then run the squeegee over it yet again, destroying what he had in order to see if he can make it still better. “They do what they want,” he says of the paintings. “I planned something totally different.”

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About halfway through the film, a deeply concerned Richter starts regretting his decision to allow the camera into his studio. “It won’t work,” he says. “At the moment it seems hopeless. I don’t think I can do this, painting under observation. That’s the worst thing there is.” But continue he does, for Belz’s and our benefit. Belz (Life After Microsoft, Peter Handke: In the Woods, Might Be Late) even gets Richter to talk a little about his family while looking at some old photos, offering intriguing tidbits about his early life and his escape to Düsseldorf just before the Berlin Wall went up. Belz also includes clips from 1966 and 1976 interviews with Richter, and she attends a meeting he has with Goodman about his upcoming show, lending yet more insight into the rather eclectic artist. “To talk about painting is not only difficult but perhaps pointless, too,” Richter, who turned eighty-eight in February, says in the 1966 clip. However, watching Gerhard Richter Painting is far from pointless; Belz has made a compelling documentary about one of the great, most elusive artists of our time. “Man, this is fun,” Richter says at one point, and indeed it is; watching the masterful artist at work is, well, a whole lot more fun than watching paint dry.

MAKE MUSIC NEW YORK 2020

make music new york

Who: Amateur and professional musicians from around the world
What: Annual Make Music New York festival
Where: Make Music New York online
When: Sunday, June 21, free, 7:00 am – 11:00 pm
Why: “Out beyond ideas of wrongdoing and rightdoing, there is a field. I’ll meet you there,” Sufi poet Rumi wrote. His words ring true now more than ever, with so much of the city still in lockdown mode because of the Covid-19 pandemic. With clubs, theaters, bars, and restaurants closed for live entertainment, the fourteenth annual Make Music New York festival, in which hundreds of free performances are held throughout the five boroughs in celebration of the longest day of the year, had to reinvent itself, so it has gone virtual, with shows being streamed online from wherever people are sheltering in place, with a few unique outdoor concerts as well, but not open to crowds. The list of performers is long and varied; here are just some of the participants: Janice Brown, Regina Opera Company, Andrea Frisch-Hara, Allan Harris, James Nyoraku Schlefer, Cheryl Grau, Vignesh Ravichandran, Brittany Santacroce, Leah Shaw, Muswell Hillbillies, Al Barcelon, Ensemble Ipse, Blair McMillen, Eleonor Sandresky, Robin Greenstein, Axiom Addicts, Mischief Boys, Melody Loveless, Wild Turkey Surprise, Murphy’s Big Idea, Rachel Lee Walsh, Jackson Dempsey, Ella Kronman, Ethan Liang, Emily Tong, gamin, Natie, Robin Rich & Willie Allen, Garrin Benfield, Social Robot, Peace of Heart Choir, Gwendolyn Fitz, Maurice Cobb, Salvo, R.E.D, Jared Lamenzo with Eddie Barbash, Renaissance Street Singers, Kate Theis, iSZ, PartyOwl, Airee, DECOSTER, It’s Just Another Pleasant Valley Monday, Adele & Felipe, Inner Gypsy, Carolyn Enger, and Sopio Murusidze.

Below are 2020’s special projects, a few of which are participatory not only online but, yes, in person.

#MySongIsYourSong, global song swap with Aaron Banes, Annie Nirschel, Barry Kay, Chris Oledude, Deborah Anne Karpel, Elaine Akins, Gary Newton, Hasani Arthur, Jascha Hoffman, Joel Landy, John Plenge, Jonny Leal, Kama Linden, Kenneth Murphy, Laela Giovanna, Rew Starr, Russ Stone, Stephanie Jeannot, Steven Blane, others, 7:00 am – 10:00 pm

#MusicMeAndMyKid, livestreamed home concerts by children, 7:00 am – 10:00 pm

Live from Home, with Tower of Power, Adryana Ribeiro, Becky Buller, Fiona Ross, Gloria Stanley, Isabella Manfredi, Josh Pyke, Laurence Juber, Lee Oskar, Lenka Kripac, Michael Barnum, Roberto Kuelho, Van-Anh Nguyen, Zachary Castille, Zuill Bailey, more, 7:00 am – 10:00 pm

Global Livestream, music from as many as 120 countries, 9:00 am – 11:00 pm

25 x 12: Live Online Lessons, for twenty-five instruments, including banjo, bassoon, cello, drum, flute, and voice, 10:00 am – 10:00 pm

Young Composers Contest, winning pieces set to William Carlos Williams’s poem, “By the road to the contagious hospital,” performed by the Make Music Quarantet, 10:00 am – 10:00 pm

Harold O’Neal: Virtual Performance at the New York Botanical Garden, 11:00 am

Flowerpot Music, performances from around the world using flowerpots, score by Elliot Cole, directed by Peter Ferry, 11:00 am – 8:00 pm

Mozart’s Requiem, third annual group performance, Requiem, K626, conducted by Douglas Anderson, noon – 1:00

Sounds from Scotland, with Jamie McGeechan, Alan Frew, Craig Weir Gleadhraich, Colin Hunter, John Rush, Laura McGhee, and Mike Nisbet, noon – 4:30

Bash the Trash, workshops creating instruments from recycled materials, followed by performances of “Ode to Joy” and/or “Baby Shark,” 1:00 – 3:00

32 for Third, Part 1, Beethoven sonatas performed by students, teachers, and guests of the Third Street Music School Settlement, 1:00 – 3:00

Bedroom Studios (aka Street Studios), with Nathalie Barret-Mas (2:00 – 5:00), Aaron Lazansky (5:00 – 8:00), and DJ Al Medina (8:00 – 11:00)

Vivaldi’s Four Seasons by the Oxford Philharmonic, with Anna-Liisa Bezrodny, Charlotte Scott, Yuri Zhislin, and Natalia Lomeiko, 3:00 – 3:50

Rumi Suite and Livaneli Songs, featuring Zülfü Livaneli, with Demet Sağıroğlu, Henning Schmiedt, Tara Nome Doyle, Tamara Jokic, Ara Dinkjian, Ismal Lumanovski, Engin Kaan Günaydin, Panagiots Andreou, Tamer Pinarbasi, Ahu Güral, and Arda Türegün, 3:00 – 4:00

Mass Appeal Harmonicas, with Jiayi He, beginners at 3:00, advanced at 4:00, everyone at 5:00

Make Music Ditmas, a Neighborhood Porch Music Celebration, 4:00 – 5:00

Songs of Struggle from the Stoop, with Paul Stein, 4:00 – 5:00

Concerts from Cars, by CenterPoint Arts, in front of Brooklyn Crepe & Juice, 274 Flatbush Ave., 4:14-4:45 PM

The World Wide Heart Chant, interactive performance of Pauline Oliveros’s “Heart Chant” with IONE, Claire Chase, and Raquel Acevedo Klein, 5:00 – 6:00

Porch Stomp!, socially distanced singalong in Brooklyn neighborhoods, 6:00 – 7:00

Harmonicas in Solidarity, performers playing the health-care anthem “The Oceans” on balconies surrounding Sasaki Garden by Washington Square, led by Dr. David Schroeder, 6:45 – 7:00

#SummerSolsticeSingalong, “Imagine,” by John Lennon, 6:55 – 7:00

Songs for Our City, finale, 8:00 pm

Touchy Subjects, by Tilted Axes: Music for Mobile Electric Guitars, by Patrick Grant, 8:00 pm

Joe’s Pub Virtual Block Party, archival performances by Kiah Victoria; Gary Lucas, Feifei Yang, and Jason Candler with special guest Yao Wang; Migguel Anggelo; Treya Lam; Martha Redbone; and AJOYO, 8:00 – 9:00

Track Meet, creative music relay, 9:00 – 11:00

THE HOMEBOUND PROJECT: THEATER FOR THE FRONT LINE PART THREE

The third iteration of the Homebound Project features a stellar lineup performing new short plays from their homes

The third iteration of the Homebound Project features a stellar lineup performing new short plays from their homes

Who: Ralph Brown, Jennifer Carpenter, Thomas Sadoski, Diane Lane, Paola Lázaro, Joshua Leonard, Eve Lindley, Arian Moayed, Ashley Park, Will Pullen, Phillipa Soo, Blair Underwood
What: New online theatrical works to benefit No Kid Hungry
Where: Link supplied by the Homebound Project after donation and shortly before start of stream
When: June 24-28, $10 or more, 7:00
Why: The third edition of the Homebound Project, collections of ten short monologues created by Oscar-, Tony-, Emmy-, and Pulitzer Prize-winning actors, writers, and directors exploring intimate, personal reactions to the current pandemic, promises to be the best of the bunch, and it faces some pretty tough competition. A benefit for the national nonprofit No Kid Hungry, which, as part of Share Our Strength, seeks to solve poverty and hunger issues around the country, each set of mini-plays is available to watch online for four days only, with a minimum donation of ten dollars. In addition to experiencing provocative, compelling, poignant, and humorous takes on the coronavirus crisis, you get to see where these actors are sheltering in place; Amanda Seyfried’s ranch is particularly impressive.

The first lineup of actor/playwright combinations featured Christopher Abbott / Lucy Thurber, Glenn Davis / Ren Dara Santiago, William Jackson Harper / Max Posner, Jessica Hecht / Sarah Ruhl, Marin Ireland / Eliza Clark, Raymond Lee / Qui Nguyen, Alison Pill / C. A. Johnson, Elizabeth Rodriguez / Rajiv Joseph, Thomas Sadoski / Martyna Majok, and Amanda Seyfried / Catya McMullen, while the second iteration consisted of Ngozi Jane Anyanwu / Anne Washburn, Nicholas Braun / Will Arbery, Utkarsh Ambudkar / Marco Ramirez, Betty Gilpin / Lily Houghton, Kimberly Hébert Gregory / Loy A. Webb, Hari Nef / Ngozi Anyanwu, Mary-Louise Parker / Bryna Turner, Christopher Oscar Peña / Brittany K. Allen, Zachary Quinto / Adam Bock, Taylor Schilling / Sarah DeLappe, and Babak Tafti / David Zheng.

The third section, running June 24-28, raises the bar with the following actor/writer/director teams: Ralph Brown (The Ferryman) / Donnetta Lavinia Grays (Where We Stand) / Jenna Worsham (The Siblings Play); Daveed Diggs (Hamilton) / C. A. Johnson (All the Natalie Portmans); Diane Lane (The Mystery of Love and Sex) / Michael R. Jackson (A Strange Loop) / Taylor Reynolds (Plano); Paola Lázaro (To the Bone) / Gina Femia (ALLOND[R]A) / Taylor Reynolds; Jennifer Carpenter (Dexter) and Thomas Sadoski (Other Desert Cities) / John Guare (Six Degrees of Separation) / Jerry Zaks (The House of Blue Leaves); Joshua Leonard (Humpday) / Mara Nelson-Greenberg (Do You Feel Anger?); Eve Lindley (Dispatches from Elsewhere) / Daniel Talbott (Afghanistan, Zimbabwe, America, Kuwait) / Kevin Laibson (Ghosted); Arian Moayed (The Humans) / Xavier Galva (Twenty Five to White); Ashley Park (The King and I) / Bess Wohl (Small Mouth Sounds) / Leigh Silverman (Violet); Will Pullen (To Kill a Mockingbird) / Samuel D. Hunter (The Whale) / Jenna Worsham; Phillipa Soo (Hamilton) / Clare Barron (Dance Nation) / Steven Pasquale; and Blair Underwood (A Soldier’s Story) / Korde A. Tuttle (Graveyard Shift). We might not be able to go to the theater these days, but this is one of the smartest ways the theater is being brought to us, and all for a crucially important cause in very difficult times. And get ready for the fourth iteration, scheduled for July 15-19.

WORLD MUSIC DAY — THAPELO MASITA AT THE MET CLOISTERS

Met Cloisters

On World Music Day, MetLiveArts will premiere a concert by South African cellist Thapelo Masita recorded earlier this week in the empty Met Cloisters Unicorn Tapestries Room

Who: Thapelo Masita
What: MetLiveArts digital world premiere
Where: Facebook and YouTube
When: Sunday, June 21, free, 7:30
Why: In celebration of World Music Day, the Met will livestream the world premiere of a performance by South African cello virtuoso Thapelo Masita recorded June 15 at the Met Cloisters, in the Unicorn Tapestries Room. “In times of turmoil, we all choose to focus on that which is most essential in our lives. Our species has survived this way for thousands of years. Only once all danger has subsided do we try to heal,” Masita explains on the Met website. “For me, the challenges the world faces today demand that we rethink this process. I believe that it is during this time, while we are in the fiery furnace, that we must transform our thinking so that we might come out better than we were before. The alternative is far too dangerous.” The thirty-minute concert features songs chosen very specifically for these difficult times, amid the coronavirus crisis and national protests decrying police brutality against people of color. Masita adds, “The music you will hear is a meditation on this very idea. A conversation between J. S. Bach, Negro spirituals, South African hymns, and Coleridge-Taylor Perkinson, this program is a metaphor for the kind of transformation we so deeply need. If all this music can work together to create a sound-world full of love, joy, peace, and belonging, then so can we. After all, we wrote it.” Masita will perform “There Is a Balm in Gilead,” Bach’s Solo Cello Suite No. 1 in G Major, BWV 1007 (Prelude, Allemande, Courante, Sarabande, Minuet I/II, Gigue), “Ha Le Mpotsa Tshepo Yaka” (“When Asked Wherein My Hope Lies”), “Amazing Grace,” and the Perpetual Motion section of Perkinson’s Black/Folk Song Suite for Solo Cello (“Lamentations”).

SUMMER SOLSTICE AT STONEHENGE

The summer solstice at Stonehenge will be streamed live over social media on June 20

The summer solstice at Stonehenge will be streamed live over social media on June 20 (photo courtesy English Heritage)

Who: English Heritage
What: Livestreamed summer solstice
Where: English Heritage Facebook and other social media
When: Saturday, June 20, 3:41 pm (sunset) and 11:07 pm (sunrise), free
Why: Located near Amesbury in Wiltshire, the mysterious prehistoric rock monument known as Stonehenge has been closed during the pandemic. It is scheduled to reopen until July 4, meaning thousands of locals and tourists will not be able to make the annual pilgrimage to experience the summer solstice there on June 20. But that’s good news for the rest of the world, as for the first time, the solstice will be officially livestreamed, from sunset (3:41 pm) to sunrise (11:07 pm) on June 20. It usually costs about thirty dollars to visit the stone circle, but social media across England will be streaming for free those two moments when the Northern Hemisphere is farthest from the sun. True, it might look eighteen inches or less on your computer monitor, iPad, or smartphone, but as Spinal Tap explained, we’re talking about “Stonehenge! ’Tis a magic place / Where the moon doth rise with a dragon’s face / Stonehenge! Where the virgins lie / And the prayers of devils fill the midnight sky.” You can enhance your experience of the virtual Stonehenge, where Darwin studied worms, which was once put up for auction (and purchased for £6,600 by a local resident), and about which we still know so few details regarding who built it and why, via the English Heritage’s free audio guide, as well as by watching Rob Reiner’s This Is Spinal Tap again.