this week in food & drink

ESN: SONGS FROM THE KITCHEN — CHANUKAH EDITION!

Lorin Sklamberg, Sarah Gordon, and Frank London celebrate a Yiddish Chanukah with food and music

Who: Sir Frank London, Lorin Sklamberg, Sarah Gordon
What: Streaming Chanukah event
Where: National Yiddish Theatre Folksbiene online
When: November 28 – December 6, free (donations accepted)
Why: Named for the Yiddish word for eat, “essen,” National Yiddish Theatre Folksbiene’s ESN series combines cooking and music. It now turns to the Festival of Lights for a special presentation available on demand November 28 through December 6. The show, in English and Yiddish, features ESN creators Frank London and Lorin Sklamberg of the Klezmatics and fourth-generation Yiddish singer Sarah Mina Gordon sharing holiday music and cooking demonstrations. Directed and edited by Stephanie Lynne Mason and Adam B. Shapiro, “Songs from the Kitchen — Chanukah Edition!” will feature latkes, syrniki, varenikes, banya pontschkes, and schmaltz and gribnenes alongside fun, festive tunes.

TWI-NY TALK: MICHAEL DORF / CITY WINERY

Entrepreneur and impresario Michael Dorf takes a much-deserved break during the pandemic (photo courtesy Michael Dorf)

City Winery New York
25 Eleventh Ave. at Fifteenth St.
646-751-6033
citywinery.com
michaeldorf.com

In Indulge Your Senses: Scaling Intimacy in a Digital World, music entrepreneur and philanthropist Michael Dorf writes about opening night at his new club, City Winery: “By then, the smartphone and social-media revolution was underway, and I realized why music fans were showing up in droves. Like me, they had inadvertently let technology disrupt their connection to music — and now they were coming to City Winery to get away from their devices. They were eager to escape their hermetic digital bubble, excited to watch their favorite musicians pluck real guitar strings and slam actual drum skins while also nourishing their other senses — the dramatic sight of a legendary performer up close, the aroma of the winery, the taste of great food and wine, the touch of a nearby friend. . . . Man, it feels great to be back in the real world.”

The Wisconsin-born longtime New Yorker and married father of three wrote those words in 2019 about a 2008 New Year’s Eve concert by Joan Osborne, but he could just as easily have written them today, as the country emerges from a lengthy pandemic lockdown. The amiable and driven Dorf started the much-loved Knitting Factory in 1986 with Louise Spitzer, when he was a twenty-three-year-old Washington University psychology and business graduate. (“We had no idea what we were doing!” he has admitted.) In 2008 he opened City Winery on Varick St., an intimate venue where fans came for food, wine, and music. Among the many acts who played there were Richard Thompson, Kasey Chambers, Robyn Hitchcock, the Mountain Goats, Living Colour, Bob Mould, Nanci Griffith, Eric Burdon, Los Lonely Boys, Lucinda Williams, Todd Rundgren, Steve Earle, Ian Hunter, Ed Sheeran, and Prince. Dorf has also presented “The Music Of” concerts at Carnegie Hall, paying tribute to such musicians as Bruce Springsteen, R.E.M., Led Zeppelin, Aretha Franklin, David Bowie, Bob Dylan, the Who, and Joni Mitchell with all-star lineups, raising money for music education in schools.

In 2020, just before the coronavirus crisis stopped the world, City Winery moved to a thirty-two-thousand-square-foot space on Pier 57 in Hudson River Park. During the pandemic, Dorf and City Winery hosted special livestreamed holiday concerts for Mother’s Day, Valentine’s Day, and Father’s Day and virtual seders for Passover. Early on, Dorf, who also runs City Vineyard, became a vocal advocate for the reopening of bars, restaurants, and music venues, citing numerous inconsistencies and incongruities in government regulations. Following strict CDC guidelines, City Winery is back in business, with music, food, and wine flowing. The upcoming schedule includes Suzanne Vega, John Waters, Betty, Los Lobos, Aimee Mann, and David Broza.

On December 13, City Winery and the Town Hall are joining forces for the seventh annual John Henry’s Friends benefit to raise funds for the educational needs of autistic children; the concert features Steve Earle and the Dukes with special guests Bruce Springsteen, Rosanne Cash, Willie Nile, and the Mastersons.

Dorf recently shared his thoughts with twi-ny on coming out of the lockdown, charity concerts, the future of livestreamed shows, and how great it feels to be back in the real world.

twi-ny: You were one of the leading advocates for reopening New York City, especially entertainment venues. What were the major issues that you felt the government wasn’t getting?

michael dorf: We all agreed, we needed to do things safe. But in the bureaucratic fear in the beginning, there was no practical thinking around seating vs. standing, paid tickets vs. just free music, etc. We wanted to take the smart Dr. Fauci approach to the gatherings, whether it was rapid testing, social distancing, and provide real world producer input so that we could follow what was being advised but dovetailed for live performances.

twi-ny: A lot of people like to knock Sen. Schumer, but he really pushed Save Our Stages. What was his involvement like?

md: People like to bash everyone and that is unfortunate. Chuck Schumer and several others helped enormously to push for our industry. He understood live music, theater, dance, and the impact it was having, not just on our venues, but on all our people, the ecosystem of the live entertainment world. I have tremendous respect for him because of this.

twi-ny: Your virtual seders were a blast. Going forward, will you do some kind of hybrid Passover?

md: Breaking bread (in this case matzah) around the table with other human beings is the essence of the seder. Now, my Passover event, which I’ve been doing in New York City for over twenty-five years now, is certainly not your normal seder. So, I think a hybrid is our future, three hundred people live in on our room in NYC and another few thousand around the globe.

twi-ny: You also hosted several special holiday streaming shows with artists from around the country, and you have livestreams coming up with Jacob Whitesides, Sa-Roc, the Empty Pockets, and Woofstock. Will you be doing more of that in the future, or do you see that coming to an eventual end?

md: Again, our business is to create live, intimate gatherings of people and sell them food, wine, great service, and an experience they will remember. We can’t do that as well virtually (especially the selling of wine), but certainly when it is practical for us to add the livestream for shows and events so that people who can’t travel to any of our venues can partially experience the event.

twi-ny: When you first reopened, what was the reaction of artists and audiences? Was there any initial hesitancy on the part of either or both?

md: Audiences are still a bit hesitant, especially as we live in a world where breakthrough cases happen, even with all our strict protocols of vaccine-only admissions and masks for all unless eating and drinking. Nevertheless, people miss the magic of live entertainment and when you get to it, it is an emotional experience that one misses. Artists are so grateful to be working again and audiences grateful to be entertained. Together, we are seeing lovefests every night with very happy fans and artists.

twi-ny: Were those reactions different at your various locations? Or was the situation pretty much the same in Boston, Chicago, Nashville, Atlanta, Philly, the Hudson Valley, and DC?

md: It is similar. In Nashville, perhaps a little weirder given the local political insanity and freer laws. But for the most part, we have worked hard to push smart policies on admission and staff throughout the pandemic. It’s not over either.

twi-ny: No, it’s not. City Winery is renowned for its vintages. Has the pandemic, as well as climate change, affected your vineyards?

md: Well, thanks for the positive on the wine. The pandemic has only made working in the winery and harvest more difficult from a labor perspective. However, global warming, the fires and temperature out west and in Europe, has severely affected the crop, the yield. The lack of water has made some vineyards not be able to deliver their grapes. It is only going to get more difficult for a supply of grapes, and prices on wine will be going up.

twi-ny: Are you loving your new location on the Hudson? What do you think of your neighbor, Little Island?

md: Love our new location; the entire neighborhood is filled with the arts — architecture, visual arts, cool businesses, and, yes, Little Island is very cool. We are also near the Whitney Museum, the Meatpacking District, the High Line, and so many other cool buildings.

twi-ny: City Winery has always put on terrific benefit shows, raising money for music education in schools with your annual “The Music Of” concerts at Carnegie Hall. Next up is Carly Simon in March, with Darlene Love, Livingston Taylor, Bettye Lavette, Jimmy Webb, and more to be announced. Can you share who might be feted in the future?

md: I’m a kid in a candy shop, thinking about the future shows at Carnegie. The music of Stevie Wonder, CSN, Dolly Parton, U2, Sting, so many other great songwriters out there to do. There are so many artists that love them and want to pay homage to them. And there remains much-needed cash to the music programs that serve undersupported youth in schools around the country.

twi-ny: On December 13, you’re teaming up with the Town Hall for the seventh annual John Henry’s Friends Benefit, featuring Steve Earle & the Dukes and several of his amazing colleagues. What can you tell us about that show and the charity?

md: We have done this to support our friend Steve Earle, who is really the hero of this evening. His son is autistic and goes to the Keswell School, which this benefits. Steve makes the importance of this real by explaining to the audience the severity and challenges and why we need to support this program. It’s very powerful stuff, and this year’s show is going to blow people away. It feels great for all of us at City Winery to help raise these important funds.

twi-ny: You seem to have been going nonstop for decades; do you ever take a break? When you’re not at City Winery, what cultural things are you doing elsewhere?

md: I like to hike, need to hike. I like to golf, need to golf. I like wine, I like my kids, I like my friends. But I love what I do. I love creating spaces where people can gather, indulge their senses, and creating lasting memories. It keeps me going, and we have a lot more still to do and grow. Five new locations in 2022 and many more before I am done.

THE GREAT ARIA THROWDOWN #2 – LES EDITION

LUNGS HARVEST ARTS FESTIVAL
Multiple locations
Daily through October 3, free
“The Great Aria Throwdown #2 — LES Edition”
Campos Community Garden, 640-644 East Twelfth St. at Ave. C
Friday, October 1, 6:30
www.lungsnyc.org

In 2011, community gardens in Loisaida, the Lower East Side, and the East Village came together and formed LUNGS, the Loisaida United Neighborhood Gardens; its mission is “to promote, protect, and preserve gardening and greening through cooperation, coordination, and communication.” The group is now hosting its tenth annual LUNGS Harvest Arts Festival, which runs through October 3 with free music and dance, knitting, activism, art exhibits, yoga, a dominos tournament, interactive workshops, classes, a treasure hunt, and more, in such locations as Green Oasis, Carmen’s Garden, LaGuardia Corner Gardens, Orchard Alley Community Garden, Creative Little Garden, La Plaza Cultural de Armando Perez, 6BC Botanical Garden, and other lovely oases.

One of the highlights is “The Great Aria Throwdown #2 — LES Edition,” taking place October 1 at 6:30 in Campos Community Garden on Twelfth St. & Ave. C. Presented by dell’Arte Opera Ensemble (dAOE), the evening features sopranos Bahati Barton and Diana Charlop, mezzo-soprano Perri di Christina, countertenor Jeffrey Mandelbaum, and pianist Pablo Zinger performing works by Bellini, Donizetti, Mozart, Purcell, and others.

“Dell’Arte Opera Ensemble is a bridge for emerging opera singers to work with accomplished professionals in the field,” dAOE executive director Marianna Mott Newirth explains. “‘The Great Aria Throwdown’ is a fun and free event that gives ‘stage’ to three sopranos and an outstanding countertenor singing with widely acclaimed pianist Pablo Zinger, producing a growing garden of sound on East Twelfth St. From Bellini to Monteverdi, we’re bringing opera to the LES! Campos Garden even has a chandelier they plan to raise just as the show begins — a nod to the new season starting at the Met after a year of darkness.” Below is the full program.

Diana Charlop: “Quel guardo il cavaliere” from Don Pasquale (Bellini)
Perri di Christina: “Deh, non voler costringere” from Anna Bolena (Donizetti)
Bahati Barton: “Ruhe Sanft” from Zaide (Mozart)
Jeffrey Mandelbaum: “If Music Be the Food of Love” (Purcell, Third Version)

Diana Charlop: “Padre germani addio” from Idomeneo (Mozart)
Perri di Christina: “Voi che sapete” from Le nozze di Figaro (Mozart)
Jeffrey Mandelbaum: “Sprezzami quanto sai” from L’incoronazione di Poppea (Monteverdi)

Perri di Christina: “Faites-lui mes aveux” from Faust (Gounod)
Bahati Barton: “Think of Me” from The Phantom of the Opera (Lloyd Webber)
Diana Charlop: “Obéissons quand leur voix appelle” from Manon (Massenet)
Jeffrey Mandelbaum: “Fra tempeste” from Rodelinda (Handel)

TICKET ALERT: THE NEW YORKER FESTIVAL 2021

Jessica Chastain and Oscar Isaac will talk about their new HBO series at New Yorker Festival

Who: Jessica Chastain, Oscar Isaac, Dave Grohl, Aimee Mann, Stanley Tucci, Jelani Cobb, Siddhartha Mukherjee, Jonathan Franzen, Tara Westover, Liza Donnelly, Roz Chast, Viet Thanh Nguyen, Jane Goodall, Andy Borowitz, Beanie Feldstein, Jayne Houdyshell, Richard Jenkins, more
What: Hybrid New Yorker Festival
Where: Skyline Drive-In, 1 Oak St. in Brooklyn, and online
When: October 4-10, free – $180, virtual all-access pass $59
Why: Tickets for the in-person outdoor events at this year’s New Yorker Festival go on sale September 14 at noon, along with the specially curated culinary meals, which will be delivered to your door (as long as you live in New York City). Among those appearing live at the Skyline Drive-In on the Brooklyn waterfront are Aimee Mann and Dave Grohl (separately), who will talk and sing, as well as Jessica Chastain and Oscar Isaac, who will discuss their new HBO series, Scenes from a Marriage, and Beanie Feldstein, Jayne Houdyshell, and Richard Jenkins, who will screen and discuss their new film, Stephen Karam’s The Humans, an adaptation of his hit play. The virtual programs, featuring Jane Goodall, Stanley Tucci, Emily Ratajkowski, Amy Schumer, Jonathan Franzen, Tara Westover, Roz Chast, and others, will be available September 20, including an all-access pass for $59. As always, you can expect tickets to go fast, especially for the free events and the food deliveries. Below is the full schedule.

Monday, October 4
Dining In with the New Yorker Festival: Yellow Rose, three-course vegan menu delivered, with on-demand access to Helen Rosner’s interview with the chefs, Dave and Krystiana Rizo, $50

Tuesday, October 5
Dining In with the New Yorker Festival: Dacha 46, three-course vegetarian meal delivered, with on-demand access to Helen Rosner’s interview with the chefs, Jessica and Trina Quinn, $50

Wednesday, October 6
Dining In with the New Yorker Festival: Reverence, three-course vegetarian meal delivered, with on-demand access to Helen Rosner’s interview with the chef, Russell Jackson, $50

Thursday, October 7
Dining In with the New Yorker Festival: Kimika, three-course meal delivered, with on-demand access to Helen Rosner’s interview with the chef, Christine Lau, $50

Friday, October 8
Jessica Chastain, Oscar Isaac, and Hagai Levi talk with Esther Perel about Scenes from a Marriage, free, 6:30

Dave Grohl talks with Kelefa Sanneh about his upcoming memoir and performs, $90-$180, 9:00

Saturday, October 9
Aimee Mann talks with Atul Gawande and performs, $60-$120, 6:30

Drive-In: The Humans, preview screening of Stephen Karam’s debut film, followed by a conversation with Karam, Beanie Feldstein, Jayne Houdyshell, and Richard Jenkins, moderated by Michael Schulman, $25-$50, 9:00

Liza Donnelly, Roz Chast, Liana Finck, and Amy Hwang will celebrate the history of women cartoonists at the New Yorker at virtual event (illustration by Liana Finck)

Virtual Events, available September 20

Jane Goodall talks with Andy Borowitz

The Matter of Black Lives, with Chimamanda Ngozi Adichie, Charlayne Hunter-Gault, and Jamaica Kincaid, moderated by Jelani Cobb

Stanley Tucci talks with Helen Rosner about his TV series and his new book, Taste: My Life Through Food

Politics and the Novel, with Yiyun Li, Valeria Luiselli, and Viet Thanh Nguyen, moderated by Parul Sehgal

Emily Ratajkowski and Amy Schumer talk with Michael Schulman

Globalism’s Legacy, with Esther Duflo, Siddhartha Mukherjee, and Anne-Marie Slaughter, moderated by Evan Osnos

Jonathan Franzen and Tara Westover talk with Henry Finder

Some Very Funny Ladies, with Liza Donnelly, Roz Chast, Liana Finck, and Amy Hwang, celebrating the history of women cartoonists at the New Yorker, moderated by Emma Allen, free

Rachel Cusk and Patricia Lockwood talk with Deborah Treisman

How to Accelerate Climate Action, with Katharine Hayhoe, Bill Ulfelder, and Allegra Kirkland, free

ART ALIVE IN THE FISHER DOLLHOUSE

The Chocolate Genius will lead an interactive demonstration at MAD in conjunction with new chocolate bar inspired by Fisher Dollhouse (photo courtesy Museum of Arts & Design)

Who: Paul Joachim, the Chocolate Genius
What: Chocolate-making demonstration and hands-on activity
Where: Museum of Arts & Design, 2 Columbus Circle
When: Saturday, September 4, free with museum admission of $12-$18, noon–2:00
Why: Paul Joachim, the Florida-based artist known as the Chocolate Genius, has a simple but critical mission: “to transform one billion people or more through chocolate.” Joachim believes that “chocolate creates a visceral, personal response in everyone. It’s a bridge between classes, gender, religion, races — all labels of culture. In other words, chocolate creates a deep human connection — often missing in our divisive world.” Joachim will increase that deep human connection on September 4 when he he will lead an in-person, interactive chocolate-making demonstration at the Museum of Arts & Design, launching a new chocolate bar in conjunction with the exhibition “The Fisher Dollhouse: A Venetian Palazzo in Miniature.”

Chocolate demo takes place in Fisher Dollhouse exhibit at MAD (photo by Jenna Bascom)

On view through September 26, the dollhouse was created by New York–based arts patron and collector Joanna Fisher during the pandemic as a place of refuge; it was designed and built by dozens of craftspersons, with miniature works of art by Dustin Yellin, Ryan McGinness, Hunt Slonem, and others. On September 4 at noon, Joachim will show visitors how to make silicone molds, cast edible works, and temper chocolate at home, along with discussing the history of chocolate and cacao. The milk chocolate bars feature the facade of the dollhouse on their front. “When most people think of chocolate, it’s simply a chocolate bar,” Joachim’s mission statement continues. “I have the gift of transforming chocolate into a mystifying, inspirational experience, live and in front of audience’s eyes. Inspiring them with joy, awe, and love, disrupting the status quo, and pushing the boundaries of what is possible within each viewer’s point of view and own life.” Entry to this “Art Alive” presentation is free with museum admission. Also on view at MAD are “Craft Front & Center,” “Carrie Moyer and Sheila Pepe: Tabernacles for Trying Times,” “Beth Lipman: Collective Elegy,” and “45 Stories in Jewelry: 1947 to Now.”

THE DARK MASTER

Kuro Tanino’s The Dark Master is a VR treat for the senses (photo © Japan Society)

THE DARK MASTER
Japan Society
333 East 47th St.
June 23-28, $45
212-715-1258
www.japansociety.org

Kuro Tanino’s The Dark Master was originally scheduled to be a fully staged production at Japan Society in January 2021 as part of a four-city US tour. However, because of the pandemic lockdown, Japan Society artistic director Yoko Shioya suggested that Tanino reimagine the piece for virtual reality. The result is a thoroughly satisfying and uniquely tasty experience, a delectable treat for the senses.

Continuing through June 28, The Dark Master is presented to ten audience members at a time, sitting in individual mirrored cubicles on Japan Society’s stage. Wearing headphones and VR headsets (and facemasks), you are taken into a tiny, claustrophobic restaurant where you are served food by a grouchy owner-chef (Kiyobumi Kaneko). He decides that you are to become the next cook, and your training begins as hungry customers come in and sit at the counter, excited for the carefully prepared fare.

Inspired by first-person video games and an indie manga written by Marei Karibu and illustrated by Haruki Izumi, The Dark Master immerses you in a mysterious world that can be as funny as it is creepy. Kaneko is a hoot as a surly smoker who seems relatively disinterested in what he’s doing yet creates miraculous dishes that not only look good but smell great — be prepared for a multisensory adventure. The virtual reality extends about 180 degrees, so be sure to turn to your right and left and up and down to take it all in; you are also given hands that hold a menu, pour a drink, and bring the victuals to your mouth, which could produce a sort of personal AMSR encounter A brief video at the end takes you behind the scenes of how some of it was done.

The Dark Master takes place for only ten people at a time at Japan Society (photo © Keizo Maeda)

A sculptor, painter, and former psychiatrist, Tanino (Frustrating Picture Book for Adults, Fortification of Smiles) literally and figuratively gets into your head for forty-five minutes as performers from his experimental theater company, Niwa Gekidan Penino (NGP), including Kaneko, F. O. Pereira Koichiro, and Bobmi Hidaka, traipse through the restaurant, with narration by Saika Ouchi. The dialogue has been dubbed into English by the original Japanese cast; the fab set is by Takuya Kamiike, with moody lighting by Masayuki Abe, crackling sound by Koji Sato and Shintaro Mastunomiya, and videography and editing by Nobuhiro Matsuzawa. In 2014, NGP made its American debut at Japan Society with The Room Nobody Knows, which featured a spectacular two-level set that represented the unconscious and subconscious minds. With this VR iteration of The Dark Master, Tanino serves up a wonderful physical and psychological meal, one that can be enjoyed together by strangers, just like watching theater or eating in a restaurant, two of life’s necessities (and genuine pleasures) that were unavailable for so much of the last sixteen months.

RASHID JOHNSON: RED STAGE

Creative Time’s Red Stage continues through July 4 at Astor Plaza (photo by twi-ny/mdr)

CREATIVE TIME: THE PEOPLE’S PLATFORM
Astor Plaza
Through July 4, free (some events require advance RSVP and in-person sign-in)
creativetime.org

Since June 5, the nonprofit arts organization Creative Time as been hosting live events in Astor Plaza in celebration of the reopening of New York City and the return of live performance in front of audiences. “Amidst an ongoing global pandemic and multiple human rights crises that have kept the world in isolation and grief, Rashid Johnson’s Red Stage is an emergency call to artists and creatives to experiment, collaborate, and gather in an act of resurgence,” Creative Time associate curator Diya Vij said in a statement. “The minimalist sculpture — akin to a bandshell stage — is rendered in steel and powder-coated in a color Johnson describes as ‘alarm red.’ Its simplicity is imbued with life: The entirety of the surface is marked by Johnson’s hand and the structure holds a vibrancy of thriving living plants. Stewarding this work requires a commitment to engender and nurture life-affirming futures.”

Chicago-born artist Johnson filled the first two weeks of Red Stage with a wide array of events, including Ethan Philbrick’s 15 cellists, Emily Johnson’s The Rising Stomp, Papi Juice’s The Portal, Jason Moran and Total Freedom, poetry, a dance party, karaoke, and community discussion. Coming up are an audio installation, a painting demonstration and workshop, a farmer’s market, a participatory marathon reading, a commencement ceremony honoring the end of the school year, a special Black trans Pride empowerment, and other presentations.

“As the world unevenly experiences the impact of Covid-19, and New York City begins to economically and socially reawaken, Red Stage affords us the opportunity to come together in this complexity to question the idea for a new normal and to envision the potential of truly engaging in public space,” Vij continued. “Red Stage establishes a temporary public-led public space for artists, organizers, and agitators. It is a proposition to the public to occupy space through movement — activation of the body in dance, the breath in song, the fist in protest, and the collective in revolutionary potential.” Everything is free, although some programs require advance RSVP to attend and/or take part in. Below is the full schedule as of June 19.

Monday, June 21
Graphic reading: The People’s Platform, 10:00 am–2:00 pm

Brooklyn Music School, with vocalist and faculty member Emily Tepe performing original works, 3:00- 5:00

An Exploration in Still Life Movement with Black Painters Academy, led by artist and academy founder Azikiwe Mohammed, painting supplies available for first ten people, 5:30 – 6:30

Meditation Journey for Renewal & Emergence with Lana Homeri, 6:00 – 8:00

The first sky is inside you: A sound experience by sunlove, 7:00 -7:45

Tuesday, June 22
GrowNYC Farmer’s Market, 8:00 am – 5:00 pm

Wednesday, June 23
Graphic reading: The People’s Platform, 10:00 am

Thursday, June 24
Echo Location by Charlotte Brathwaite, intimate public marathon reading of Alexis Pauline Gumb’s Undrowned: Black Feminist Lessons from Marine Mammals, embraced by song, initiated by Brathwaite in collaboration with Sunder Ganglani and y.o.u., 10:00 am – 10:00 pm

Friday, June 25
Graphic reading: The People’s Platform, 10:00 am–2:00 pm

Commencement: A Procession & Ceremony of Gratitude, Reunion, Celebration and the Closing of School Year led by Tiffany Lenoi Jones, 3:00 – 4:30

Graphic reading: The People’s Platform, 5:00

Saturday, June 26
Arts on Site, with the Bang Group, ARKAI Music, Jamal Jackson Dance Company, BOiNK! Dance & Film, and Dual Rivet, 2:30 – 3:30

Live Arts Pride 2021: The House Party, with DJ THELIMITDOESNOTEXIST, Switch n’ Play (Divina GranSparkle, K.James, Nyx Nocturne, the Illustrious Pearl, and Zoe Ziegfeld, hosted by Miss Malice), Bubble_T (Sammy Kim, Keekai, Sina, Kiko Soiree, Snix), Oops! (Chiquitita & West Dakota), Ragga NYC (Shawn Neon, Viva Ruiz, Batalá New York), and Linda La & the Perfect Poison (Linda La, the Perfect Poison, Rozay LaBeija, and guests), introduced by Bill T. Jones, free with RSVP, 4:00 – 8:00

Sunday, June 27
Stonewall Protests Takeover: Black Trans Liberation, with special guests, 10:00 am –