this week in film and television

HOW REAL IS THIS? (TRUTH TELLING IN FICTION FILMS)

Italian gangster epic kicks off fact-based fiction series in Harlem

GOMORRAH (Matteo Garrone, 2008)
Maysles Cinema
343 Malcolm X Blvd. between 127th & 128th Sts.
Saturday, January 2, $9, 7:30
212-582-6050
www.mayslesinstitute.org
www.ifcfilms.com

Winner of the Grand Prix at the 2008 Cannes Film Festival, GOMORRAH is a violent, intimate look at the modern-day Camorra crime syndicate in Naples and Caserta. Based on the nonfiction novel by investigative journalist Roberto Saviano — who has been living under police protection since the fall of 2006 — Matteo Garrone’s epic follows five distinct yet interrelated stories set around a dilapidated concrete-block housing project, a sort of GODFATHER meets THE SOPRANOS filtered through Italian Neo-realism. Pasquale (Salvatore Cantalupo) is a tailor who considers sharing his secrets with a Chinese sweatshop to make some much-needed extra cash. Roberto (Carmine Paternoster) is having second thoughts training under Franco (Toni Servillo), who runs a toxic waste dumping business. Don Ciro (Gianfelice Imparato) has to deal with a delicate, difficult situation when Maria’s (Italian singing star Maria Nazionale) young son joins the secessionists, a rival gang. Marco (Marco Macor) and Ciro (Ciro Petrone) are loose cannons who keep messing with the wrong people. And Totò (Salvatore Abruzzese) is a thirteen-year-old boy who is helping out the Camorra against his mother’s wishes — and is soon faced with a life-changing decision. Beautifully shot by Marco Onorato and featuring a cast of primarily nonprofessional actors, GOMORRAH is a deeply involving crime drama, all the more frightening because it’s based on real, current situations. GOMORRAH kicks off the Maysles Cinema’s How Real Is This? series, which investigates how truth is handled in fact-based fiction films.

TIM BURTON

Johnny Depp looks for answers in Tim Burton's haunted fairy tale SLEEPY HOLLOW

MoMA Film
Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Through January 31
Tickets: $10, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk
212-708-9400
www.moma.org
www.timburton.com

Writer, director, producer, and animator Tim Burton is a spectacular visual stylist with an unending imagination that began when he was a child and continues now into his fifties. He burst onto the cinematic scene in 1985 with the charming PEE-WEE’S BIG ADVENTURE and followed that up with such gems as BATMAN (1989), EDWARD SCISSORHANDS (1990), ED WOOD (1994), SLEEPY HOLLOW (1999), and SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (2007) as well as with such hit-or-miss films as MARS ATTACKS! (1996), BIG FISH (2003), and CHARLIE AND THE CHOCOLATE FACTORY (2005). His name actually became part of the title in the cult classic TIM BURTON’S THE NIGHTMARE BEFORE CHRISTMAS (1993), the stop-motion animated movie directed by Henry Selick, who also helmed Burton’s production of JAMES AND THE GIANT PEACH (1996). And Burton found his onscreen alter ego in Johnny Depp, who has starred in a half dozen features made by the Burbank-born filmmaker and will be playing the Mad Hatter in next year’s highly anticipated ALICE IN WONDERLAND. In conjunction with MoMA’s exciting retrospective of Burton’s work, a fantastic collection of models, shorts, costumes, storyboards, paintings, drawings, notebooks, school projects, and other paraphernalia, the museum is screening his entire oeuvre through January 31.

Michael Keaton closes out Burton retrospective in BEETLEJUICE on New Year's Eve

The upcoming schedule features the excellent SLEEPY HOLLOW on December 27 at 5:30, the dreadful PLANET OF THE APES (2001) remake on January 1 at 4:30, the great ED WOOD on January 2 at 5:30, the inconsistent MARS ATTACKS! on January 4 at 4:30, and the charming PEE-WEE’S BIG ADVENTURE on January 11 at 4:30 before finishing up with the fine BATMAN on January 23 (5:00), the up-and-down CHARLIE AND THE CHOCOLATE FACTORY (4:30) and the bloody good SWEENEY TODD (8:00) on January 27, the nearly unwatchable BATMAN RETURNS (1992) on January 28, and the very funny BEETLEJUICE (1988) on January 31 (6:00). Tickets for the screenings are $10 and are available the day of the show, but they are free if you go the same day you visit the timed-ticked exhibition, which is a splendid way to experience Burton’s chaotic genius.

NEW YEAR’S EVE 2009

The Detroit Cobras get ready to rock in the new year at the Mercury Lounge

You can say goodbye to the decade with a cornucopia of live concerts in New York City on December 31, starting with Chuck Berry’s New Year’s Rockin’ Eve at B.B. King’s Blues Club and Grill ($98, 8:00 show; $120, 11:00 show). The very hot Detroit Cobras will be at the Mercury Lounge, welcoming in 2010 with the Underthings and the A-Bones ($25-$30). The intriguing trio of John Medeski, Robert Randolph, and the North Mississippi Allstars bring the Word to Terminal 5 ($40-$50). Revelers can get their freak on for free at Radegast Hall & Biergarten in Williamsburg, where the Coney Island Circus Sideshow will set up their portable tent, featuring Scott Baker, Serpentina, Kryssy Kocktail, Adam “the First Real Man” Rinn, the Executioner, Dick Zigun, Bad Buka, and more starting at 10:00. Los Lobos will threaten to tear down the house at City Winery with shows at 7:30 ($45-$150) and 11:00 ($75-$225). Roky Erickson won’t need any elevators at Maxwell’s, where he’s on a bill with Muck & the Mires ($35). Former Luna residents Dean & Britta will be playing an early show at Southpaw with Undersea Poem ($20-$25).

MSTRKRFT will mix things up at Webster Hall on December 31

The Living Room on Ludlow hosts a night of bluegrass, Auld Twang Syne, with Fresh Baked, Whistlin’ Wolves, Michael Daves, the Birdhive Boys, and others ($10-$15). Necromantic presents a Blue Moon New Year’s Eve party at the Bowery Poetry Club, featuring goth, synth, wave, dancing, revelry, and more ($10-$15). SOB’s, the Home of Universal Music, will get your booty shaking to a Taste of Latin Paradise with Kazua Band, La Excelencia, Stil, and DJ Spike ($25-$150). The Lovin’ Cup in Brooklyn will be throwing a ‘50s Beach Party, with Lemonade, Surfer Blood, Frankie and the Outs, Beach Fossils, We Are Country Mice, booze and food packages, and more ($15-$99). The Bell House will be providing a free can of Champagne along with Obits, the Subway Soul Club, and Eli Paperboy Reed & the True Loves at the Rock ‘N’ Soul 2010 New Year’s Eve Party ($30-$40). The Club Night New Year’s Eve Ball at Webster Hall is sure to be crazy, with MSTRKRFT, four floors, six adventure rooms, aerial performances, and what is billed as the Largest Balloon Drop in the World ($60-$150). And party planners extraordinaire Gemini & Scorpio promise that plenty of contraband will be on hand at the Bootleggers’ Ball in a vacant Carroll Gardens warehouse space, along with the Mad Jazz Hatters, the Stumblebum Brass Band, the Main Squeeze Orchestra, Alchemy Dance Theater, burlesque performers Mme Renee Rosebud and Jenny C’est Quoi, tarot reader and numerologist Marcy Currier, aerialist Nikki Borodi, mayhem master Dan Glass, host Bastard Keith, a live auction, games of chance, the Den of Sin, Dub Pies, and lots of surprises ($30-$40).

Audrey Hepburn brings class and style to Film Forum for NYE

For a milder New Year’s Eve, the Concert for Peace at St. John the Divine features Harry Smith, Judy Collins, Glen Cortese, Lauren Flanigan, and a thousand points of candlelight ($60), while Music at St. Bartholomew’s will include works by Bach, Böhm, and Langlais in addition to Copland’s “Fanfare for the Common Man” at midnight (free). If music of any sort isn’t quite your beat on New Year’s Eve, you can head over to Central Park for the annual Midnight Run, with a fireworks and laser light show, costume contest, dancing, and a four-mile run. Prospect Park will also host free fireworks, right over Grand Army Plaza. Jivamukti Yoga School will be holding its twenty-first annual New Year’s Eve celebration with more than eight hours of special classes, a vegan dinner, a free kirtan dance party, and three hours of silence leading up to a midnight message (free – $75). Carolines on Broadway celebrates with Bobby Lee headlining at 8:00 ($38.25), while Greg Giraldo leads two shows at Comix (7:30 & 10:30, $45-$149). Sandra Bernhard continues her string of shows at Joes Pub (9:00, $100; 11:00, $150), followed by various members of the cast of HAIR letting the sun shine with DJ Theocracy in 2010: AN EQUALITY ODYSSEY! (1:00, $20). Film Forum is throwing in a free glass of Champagne after the 9:50 screening of THE APARTMENT (Billy Wilder, 1960), followed by BREAKFAST AT TIFFANY’S (Blake Edwards, 1961). And for a little something very different, New Lost City begins at 195 Morgan Ave. at 9:00 pm and continues through 7:00 am with promised fire and ice, art and laughter, love and nudity, and prophetic visions and brief moments of the sublime as well as performances by the Hungry March Band, Baja + the Dry Eye Crew, the Lady Circus, and lots more ($29).

FIRST SATURDAYS: TRANSFORMATION

Cordero will get Saturday night party started at Brooklyn Museum on January 2 (photo by twi-ny/mdr)

Brooklyn Museum of Art
200 Eastern Parkway
Saturday, January 2, free after 5:00 (some events require advance free tickets available an hour or two before showtime)
718-638-5000
www.brooklynmuseum.org

The Brooklyn Museum’s monthly First Saturdays program rings in the new year with its monthly array of free activities, beginning at 5:00 with Cordero, a rousing live band formed by Ani Cordero in Tucson in 1999 with members of Calexico and Giant Sand and based in New York City since 2000; Cordero plays smooth, surprisingly subtle Latin pop that is always on the verge of busting loose. At 6:00, Daphne Brooks will talk about funk rock and James Brown. At 6:30, the Midnight Checkout Queens will play live along with a screening of HEDWIG AND THE ANGRY INCH (John Cameron Mitchell, 2001). At 7:00, Venus Ensembles will headline the annual Winter Masquerade Ball, so be sure to come in costume. At 9:00, John Sellers will talk about his book PERFECT FROM NOW ON: HOW INDIE ROCK SAVED MY LIFE. Also at 9:00, Expressway Music hosts a karaoke contest for free FELA! tickets, and Jonathan Toubin spins tunes during the always hot dance party. And as always, the evening includes a gallery talk, a hands-on art workshop, and admission to all of the current exhibitions: “Who Shot Rock & Roll: A Photographic History, 1955 to the Present,” “James Tissot: ‘The Life of Christ,’” “Body Parts: Ancient Egyptian Fragments and Amulets,” “Reflections on the Electric Mirror: New Feminist Video,” “Patricia Cronin: ‘Harriet Hosmer, Lost and Found,’” and “From the Village to the Vogue: The Modernist Jewelry of Art Smith.”

THE THIRD MAN

Reed classic includes one of the greatest single shots in cinema history

THE THIRD MAN (Carol Reed, 1949)
Film Forum
209 West Houston St.
December 18–29
212-727-8110
www.filmforum.org

Carol Reed’s thriller is quite simply the most entertaining film we have ever seen, twi-ny’s absolute all-time fave. Set in divided post-WWII Vienna amid a thriving black market, THE THIRD MAN is heavy in atmosphere, untrustworthy characters, and sly humor, with a marvelous zither score by Anton Karas. Joseph Cotten stars as Holly Martins, an American writer of Western paperbacks who has come to Vienna to see his old friend Harry Lime (Orson Welles), but he seems to have shown up a little late. While trying to find out what happened to Harry, Martins falls for Harry’s lover, Anna (Alida Valli); is told to get out of town by Major Calloway (Trevor Howard); meets a stream of Harry’s more interesting, mysterious friends, including Baron Kurtz (Ernst Deutsch) and Popescu (Siegfried Breuer); and is talked into giving a lecture to a literary club by old Mr. Crabbin (Wilfrid Hyde-White). SPOILER: The shot in which Lime is first revealed, standing in a doorway, a cat brushing by his feet, his tongue firmly in cheek as he lets go a miraculous, knowing smile, is one of the greatest single shots in the history of cinema. Film Forum is screening a new 35mm print of THE THIRD MAN in honor of the film’s sixtieth anniversary.

CHRISTMAS DAY EVENTS

The Flaming Lips celebrate CHRISTMAS ON MARS with screening at IFC

Even though most arts institutions and music clubs are closed on Christmas Day, there are still plenty of cool things to do after the presents are given out, the table has been cleaned, and exhaustion is setting in. And for those who don’t celebrate Christmas, well, there’s a handful of events to choose from. Christmas is a big movie day, whether people go to the theater after celebrating the holiday with friends and family or instead pair it with Chinese food, at least partially in homage to A CHRISTMAS STORY. At 92YTribeca, screenings of Mel Brooks’s still hysterical BLAZING SADDLES (2:30) and occasionally funny but mostly silly SPACEBALLS (4:00) will be accompanied by an all-you-can-eat Chinese buffet ($25-$30). Film Forum’s ongoing Madcap Manhattan series will be showing a special double feature of the original MIRACLE ON 34th STREET with Preston Sturges’s CHRISTMAS IN JULY, while the IFC Center will be presenting the rather bizarre CHRISTMAS ON MARS: A FANTASTICAL FILM FREAKOUT FEATURING THE FLAMING LIPS at midnight all weekend. Jewish singles might want to head uptown to the main branch of the 92^nd St. Y for the JDate Christmas Day Chinese Food and Comedy event, thirty-five and over only, please (3:00, $30). The Museum of Jewish Heritage will be holding its annual “Challah-lujah: The Tradition Continues,” a concert featuring Joshua Nelson and the Kosher Gospel Choir, with a family program at 11:00 am ($10-$20) and a show for general audiences at 1:00 ($35). At the Jewish Museum, the Family Celebration includes art workshops, a live performance by Metropolitan Klezmer, the “Strike a Surreal Pose” photo booth in conjunction with the Man Ray exhibition, guided tours, and free hot chocolate ($12 adults, children under twelve free). And at the Museum at Eldridge Street, Greg Wall and Klezmerfest will lead audiences on a musical journey in Klez for Kids ($8-$12, 11:00 am).

Later in the evening, (le) poisson rouge is hosting the Freedom Party, a night of classic hip-hop, dancehall reggae, neosoul, and more with DJ Cosi, DJ Marc Smooth, and DJ Herbert Holler ($15, 11:00 pm), while at SOB’s, T-Vice and Kreyola lead a pair of Manhattan Haitian Dance Parties at midnight and 2:00 am ($30).

RICKY

Little Ricky has his head in the clouds in new Ozon film

RICKY (François Ozon, 2009)
IFC Center
323 Sixth Ave. at Third St.
December 16-29
212-924-7771
www.ifccenter.com
www.francois-ozon.com

François Ozon, a daring director who regularly challenges his audiences – usually with thrilling results – has pulled it off again with the very strange but utterly captivating RICKY. Ozon has made sexy mysteries (SWIMMING POOL), moving melodramas (UNDER THE SAND, TIME TO LEAVE), a bedroom farce (WATER DROPS ON BURNING ROCKS), and even a star-studded, misguided musical (8 WOMEN), but he turns to an offbeat modern-day fairy tale with his latest, a favorite at the 2009 Berlin Film Festival. Alexandra Lamy stars as Katie, a single mother who has an on-the-job bathroom quickie with Paco (Sergi Lopez) that results in a pregnancy. But when little Ricky (Arthur Peyret) is born, he soon proves to be a boy like no other, as he develops a – well, it’s better if you find out for yourself how he is different from everyone else. RICKY, based on the short story “Moth” by Rose Tremain, could have been a cheesy gimmick, but Ozon settles for making a charming film instead of a morality play. RICKY is a pure delight, even as it has its head in the clouds.