this week in film and television

THE PRIME MINISTERS: SOLDIERS AND PEACEMAKERS

Menachem Begin

Yehuda Avner counsels Menachem Begin in compelling documentary about Mideast peace process

THE PRIME MINISTERS: SOLDIERS AND PEACEMAKERS (Richard Trank, 2014)
AMC Village 7
66 Third Ave at 11th St.
Opens Friday, October 9
212-398-2597
www.soldiersandpeacemakers-thefilm.com
www.amctheatres.com

The Simon Wiesenthal Center’s Oscar-winning team of writer-director-producer Richard Trank and writer-producer Rabbi Marvin Hier (The Long Way Home, Genocide) has followed up the relatively dull and lifeless The Prime Ministers: The Pioneers with the much more involving and absorbing The Prime Ministers: Soldiers and Peacemakers. Based on longtime Israeli diplomat and consultant Yehuda Avner’s 2010 book, The Prime Ministers: An Intimate Narrative of Israeli Leadership, the documentary picks up where the previous one left off, shortly after the Yom Kippur War. Avner, who served the State of Israel in numerous capacities over many years, details the Mideast peace process as he works with Yitzhak Rabin and Menachem Begin, who have dealings with U.S. presidents Gerald Ford, Jimmy Carter, Ronald Reagan, and Bill Clinton as well as Henry Kissinger, Egyptian president Anwar Sadat, and PLO leader Yasser Arafat. “Both [Begin and Rabin] had started out as rivals and, much later on in life, they found this commonality of spirit in what they both wanted to do for the best of Israel,” Avner says early on, describing the attack on the Altalena in 1948, which involved Begin, Rabin, and David Ben-Gurion and almost led to civil war. “Patriotism governed them body and soul over the whole of a lifetime,” Avner, who was a Haganah officer at the time, adds. His riveting fly-on-the-wall stories, told in his warm Mancunian accent, take viewers behind the scenes of the complex goings-on, lending fascinating insight into the nature of the proceedings, from state dinners to funerals for assassinated leaders. Trask includes remarkable archival footage, never-before-seen photographs, and original documents and letters as the Israelis and Arabs, and factions within each side, battle over peace. The two-film project still suffers from being told from only one point of view, although Avner, who passed away in March 2015 at the age of eighty-six, has more compelling revelations this time around. Lee Holdridge’s score is again overwrought, saving the most personal and intimate memories of family for the end is melodramatic, and the voices of Michael Douglas as Yitzhak Rabin and Christoph Waltz as Menachem Begin feel out of place, but this second installment of The Prime Ministers is a far more engrossing look at the evolution of the State of Israel and the never-ending struggle for peace than its predecessor.

A WOMAN LIKE ME

Alex Sichel and Lily Taylor

Filmmaker Alex Sichel and her onscreen alter ego, actress Lili Taylor, face mortality head-on in A WOMAN LIKE ME

A WOMAN LIKE ME (Alex Sichel & Elizabeth Giamatti, 2015)
Village East Cinemas
181-189 Second Ave. at 12th St.
Opens Friday, October 9
212-529-6799
www.awomanlikemefilm.com
www.villageeastcinema.com

When filmmaker Alex Sichel was diagnosed with metastatic breast cancer a few years ago, she turned to her stock in trade: making movies. But Sichel, the writer-director of the indie gem All Over Me and an episode of HBO’s If These Walls Could Talk 2 starring Michelle Williams and Chloë Sevigny, decided to share her situation in an unusual way, combining documentary with fiction in the intimate, moving A Woman Like Me. In the film, which she codirected with Elizabeth Giamatti, Sichel shows herself going through chemotherapy, meeting with holistic healers, and dealing with family issues with her husband, Erich Hahn, who is not exactly thrilled with many of his wife’s choices and constantly being on camera himself; their seven-year-old daughter, Anastasia, with whom they have chosen not to share the details of Sichel’s illness; and Sichel’s parents and sisters, who have their own opinions about how she should be facing her cancer, which doctors say is terminal. As the film opens, Sichel’s voice floats over a black screen, talking about the Buddhist meditation on death. “The point is, we’re all going to die, and it sounds so obvious, but that’s the point that I don’t accept,” she says. “Somehow I’m going to be the exception. It’s crazy.”

Alongside the documentary part of A Woman Like Me, Sichel is also making a fictionalized account of what she’s going through, with Lili Taylor as Anna Seashell, Jonathan Cake as her husband, Walter, and Maeve McGrath as their young daughter, Zoe. “The only way you even have a chance of living longer with the disease is if you face your fear of death, and the movie is a way of trying to do that,” Sichel says in voiceover as Taylor walks over to a window, puts her hands on the glass, and looks out as, ultimately, Sichel watches the scene unfold on her director’s monitor. It’s a powerful moment, as is a scene in which Sichel and Taylor go over the script together. Sichel is bold and blunt throughout A Woman Like Me, especially when her situation worsens, but she’s able to temper her fears by having her fictional self face death in a much more positive light. Despite its serious subject matter, A Woman Like Me is a celebration of life that avoids mundane sentimentality and self-indulgence, instead intelligently and honestly depicting how one brave woman and her family come to grips with mortality. “How do you make a movie about cancer,” Sichel says into the camera after undergoing a medical test. She and Giamatti have certainly found one unusual, and successful, way. Winner of the SXSW Special Jury Prize for Directing, A Woman Like Me opens October 9 at Village East, with panel discussions taking place after the 7:00 shows on October 9, 10, 11, and 13 and the 4:30 screenings on October 10 and 11.

HOW CATS TOOK OVER THE MUSEUM OF THE MOVING IMAGE

Alexander Hammid and Maya Derens PRIVATE LIFE OF A CAT is part of feline festivities at Museum of the Moving Image

Alexander Hammid and Maya Deren’s PRIVATE LIFE OF A CAT is part of feline festivities at Museum of the Moving Image

Museum of the Moving Image
35th Ave. at 36th St., Astoria
Special events October 9, 10, 23 (free with gallery admission of $6-$12)
Exhibit continues Wednesday – Sunday through January 31, $6-$12
718-777-6800
www.movingimage.us

A little more than ten years ago, on May 22, 2005, YouTube cofounder Steve Chen posted a video of his cat, Pajamas, on the new social media hub. It didn’t take long until felines ruled all of cyberspace with their unbelievable cuteness and nasty tempers, whether trying to squeeze into a glass vase, gliding through the kitchen on a Roomba, playing the piano, or sneaking up on their humans like a ninja in the night. Now they have descended upon Astoria, where they have taken over the Museum of the Moving Image. Through January 31, the Queens institution dedicated to the evolution of film and television is showing “How Cats Took Over the Internet,” a fun, if relatively slight, exploration of the history of the filming of pussycats, from Thomas Edison to Steve Chen to Grumpy Cat. The exhibit is divided into such sections as “Anthropomorphism,” “The Mediated Cat,” and “Watching Cats (and Seeing Ourselves),” includes a timeline that traces the phenomenon from Meowchat, Bonsai Kitten, and Cat Scan Contest to My Cat Hates You, Caturday, and Lolcats — I Can Has Cheezburger?, tracks the impressive number of hits on YouTube, Instagram, Buzzfeed, and Tumblr, and, most important, delves into the Happiness Factor. Because when hasn’t a video of a cat doing something so charmingly stupid brightened even your darkest day? And you might just find one of your favorites in the twenty-four-minute loop that kicks off the exhibition, featuring such cat-video classics as “Cool Cat / Charlie Schmidt’s Keyboard Cat! — THE ORIGINAL!,” “Dog Baths Cat,” “Henri 4 — L’Haunting,” “8 Signs of Addiction,” “Vinyl Cat,” and “Willie Is Better Than Your Cat.”

Museum of the Moving Image is being overrun by cats this fall

Museum of the Moving Image is being overrun by cats this fall

The museum will also be hosting several special events in conjunction with “How Cats Took Over the Internet.” On October 9 at 7:00, An Xiao Mina, Matt Stempeck, Ben Valentine, and Luis Daniel will be on hand for “Not Just Cats: Llamas, Goats, and Other Animal Memes from Around the World,” discussing how cats are treated (and worshiped) across the globe. On October 10 at 2:00, “The Cat-vant Garde Film Show” consists of fourteen cat shorts made by such experimental-film pioneers as Stan Brakhage (Nightcats, Cat’s Cradle), Pola Chapelle (How to Draw a Cat), Martha Colburn (Cat’s Amore), Alexander Hammid and Maya Deren (The Private Life of a Cat), and Ken Jacobs (Airshaft). Also on October 10 from 1:00 to 5:00, you can take home your own kitten at the ASPCA Mobile Adoption Event. And on October 23 at 7:00, Kevin Allocca, Amanda Brennan, and Jack Shepherd will be at the museum for “Internet Cat Experts Tell All,” letting us know why we can’t stop watching and laughing at this endless supply of adorable and frightening kitty vids.

ONASSIS FESTIVAL NY — NARCISSUS NOW: THE MYTH REIMAGINED

narcissus now 2

Onassis Cultural Center NY
Olympic Tower
645 Fifth Ave. at 51st St.
October 8-11
www.onassisfestivalny.org

The Onassis Cultural Center is celebrating its newly renovated home in Midtown with a four-day festival built around the myth of Narcissus. As the Onassis Festival NY website explains, “From psychoanalysis to selfies, the Narcissus myth serves as an emblematic example of the unparalleled influence of Classical antiquity on our culture.” The festivities begin on October 8 with the opening-night presentation (free with advance RSVP) of choreographer Jonah Bokaer and composer Stavros Gasparatos’s specially commissioned Triple Echo, a site-specific work exploring mimesis, with solos by dancers Hristoula Harakas, Sara Procopio, and Callie Nichole Lyons, live percussion by Matt Evans, and recorded vocals by Savina Yannatou. The festival, curated by BAM director of humanities Violaine Huisman, continues through October 11 with more than two dozen free events (most requiring advance registration). Below are some of the highlights; there are also art installations by Lynda Benglis (“Now”), Blind Adam (“Columns”), Andreas Angelidakis (“Mirrorsite”), Jenny Holzer (“You Must Know Where You Stop and the World Begins”), and others, as well as satellite events at BAM and McNally Jackson.

Thursday, October 8
Triple Echo, by Jonah Bokaer and Stavros Gasparatos, featuring Hristoula Harakas, Sara Procopio, Callie Nichole Lyons, Matt Evans, and Savina Yannatou, Onassis Cultural Center Atrium and Gallery, 7:00

Friday, October 9
Narcissus & Art in the Woods: A Lecture with the Bruce High Quality Foundation, Onassis Cultural Center Gallery, 11:00 am

Narcissus & Fashion, with Sarah Lewis, Konstantin Kakanias, and Mary Katrantzou, moderated by Judith Thurman, Onassis Cultural Center Gallery, 2:30

Narcissus & Technology, with Zachary Mason and Sree Sreenivasan, moderated by Dominic Rushe, Onassis Cultural Center Gallery, 5:30

Saturday, October 10
Narcissus & Ballet, with Heléne Alexopoulos and Jennifer Homans, Onassis Cultural Center Gallery, 11:00 am

Narcissus & Acting, with Paul Giamatti and Vanessa Grigoriadis, Onassis Cultural Center Gallery, 1:00

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000), part of the BAMcinématek series “Diaries, Notes, and Sketches: Cinematic Autobiography,” BAM Rose Cinemas, $10, 2:00 – 7:20

Narcissus & Song, with Eleanor Friedberger, BAMcafé Live, Lepercq Space, 30 Lafayette Ave., 9:00

Sunday, October 11: Family Day
Narcissus & Space: A Short Film, Moon Mirrors, with filmmakers Sharon Shattuck and Ian Cheney and astronaut Jeffrey Hoffman, moderated by Matthew Stanley, Onassis Cultural Center Gallery, 10:00 am, 12 noon, and 2:00

Tell It Again! with Efi Latifi, Onassis Cultural Center Atrium, 11:15 am & 1:15 pm

Narcissus & Echo, with Benjamin Weiner, Onassis Cultural Center Atrium, 12:15 & 2:15

(T)ERROR

(T)ERROR

Documentary sheds light on curious side of FBI counterterrorism efforts

(T)ERROR (Lyric R. Cabral & David Felix Sutcliffe, 2015)
IFC Center
323 Sixth Ave. at Third St.
Opens Wednesday, October 7
212-924-7771
www.terrordocumentary.org
www.ifccenter.com

(T)error is a great name for a horror movie, but even though it turns out that Lyric R. Cabral and David Felix Sutcliffe’s debut is not part of that genre, there still is plenty scary about it. Winner of the U.S. Documentary Special Jury Award for Break Out First Feature at Sundance, (T)error is a surprising look inside one aspect of the FBI’s counterterrorism program. Shortly after Saeed “Shariff” Torres, a friend and neighbor of filmmaker and photojournalist Cabral’s, suddenly disappeared, he contacted her, eventually letting her inside his secret career as a longtime FBI informant. A Muslim and former Black Panther revolutionary, the sixty-three-year-old school kitchen employee and father of a young son goes on camera as he takes on what he claims will be his final assignment, cozying up to a Pittsburgh man named Khalifa Ali Al-Akili, previously known as James Marvin Thomas Jr., who the FBI thinks might be involved in terrorist plots. It’s not exactly the most thrilling game of cat and mouse; Cabral and codirector Sutcliffe (Adama) follow Shariff as he goes about a lot of mundane business, arguing over how much money the FBI gave him, text-messaging back and forth with agents and his prey, examining Facebook pages, and Skyping with his son, whose face is blurred for protection. And Sharrif is not quite the kind of well-trained operative you read about in books or see in action-packed movies, making one wonder just what the FBI is thinking — and how it’s spending our money — especially after a major twist occurs about halfway through the film, turning everything around and inside out, providing a new vantage point that makes the whole sting operation even more bizarre and surreal. But it’s all too real, and rather frightening in its own very strange way. After playing multiple film festivals, including Tribeca, Human Rights Watch, Sundance, and Full Frame, (T)error is getting its theatrical release beginning October 7 at the IFC Center.

THE FORBIDDEN ROOM

Roy Dupuis plays a heroic woodsman in Guy Maddin and Evan Johnsons unpredictably strange and wonderful homage to early cinema, THE FORBIDDEN ROOM

Roy Dupuis plays a heroic woodsman in Guy Maddin and Evan Johnson’s unpredictably strange and wonderful homage to lost early cinema, THE FORBIDDEN ROOM

THE FORBIDDEN ROOM (Guy Maddin & Evan Johnson, 2015)
Film Forum
209 West Houston St.
October 7-20
212-727-8110
filmforum.org
theforbiddenroom-film.com

Guy Maddin and Evan Johnson’s The Forbidden Room is a deliriously mesmerizing epic tone poem, a crafty, complex avant-garde ode to cinema as memory, and memory as cinema. An homage to the lost films of the silent era, it is the illegitimate child of Bill Morrison and David Lynch, of Jack Smith and Kenneth Anger, of D. W. Griffith and Josef von Sternberg. The impossible-to-describe narrative jumps from genre to genre, from submarine thriller to Western adventure to murder yarn, from romantic melodrama and crime story to war movie and horror tale, complete with cannibals, vampires, poisoned leotards, “valcano” eruptions, caged lunatics, butt obsession, squid theft, explosive jelly, a fantastical mustache, and skeletal insurance defrauders. Intertitles that often fade away too soon to decipher help propel the plot, contain lines from John Ashbery and the Bible, and blast out such words as “Deliverer of Doom,” “Diablesa!” and “Trapped!” Text in intricate fonts announces each new character and actor, including Maddin regular Louis Negin as the Sacrifice Organizer, Slimane Dazi as shed-sleeper and pillow-hugger Baron Pappenheim, Lewis Furey as the Skull-Faced Man, and Roy Dupuis as a “mysterious woodsman” determined to rescue captured amnesiac Margot (Clara Furey) from the evil clutches of the Red Wolves. Also involved in the bizarre festivities are Udo Kier, Geraldine Chaplin, Mathieu Amalric, Charlotte Rampling, and Maria de Medeiros.

Although shot digitally, the film explores photographic emulsion and time-ravaged nitrate while treating celluloid as an art object unto itself, looking like Maddin (Tales from the Gimli Hospital, My Winnipeg) and Johnson stomped on, burned, tore up, and put back together the nonexistent physical filmstrip. Thus, major kudos are also due Maddin’s longtime editor, John Gurdebeke, and music composers Galen Johnson, Jason Staczek, and Maddin himself for keeping it all moving forward so beautifully. The film was photographed by Benjamin Kasulke and Stéphanie Anne Weber Biron in alternating scenes of black-and-white, lurid, muted color, and sepia tones that offer constant surprises. The Forbidden Room might be about the magic of the movies, but it is also about myth and ritual, dreams and fantasy as it explores storytelling as psychodrama. Oh, and it’s also about taking baths, as Marv (Negin) so eagerly explains throughout the film. But most of all, The Forbidden Room is great fun, a truly unpredictable and original work of art that is a treat for cinephiles and moviegoers everywhere. Following its recent screenings at the New York Film Festival, The Forbidden Room is opening theatrically on October 7 at Film Forum, with Maddin present on October 12 for a Q&A after the 7:00 show (moderated by Jonathan Marlow) and to introduce the 9:30 show.

NEW YORK COMIC CON

Jason Jones and Samantha Bee at New York Comic Con

Jason Jones and Samantha Bee will be at New York Comic Con on Friday for a special fireside chat

Javits Center
655 W 34th St. at 12th Ave.
October 8-11, sold out
www.newyorkcomiccon.com

So you’re one of the lucky ones who got a ticket to New York Comic Con before they sold out. Now what? Navigating among the thousands of panels, signings, screenings, booths, cosplay contests, writing workshops, and fan meet-ups can be absolutely staggering, enough to send any relatively sane attendee off screaming onto Thirty-Fourth St. So we’ve done some of the work for you; below is a handful of our recommendations for each day. In addition, throughout the weekend, there will be autograph sessions with the following special guests: Danny Glover, Carl Lumbly, Keisha Castle-Hughes, Phil LaMarr, Kevin Conroy, Ron English, Grumpy Cat, Terry Brooks, David Mack, Finn Jones, Natalie Dormer, Todd McFarlane, John Hodgman, Nathan Fillion, Gina Torres, Andrea Romano, John Rhys-Davies, Orlando Jones, Greg Rucka, Jerry “the King” Lawler, Cassandra Clare, Tim Bradstreet, Billie Piper, Doug Jones, Walter Simonson, Jewel Staite, Jose Feliciano, John Leguizamo, Frank Miller, R.L. Stine, Ann M. Martin, Raina Telgemeier, Chip Kidd, Ruben Bolling, and hundreds more.

Thursday, October 8
We Need More Diverse Comics, with Ivan Velez, Alex Simmons, Eric Dean Seaton, and Karen Green, moderated by Christian Zabriskie, Room 1AO5, 11:15 am

Andre the Giant: The Man Behind the Legend, with Robin Christensen-Roussimoff, Shannon Eric Denton, Jarrett Williams, and Michael Kingston, Room 1A24, 12:30

Gamera 50th Anniversary Event, NYCC Live Stage, Booth #656, 1:00

Nerdist Writers Panel, with Aaron Cohen, Ben Blacker, Brian Koppelman, and Craig Engler, Room 1A10, 3:00

Sean Bean Brings Legends to NYCC, with Sean Bean and Kenneth Biller, Empire Stage 1-E, 7:00

Friday, October 9
75 Spirited Years: Will Eisner & the Spirit, with Denis Kitchen, J. C. Vaughn, Karen Green, Melissa Bowersox, Michael Solof, and Paul Levitz, Room 1B03, 11:00 am

In Conversation with Seth Meyers: Late Night Host Discusses His Career in Comedy with Vulture.com’s Jesse David Fox, Room 1A10, 1:45

The Adventure Continues: A Justice League Reunion Event, with Andrea Romano, Carl Lumbly, George Newbern, Kevin Conroy, Maria Canals-Barrera, and Phil LaMarr, Empire Stage 1-E, 2:00

A Fireside Chat with Comedy’s First Couple Samantha Bee + Jason Jones, Room 1A10, 3:00

Wicked Reads, with Zac Brewer, April Genevieve Tucholke, Kim Liggett, Jake Halpern, Danielle Vega, Michael Buckley, and Danielle Paige, WORD Bookstore 1-B, 4:00

Pop Surrealism: Behind the Scenes with Top Artists and Galleries, with Camilla d’Errico, Carlo McCormick, Jonathan LeVine, Mab Graves, Tara McPherson, and Travis Louie, Room 1B03, 6:30

GOTHAMs Ben McKenzie and Robin Lord Taylor will sit down for a Warner Bros. panel at Comic Con on  Sunday (photo by Jessica Miglio/FOX; © 2015 Fox Broadcasting Co.)

GOTHAM’s Ben McKenzie and Robin Lord Taylor will sit down for a Warner Bros. panel at Comic Con on Sunday (photo by Jessica Miglio/FOX; © 2015 Fox Broadcasting Co.)

Saturday, October 10
Chicks Kick Ass — the Ongoing Epic, with Daniel Jose Older, Hannah Moskowitz, Kim Harrison, Melissa Grey, Rachel Vincent, and Sara Raasch, Room 121, 11:00

Firefly Reunion, with Nathan Fillion, Gina Torres, and Jewel Staite, Main Stage 1-D, 11:30

Sexy, Scary and Seriously Funny: Rachel Rising and the Horror Comic Tradition, with Ben Saunders and Terry Moore, Room 1B03, 12:15

The X-Files, advance screening of first new episode and Q&A, with Chris Carter and David Duchovny, Moderated by Kumail Nanjiani, Main Stage 1-D, 1:15

The Last Witch Hunter, with Breck Eisner, Elijah Wood, Rose Leslie, and Vin Diesel, Main Stage 1-D, 3:15

Comics Creators Consuming Coffee: Where Food & Comics Collide, with C. B. Cebulski, Amy Chu, Steve Orlando, Justin Jordan, Regine Sawyer, Ryan Dunlavey, and Grady Hendrix, Room 1A05, 4:15

The Cyanide and Happiness Group Sketch Jam Panel, with Joel Watson, Kris Wilson, Rob Denbleyker, and Shawn Coss, Room 1A10, 8:00

Sunday, October 11
Goosebumps & The Baby-Sitters Club Revisited: A Conversation with R.L. Stine, Ann M. Martin, Raina Telgemeier, and Dave Roman, Room 1A10, 10:45 am

Lucasfilm Presents: Star Wars: A Galactic Reader’s Theatre, with Michael Siglain, Adam Gidwitz, Alexandra Bracken, Chuck Wendig, Ian Doescher, and Tom Angleberger, Room 1A21, 12 noon

Darryl DMC McDaniels Presents: Boom! Bap! Pow! Hip-Hop & Comics! with Alan Ket, Chuck Creekmur, Kwame Holland, Bio, and Darryl DMC McDaniels, Room 1A18, 1:15|

Warner Bros. Television Takeover Featuring Gotham, DC’s Legends of Tomorrow, Blindspot, Supergirl, and Person of Interest, with Amy Acker, Arthur Darvill, Ashley Johnson, Audrey Esparza, Ben McKenzie, Brandon Routh, Caity Lotz, Ciara Renée, Cory Michael Smith, Glen Winter, Jaimie Alexander, James Frain, Jessica Lucas, Jim Caviezel, John Stephens, Marianne Jean-Baptiste, Martin Gero, Michael Emerson, Phil Klemmer, Rob Brown, Robin Lord Taylor, and Sullivan Stapleton, Empire Stage 1-E, 1:30

Mad about MAD, with John Ficarra, Sam Viviano, Jonathan Bresman, Peter Kuper, and Tom Richmond, Room 1A21, 2:30

The 8 Doctors of Classic Doctor Who, with Andre Tessier, Barnaby Edwards, Deborah Stanish, Kathleen Schowalter, Ken Deep, and Lanaia DuBose, Room 1A10, 4:00