this week in dance

NETTA YERUSHALMY: DEVOURING DEVOURING

Choreographer Netta Yerushalmy makes her evening-length debut with DEVOURING DEVOURING at La MaMa (photo by Yosi Yerushalmy)

La MaMa
Ellen Stewart Theatre
66 East Fourth St., second floor, between Bowery & Second Ave.
December 13-16, 7:30, $20
212-475-7710
www.lamama.org
www.nettay.com

Born in South Carolina, dancer and choreographer Netta Yerushalmy has spent most of her life in Tel Aviv and New York City, where she now resides. Her works often feature performers from Israel and New York, incorporating movement from both locations that bring them together and reveal their differences. Yerushalmy, who is currently an artist-in-residence at the Baryshnikov Arts Center, will be presenting her first evening-length piece, Devouring Devouring, December 13-16 at La MaMa. Two years in the making, Devouring Devouring explores how viewers interpret and categorize the movement they see onstage. Much of the piece was created by the dancers communicating over the internet between Israel and New York, engaging in video conversations as the project took shape. The piece, which also includes Baroque iconography, will be performed by Joanna Kotze, Toni Melaas, Ofir Yudilevitch, and Stuart Singer — a group described by Yerushalmy as “extraordinary, wild, articulate, virtuosic, sensitive, subtle, and intelligent.” The international flavor continues with music and sound design by the bicoastal Mark degli Antoni, who was a cofounder of Soul Coughing and has scored films by William Wegman, Werner Herzog, and Wallace Shawn; set and lighting by the Brooklyn-based Lenore Doxsee, associate artistic director of Target Margin Theater; and costumes and special creations by Austin-based fabric artist Magdalena Jarkowiec, who made fluorescent hand-sewn penis dolls for anyone who donated thirty-five dollars or more to Yerushalmy’s Kickstarter campaign, which was needed to put the finishing touches on Devouring Devouring.

DOUG ELKINS CHOREOGRAPHY, ETC.: SCOTT, QUEEN OF MARYS / MO(OR)TOWN REDUX

SCOTT, QUEEN OF MARYS is one of two works being presented by Doug Elkins at Baryshnikov Arts Center this week

Baryshnikov Arts Center, Howard Gilman Performance Space
450 West 37th St. between Ninth & Tenth Aves.
December 5-8, $20, 7:30
212-811-4111
www.bacnyc.org
www.dougelkinschoreography.com

Former B-Boy and House of Ninja member Doug Elkins hip-hops his way into the Baryshnikov Arts Center with a pair of exciting works running December 5-8, performed by his New York–based company, Doug Elkins Choreography, Etc. Going back to 1994, Scott, Queen of Marys is a tribute to Willi Ninja, the dancer-choreographer who made vogueing popular in the 1990s and was one of the stars of Jennie Livingston’s Paris Is Burning documentary. The piece features music by Mio Morales and will include Javier Ninja, Willi’s protégé. The two-time Bessie-winning Elkins will also present the New York premiere of Mo(or)Town Redux, an updated version of his 1990 Accumulation/Mo(or)town, which was inspired by José Limón’s 1949 The Moor’s Pavane. A mash-up of Shakespeare’s Othello and Berry Gordy’s Motown Records, the piece will be performed by Kyle Marshall, Donnell Oakley, Alexander Dones, and Cori Marquis taking on the roles of Othello, Desdemona, Iago, and Emelia, respectively, with Motown music and later R&B. And watch out for the handkerchief.

FIRST SATURDAYS: GO

GO: A COMMUNITY-CURATED OPEN STUDIO PROJECT
Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, December 1, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

During its December free First Saturday program, the Brooklyn Museum will be collecting supplies for people and public schools affected by Hurricane Sandy, asking visitors to bring such items as baby diapers and wipes, hand sanitizer, construction paper, pencils, crayons, and notebooks. Among the special events scheduled for the evening are concerts by Underground System Afrobeat, Maya Azucena, and Avan Lava; screenings of Flex Is Kings, followed by a dance demonstration and a Q&A with directors Deidre Schoo and Michael Beach Nichols, and Jim Hubbard’s United in Anger: A History of ACT UP, in honor of a Day With(out)Art / World AIDS Day; a Book Club talk with Cristy C. Road about her new graphic novel, Spit and Passion; an excerpt from Parachute: The Coney Island Performance Festival; an interactive hunt led by Ben McKelahan; a talk with some of the artists included in the new exhibition “GO: a community-curated open studio project”; community-action art talks with Laura Braslow and Ian Marvy; a dance performance by L.O.U.D.; and more. Also on view at the museum now are “Mickalene Thomas: Origin of the Universe,” “Materializing ‘Six Years’: Lucy R. Lippard and the Emergence of Conceptual Art,” “Jean-Michel Othoniel: My Way,” “Raw/Cooked: Duron Jackson,” and “Aesthetic Ambitions: Edward Lycett and Brooklyn’s Faience Manufacturing Company” in addition to long-term installations and the permanent collection.

TICKET GIVEAWAY: ALVIN AILEY AMERICAN DANCE THEATER

Robert Battle is ready for his second City Center season as AAADT artistic director, along with dancers Antonio Douthit, Rachael McLaren, Jacqueline Green, Jamar Roberts, and Alicia Graf Mack (photo by Andrew Eccles)

ALVIN AILEY AMERICAN DANCE THEATER
New York City Center
130 West 56th St. between Sixth & Seventh Aves.
November 28 – December 30, $25-$135
212-581-1212
www.alvinailey.org
www.nycitycenter.org

Since 1958, Alvin Ailey American Dance Theater has been a central part of the New York City performing arts scene, revolutionizing the perception of dance through its special programs, workshops, classes, and unique melding of music and movement. Originally inspired by Alvin Ailey’s “blood memories” of growing up in Texas with a single mother, the company has gone on to be named by Congress as “a vital American cultural ambassador to the world.” Now led by artistic director Robert Battle, AAADT begins its annual New York City Center season this week, presenting such works as Ohad Naharin’s Minus 16, Paul Taylor’s Arden Court, Rennie Harris’s Home, Ulysses Dove’s Vespers and Urban Folk Dance, Camille A. Brown’s The Evolution of a Secured Feminine, Battle’s The Hunt, In/Side, and Takademe, and Ailey’s Memoria and other classics. (To see which work nine of the dancers are most looking forward to, go here.)

TICKET GIVEAWAY: With so much to choose from, it’s hard to decide which programs to see, but twi-ny has teamed up with AAADT to make the decision easy. We are giving away two pairs of tickets to the Tuesday, December 12, show at 7:30, consisting of the company premiere of Battle’s duet Strange Humors, Dove’s Episodes, and Ailey’s Night Creature and Revelations. Just send your name, daytime phone number, and all-time-favorite Ailey dance to contest@twi-ny.com by Wednesday, November 28, at 3:00 to be eligible. All entrants must be twenty-one years of age or older; two winners will be selected at random.

WINTER’S EVE AT LINCOLN SQUARE 2012

Broadway from 59th to 66th Sts.
Monday, November 26, free, 5:00 on
212-581-3774
www.winterseve.org

The thirteenth annual Winter’s Eve at Lincoln Square takes place November 26, beginning at 5:00 with the tree-lighting ceremony in Dante Park led by Suzanne Vega, the cast of Avenue Q, the Brooklyn Youth Chorus, local news anchor Sade Baderinwa, and kids’ singer Laurie Berkner. Among myriad other live performances, Brave Combo will be playing on 62nd St. from 6:30 to 8:30, Soul Farm will be in Dante Park at 6:30 and 7:45, the Marcus Strickland Quartet will be at the American Folk Art Museum at 6:45 and 7:45, ¡Retumba! will be inside the David Rubenstein Atrium at 7:00, the Alice Farley Dance Theater will be presenting surrealist street theater all night long, Cynthia Sayer & Sparks Fly will be in Richard Tucker Park at 6:00, 7:00, and 8:00, Cobu will present Japanese percussion and tap-dancing in front of Alice Tully Hall at 6:00, 7:00, and 8:00, Batala New York will be in front of ATH at 6:30, 7:30, and 8:30, the Outer Borough Brass Band will be in Dante Park at 7:15, the Hungry March Band will be in Dante Park at 8:30, the Hot Sardines will take over Richard Tucker at 6:30, 7:30, and 8:30, the Emmet Cohen Trio will be on the second floor of the Time Warner Center at 8:00, and the Stephane Wrembel Trio will be on the Empire Hotel Rooftop from 6:30 to 9:30. Among the family-friendly events are the Dirty Sock Funtime Band, face painting, arts and crafts, and a photo booth at the American Bible Society and the Big Apple Circus, the La Guardia High School Show Choir, the casts of Rodgers + Hammerstein’s Cinderella and Motown: The Musical, card making, circus face painting, and more on the second floor of the Time Warner Center. There will also be special activities as TD Bank, a holiday concert and sing-along in the Church of St. Paul the Apostle, screenings of Annie at the Elinor Bunin Munroe Film Center, and Santa at Gracious Home, Brooks Brothers, and St. Paul’s. You can check out tastings from local restaurants for $1 to $5, including A Voce, Asiate, Bar Masa, Bouchon Bakery, Landmarc, Boulud Sud, Ed’s Chowder House, Magnolia Bakery, Rosa Mexicano, P. J. Clarke’s, the Smith, and ’wichcraft, among many others. The event producer, the Lincoln Square Business Improvement District, is asking attendees to bring a new or gently used coat to donate to New York Cares, for people in need following Hurricane Sandy.

TWI-NY TALK: ALVIN AILEY AMERICAN DANCE THEATER

Rehearsal director and guest artist Matthew Rushing and members of the AAADT company are ready for annual month-long season at City Center (photo by Andrew Eccles)

New York City Center
130 West 56th St. between Sixth & Seventh Aves.
November 28 – December 30, $25-$135
212-581-1212
www.alvinailey.org
www.nycitycenter.org

Alvin Ailey American Dance Theater has been captivating audiences for more than fifty years, amassing a repertoire of more than two hundred works from more than eighty choreographers since its founding by Alvin Ailey in 1958 at the 92nd St. Y. The inspirational company returns to City Center in Midtown for its annual season November 28 through December 30, comprising world premieres, new productions, company premieres, and Ailey Classics. Robert Battle is now in his second season as artistic director, having taken over in July 2011 from the legendary Judith Jamison, and he has put together another exciting series of shows. Last year’s all-new program contained Ohad Naharin’s Minus 16, Battle’s Takademe, Rennie Harris’s Home, and Alvin Ailey’s Streams, and they are all back again. The new works for 2012 are Garth Fagan’s From Before, Jiří Kylián’s Petite Mort, Kyle Abraham’s Another Night, Ronald K. Brown’s Grace, and Battle’s Strange Humors. The special programs include Revelations with live performance by Jessye Norman, Anika Noni Rose, and Brian Stokes Mitchell, Saturday afternoon family matinees followed by Q&A sessions, and a tribute to Renee Robinson, who is retiring after more than thirty years with the company. As AAADT prepared for opening night, we asked nine of the dancers which piece they were most looking forward to performing on the City Center stage. (Below photos by Andrew Eccles, Eduardo Patino, and Paul Kolnick; for a chance to win free tickets to the December 12 performance, go here.)

Marcus Jarrell Willis: I think I’m most excited to perform Grace by Ronald K. Brown this season. I’ve been watching the Alvin Ailey American Dance Theater on videos since I was a child, but I never had the chance to see the company in a live performance until just before moving from Houston to study at the Ailey School twelve years ago. Grace was first on the program and I fell in love. So now having the opportunity to be a part of it almost takes me full circle, and I’m thrilled.

Aisha Mitchell: I am really looking forward to premiering Kyle Abraham’s work, Another Night. The choreography is electric and set to music by Dizzy Gillespie. Also it’s the sole world premiere in our repertoire this season, so I’m ready to get onstage and share with our audiences something they have never seen before.

Kirven James Boyd: Our home season is my favorite time of the year because we’re able to perform all of our current repertory as well as a number of returning favorites. This season there are so many works that I’m looking forward to performing, but one of the most important roles for me this season would have to be A Song for You from the Ailey Classics program. This solo is an excerpt of a ballet called Love Songs, which was choreographed by Mr. Ailey in 1972. For the men in the company, being cast to perform this ballet holds the same weight as a woman being cast to perform Cry. For me, this is by far one of the biggest highlights of my career and I’m looking forward to discovering new layers of my artistry through this work.

Daniel Harder: The ballet I’m most looking forward to performing this season is Jiří Kylián’s Petite Mort. I think the ballet is going to present a great challenge for me because it provides the perfect blend of ballet and modern vocabulary and allows me to tap into a quieter sensuality and power. Also, Kylián is an iconic choreographer, so I’m excited to have the opportunity to perform his work this season.

Antonio Douthit: I am so excited that Mr. Battle brought Grace back into the company’s repertory. Grace is one of the ballets I saw when I first joined the company nine years ago and was just in awe of what Ron Brown did with the movement and how he used the dancers in the space. I am happy to be taking on this ballet and growing from it.

Samuel Lee Roberts: I am looking forward to performing Robert Battle’s Strange Humors the most. Having been a founding member of Battleworks Dance Company, I performed the role for many years in the past. Coming back to it will be like seeing an old friend! I also look forward to performing with Mr. Boyd (a force of nature). I am sure that the Ailey audience will fall in love with this ballet.

Yannick Lebrun: I am most looking forward to performing Grace by Ronald K. Brown this season. The first time I saw the ballet six years ago as a student in the Ailey School, I immediately fell in love with it. After joining the company four years ago, I always hoped and wished that it would return to the repertory, so now that I have an opportunity to perform it, it’s almost like a dream come true, because I’m able to interpret a ballet that inspired me so much long ago and that has a deep meaning. I hope the audience is moved by my performance of the work just as I was so many years ago.

Michael Francis McBride: It is really difficult to pick just one work that I am most excited about performing this season because the repertory has an expanding diversity and every piece is so different. If I had to pick three, I would say that I am really excited to perform Robert Battle’s Strange Humors, Jiří Kylián’s Petite Mort, and Ronald K. Brown’s Grace. These three made the list because they are new to this year’s repertory and they challenge me in new and exciting ways.

Sarah Daley: I’m most excited to perform Petite Mort. It’s an amazing ballet that captivated me the first time I saw it and I’m excited to bring it to our New York audience.

MACY’S THANKSGIVING DAY PARADE AND BIG BALLOON BLOW-UP

Hello Kitty will fly into New York City this week, making her Macy’s Thanksgiving Day Parade debut

77th St. & Central Park West to 34th St. & Seventh Ave.
Thursday, November 22, free, 9:00 am – 12 noon
212-494-4495
www.macys.com

In 1924, a bunch of Macy’s employees joined forces and held the first Macy’s Christmas Parade, as it was then known. This year Macy’s celebrates the eighty-sixth edition of this beloved American event. (For those of you going crazy trying to figure out how 1924 to 2012 makes 86, the parade was canceled from 1942 through 1944 because of World War II.) The 2012 lineup features such new giant balloons as Hello Kitty, Papa Smurf, and Elf on the Shelf and such new floats as Sprout, Pepperidge Farm Goldfish, Gibson’s Music Is Our Life, and 75 Years of March Madness alongside such returning favorites as Kermit the Frog, Spider-Man, Julius, the Kool-Aid Man, Uncle Sam, the Pillsbury Doughboy, Snoopy’s Dog House, and Big Man Santa, all making their way through a new route that will take the parade down Sixth Ave. from Central Park South to Herald Square. Among the Broadway shows that will present lip-synching floats are Annie, Bring It On, Cinderella, Elf, and Nice Work if You Can Get It in addition to live performances by Carly Rae Jepsen, Flo Rida, the Wanted, Karmin, Neon Trees, Cody Simpson, Jimmy Fallon & the Roots, Jennette McCurdy, Chris Isaak, and Don McLean. Other special guests include Kareem Abdul-Jabbar, Whoopi Goldberg, Geoffrey Zakarian, Colbie Caillat, Mannheim Steamroller, Trace Adkins, Miss USA Olivia Culpo, and Olympic gold medalists Gabby Douglas, McKayla Maroney, Aly Raisman, Kyla Ross, and Jordyn Wieber. The parade will feature 11 marching bands, 16 giant balloons, 28 floats, 19 novelty balloonicles, 20 marching bands and cheerleading groups, 30 clown troupes, and more.

To get a start on the parade, head on over to Central Park West and Columbus Ave. between 77th & 81st Sts. the day before, November 21, from approximately 3:00 to 10:00 to check out the Big Balloon Blow-up. Watching the annual inflation-eve blow-up of Thanksgiving Day Parade balloons is a growing tradition, with crowds getting bigger and bigger every year, but it’s still a thrill to see the giant characters raised from the ground, reborn every Thanksgiving to march in a parade viewed by millions and millions of people around the world. (For further information, you can get the official parade app here.)