Brooklyn indie supergroup is supporting strong debut album

Tuesday, December 15, Bowery Ballroom, 6 Delancey St., $12-$15, 7:30
Sunday, December 20, Cameo, 93 North Sixth St.
www.myspace.com/uninhabitablemansions

Uninhabitable Mansions is an art collective and Brooklyn mini-supergroup that features Annie Hart from Au Revoir Simone, Danny Comer and Chris Diken from Radical Dads, Doug Marvin from Dirty on Purpose, and Robbie Guertin and Tyler Sargent from Clap Your Hands Say Yeah. Their debut album is a steady stream of inventive indie pop that enjoys stopping and starting, dropping in and out and back again, with most songs developing slowly and quietly at the outset. Indeed, UM is in no hurry, which is a good thing, because the characters in their songs are often lost souls, waiting for something or someone, not knowing where they’re going. “There’s nothing here to see for miles,” they sing in “Big Kick,” which charges out of the gate with a searing guitar line that lasts for nearly a minute before the lyrics begin. (The six-strings go deliriously screechy at the end.) In the acoustic-based “Do You Have a Strategy?,” which features an infectiously quirky hook, they explain, “You say someday our bones will turn to dust / Darling, it’s true, but what’s the rush / A little rust wouldn’t hurt you / Let’s stop right here / The days will wait for us.” In the trifecta of “Do You Have a Strategy?” “Midnight Topography,” and “Maps: Not Accurate,” references are made to missing landmarks, shifting skylines, standing in thin air, and maps, over and over. They sing of escape, looking for a way out, drifting, floating, heading in the wrong direction, searching for a “place that nobody knows.” “Staring at the ceiling and you start to get the feeling that / There’s nowhere to go,” they sing in the poppy “We Already Know.” The band’s subtle, ethereal sound befits the line “We’re sick of solid ground” from the album’s opener, “The Speed Is Deceiving,” and indeed, much of the record itself is deceiving, in compelling ways. In addition to being musicians, UM also makes unique literary and art projects; for example, on their Web site, you can purchase Diken’s short story “The Killer at the Beach” paired with a trench coat designed by Sara Jones as well as T-shirts, handmade books by Guertin, and even a yardstick. On December 15, they’re playing with the Antlers and Sharon Van Etten at a sold-out Bowery Ballroom show, but there are still tickets available for their December 20 gig at the Cameo Gallery inside the Lovin’ Cup Cafe with Revival Times and Pocketknife.