this week in art

SPACE PROGRAM: MARS

Tom Sachs takes visitors on a trip to Mars in the Park Avenue Armory (photo by twi-ny/mdr)

Park Avenue Armory
643 Park Ave. at 67th St.
Tuesday – Sunday through June 17, $12, 12 noon – 7:00 pm (open till 9:00 on Fridays)
212-933-5812
www.armoryonpark.org
tomsachsmars.com
space program: mars slideshow

You don’t have to have grown up dreaming of becoming an astronaut to get a huge kick out of Tom Sachs’s immersive “Space Program: Mars” experience at the Park Avenue Armory. In September 2007, the New York native and his well-trained team traveled to the moon at the Gagosian Gallery in Los Angeles, but this time around he sets his sights much bigger, as Sachs and crew have filled the armory’s expansive Wade Thompson Drill Hall with all the elements needed to journey to and explore the Red Planet. Curated by Creative Time’s Anne Pasternak and the armory’s Kristy Edmunds, “Space Program: Mars” begins with “Working to Code,” a series of short films (10 Bullets, Color, Love Letter to Plywood, Space Camp, How to Sweep, several made with Van Neistat) that detail Sachs’s bricolage DIY artistic process and hysterically precise rules (“When in doubt, leave it out! Or Die!”) that must be followed while toiling in the studio. You need to pay close attention to the very droll and funny movies if you want to pass the indoctrination test that is the only way to gain entrance to the life-size Lunar Excursion Module. (If you want a head start, you can check out all of the films in advance here.) And you’re going to want to get into the LEM, which is loaded with fascinating pieces that playfully evoke the real thing.

The Mission Control station makes sure everything is up and running in immersive space experience (photo by twi-ny/mdr)

Working with NASA, Sachs and his crew of thirteen men and women painstakingly, and with a fabulous dose of tongue-in-cheek humor, re-created a multimedia Mission Control station, surveillance cameras, refrigeration units (including the Vader Fridge in the shape of the evil Death Lord), a miniature launch pad and docking target, a Mars Excursion Roving Vehicle, helmets and space suits, an ID station, an Incinolet, a Mobile Quarantine Facility inside a 1972 Winnebago, a cooking area, a clean air room, and other items necessary for achieving and surviving intergalactic travel, all put together with wood, metal, foam core, glue, nails, and other found materials ― resulting in a number of essential parts that actually work. NASA might have canceled the space shuttle program, but Sachs is reaffirming the continuing need for manned missions ― while also displaying his unique and endearing artistic sensibilities. And don’t miss the Museum of the Moon in the Veterans Room out in the hallway, where you can delve into the previous moon mission. The installation is up through June 17 and features several special activities. On June 7, Sachs and his team will conduct live demonstrations of the program’s flight plan. From June 9 through 16, Sachs and his Grummans will be holding mini-demonstrations, including a rescue mission, daily at 1:00 and 3:00, along with a Four Horsemen of the Apocalypse bicycle race scheduled for 6:00 every evening. On June 9-10 at 10:00 am, children ages five to twelve and their parents or guardians can take part in the interactive workshop “Life on Mars: Imagining the Incredible” with members of the Armory Artists Corps. On June 16, you can have “Breakfast with Mars Scientists,” as Jet Propulsion Laboratory scientists Gregg Vane, Kevin Hand, and Tommaso Rivellini will join Sachs and moderator Lawrence Weschler for an in-depth conversation. The grand finale takes off immediately following, as Sachs and company will lead a real-time flight-plan endurance demonstration that runs until around midnight, with visitors allowed to come and go as they please, although you’ll have to get back in line for reentry.

BUSHWICK OPEN STUDIOS 2012

Bushwick Open Studios will include such interactive installations as Michelle Jaffe’s “Wappen Field”

Throughout Bushwick
June 2-3, free
artsinbushwick.org

The sixth annual Bushwick Open Studios is under way throughout the Brooklyn neighborhood, with hundreds of local artists opening their doors to visitors and participating in special projects all weekend. This year’s multimedia indoor/outdoor festival will include a Street Art Pop-Up Store hosted by Robin Grearson, record release parties, live art battles, concerts at Lone Wolf, XPO, and Pine Box Rock Shop, site-specific installation performances by jill sigman/thinkdance, Valentina Loseva, and Sophia Cleary, bike tours and safety programming, the “Spread Art Outdoors” Parade of Art, such group shows as “Surreal Estate,” “Figure Fragments,” “Usual Suspects,” “Conceptual Death,” and “True Nature,” panel discussions, interactive participatory exhibits by MG Stillwaggon, Running Rebel Studios, Bushwick Dimensions, Michelle Jaffe, Salon des Fous, Will Bates, the Desert Forest, Jack Aldrich, Roarke Menzies, and Pass Kontrol, and plenty of live music, dance, performance art, and general weirdness.

HOWL! FESTIVAL 2012

Street artists will surround Tompkins Square Park with colorful murals during the Howl! Festival (photo by twi-ny/mdr)

Tompkins Square Park
Ave. A to Ave. B between Seventh & Tenth Sts.
June 2-3, free
www.howlfestival.com

The Howl! Festival returned last night to Tompkins Square Park, where it continues this weekend with a flurry of music, poetry, dance, theater, art, and “madness.” Today, as 140 artists create murals on canvases that surround the park, such groups as the Disco Monkeys and the Bowery Tones will play on the south stag. On the north stage, Honeybee House, the TriBattery Pops, Tap City, and Lydon will perform for children. Also for little ones, the Great Howl! Out Loud Kids’ Carnival will feature carnival games, arts and crafts, storytelling, and other activities. At the basketball court area, Bandera Fever! celebrates Puerto Rican heritage with Dao Y El Grupo Cemi, BombaYo, Elani Rodriguez, John Acevedo AKA Chance, J. F. Seary, Dinamicas, Senior Bomba & Plena Dancers from Grand Street Settlement, and a domino tournament. Super DJ Johnny Dynell will lead the Hot Howl! Disco Tea Dance near the General Slocum Memorial from 2:00 to 5:00, the Vangeline Theatre will perform The Raft of the Medusa, and Derrick Pendavis Xtravaganza will lead the unpredictable “Men in Skirts” dance presentation at 5:30. On Sunday, Hip Hop Howl, the Deans of Discipline, the Sic Fucks, and Bear 54, will be on the main stage, Rosie’s Theater Kids, Danny Hartig, Honeybee House, and Jack Skuller will be on the kids’ north stage, Bandera Fever! will continue with a Cultural Rumba Jam, and the festival will conclude with “Low Life 6: East Village Others,” paying tribute to the Fugs song “Nova Slum Goddess (from the Lower East Side),” Jack Smith, the Exploding Plastic Inevitable, the Fillmore East, Allen Ginsberg, and other old standards from the East Village circa 1966-72.

FIRST SATURDAYS: BROOKLYN BLOCK PARTY

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, JUne 2, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

For its June First Saturday program, the Brooklyn Museum will be hosting a Brooklyn Block Party, getting under way at 5:00 with live music from Son de Madre, community performers throughout the museum, and Laura Nova and Theresa Loong’s Feed Me a Story project, in which visitors can share their memories of food. At 6:00, Angelo Boyke’s 2010 documentary Hands to the Sky will be screened, followed by a Q&A with the director; Blue Marble Ice Cream founders Alexis Miesen and Jennie Dundas’s will give a lecture about Blue Marble Dreams, their nonprofit organization that is helping Rwandan women open the first ice-cream shop in Butare; and a museum guide will lead a tour of the museum’s unique architecture. At 6:30, Hands-on Art will teach attendees how to make a Brooklyn-style wrap for the 8:00 dance party, Society HAE’s “Beats, Blocks & Brooklyn,” featuring DJ crew the Ahficionados with Jasmine Solano. At 7:00, a museum guide will lead the tour “Summer Fun,” and “Raw/Cooked artist Heather Hart will talk about her installation, “The Eastern Oracle: We Will Tear the Roof Off the Mother,” and invite visitors to take part in various activities. In addition to the dance party at 8:00, visitors can pose for a portrait taken by photographers Jamel Shabazz, Lafotographeuse, Delphine Fawundu-Buford, and Laylah Amatullah Barrayn. And at 9:00, Suleiman Osman will discuss her book The Invention of Brownstone Brooklyn: Gentrification and the Search for Authenticity in Postwar New York. As always, the galleries will be open late, giving everyone plenty of opportunity to check out “Connecting Cultures: A World in Brooklyn,” “Keith Haring: 1978-1982,” “Playing House,” “Rachel Kneebone: Regarding Rodin,” “Newspaper Fiction: The New York Journalism of Djuna Barnes, 1913–1919,” “Question Bridge: Black Males,” “Aesthetic Ambitions: Edward Lycett and Brooklyn’s Faience Manufacturing Company,” and “Body Parts: Ancient Egyptian Fragments and Amulets.”

POST PLASTICA

POST PLASTICA is a multimedia collaboration between PS 122 and El Museo del Barrio

El Teatro, El Museo del Barrio
1230 Fifth Ave. at 104th St.
May 31 – June 3, $20, 7:30
212-352-3101
www.ps122.org

PS 122 and El Museo del Barrio have joined forces to present the multimedia performance Post Plastica, a virtual fantasy that imagines the future of art as well as the world itself. Created by sisters Ela Troyano and Alina Troyano, who is also known as Carmelita Tropicana, Post Plastica stars Tropicana as a woman who gets a Botox injection that puts her in a coma, sending her off on an adventure that includes a woman-bear scientist played by Becca Blackwell (Untitled Feminist Show) and the title character, played by Erin Markey (Green Eyes). A mix of video and live performance, Post Plastica features production design by Aliza Shvarts, costumes by Yail Romagoza, lighting by Chris Hudacs, and projections by Uzi Parnes. Each evening will be preceded by a special event at El Museo beginning at 6:00, including an exhibit of stereoscopic imagery by Richard Pell on May 31, the lecture/demonstration “Meet the Celebrity” with Fufurufu and Nao Bustamente on June 1, an “Urban Beekeeping” discussion with Guillermo Fernandez and Jennifer Monson on June 2, and the “Normal Is Good” interview between Shvars and Romagoza on June 3.

DAN COLEN: CRACKS IN THE CLOUDS

Dan Colen’s motorcycles glitter and shine in front of the Seagram Building in Midtown (photo by twi-ny/mdr)

Seagram Building
375 Park Ave. between 52nd & 53rd Sts.
www.gagosian.com
cracks in the clouds slideshow

We were among the many who thought that art bad-boy Dan Colen’s inaugural solo show at the Gagosian, fall 2010’s “Poetry,” stank. But don’t lump us in with all the haters. It literally stank, with several canvases containing chewed bubblegum, sending a sticky aroma into the air. The mixed-media display also included a wooden skateboard ramp, a brick wall supported by a beam, and a baker’s dozen of Harley-Davidsons that had been kicked over, as if the artist were looking for a fight outside a bar. The thirtysomething New Jersey native has now re-created that motorcycle piece, “Cracks in the Clouds,” in front of the Seagram Building on Park Ave., where fellow bad boy Urs Fischer’s “Untitled (Lamp/Bear)” lit up the night last year while fetching nearly seven million at a Christie’s auction. Colen got the idea for “Cracks in the Clouds” after seeing a lineup of bikes outside the Hells Angels headquarters in the East Village. He meticulously went about finding the exact makes and models, incorporated every little detail he could, brought the bikes first to Gagosian and now to the Seagram Building’s plaza, and kicked them over so they fell like fancy, glittering dominoes. Situated between two fountains, “Cracks in the Clouds” recalls the Guggenheim’s controversial 1998 exhibit, “The Art of the Motorcycle,” which drew criticism for installing brand-name bikes in the hallowed institution dedicated to contemporary art. A trained painter, Colen is no stranger to controversy and criticism for his market-savvy use of found objects and ready-mades. But in taking his art outside, away from the high-profile Chelsea galleries, he is gaining a very different audience, one that doesn’t know or care about his art-world celebrity image and reputation and instead just likes looking at a bunch of shiny motorcycles while grabbing a smoke or picking up a sandwich before having to return to the daily grind. [ed. note: Although the display was supposed to stay up through September 30, it suddenly disappeared in early June….]

SHEILA BERNARD: HAPPY FEET

Port Authority Bus Terminal
South Terminal
Daily through May 31, free
www.sheilabernard.smugmug.com

Every year, we look forward to local photographer Sheila Bernard’s new show, often held in unusual locations and featuring very different kinds of work. In past years she has displayed her “Urban Times” series, focusing on the reflections of buildings in other buildings; “Windows & Doors,” comprising pictures of the title subjects framed like works of art themselves; and “Graphsicals in Italy,” shots of Venice digitally enhanced with bursts of color. Her latest exhibit, “Happy Feet,” consists of nine photographs of clown feet on a boardwalk, displayed in the narrow glassed-in gallery in the Port Authority’s South Terminal. Even if you’re one of the many who are terrified of clowns, “Happy Feet” provides a playful counterpart to the types of shoes worn by men and women making their way through Port Authority every day, either going home or heading for work, often in a hurry trying to catch the next bus or train. A rainbow of bright yellows, reds, blues, greens, purples, and pinks explode like a candy starburst, also providing a stark contrast to George Segal’s nearby sculpture of a trio of all-white plastered people. Tourists and New Yorkers are always rushing through Port Authority; Bernard’s photographs once again offer the opportunity to take a little break and add some fun to the journey.