this week in art

TOMAS SARACENO ON THE ROOF: CLOUD CITY

Met visitors are invited to walk through Tomás Saraceno’s engaging environment of the future, “Cloud City” (photo by twi-ny/mdr)

Metropolitan Museum of Art
The Iris and B. Gerald Cantor Roof Garden
1000 Fifth Ave. at 82nd St.
Tuesday – Sunday through November 4 (weather permitting)
Recommended admission: $20 adults, children under twelve free
212-535-7710
www.metmuseum.org
cloud city slideshow

Two years ago, Met visitors were invited to walk inside Doug and Mike Starn’s environmentally friendly rooftop installation, “Big Bambú,” a junglelike pathway made of bamboo. This year people can enter a much more futuristic construction, Argentine artist Tomás Saraceno’s space-age “Cloud City.” Sitting atop the Iris and B. Gerald Cantor Roof Garden, “Cloud City” is a geometric environment of walk-in modules made of mirrors, transparent acrylic, steel, and cords that give visitors a warped, fascinating view of the world around them, playing with their perception of reality and physical space. Like a house of mirrors, sometimes what should be in front of you is behind you, or what should be beneath you is above you. Where you should see east is west, or north becomes south. Part spaceship, part mechanical creature, and part airborne apartment complex of the future, “Cloud City” changes with the seasons; in the summer, it was filled with light and the green of the trees, but as the cold fall weather takes over, it is far more colorless. In order to enter the biosphere, visitors, who must be at least ten years old and four feet tall and weigh less than four hundred pounds, need to pick up a timed ticket on the fourth floor and store their bags and cameras in a locker. Each person gets about twenty minutes to navigate the stairs, platforms, and cool obstructions; women might want to avoid wearing loose skirts or dresses, as people below can watch you wander through the different modules (and photos are allowed outside of the structure). In honor of the installation, which is part of Saraceno’s continuing “Air-Port-City” project, the Met has even created a special Cloud City cocktail, made with dry ice, that you can order from the rooftop bar.

NEW YORK COMIC CON

New York Comic Con celebrates King of the Nerds and more at the Javits Center (photo by twi-ny/mdr)

Jacob K. Javits Convention Center
655 West 34th St. (11th Ave. between 34th & 39th Sts.)
October 11-14, sold out
www.newyorkcomiccon.com

If you’ve ever attended New York Comic Con, you know that the biblical prediction “The geek shall inherit the earth” is certainly true. For four days at the Javits Center, sci-fi and comic-book nerds will descend on the far west side, lining up for autograph signings (beware: some require substantial additional fees), giveaways, film screenings, panel discussions, concerts, and other special events that get bigger and bigger every year. The 2012 edition, which is completely sold out, includes a bevy of A-list, B-list, and C-list celebrities; among the wide variety of guests are Batman’s Adam West and Burt Ward, Carrie Fisher, Bill Paxton, Stan Lee, Bruce Campbell, Chris Columbus, Christopher Lloyd, Dee Snider, Anne Rice, Guillermo Del Toro, Kevin Bacon, Julianne Moore, Kirk Hammett, Tess Gerritsen, Rob Corddry, Ned Vizzini, Sean Astin, Seth Green, Kim Harrison, Terry O’Quinn, Vanessa Williams, Sir Terry Pratchett, Kevin Smith, Ron English, and legendary nerds Curtis Armstrong and Robert Carradine. Below are some of our recommendations for this massive celebration of a lot more than just comic books.

Thursday, October 11

Neal Adams Spotlight, with Josh Adams and Neal Adams, 1A14, 3:45

Robert Kirkman Autographing, Booth #1229, 5:00 – 6:00

Comic Studies Conference: Power and Sexuality in Comics, with Beverly Taylor, Cameron McKee, Evan Johnson, Mark Head, and Sam Cannon, 1A07, 5:15

Friday, October 12

CBLDF: The History of Comics Censorship, with Charles Brownstein, 1A08, 11:00 am

Adam West and Burt Ward Spotlight, with Adam West and Burt Ward, 1A23, 12:15

Christopher Lloyd Q&A, with Christopher Lloyd, 1A10, 12:30

Sir Terry Pratchett Introduces . . . Dodger, with Sir Terry Pratchett, Unbound Stage, 1:00

AMC Presents Kevin Smith’s Comic Book Men, with Bryan Johnson, Kevin Smith, Michael Zapcic, Ming Chen, and Walter Flanagan, IGN Theater, 2:45

Joe Simon Memorial Celebration, with Angelo Torres, Carmine Infantino, Jim Simon, Mark Waid, Paul Levitz, and Stephen Saffel, 1A01, 5:15

Robot Chicken, with Clare Grant, Kevin Shinick, Matthew Senreich, and Seth Green, IGN Theater, 6:30

Kirk Hammett, Lead Guitarist for Metallica, Talks to Kevin Clement about His Passion for Collecting Monster Movie Memorabilia, with Kevin Clement and Kirk Hammett, 1A23, 9:00

Fans will be on their hands and knees, begging to get in to several special WALKING DEAD events at this year’s New York Comic Con

Saturday, October 13

Once More with Feeling: 15 Years of Buffy the Vampire Slayer, with Jane Espenson, Jenny Frison, Rebekah Isaacs, Scott Allie, and Sierra Hahn, 1A21, 11:15 am

Mad about MAD, with Al Jaffee, Bob Wayne, Drew Friedman, John Ficarra, Peter Kuper, Ryan Flanders, and Sam Viviano, 1A23, 12:15

Bill Paxton and Johnn McLaughlin’s Seven Holes for Air Introduction, with Bill Paxton, David Uslan, Eric Reid, and John McLaughlin, 1E13, 12:30

Stan Lee’s World of Heroes, with Peter David and Stan Lee, 1E13, 3:00

Carrie, with Chloë Grace Moretz, Julianne Moore, Kevin Misher, and Kimberly Peirce, IGN Theater, 3:45

AMC’s The Walking Dead Panel Event, with Andrew Lincoln, Chandler Riggs, Chris Hardwick, Danai Gurira, David Morrissey, Gale Anne Hurd, Glen Mazzara, Michael Rooker, Norman Reedus, and Robert Kirkman, IGN Theater, 5:00

Sunday, October 14

666 Park Avenue Special Video Presentation and Q&A, with Dave Annable, David Wilcox, Erik Palladino, Helena Mattson, Matthew Miller, Mercedes Masöhn, Rachael Taylor, Robert Buckley, Samantha Logan, Terry O’Quinn, and Vanessa Williams, 1E13, 11:00 am

The Following Pilot Screening and Q&A, with Annie Parisse, James Purefoy, Kevin Bacon, Kevin Williamson, Marcos Siega, Natalie Zea, and Shawn Ashmore, 1E07, 12 noon

Josh Gates Q&A, with Josh Gates, 1A10, 1:30

Ian McDiarmid Spotlight, 1E13, 2:45

TATZU NISHI: DISCOVERING COLUMBUS

Visitors can get up close and personal with Gaetano Russo’s statue of Christopher Columbus in fab installation by Tatzu Nishi (photo by twi-ny/mdr)

Columbus Circle
59th St. at the intersection of Broadway, Columbus, and Eighth Aves.
Extended through December 2, free with timed ticket
www.publicartfund.org
discovering columbus slideshow

For one hundred and twenty years, Sicilian sculptor Gaetano Russo’s Carrara marble statue of Christopher Columbus has towered high in the air in the middle of Columbus Circle, far from view atop a seventy-foot granite column. But now German-based Japanese artist Tatzu Nishi makes the Italian explorer much more accessible inside a customized American living room in the genius installation “Discovering Columbus.” Over the last decade, Nishi has created temporary structures built around existing architectural monuments in Guatemala City, Hamburg, Singapore, Basel, New South Wales, and, most famously, Liverpool, where he designed “Villa Victoria,” a functional hotel suite constructed around a statue of Queen Victoria. For his first project in the United States, Nishi has chosen to bring Russo’s thirteen-foot-tall statue, which was presented to New York City in honor of the four-hundredth anniversary of Columbus’s famous voyage, face-to-face with visitors, who can climb up six flights of stairs to enter an idealized, temporary American room replete with chairs, couches, a mirror, framed prints, a bookshelf — and the Columbus statue standing in the center, atop a coffee table. Everything was carefully selected by Nishi, from the newspapers, furniture, and artworks (by the likes of Andy Warhol, Willem de Kooning, and Jackson Pollock) to the flat-screen television and specially designed wallpaper, which features cartoon images of such American icons as Michael Jackson, Mickey Mouse, Elvis Presley, and McDonald’s. Visitors, who enter with free timed tickets that must be reserved in advance, can look but not touch (photos are allowed) as they walk around the statue, examining every nook, cranny, and crevice of the extremely weathered work; be sure to check out under Columbus’s cloak for a section that has not been nearly as ravaged by snow, rain, heat, wind, and bird droppings. And be sure to check it out from the ground on the southern side as well, where it appears as if Columbus is standing at the window, enjoying the remarkable view. It’s a spectacular opportunity to see such a landmark up close and personal, no matter your feelings about Columbus, whose discovery of America and treatment of the native population seem to increase in controversy every year. Nishi did not choose this specific monument for political reasons; instead, the Public Art Fund project is a joint venture with the New York City Department of Parks & Recreation, which will begin a major restoration of the statue after the installation closes to the public on November 18 [ed. note: now extended through December 2], keeping the stairs and scaffolding in place for the conservation team, which will work to maintain the promise made at the statue’s dedication on October 12, 1892: “in imperishable remembrance.” Tickets are going fast, so don’t hesitate to book a time now for this once-in-a-lifetime experience.

FIRST SATURDAYS: MICKALENE THOMAS’S ORIGIN OF THE UNIVERSE

Mickalene Thomas, “A Little Taste Outside of Love,” acrylic, enamel and rhinestones on wood panel, 2007 (© Mickalene Thomas)

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, October 6, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

The Brooklyn Museum will celebrate Brooklyn-based artist Mickalene Thomas in the October edition of its free First Saturdays program. Thomas, who explores the concept of female beauty and power in sparkling works that incorporate rhinestones, acrylic, and enamel into 1970s-style tableaux, recently received the Asher B. Durand Award from the museum, along with Martha Rosler and Amy Sillman, for their contribution to Brooklyn culture. The First Saturdays programming is built around Thomas’s “Origin of the Universe,” her first museum exhibition, which continues through January 20. Visitors are encouraged to come dressed in 1970s clothing as they check out musical poet Candice Anitra; a multidisciplinary performance by Latasha Diggs, Beatrice Anderson, and Jaime Philbert, followed by a Q&A; an artist talk with G. Lucas Crane, who will create a live sonic collage and place it in context with Thomas’s work; a curator talk by Eugenie Tsai about Thomas’s painting “A Little Taste Outside of Love”; an art workshop showing how to make a Thomas-like collage; an interactive performance and discussion with poet and conceptual artist Harmony Holiday; “Betty’s Story,” a musical tribute to Betty Mabry Davis (Miles Davis’s ex-wife and singer in her own right) by Nucomme and the Curators; and a fashion show, open to all, hosted by Raye 6, Marcus Simms, and Gizmovintage Honeys Beeline.

OPENHOUSENEWYORK WEEKEND

Green-Wood Cemetery is among the many historic locations opening its doors and gates to visitors for free during openhousenewyork Weekend (photo by twi-ny/mdr)

Multiple venues in all five boroughs
Saturday, October 6, and Sunday, October 7
Admission: free (advance reservations required for some sites)
OHNY Passport: $150
212-991-OHNY
www.ohny.org

The fabulous openhousenewyork Weekend celebrates its tenth anniversary by once again offering people the opportunity to experience the nooks and crannies of many of New York City’s most fascinating architectural constructions. Among this year’s special programs, some of which require advance reservations even though admission is free, are Designers’ Open House, with such interior designers as Thomas Jayne, Ali Tayar, Paul Ochs, Aizaki Allie, Christopher Coleman, and Lea Ciavarra inviting guests into their private homes; the Peace Bike Ride led by Nadette Stasa of Time’s Up!; a treasure hunt for kid explorers at the Park Avenue Armory; “Dance on the Greenway,” with Dance Theatre Etcetera performing site-specific pieces by four emerging choreographers in Erie Basin Park behind the Red Hook IKEA; “Paseo,” consisting of short works by choreographer Joanna Haigood and composer Bobby Sanabria that take place on fire escapes and stoops at Casita Maria in the Bronx; “Spirits Alive,” with actors in period costumes portraying famous people buried in the Maple Grove Cemetery in Kew Gardens; “Wilderness Plan,” in which costumed dancing creatures lead people through the Elevated Acre in the Financial District; and “Frost Court,” a performance installation featuring dancers Jon Kinzel, Silas Riener, Stuart Shugg, Saul Ulerio, Enrico Wey, and Aaron Mattocks. Although some of the special tours are already booked, plenty of others have vacancies or are first come, first served (unless you buy a $150 front-of-line Passport), so you can still check out the Fading Ads of New York City with Frank Jump, the Manhole Covers of Fourteenth St. with Michele Brody, the Museum of Reclaimed Urban Spaces, the Harlem Edge: 135th St. Marine Transfer Station, the Bronx River Right-of-Way, the Kings County Distillery Tour, Historic Richmond Town, the Noguchi Museum, the New York City Photo Safari for shutterbugs, the Lakeside at Prospect Park Construction Tour, the Mount Vernon Hotel Museum & Garden, the Tenriko Mission New York Center, the Alice Austen House Museum, Fort Totten, the Snug Harbor Cultural Center & Botanical Garden, the Grand Lodge of Masons, the New York Marble Cemetery and the New York City Marble Cemetery, the Theodore Roosevelt Birthplace, Scandinavia House, the Morris-Jumel Mansion, Merchant’s House Museum, the Jefferson Market Library, the Little Red Lighthouse, the High Line, the African Burial Grounds, and so many, many more. The annual opendialogue series features talks and tours at such locations as the Brooklyn Navy Yard Center at BLDG 92, Runner & Stone, UrbanGlass, the East Harlem School, the Horticultural Society of New York, the Museum of the Moving Image, New York City Center, and the TWA Flight Center at JFK. Keep watching the official website for late changes, additions, sell-outs, and other updated information.

LAST CHANCE: YAYOI KUSAMA

Yayoi Kusama, “Self-Obliteration (Net Obsession Series),” photocollage on paper, ca. 1966

Whitney Museum of American Art
945 Madison Ave. at 75th St.
Sunday, September 30, $18, 11:00 am – 6:00 pm
212-570-3600
www.whitney.org
www.yayoi-kusama.jp
yayoi kusama in new york slideshow

Today’s your last chance to see the Yayoi Kusama retrospective at the Whitney, but you shouldn’t worry too much if you end up missing it, as curator David Kiehl has somehow made the New York edition of this traveling show remarkably dull. Born in Matsumoto, Japan, in 1929, Kusama moved to New York City in 1957, gaining prominence as a leader in the avant-garde movement through her painting, sculpture, mirror/infinity rooms, and wild happenings. The chronological exhibit begins with such early, more primitive canvases as “Lingering Dream,” “Flower Bud,” and “The Woman,” which only hint at what is to come. The most successful parts of the show feature Kusama’s late-1950s hallucinatory Infinity Net paintings and soft Accumulation sculptures, in which she created a luxurious alternate reality of clothing, furniture, luggage, and other accessories, as well as the photocollages, posters, and twenty-four-minute film associated with her “Self-Obliteration” obsession of putting dots everywhere. In addition, the Whitney has brought back Kusama’s walk-in “Fireflies on the Water” installation, in which individuals get sixty seconds alone in a room of lights, mirrors, plexiglass, and water that seemingly goes on forever. (“Fireflies,” previously displayed at the 2004 Biennial, continues through October 28; be sure to pick up a timed ticket when you enter the museum.) Unfortunately, Kusama’s more recent work, including her acrylic paintings, lack the excitement and originality of much of her previous work, and Kiehl’s decision to focus on all aspects of her career in fairly equal doses makes the show feel less important than it should be. There was more life in the fanciful window displays dedicated to Kusama at the Louis Vuitton flagship store on Fifth Ave., as well as the red and white “Guidepost to the New Space” ladybug-like sculptures along Pier 45 in Hudson River Park and the large “Yellow Trees” billboard on West Fourteenth St. at Ninth Ave. However, there is a lot to be learned about Kusama — who has voluntarily lived in a psychiatric institution since 1977 — in one Whitney gallery that contains letters, photographs, historical information, and other personal paraphernalia, but the works on view just don’t do justice to such an influential and important twentieth-century artist.

DUMBO ARTS FESTIVAL

“Codex Dynamic” is a highlight of the sixteenth annual DUMBO Arts Festival

Multiple venues in DUMBO
September 30, free
www.dumboartsfestival.com

The sixteenth annual DUMBO Arts Festival concludes on Sunday, with another diverse collection of live performances, multimedia exhibitions, interactive installations, and more, continuing into the night. Musicians such as the Well-Informed, Joseph Brent, the Soulfolk Experience, Church of Betty, and WYATT will perform in Brooklyn Bridge Park. The White Wave Dance Company will lead a grand finale at Fulton Ferry Landing. Iviva Olenick turns people’s tweets and Post-it confessions into embroidered musings. Martin Janicek will play his unique Metal Bow. Visitors can participate in Wildbytes’ “Superhero,” making it look like they can fly across buildings. Nathaniel Lieb’s “Tidal Voyage” floats on the East River. Shaun El C. Leonardo and Gabriele Tinti present The Way of the Cross, their book about boxer Arturo Gatti. Leo Kuelbs and John Esnor Parker have curated “Codex Dynamic,” mapped projections that will be beamed onto the Manhattan Bridge Anchorage and Archway. Will Scott will play the blues, while Howard Brofsky will host the jazz program Dr Bebop and Glocals. Jimmy O’Neal and Rebecca Parker will clog around the neighborhood in “Transporting Location.” Frank Viva will read from his children’s book A Trip to the Bottom of the World with Mouse. Entasis Dance will incorporate sculpture into performance. Amisha Gadani will make her way around the area in “Animal Inspired Defensive Dresses.” Josephine Decker will be at the forefront of a fish-headed “School Evacuation.” The Friendly Falcons will roam about with musical architectural interventions. A simple touch sets Michael Rosen and Eszter Osvald’s “Neurime” instrument into action. Alan Ruiz’s “Heist” uses a red laser and mirrors to alter perception. Stacy Scibelli’s “Sabotage I, II, & III” invites people to wear tickle machines. And that is only some of what is going on at such locations as Brooklyn Bridge Park, Empire Stores, the powerHouse Arena, 111 Front St., Tobacco Warehouse, East River Cove, 81 Washington St., and galleries along Jay, York, and Adams Sts.