Who: Patti Smith, Loudon Wainwright, Kaki King, Jesse Paris Smith, Martha Mooke, Shyam Nepali, Nicole Atkins, Tara Lobsang, Karanjit Singh, Pema Kunsang, and more to be announced
What: An afternoon of live music and art to raise funds and awareness about the plight of Nepal (and Tibet, India, and Bangladesh) following the devastating earthquake, through Everest Awakening
Where: City Winery, 155 Varick St. at Spring St., 212-608-0555
When: Sunday, May 17, $40-$55, 1:00
Why: More than seven thousand people have died as a result of the April 25 earthquake, so Jesse Paris Smith was inspired to found Everest Awakening. Given that appellation by Tenzin Choegyal, the group’s mission statement explains, “The name represents a symbol of the issues faced today in the Himalaya. We think of Everest as so firm, untouchable, and almighty, and yet it was fragile, not spared in the face of this disaster. Mother Earth no longer accepts our presence with silence, so we need to rise up to awaken our hearts.” On May 17, a group of musicians and artists will perform at a benefit at City Winery, including Smith, her mother, Patti, folk troubadour Loudon Wainwright III, guitarist and composer Kaki King, electro-violist and composer Martha Mooke, sarangi player Shyam Nepali, singer-songwriter and painter Nicole Atkins, photographer Karanjit Singh, master calligrapher Tara Lobsang, Buddhist translator Pema Kunsang, and others. You can also contribute to the relief effort by purchasing a copy of Everest Awakening: Prayer for Nepal and Beyond, a collection of seventy-eight songs by such artists as Patti Smith, Flea, Krishna Das, Shilpa Ray, Philip Glass, Anne Waldman, Larkin Grimm, Holly Miranda, Lenny Kaye, and dozens more.
this week in art
INTERNET CAT VIDEO FESTIVAL SCREENING AND PARTY
Japan Society
333 East 47th St. at First Ave.
Wednesday, May 20, $20, 7:30 (twenty-one and older only)
212-715-1258
www.japansociety.org
We are extremely frustrated that none of our absolutely adorable and outrageously funny photos and videos of our cats have become internet memes. But on May 20, you can see the past, present, and future of international online superstar felines at the Internet Cat Video Festival Screening & Party at Japan Society, being held in conjunction with the current exhibition, “Life of Cats: Selections from the Hiraki Ukiyo-E Collection.” The Internet Cat Video Festival premiered at the prestigious Walker Art Center in August 2012, then made its New York City debut in October 2013 at Warsaw in Brooklyn. The Japan Society evening, which includes admission to the seventy-minute screening and the exhibition (which continues through June 7), one drink, and light refreshments, is the festival’s Manhattan bow (wow-wow). The video is curated by Will Braden, the krazy kat behind the Henri, le Chat Noir sensation and winner of the festival’s first Golden Kitty Award. Although no live animals are permitted in the building, human guests are encouraged to dress up in their feline finest that will make others go, “Meow!” Among the other upcoming “Life of Cats” programs are Caturday Craft Day on May 16 and a Japan Cuts screening of Neko Samurai on May 30, followed by an Edo Cat Party.
MAPPING BROOKLYN

Joyce Kozloff’s walk-in “Targets” is highlight of “Mapping Brooklyn” show at BRIC (photo by twi-ny/mdr)
Who: Works by Aaron Beebe, Francisca Benitez, Justin Blinder, Christine Gedeon, Katarnia Jerinic, Joyce Kozloff, Laura Kurgan, Peter Lapsley, Jennifer Maravillas, Simonetta Moro, Bundith Phunsombatlert, Jan Rothuizen, Patricia Smith, and Sarah Williams
What: “Mapping Brooklyn”
Where: BRIC House, 647 Fulton St., 718-683-5600
When: Sunday, May 3, free, 10:00 am – 6:00 pm
Why: The BRIC half of the “Mapping Brooklyn” exhibition, which examines the greatest borough in the world from a socio-geographical point of view, comes to a close on May 3 (while the Brooklyn Historical Society part of the show continues through September 6). The centerpiece at BRIC is Joyce Kozloff’s “Targets,” a walk-in globe lined on the inside with colorful aerial maps of locations around the world that have been bombed by the United States between 1945 and 2000, places both well known and not. The detailed maps are set at various angles that mimic the way airplanes swoop, disorienting visitors, as does an echo that reverberates within the structure when you speak. Kozloff’s “L’Amérique du Nord,” from her “Social Studies” series of digitally manipulated French schoolroom maps, is also at BRIC, while several other pieces by the New Jersey-born artist, including the 2015 collage “Waves,” are on view at the Brooklyn Historical Society.
WHITNEY BLOCK PARTY

The Meatpacking District welcomes the Whitney to the neighborhood at all-day block party on May 2 (photo © Nic Lehoux)
Whitney Museum of American Art
99 Gansevoort St.
Saturday, May 2, free, 11:00 – 8:00
212-570-3600
whitney.org
The Whitney is celebrating the opening of its new home on Gansevoort St. with a block party on May 2, featuring live performances, interactive installations, workshops, and free admission to the museum, where you can check out the inaugural exhibitions “America Is Hard to See” and, on the roof, “Mary Heilman: Sunset.” At the block party, you can take the mic in Trisha Baga’s “Whitney Idol Karaoke,” catch K8 Hardy and Ryan McNamara’s pop-up, site-specific The Poseurs, a Dance, trade your own smile recipes for canned smiles in Nari Ward’s “Sugar Hill Smiles,” get your groove on at My Barbarian’s “Classical Music Dance Party,” make forts, monsters, and other cool things at Friends of the High Line’s “High Line Builders,” learn about the history of the Meatpacking District from local purveyors Jobbagy Meats, help Lize Mogel construct a scale model of New York in “Crowd-Sourced City,” and hang out at Ei Arakawa and Shimon Minamikawa’s “Cyber Café.” Live performances include Gobby in Bed-Stuy Love Affair’s “Gate,” spoken-word DJ Mark Beasley, the Ethyl Eichelberger cover band the Eichelburglers, Jacolby Satterwhite’s “Ein Plein Air: Diamond Princess” with Camp & Street, Tracie Morris with Mr. Jerome Harris and Jemman, and a Tribe Called Red.
INDEPENDENT BOOKSTORE DAY
Multiple locations in Brooklyn, Queens, and Manhattan
Saturday, May 2 free
bookstoredaynyc.com
More than two dozen independent bookstores in Manhattan, Brooklyn, and Queens are participating in Independent Bookstore Day on May 2, with signings, readings, lectures, film screenings, art exhibits, children’s activities, giveaways, games, food tastings, discussions, and, in several cases, free beer, to steer you clear of Amazon and B&N. Guitarist Gary Lucas will be performing live at bookbook on Bleecker St. Paul Durham, Matt Myklusch, Michael Northrop, Dianne K. Salerni, and Josh Lieb join together for a Fantastic Middle Grade panel at Books of Wonder. Amy Hest, Chris Raschka, Deborah Heligman, and Cynthia Weill are among a dozen authors and illustrators who will be at Bank Street Book Store. Housing Works will host a Kidlit Game Show emceed by C. Alexander London. Colm Tóibín, Eileen Myles, Joseph O’Neill, DJ Spooky, Said Sayrafiezadeh, and others are among the literati taking part in a marathon Langston Hughes reading at McNally Jackson. Jon Scieszka will lead a Mad Scientist Party at the Community Bookstore, followed by an evening celebration with Paul Auster, William Corbett, and Felix Harr. The powerHouse Arena will launch Luke’s Lobster’s Real Maine Food, with sample treats. And Raina Telgemeier and Dave Roman will be team captains in a game of Pictionary at the Astoria Bookshop during this first-ever national Independent Bookstore Day.
FIRST SATURDAY — KEHINDE WILEY: A NEW REPUBLIC

Kehinde Wiley, “Shantavia Beale II,” oil on canvas, 2012 (Collection of Ana and Lenny Gravier. © Kehinde Wiley. Photo by Jason Wyche, courtesy of Sean Kelly, New York)
Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, April 4, free, 5:00 – 11:00
212-864-5400
www.brooklynmuseum.org
You know L.A.-born, New York–based artist Kehinde Wiley has made it, since one of his works is featured in the hit show Empire. Wiley’s new show at the Brooklyn Museum, “Kehinde Wiley: A New Republic,” is the centerpiece for the May edition of the institution’s free First Saturday program. The free evening will feature live musical performances by Chargaux and Zebra Katz and DJ sets by Juliana Huxtable and Total Freedom; a curator talk by Eugenie Tsai about the Wiley show; a Wiley-inspired three-dimensional frame-making workshop; pop-up gallery talks; an interactive space curated by Browntourage combining entertainment and activism; a screening of Jeffrey Dupre’s short 2014 documentary Kehinde Wiley: An Economy of Grace; and a Wiley-inspired dance performance of Leaders of the New School by Art of Legohn. In addition, you can check out such exhibitions as “Revolution! Works from the Black Arts Movement,” “Basquiat: The Unknown Notebooks,” “Diverse Works: Director’s Choice, 1997–2015,” “The Dinner Party by Judy Chicago,” and “Chitra Ganesh: Eyes of Time.”
SPRING 2015 TALKS AT THE NEW SCHOOL: THOMAS HOUSEAGO

Thomas Houseago will discuss new Rock Center work, “Masks (Pentagon),” at New School talk April 29 (photo by twi-ny/mdr)
Who: Thomas Houseago
What: Public Art Fund Talks
Where: The New School, 12th Street Auditorium, Alvin Johnson / J. M. Kaplan Hall, 66 West 12th St. between Fifth & Sixth Aves.
When: Wednesday, April 29, $10, 6:30
Why: British-born, L.A.-based artist Thomas Houseago will discuss public works and his latest project, “Masks (Pentagon),” which is on view through June 12 in Rockefeller Plaza. The site-responsive installation consists of five large-scale white masks, cast from clay in industrial-strength synthetic plaster, arranged in a pentagram so visitors can enter and look out at the surrounding Rockefeller Center area, as well as witness the revealing insides of the masks. “In this piece I wanted to bring the activity and the feel of the studio into public space as an experience,” Houseago explains in a statement. “The public gets to ‘see’ the work both from the outside as an image but then also from the inside as an insight into its construction. It becomes a kind of retreat from the city but also a porous viewing space. The public becomes part of the experience of looking and also an integral part of the work.”

